“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express
Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.”
As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances.
Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.
Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture.
With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.
“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express
Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.”
As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances.
Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.
Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture.
With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.
“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express
Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.”
As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances.
Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.
Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture.
With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.
“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express
Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.”
As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances.
Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.
Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture.
With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.
“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express
Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.”
As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances.
Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.
Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture.
With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.
With over 400 types of bread and 700 cured meats to choose from, Italy takes its charcuterie seriously. This landmark project documents and catalogs the majority of cured meats produced in Italy, giving visibility to a sector that is unique in the world for quantity, variety, and quality. Italian charcuterie traditions vary widely from North to South but the combination of artisanal cured meats and wonderful bread is a favorite choice of snack for everyone. Here are fried cake with Busseto culatta, Tuscan bread with finocchiona, Campana soppressata, mafalda and Sicilian cold cuts; only a few examples of dishes made with Italian-made charcuterie. This illustrated book highlights a typically Italian cultural and productive diversity in this sector: different cultures, different merendas. It showcases the Italian charcuterie brand through the lens of the classic merenda, highlighting a ‘Made in Italy’ product that aims for recognition on the scale of Italian fashion, wine, music, and art. This book is the result of 10 years of work in the field, created with the support of the Guida Salumi d’Italia.
Text in English and Italian.
Montreal is so much more than its old world architecture and love of wine and cheese. The Quebecois metropolis is bursting with enough joie de vivre to make just about anyone want to get out and explore its cobblestoned and pothole-ridden streets — and true Montrealers know that the city has its own unique identity and quirks that place it in a league all its own.
Spend a wine-fueled cinq à sept with a ghost at the city’s oldest bar. Get up close and personal with a life-like portrayal of Benito Mussolini. And go skating in the middle of the downtown core — any time of the year.
This guide comes as a love letter to Canada’s largest French-speaking city and everything it has to offer its residents and travelers. Visiting and full-time Montrealers alike will be pleasantly surprised by what can be discovered beyond the cobblestone and steeples if only you’re willing to take the side streets.
Most people go to Napa and Sonoma in Northern California for the wine, and rightly so. The trove of 111 unexpected treasures in this guidebook, however, vastly broadens the possibilities for exploring and experiencing this region in a whole new way. The area is filled with natural wonders, from giant redwood forests and rolling hills, to cliffs and beaches, and even a secret spot to see 20,000 migrating grey whales. Discover the history of Native people who lived here for millennia. Walk in the footsteps of titans of literature, film, and design. Linger in museums featuring fine art, culinary history, and a hubcap collection. You’ll find a sense of whimsy here, too, as you hunt for fairy doors or stroll through a pygmy forest. Visit restaurants, gardens, music venues, gravesites of people who made an impact here, and more places you never imagined existed – and, yes, a few truly unique wineries too.
The debut monograph of Stacey Gillian Abe’s work is created to accompany her first London solo show at Unit London. Featuring works spanning her career to date, the book explores the key themes from Abe’s work and delves deep into her expressive and symbolic indigo portraits. Abe’s book includes insightful written contributions from Flavia Frigeri, art historian, lecturer and the Chanel Curator at the National Portrait Gallery and Serubiri Moses, renowned writer and curator, alongside a conversation between the artist and Catherine McKinley, curator and author of the critically acclaimed Indigo: In Search of the Color That Seduced the World and The Book of Sarahs: A Family in Parts. Abe’s work reflects her past and her memories, highlighting her personal experiences and her relationships to her community. The autobiographical dimension of her work confronts traditional depictions of the Black body, challenging the colonial lens. Abe creates imaginary spaces that induce a surreal mystical feel while probing unsettling past and present narratives of identity, gender, spirituality and cultural mysticism. Renowned for her indigo skin-tone paintings, the color has become crucial in reshaping narratives surrounding the black body. Through the color, she dives into the past to envision an alternative future for the Black race. To Abe, indigo represents a tribe of people that are not limited to social, economic, cultural, political or historic constraints: ‘it is about being unapologetic’.
