Shobha Deepak Singh’s photographs are a telling documentation of the history of dance in post-independence India. Shobha has been photographing dancers and dance productions ranging from solos to groups to operatic productions; and from traditional to modern to contemporary dance productions. Legends of Indian dance including Kelucharan Mahapatra, Birju Maharaj, Sonal Mansingh, and Uma Sharma have all borne the scrutiny of her lens. Contemporaries such as Akram Khan, Aditi Mangaldas and Astad Deboo amongst others have been captured within the full force of their experimentation. Dancescapes not only documents, but also sets the blood racing in the veins of any lover of Indian dance.

From acclaimed Hollywood photographer Firooz Zahedi comes Look at Me, a collection of his most distinguished and intimate celebrity portraits. From editorial commissions from magazines – including Vanity Fair, Glamour, InStyle, GQ, and Entertainment Weekly, to iconic movie posters such as Pulp Fiction, Edward Scissorhands, and The Addams Family – Zahedi has been photographing Hollywood’s biggest stars for over 35 years.

Each photograph is accompanied by a short text offering personal insight into how each shot came together. Also included are never-before-seen photographs as well as special behind-the-scenes snapshots and notes from Zahedi’s appreciative subjects. Look at Me is a celebration of this golden age of celebrity as seen through the lens of one of Hollywood’s most accomplished photographers.

Mayra Martell (b. 1979) is a documentary photographer from Ciudad Juárez, México. She has worked primarily in areas of Latin America and Africa subjected to forced disappearance. Her newest project, the book Ciudad Juárez, is about a city whose social fabric has been torn by violence. Martell has received many distinctions and awards. In 2011, at the 4th International Fotobook Festival in Kassel, Germany, she won the first prize in the Reviewer Award and second prize in the Dummy Award. She also obtained an honorable mention in Lens Culture International Exposure Awards in París, France.

A new volume in ACC Art Books’ London series, focusing on the capital’s vibrant LGBTQ+ scene. Queer London is a timely and accessible introduction to the city through a LGBTQ+ lens, and will appeal to anyone with an interest in London’s thriving queer landscape.

Celebrating the diversity and innovation of queer individuals in London, both historically and today, Queer London
features a range of bars, clubs, shops, Pride events, charities, community organisations, saunas and sex shops that cater to the LGBTQ community.

Along with highlighted features on influential queer Londoners of the moment, this book delves into the cultural history of queerness in the capital, including events, organizations or venues that have sometimes been forgotten or overlooked, but which were of key importance to the community. From the long, illustrious queer history of Soho and the legendary drag balls at Porchester Hall, to the hottest clubs of the moment, Queer London is the go-to guide for anyone looking to engage with rich queer legacy of this nation’s capital.

“This modern, refreshing examination of today’s American cowboys and cowgirls is something people will want to revisit time and time.” — Yahoo
“…captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.” – Ailbhe Macmahon, Daily Mail

“Cowboys may be innately photogenic, but French photographer Anouk Krantz has succeeded in capturing their lives and surroundings like no other.”  —Graphius Magazine

Having earned wide acclaim for her bestselling Wild Horses of Cumberland Island (2017) and West: The American Cowboy (2019), this new collection of work that is American Cowboys is Anouk’s strongest work yet. Join Anouk Masson Krantz in her solo journey across America where she reveals the intimate lives and families of this private, elusive icon of our American West. Through her lens Anouk showcases an incredible journey from an outsider’s perspective into the private world of the American cowboy. Real people and real stories — a remarkable and inspiring story of people coming together to share their lives and celebrate the nation’s cowboy culture. This book is a must-have title among Anouk’s fine collections of photographs.

Anouk’s work has been exhibited in galleries and museums across America. She is renowned for her large-scale contemporary photography and her use of white space that defines her elegant, minimalistic style.

Forgotten in Thailand’s troubled Deep South, stands a dilapidated wooden palace once home to a Malay ruler, the last of his dynasty. Locals call it the “House of the Raja,” a place suffused with loss and solitude, laden with the region’s glorious past and tragic present. Intrigued by this demonized, little-known borderland, photographer Xavier Comas chanced upon this mysterious house and felt compelled to delve into its past. The caretaker, a Muslim shaman who held rituals inside, invited the author to stay and initiated him into its hidden dimensions. As Comas builds a bond of trust with the inhabitants of the house, the missing pieces of its history gently fall into place, revealing an ancient culture long hidden and the building’s ties to the centuries-old struggles in this contested region.
 
