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Shah Rukh Khan is many things: a villain, an anti-hero, a romantic hero, a heart-throb, and a superstar. Khan burst onto the big screen in 1992 as a character-actor who gave even the most reprehensible villains depth. The accolades he won allowed him to take on a plethora of more adventurous roles, proving his versatility and skill to the world of Indian cinema, but also establishing him as a celebrity icon. This book, containing essays from some of Khan’s closest coworkers, offers an intimate and honest picture of SRK the actor and Shah Rukh the man.

SRK – 25 Years of a Life looks at Shah Rukh through the eyes of the directors who transformed him into each of his unforgettable roles. It shows the creation of a living legend, tracing Khan from his early days to his current position at the pinnacle of the Bollywood casting lists. As well as offering an insight into Khan’s life that will entrance any dedicated fan, this book is designed to please the eye; its many illustrations are inspired by Bollywood’s hand-painted film posters, reminiscent of the iconic portraits that first revealed SRK’s characters. SRK writes that he hasn’t had time for introspection, and does not dwell on the details of his successes and failures. However, this book puts everything that needs to be known about SRK within the reader’s grasp. With its stark and unembellished accounts of SRK’s personal and professional life, it provides a unique window of insight into this legandary man.

The history of the erstwhile State of Jodhpur is a record of heroic exploits, epic victories and magnificent gallantry displayed by its army. The Story of the Jodhpur Lancers is a remarkable narrative of the warriors of this Indian Princely State – prior to, and during the First and Second World Wars – and of how the friendship between an Indian Prince, Sir Pratap Singh, and British royalty contributed to the Allied War efforts. This book provides a comprehensive historical account of the Jodhpur Lancers – their origin, their deeds and dash and their role in the armies of British India and their Princely State. Featuring rare photographs, maps, documents and sketches, this book is a richly illustrated kaleidoscope packed with historical data assembled from a wide variety of sources, much of it previously unavailable. The author has taken the skeins of Jodhpur history and woven them expertly to create a fascinating story. Forewords by General Bipin Rawat, Chief of the Army Staff and Maharaja Gaj Singh, erstwhile Maharaja of Jodhpur, make the book even more memorable. The Story of the Jodhpur Lancers also reminds us, lest we forget, of the sacrifice of so many Indians who fought in the Great War and who died in foreign lands, as brave sons of India. The book contains detailed information about the Jodhpur Lancers and the mavericks who won fame at the Battle of Haifa in 1918, during the Great War. Ardently written and engrossing to read, it takes readers back to an era of royalty and pageantry, passion and valor.

The temples of the Early Chalukyas, dating from the 6th to 8th centuries, are unrivalled in all of India for their comparatively early date and unusually complete condition, the remarkable juxtaposition of their different constructional techniques and building styles, and for the sheer beauty of their figural and decorative carvings. In spite of their appeal and outstanding historical significance, these monuments have until now lacked an adequate publication.

This volume is the first to fully describe and illustrate the architecture and art of the Early Chalukya temples in Badami, and nearby Mahakuta, Aihole and Pattadakal, all situated on or near to the Malprabha River in central Karnataka. Michell’s definitive text is complemented by forty of his measured drawings, which constitute the most thorough graphic documentation ever undertaken. These are accompanied by more than 150 splendid, newly commissioned photographs by Surendra Kumar.

Contents:
Preface; Historical Background; Architecture; Sculpture; Badami; Mahakuta; Aihole; Pattadakal; Maps; Building Chronology; Glossary of Architectural Terms; Glossary of Indian Names; Select Bibliography; Photo Credits; Index.

Sophie Toulouse transports Drago’s 36 Chambers series to the Nation of Angela, a fictitious society brought to life through the French artist’s fascinating writing and unique iconography. The Nation of Angela is a fantastic, seductive utopia where the values of beauty, purity and innocence prevail. But it is not as innocuous as it seems: its propaganda messages reveal a totalitarian ideology based on the promise of a better world, individual redemption and the denial of earthly happiness. The apologia of beauty and perfection retraces the advertising strategies of today’s consumer society.