“…his stories are always interesting, lively and well written, giving an insight to the art world as he experienced it.” — Literary Review
“If you read one book on art this year, it must be this brilliant critique of art today seen through the lens of retired museum curator Julian Spalding.” — International Property & Travel
Julian Spalding’s career as a curator and creator of museums was amongst the most controversial and effective of his time. In this collection of essays and memoirs he revisits some of the important events and battles of the last forty years, when he spearheaded resistance to the cult of conceptual art being promoted from the center. Witty, illuminating, coruscating and blazingly intelligent, this book is a vital guide to the ways in which we consume art today, for good or ill.
“Award-winning Belgian photojournalist Nick Hannes casts a critical eye on six newly built capital cities around the world, from Korea to Kazakhstan, and questions whether they are really serving the people who live in them.” — Elle Decoration UK
What does the ideal capital look like? Photographer Nick Hannes traveled to six countries – Egypt, Korea, Nigeria, Kazakhstan, Indonesia and Brazil – that have recently built a new capital or are in the process of doing so. Each and every one of them is a typical example of what Rem Koolhaas calls the Generic City: a planned city without historical layers, local identity, or its own character. As a visual sociologist with a sharp eye for detail, Hannes searches for the human dimension in a setting full of spectacular architecture and pompous prestige projects. New Capital is a critical reflection on unbridled neoliberal urban development and its social and ecological consequences, but is also peppered with subtle humor and surprising coincidences. Meandering between pride and sadness, New Capital shows how utopia and dystopia are sometimes surprisingly close.
Bruges has many faces. Its proud towers, elegant stepped gables and charming squares were once the scene of bloodshed and intrigue, but also of budding romances and excessive wealth. Seduced by its illustrious past, Bruges attracts countless visitors who come to soak up the romance and atmosphere of yesteryear. Apart from the must-see sights like the Rozenhoedkaai, the Beguinage, the Minnewater and the Grote Markt, the city also boasts countless intimate corners, authentic squares and tranquil green oases that provide a retreat for those seeking some peace and quiet. Through the lens of photographer Selina De Maeyer, the essence of Bruges comes to life. Her evocative photographs capture the city in all its bustling vibrancy, its occasional weariness, and even moments of wistfulness. They offer a poetic glimpse into the soul of the city and take us on a journey from the iconic hotspots to the hidden gems.
Text in English, French and Dutch.
Leave the Light on is Annelore Desmet’s tribute to women. Her captivating images are like poetry without words, but their beauty goes beyond the pretty picture. Suggestive and mysterious, these photographs tell a compelling story of authenticity, seduction and feminine power. Annelore Desmet knows better than anyone that beauty is more than skin deep. With her trusted camera and light as her sole ally, she manages to meticulously capture every model’s essence, uniqueness and energy. For Annelore, photography is more than a craft. It is an intuitive journey wherein she completely surrenders to her instincts and embraces the moment. Or, as Henri Cartier-Bresson once said: “It is an illusion that photos are made with the camera… they are made with the eye, heart and head.”
Text in English and Dutch.
Star and Moon presents the daily life of the Hui people and expresses a kind of “emptiness” that transcends time and meaning. Lonely, mysterious, quiet and elegant, the simple images are like a faded postcard, bringing a deep Zen feeling to the heart. At first glance, the images of Star and Moon are plain and seemingly picturesque. However, if you sit quietly for a moment and feel the breath conveyed by the black and white shadows, you will experience a heavy breath running through it, adsorbing the viewer’s eyes tightly, following the photographer’s lens in the cycle of the stars and the moon, experiencing the destiny of the Islamic nation together.
Yang Yankang expands the scope of experimental exploration of the language of modern Chinese photography, and creates a revelatory way of perceiving the art of practical photography. His works on the three major religions have historically placed them in a prominent position in the history of modern Chinese art, and he has become one of the leading photographic artists in China and even in the world.