Comas’ evocative black-and-white photographs take us into a realm of hauntings, mystic powers and fading memories. His first-hand account enthralls the reader with vivid descriptions in which the real and the magical entwine. The House of the Raja provides a missing key to controversial issues of legacy, belief and identity in Thailand’s Muslim South.

Banaras is an enigma with a carefully crafted antiquity that runs deep into its veins. It is an anagram hard to decipher. In more tangible terms, going beyond the metaphorical, Banaras is about all its elements and many sights and sounds. It is about the visible thousands, the Banarasis (the dwellers), the pilgrims, the tourists, the patrons, the kings, the emperors, and the nameless. 

Banaras is the perceived ‘sacred’ by the believer, reflected in its past created and recreated, finally standing ground in the contemporary or the lived-in, in particular. A visit to Banaras leaves you with vivid memories or recall of a particular moment which resides in one’s senses long after the journey.

This book is about the author’s sensing of Banaras, a quest to comprehend all of the above and a catalyst to experience more. 

This book offers a review of Matteo Pugliese’s art over the past 20 years. The figures the Milanese sculptor creates are distinguished by their great power, revealing an inner torment that can no longer be disguised. The men depicted in his sculptures are all trying to break free of the wall that holds them, to throw off their limitations and assert their value as individuals in the hopes of escaping from dull uniformity and social and family expectations. These are people who are attempting to achieve a painful rebirth by struggling against materialized restraint — a wall — that seeks to prevent them expressing themselves, growing and therefore existing. The artist chooses to portray the moment of greatest effort, of supreme tension, the instant when a man regains control of his life and struggles against what is holding him trapped so as to restore a sense of purpose in his life. The carefully studied poses of his figures recall ancient models, in the same way as the material from which they are fashioned is also ancient. Luigi Spina’s lens knowingly lingers on these figures’ troubled birth and enables the reader, admirer, and art historian to acquire an intimate understanding of the sculpture and even to feel a part of the travails and manifest vulnerability that grip all of humanity.

Text in English and Italian.

A delightful culinary voyage to discover the wonderful world of Milanese cooking, presented here through a contemporary lens, yet simultaneously highlighting traditional influences as well.

The book is divided into 13 chapters, each dedicated to a particular ingredient or specific dish: brief introductions rich in curious and historical details are followed by tips on recognizing the quality and seasonality of products.

The authors share priceless advice with readers. They will lead you to a reconsideration of winter vegetables, through scrumptious dishes like cabbage rolls, cauliflower cream and baked onions. You will also be introduced to the numerous culinary possibilities of cooking with offal, with traditional dishes such as Milanese tripe. Enjoy the lovely flavors of braised meat cooked in wine and broth, the refined experience of goose cassoeula, and the timeless appeal of Milanese classics like ossobuco.

For those who wish to delve into tradition while keeping a finger on the pulse of the present, Contemporary Milanese Cooking will surely not disappoint.

“Just by the fact -created by Hilla and Bernd Becher- that reality is allowed into art again in the form of a documentary image, (…), magical realism was created.”

With his pictures of the half-timbered houses of the Siegen industrial area, Thomas Kellner has reminded us of the beauty of the everyday that surrounds us and yet so often goes unnoticed. Based on the typology of the Bechers, Thomas Kellner presents here his 2021 pictures of the half-timbered houses, which inspire with their color refraction and artistic blurring of the background. These houses, which have become commonplace in the region, reveal themselves here as real works of art with their detailed slate-façades and well-kept exteriors.

The Siegen based photo artist Thomas Kellner shows us here through the lens of his camera a part of the history of his region. He has worked on architecture before, and so has already swept away countless people internationally.

Text in English and German.

This beautifully illustrated monograph details the designs and unbuilt works of renowned Korean architect firm BCHO Partners and explores the firm’s focus on architecture with simple structures and a strong regard for the natural environment. Filled with a rewarding collection of unbuilt projects, this richly illustrated monograph provides critical insight from the designers into the context of each development and plan. These projects all feature one consistent interest: a concern for the relationship between the proposed building and the surrounding landscape. The carefully selected collection of projects reflects the breadth of the firm’s past explorations and the diversity of ground conditions they have encountered. The book provides an occasion to revisit the vast collection of the firm’s past unbuilt projects through the common lens of the given site and landscape.

“Who doesn’t know Paul Newman? The man with the beautiful blue eyes, the chiselled face and body, the 50-plus years of memorable acting and directing roles, the awards, the movie-star marriage. Well, it turns out, there is lots more to know.” — Parade Magazine
“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express

“Hollywood Hunk Paul Newman as you’ve never seen him before.”  — Yahoo! News

“Paired with raw and unvarnished commentary from the photographers themselves, Newman’s incomparable authenticity and appealing persona bleed through each page.”— Newsweek

Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.” 