Bonnard drew on the Japanese printmakers, especially Hiroshige, to convey the essence of Paris not through its monuments or vistas, but with scenes of bustling daily life observed from idiosyncratic angles. But unlike the Japanese artists, he worked with a painterly sense of texture and color that remains as astonishing today as when it was first published. This is one of the three hugely original portfolios of etchings brought out in 1899 by the great dealer Ambroise Vollard, and printed by the master craftsman Auguste Clot. The other two are by Édouard Vuillard and Maurice Denis, and all three are being published simultaneously by Pallas Athene. 

Welcome to the world of 2051 through the eyes of digital marketing pioneers from around the world: engineers, developers, designers, writers and analysts who closely follow tech trends. With their finely honed intuition for user experience and a passion for technology, the authors boldly predict life 30 years from now through a collection of fascinating, futuristic, stories.

Hideo Sasaki (1919-2000) believed that large, complex problems of planning and design required teams of professionals from planning, urban design, landscape architecture and architecture, all working together. Over a period of some 30 years the story of the firm that Sasaki founded and the offices that have subsequently developed from that firm constitutes an important chapter in the history of the profession.

From its foundation in 1948, the state of Israel has felt isolated and under threat from enemies. This collective siege mentality manifests itself with over 1 million public and private shelters. The Israelis have integrated these ‘Doomsday spaces’ into their everyday life and transformed them into spaces that look like normal dance studios, bars or temples. For many people in Israel who live with a personal history of exile and persecution, these shelters are the architecture of an existential threat both real and perceived. Adam Reynolds shot the images in this book over the course of three years, from 2013 to 2015. The photographs offer a broad cultural and geographical typology of the shelter spaces by documenting them on either side of the Green Line, throughout Israel and the Occupied Territories, in an effort to offer the broadest survey possible. They straddle the distinct worlds of fine art and reportage. “Working in a country like Israel, it is difficult, if not impossible, to separate art from social reality,” says Adam Reynolds.

South Africa is the eighth largest wine-producer in the world and its wine industry is among the oldest of the New World. Today it is one of the globe’s most dynamic industries, compact but diverse. In the past decade a new generation of winemakers has breathed life into centuries-old estates and new, boutique brands alike. The Wines of South Africa begins by introducing readers to the history of South African wine, starting with the arrival of the Dutch and the establishment of what would become Cape Town. Clarke then analyses South Africa’s industry today including the geological, geographical, and climatic conditions that create the parameters and potential of South African wine. He describes the major grape varieties and wine styles and outlines the broad range of wines being produced. The book the current infrastructure of the industry paying particular attention to the role of Black and coloured people in the wine industry since the end of apartheid. Key challenges facing the industry are explored, including profitability and the loss of vineyards as farmers switch to higher-margin orchards; environmental concerns, the effects of climate change, and water conservation; and the legacy of apartheid and continued imbalances in the socioeconomic structure of the Western Cape. The major growing areas of South Africa are described in turn, including an explanation of the Wine of Origin scheme, and the most important producers operating in each one.

“Ms. Ruttenberg’s latest efforts make her a force to contend with as a narrator and symbolist, a form maker and colorist.” – Roberta Smith, New York Times The Nature of the Beast is a comprehensive retrospective of artist Kathy Ruttenberg’s work in the past six years including ceramics, drawings, and watercolors. With text by curator and art historian Charles Stuckey, the book also features a tour of her eccentric estate and studio in upstate New York where pigs, rabbits, chickens, and goats roam free. Her most recent show at Stux Gallery in Manhattan for the Fall of 2014 culminate in a conversation between Ruttenberg and Sir John Richardson which is also featured.

Tibetan Buddhist art is not only rich in figural icons but also extremely diverse in its symbols and ritual objects. This first systematic review is an abundantly illustrated reference book on Tibetan ritual art that aids our understanding of its different types and forms, its sacred meanings and ceremonial functions. Eighteen chapters, several hundred different implements are documented in detail, in many cases for the first time and often in their various styles and iconographic forms: altar utensils and amulets, masks and mirrors, magic daggers and mandalas, torma sculptures and prayer objects, vajras and votive tablets, sacrificial vessels and oracle crowns, stupas and spirit traps, ritual vases, textiles, furniture, and symbolic emblems. These are accompanied by many historical and modern text sources, as well as rare recorded oral material from high-ranking Tibetan masters. This long-awaited handbook is a must-have for all those with an interest in Buddhist art and religion.