Step into a captivating world where the lens becomes a storyteller, and architectural marvels and interior masterpieces unfold with mesmerizing clarity.
For the first time ever, this book brings together 50 of the world’s best photographers specializing in architecture and interior design and showcases each one through portraits, interviews and a handpicked selection of their best images to date.
In Focus is not just a book; it’s a visual odyssey paying homage to the world’s most exceptional architecture and interiors photographers.
As the curated collection unveils the unique perspectives of each photographer, from the play of light on architectural structures to the intimate details of curated living spaces, readers are invited to witness the convergence of art and functionality. This tribute encapsulates the essence of architectural and interior photography, showcasing the visionaries who have dedicated their craft to immortalizing the soul of spaces.
No country, apart from India, is as closely allied with the Buddha’s travels as Sri Lanka, which was visited thrice by the Buddha and received corporal relics and a branch of the bodhi tree after his death. Today the Buddha’s eye-tooth is venerated daily by thousands in Kandy and regarded as a priceless relic.
Buddhism is not the only religion to have influence the island, as another major pilgrimage spot is Kataragama, a site devoted to a Hindu God, while Christianity and Islam are also part of the mix. From Europe, the Portuguese, Dutch, and English added new spiritual layers in a colonial period that stretched nearly three centuries. As a result, understanding the country, through the lens of sacred sites provides a special glimpse into this unique civilisation.
… “What sets Stills apart from your standard rock photo book is the captions, written by Robert Smith himself.” — WhyNow
The Cure “Stills” follows the changing faces of one of the leading British rock bands during the post-punk and new-wave movements of the late ’70s and ’80s. As the band has continued over a period of nearly 50 years, front man and only constant member Robert Smith has maintained the band’s popularity throughout the changing musical eras, while staying true to their individualistic style and quirkiness.
Instrumental in the creation of the varying incarnations of The Cure is photographer Paul Cox, who first encountered the group on Top of the Pops in 1980. Having established a creative, productive and trusting relationship with the band, Cox’s resulting work is The Cure in all their glory. Including over 200 color and 75 black-and-white images, with accompanying captions selected and written by Cox and Smith, this book is a celebration of a seminal band through the lens of a skilled photographer.
“There are some wonderfully intimate, tender and witty photographs in this big sumptuous volume, as well as ones that capture, as only the still camera can, the insecurity and pain behind the ever-smiling facade.” — John Banville, The Guardian
“…an unprecedented reissue, enriched by Michael Arnold, the photographer’s grandson.” — Harper’s Bazaar France
“”Marilyn Monroe by Eve Arnold”, one of the best (if not the best) photographic documents ever released about the ultimate sex symbol of the 20th century.” — Greek Newspaper TO BHMA
“In collaboration with the official Estate of Marilyn Monroe, the beautifully designed book featuring a rose gold color palette showcases gorgeous photos of Monroe in her prime wearing some of her most iconic wardrobe in addition to her simplistic fashion sense off screen.” — The Hollywood Times
“The beauty in these photos is bittersweet.” — The TimesLuxx
When they met at a party in the early 1950s, Marilyn Monroe remarked to Eve Arnold that she’d seen the photographer’s images of Marlene Dietrich. ‘If you could do that well with Marlene,’ Monroe said, ‘can you imagine what you could do with me?’ A star in her day and one that continues to captivate the world, Monroe’s multifaceted persona is brilliantly captured through Arnold’s lens in this revised and redesigned edition of the 1987 publication, Marilyn Monroe: An Appreciation.
Including newly discovered and restored photographs in color and in black and white, alongside insightful commentary, Eve Arnold takes us on a photographic journey of Monroe’s life. A detailed biography in Arnold’s own words allows a rare glimpse into the stories behind the photographs and her unique relationship with Monroe. As these two female artists come together in the creation of this stunning photographic collection, an important historical testimonial has been actualized, showing women striving in a male-oriented world and succeeding in reaching the top of their game.
“Legendary Bruce Springsteen photographer’s iconic travel images showcased in lavish new coffee-table book, from storms in South Dakota to penguins in Antarctica.” — The Daily Mail
“… a dazzling collection that bursts with vibrant colours and energy. This book is more than just a visual feast; it’s a journey into the stories behind each photograph, offering readers a behind-the-scenes look.” — Digital Photographer Magazine
“This richly designed monograph is both a masterclass in color photography and a deeply personal reflection on a life spent chasing light.” — About Photography
Multi-award-winning photographer Eric Meola is a master of using color and light in photography, creating vivid, evocative, and graphic images. From his famous “Coca Kid” and Bruce Springsteen’s “Born to Run” album cover to his Lifetime Achievement Award in 2023, Meola has had an extraordinary five-decade career.
Bending Light: The Moods of Color is a retrospective bursting with color. It features 100 iconic photographs from Meola’s editorial, advertising, and personal work, as well as his recent experiments with color abstracts. Meola also takes readers behind the lens to reveal the stories and anecdotes behind the creation of each image. Through this intimate and personal account of his creative process and self-expression, the photographer examines his use of color, its symbolism, and how it affects our moods.
For professional and aspiring photographers, and people who appreciate photography, art, and a colorful perspective of the world, this extraordinary collection of images, captured over more than fifty years, showcases why Meola is considered a true innovator in color photography.
Award-winning firm MDSzerbaty Associates Architecture (MDSA) reflects on past work to explore its use of materiality and the inherent qualities of texture, color, and light.
Architects design, build, and move on to the next project. How often do they reflect on their decisions and the evolution of their work over time, looking back at the choices they made?
MDSA carefully considers texture, color, and light, and explores these inherent qualities of materials in its architectural designs. At first sight, they may seem disparate with adjacent elements, but ultimately exhibit a refined and sophisticated appearance.
In Light, Color, Texture: The Work of MDSA MDSzerbaty Associates Architecture, principal Michael D. Szerbaty examines recent works by the firm to provide a reflective reassessment of the impact of light, color, and texture. Each project contains a discussion revealing how the materials were selected, the decision behind the use of color, and the deliberate window placement to allow natural lighting. Szerbaty’s review across the selected body of work provides evidence of the firm’s evolutionary approach, and an awareness of how buildings alter in place over time.
With full-color photography and insightful commentary, this monograph offers an unparalleled opportunity to gain clear and informative insights into the decision-making process of an award-winning architecture firm.
Volker Hermes: Hidden Portraits gathers the essential works by one of the most beguiling artists of the present era, in a very modern reinterpretation of historical privilege.
Using only elements of the original paintings, Volker Hermes masterfully alters photos of historical portraits to mask the faces of their subjects. With each figure concealed under their own ceremonial attire, these one-time elites quickly lose their individuality in a plume of decorations and accessories.
In this official collection, Hermes delivers his wry commentary on wealth, fame and social status with taut imagery, intense focus and a suitably shrewd sense of humor. His immaculately reproduced artworks are accompanied by the thoughts of German art historian Till-Holger Borchert and Professor Francesca Raimondi of Berlin’s Institute for Philosophy, as well as the artist himself.
A must-have revision of classical portraiture from a celebrated digital creator.