The Jewish Journey tells the history of the Jewish people from antiquity to modern times through 22 objects from the Ashmolean Museum in Oxford, brought together here for the first time. Many of the objects are little-known treasures and all 22 have remarkable stories. Spanning 4000 years of history and covering 14 different countries, the objects trace the evolution of Jewish life and culture from its earliest beginnings in Ancient Mesopotamia through time and space to the modern day.

In the evening of 6 August 1908, Josef Szombathy boarded a boat from Vienna to Aggsbach to take a carriage to Willendorf on the following day. He never suspected for one minute that he was about to make one of the greatest archaeological finds in human history – the Venus of Willendorf. Created 25,000 years ago, it is one of the most famous female figures in the history of mankind.
Through his camera, Lois Lammerhuber offers the reader a close look never seen before: Venus from all sides, with a wealth of details, down to the tiniest pore of the stone. In their essays, the Venus experts of Vienna’s Natural History Museum, Walpurga Antl-Weiser and Anton Kern, provide a glimpse into the world of the Stone Age period. The hardbound book is in a slipcase with a 3D image of the statue.

From the Belle Époque to the 1960s, jewelry from the Parisian firm Lacloche Frères adorned over four generations of crowned heads, including Queen Victoria of Spain, the Duchess of Westminster, the kings of Greece and Siam, and Grace Kelly. Founded in Paris in 1901 by three brothers, Lacloche Frères sold jewelry created by the best Parisian workshops, including Strauss Allard Meyer, Verger, Helluin-Matlinger, and Langlois, and was renowned for its elegant designs and exquisite workmanship. Their tiaras, bracelets, pins, clocks, and ladies’ accessories (vanities, cigarette cases) embodied the spirit of Art Nouveau and Art Deco, and are some of their best-known pieces. This is the first monograph to trace the dazzling history of the Lacloche family business, and includes an extraordinary album of gouaches that recreates the 21 clocks and 63 pieces of jewelry from their award-winning booth at the 1925 Paris Exhibition des Arts Décoratifs.

Text in English and French.

‘Keep Portland Weird’ is just the tip of this delightfully bizarre city’s iceberg. Though the City of Roses has experienced its fair share of changes in recent years, the spirit of ‘Old Portland’ lives in the shadow of gourmet donut shops and farm-to-table restaurants, and that’s where the real adventure begins. Summon spirits at a haunted pizzeria. Let it all hang out at a nude beach on the Columbia River. Get your kicks at the world’s only vegan strip club, and visit the world’s smallest park (blink and you might miss it).

Throughout these pages, you’ll learn about Portland’s (at times sordid) past; relive the pioneers’ grueling trek to Oregon; discover the strangest museums you’ve ever heard of, and get the scoop on the restaurants, bars, and coffee shops that don’t come with an hour-long wait. Whether you’re a frequent visitor or first timer; recent transplant or Portland native, you will discover 111 hidden places that prove Portland is weirder than you could have ever imagined.

The full-size plaster models that represented the passage from a preliminary designing phase to the production of the marble sculpture were of great significance to Italian sculptor Antonio Canova’s creative process. As the subtitle emphasises, the temporal dimension holds great importance in the neoclassic sculptor’s creative and productive phases: the plaster artefact posits a before and an after. Before comes the preparatory study; after is the finished work. Plaster stands in between, it is central. The plaster forms are not the finished works, however they contain all their power and potential.

This volume explores this meaningful and little-known phase in the creative process of Antonio Canova, along with quality close-up photo sequences that expose the plaster surfaces, bringing a greater focus and appreciation to the plaster form.