“Hermes’s meticulously described collages pay homage to their sources while gently ribbing the social pretensions and ambitions of the courtly classes.” – Christopher Alessandrini, metmuseum.org
“Most photographers have a style and a favourite subject, but few are as synonymous with their chosen field as Anouk Krantz, who is known for her spectacular – and immensely popular – black & white studies of cowboy culture.” — Black & White Photography Magazine
“Incredible photos capture modern-day cowboys throughout the USA and South America and reveal ‘humanity at its best’.” — Daily Mail
“…fascinating and expansive photo project on the many manifestations of cowboy culture, encompassing the North American cowboy that’s forever enshrined in popular culture, the Central American ‘vaquero’ and the South American ‘gaucho.’” — Amateur Photographer Magazine
“…a stunning photographic journey uncovering a hidden world of modern cowboy culture.” — Cultural Union
In Anouk Masson Krantz’s most expansive work to date, she travels tens of thousands of miles across the Americas, broadening her focus from the United States to both American continents. In her exquisite, large-scale photographs – all new for this book – Anouk captures sweeping landscapes and paints an intimate portrait of the enduring cross-boundary legacies of the North American cowboy, Central American vaquero, and South American gaucho. Her time spent at ranches and rodeos across The Americas has culminated in a magnificent book honouring a way of life many around the world dream of but rarely have experienced first-hand. Frontier builds upon Anouk’s renowned body of work with her bestselling Wild Horses of Cumberland Island (2017); West: The American Cowboy (2019); American Cowboys (2021); and Ranchland (2022). Her stunning black and white, large-scale photographs capture a culture deeply rooted in principled, timeless values, sacrifice, strength, and self-reliance. From stunning panoramas to the intimate everyday lives of working cowboys and their families, Frontier is a must-have addition to her impressive body of work.
Bernie Taupin, Oscar winner, Rock & Roll Hall of Fame inductee, and long-time song-writing collaborator with Elton John, has contributed an exceptional foreword.
“There’s an honesty and integrity in these images that parlays all the elements of what it means to exist outside the boundaries of conformity and confinement. The rebel spirit, the rugged individualism, and the absolute unapologetic rhythm of history. This is stunning work—a true testament to the men and women who are the anvil on which America’s backbone was forged.” —Bernie Taupin
In Anouk Masson Krantz’s most expansive work to date, she travels tens of thousands of miles across the Americas, broadening her focus from the United States to both American continents. In her exquisite, large-scale photographs – all new for this book – Anouk captures sweeping landscapes and paints an intimate portrait of the enduring cross-boundary legacies of the North American cowboy, Central American vaquero, and South American gaucho. Her time spent at ranches and rodeos across The Americas has culminated in a magnificent book honouring a way of life many around the world dream of but rarely have experienced first-hand. Frontier builds upon Anouk’s renowned body of work with her bestselling Wild Horses of Cumberland Island (2017); West: The American Cowboy (2019); American Cowboys (2021); and Ranchland (2022). Her stunning black and white, large-scale photographs capture a culture deeply rooted in principled, timeless values, sacrifice, strength, and self-reliance. From stunning panoramas to the intimate everyday lives of working cowboys and their families, Frontier is a must-have addition to her impressive body of work.
Bernie Taupin, Oscar winner, Rock & Roll Hall of Fame inductee, and long-time song-writing collaborator with Elton John, has contributed an exceptional foreword.
“There’s an honesty and integrity in these images that parlays all the elements of what it means to exist outside the boundaries of conformity and confinement. The rebel spirit, the rugged individualism, and the absolute unapologetic rhythm of history. This is stunning work—a true testament to the men and women who are the anvil on which America’s backbone was forged.” —Bernie Taupin
Also available in a standard edition Frontier ISBN 9781864709810, £70.00.
Elemental Liv shows how Alexis Herbosch builds houses that form the backdrop to our everyday surroundings and connect with the existing. With real materials, he opens these spaces to the outside world. They are buildings that touch and appeal to people, overwhelm and still them. Serenity and tactility have determined the design practice of Alexis for twenty years. They form a fil rouge throughout his life and this monograph. What we see are pure forms and a simple mise-en-scène. We feel nature as our guide, observe the defining light and experience the power of the environment. Like a true master, he chooses the right elements to define an experience. From these, spaces grow that smile at all the senses. The use of natural and regional materials is striking. Alexis captures the essence of the good life in his growing oeuvre with his sober lines and controlled layout as his foundations.
Text in English and Dutch.