Founded probably in the 5th or 6th century, the Cathedral of Genoa was later rebuilt in Romanesque style and devoted to St. Lawrence the martyr. Money came from the successful enterprises of the Genoese fleets in the Crusades. After a fire in 1296, the building was partly restored, the inner colonnades rebuilt and matronei and frescoes added. In 1550 the Perugian architect Galeazzo Alessi was commissioned by the city magistrates to plan the reconstruction of the entire building, but the construction of the cathedral didn’t finish until the 17th century.

Among the artworks inside the church are ceiling frescoes, paintings and altarpieces by Luca Cambiaso, Federico Barocci, Lazzaro Tavarone and Gaetano Previati, while sculpture include works by Domenico Gagini, Andrea Sansovino, Giacomo and Guglielmo Della Porta. Impressive are also the works of art and silverware kept in the Museum of the Treasury which lies under the cathedral. One of the most important pieces is the Sacred bowl brought by Guglielmo Embriaco after the conquest of Cesarea and supposed to be the chalice used by Christ during the Last Supper.

Contributors include: Gianluca Ameri, Beatrice Astrua, Michele Bacci, Piero Boccardo, Antonella Capitanio, Marco Ciatti, Marco Collareta, Anna De Floriani, Clario Di Fabio, Grazia Di Natale, Gabriele Donati, Lucia Faedo, Marco Folin, Maria Flora Giubilei, Henrike Haug, Karin Kranhold, Anna Rosa Calderoni Masetti, Roberto Paolo Novello, Linda Pisani, Stefano Riccioni, Giorgio Rossini, Philippe Sénéchal, Carlo Tosco, Gerhard Wolf, Photographs by Ghigo Roli.

Text in English and Italian.

The Royal Palace of Palermo, today seat of the Sicilian Regional Assembly, is one of the symbols of Sicily and of the rich Sicilian and national patrimony. Formerly a fortress, then royal palace and finally building of government, the palace is today an extraordinary and fascinating monumental complex. A casket of artistic treasures like the Palatine Chapel commissioned by Roger II, testimony of the deep encounter between the cultures of the Normans, the Byzantines and the Arabs. The origins of the Palace go back to the xii century, while its present look is mostly due to the additions made by the Spanish viceroys during the Renaissance. Its history is rooted in the viii century B.C., when can be dated the Phoenician structures discovered during the digs of 1984. The scholarly essays of this book, together with the new photographic campaign realized by the photographer Ghigo Roli, are an indispensable guide to the history of the Royal Palace, its manifold functions and the timeless fascination of its rich artistic heritage.

Published on the occasion of an important international loan exhibition at The Azerbaijan National Museum in Baku, this multi-author book is much more than a mere catalogue. Containing previously unpublished research and a wealth of previously hidden material from museums and private collections around the world, and written by a team of international museum professionals and independent scholars, it is the first co-ordinated and detailed study of the West Caspian region’s characteristic silk embroideries. The book traces the history of embroidery in the Caucasus, the multi-cultural sources of domestic embroidery, iconography and designs in which the textile traditions of the Iranian and Turkic worlds meet, materials and needlework techniques, as well as the relationship between embroidery and the pile carpet weaving tradition in the region.

Contents:
1 Silk Treasures of Azerbaijan, Alberto Boralevi & Asli Samadova
2 Historical Azerbaijan, Murray L. Eiland III
3 Caucasian Embroideries in Context, Penny Oakley
4 Safavid-style Domestic Embroideries from Historical Azerbaijan, 1550-1800, Michael Franses
5 Silk Culture in the Caucasus, Irina Koshoridze
6 Azerbaijan Embroidery Techniques, Jennifer Wearden
7 What Went Before to Make It as It Was? Caucasian Embroidered Textiles from The Textile Museum Collection, Sumru Belger Krody
8 Busily Engaged on Embroidery : Collecting and Curatorship for the V&A, Moya Carey
9 An Early Museum Collection: Azerbaijan Embroideries in the V&A, Penny Oakley
10 A Shared Design Lexicon: Azerbaijan Embroideries and Rugs, Brian Morehouse

With vivid memories of his first visit to the Scottish National Gallery in the 1970s and his initial encounter with Hugo van der Goes’ The Trinity Altarpiece, Rembrandt’s A Woman in Bed, Velázquez’s An Old Woman Cooking Eggs and Degas’ Diego Martelli, Robert Storr discusses the shifting balance of museum collections from historically ‘certified’ classics to art whose status and significance remains in active contention and from singular ‘treasures’ to ensembles that speak to the larger scope of an artist’s endeavor. Also available: Unfinished Paintings: Narratives of the Non-Finito Watson Gordon Lecture 2014 ISBN 9781906270919 ‘The Hardest Kind of Archetype’: Reflections on Roy Lichtenstein The Watson Gordon Lecture 2010 ISBN 9781906270384 Picasso’s ‘Toys for Adults’ Cubism as Surrealism: The Watson Gordon Lecture 2008 ISBN 9781906270261 Sound, Silence, and Modernity in Dutch Pictures of Manners The Watson Gordon Lecture 2007 ISBN 9781906270254 Roger Fry’s Journey From the Primitives to the Post-Impressionists: Watson Gordon Lecture 2006 ISBN 9781906270117

This book is a fascinating study of the cultural history of Thanjavur – starting from its early days of grandeur during the Chola Empire when the Chola ruler Raja Raja I built the Rajarajeswaram temple, now known as the Brihadeeswara temple, which celebrated its 1000th year of consecration in 2010. It weaves together known and unknown histories of the various rulers – the Cholas, the Nayaks, the Marathas and the British – and of the Big Temple into a rich tapestry of cultural heritage that is Thanjavur. The historical stories presented in Thanjavur reveal to the reader the treasure house of the Sarasvati Mahal Library and lead them into the narrow lanes, or sandhus, where the painters who created the now famous Thanjavur style lived beside bangle-sellers, textile merchants, perfumers and the devadasis. The reader is invited on a long trip along the fertile river bank of Kaveri where Carnatic music and Bharatanatyam as we know them today were created and flourished. The temples, the palaces, the bronzes, the paintings, the frescoes, the cuisine, the weapons of war and ivory dolls, the kalamkaris, and literary genres are all brushstrokes that make up this colorful painting, which tells the story of the city of Thanjavur. Contents:
Foreword Of Granaries and Palaces: A short history of Thanjavur’s rulers The Sacred and the Secular: An unbroken tradition of painting in Thanjavur Manuscripts and Melodies: Thanjavur as the cradle for Carnatic music Rituals as Rhythms: Dance and drama in Thanjavur Zest for the Good Life: Crafts in Thanjavur Thanjan’s Wish: Thanjavur today and tomorrow Photographers of Thanjavur in the 19th Century Appendix 1: Treasures of the Sarasvati Mahal Library Appendix 2: A selected list of streets in the Thanjavur fort area (Municipal Wards 3-4) Appendix 3: Maps of the Thanjavur district and Thanjavur fort Appendix 4: Family trees of the kings of Thanjavur Bibliography and Suggested Readings Glossary A Word of Thanks Index

Living Buildings celebrates the 60th Anniversary of Donald Insall Associates, the Practice founded by distinguished British architect Donald Insall, a leading exponent in the field of Architectural Conservation. Probably best known for the restoration of Windsor Castle after a devastating fire in 1992, the team s dedicated work has ensured the longevity of many of Britain s national treasures. This book presents a detailed examination of a painstaking approach to architectural conservation, comprehensively illustrated by case-studies, drawings, plans and in-depth descriptions. It is designed for a wide readership among all those who love and care for old buildings and appreciate good new design in sensitive areas.

Switzerland is well-known for its host of remarkable collections of 18th century European porcelain. Exemplary representatives include renowned collectors such as Dr Albert Kocher and Dr Marcel Nyffeler. A number of these magnificent collections can be found today – as a result of endowments or gifts – in Switzerland’s renowned institutions. Today, the ‘white gold’ from Saxony still fascinates Swiss connoisseurs: this publication is dedicated to their passion for collecting and for exceptional treasures, and is enriched with articles by renowned art historians and porcelain experts. An impressive overview of the gems from the most sumptuous Meissen porcelain of the early period.