As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. 

Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. 

Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. 

With comment and contributions from the photographers, Paul Newman: Blue Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

Paul Newman: Blue Eyed Cool is a must-have for fans who see in Newman’s work and in his life a true hero.

Suzanis, the exquisite hand-embroidered panels from Central Asia, have captured the hearts and minds of collectors and decorators for many years. Joyful and exuberant, they are a bridge to a past way of life in which textiles permeated every facet of existence. While today they adorn the walls of museums and can be spotted in homes designed by interior designers such as Robert Kime and Beata Heuman, not much is known about their history. This book sets out to change that.

Through the lens of one of the best collections of suzanis in the world, we delve into the history of Central Asia and understand more about the women who painstakingly stitched these works of art. A true delight for all who have experienced the magic of the suzani, this publication pairs beautiful visuals with engaging new research.

“It’s a fascinating journey, and with pages featuring brilliant images of rubies, emeralds, and Jaipur enamel work, it’s a true feast for the eyes.” — Natural Diamonds
Inspired by India is an exploration of more than six centuries of trade, cultural exchange, and inspiration between India and the West. Through the lens of various material categories, including textiles, fashion, jewellery, and perfume, marvellous stories unfold surrounding the histories of objects and the complex networks of cultural exchange they represent. The book explores how some of the most legendary design houses have looked to Indian culture, decorative arts and artisanal crafts for inspiration. Indian-inspired objects from luxury houses including Hermès, Chanel, Cartier, and Dior are featured, revealing creative and fascinating stories of inspiration and creativity.

The stunning Inspired by India also includes rich visual imagery from leading museum and gallery archives, as well as the archives of the world’s greatest luxury houses and renowned fashion designers, including Dries Van Noten, Alexander McQueen, and John Galliano.

Lam Partners has blazed the trail in architectural lighting design for more than 60 years. The visionary team of designers, architectural imaginers, and technical gurus have illuminated prominent and prestigious buildings, landmarks, and spaces across the United States and around the world.

William Lam founded his eponymous studio in 1961, pioneering the field of modern lighting design and establishing the core philosophies and principles that continue to lay the foundation for Lam Partners and the lighting industry today. Now led by its third generation of principals, Lam Partners collaborates closely with architects to develop custom lighting designs that bring their vision to life. Their passion for architecture and lighting is evident in the energy and enthusiasm injected into the design process, and the technical and creative strategies that enrich architecture and space, and elevate the human experience.

This beautifully presented monograph showcases 25 architectural lighting projects by Lam Partners, including the United States Institute of Peace, Guggenheim Museum Bilbao, Yad Vashem Memorial Museum, The TOWER at PNC Plaza, Salt Lake City Public Library, and SoFi Stadium. It also features a selection of legacy projects, such as the Washington D.C. Metro and Union Station, and the Atlanta Marriott Marquis, considered to be some of Lam’s greatest contributions to architectural lighting.

“If you really want to get under the skin of a city, the 500 Hidden Secrets series, which covers a number of cities from Havana to Ghent, all written by people who know the cities inside out, is ideal. It’s an innovative and refreshing take on the traditional travel guide.” – The Independent

The perfect book for those who wish to discover the locals’ favorite spots in Venice, one of the most popular tourist destinations in Europe. Avoiding the usual tourist haunts, this affectionate guide provides a fresh perspective on the must-visit spots and introduces you to Venice’s best-kept secrets, such as 5 restaurants that most tourists will never find, 5 cozy markets in the open air, the 5 most beautiful buildings by architect Carlo Scarpa, 5 convents where you can spend the night, the 5 nicest bookshops for kids and much more.

The Art & Times of Daniel Jocz presents the entrancing and challenging work of American jewelry artist and sculptor Daniel Jocz. There is a spontaneous quality to the work, yet it is always rich with meaning. His open spirit is fully embodied in the 2007 neckpiece series An American’s Riff on the Millstone Ruff. Inspired by the extravagant scale of 17th-century Dutch ruffs at the Rijksmuseum in Amsterdam, he decided to update them with automobile paint.

Jeannine Falino takes an in-depth look at the twists and turns of Jocz’s long career, from his early geometric sculptures to the fashion-forward flocked Candy Wear collection, and from his ruminations on Marlene Dietrich in the form of necklaces featuring enamel smoked cigarettes to the wall reliefs he explores today. Wendy Steiner considers Jocz’s place in the avant-garde through the lens of fashion and culture, while Patricia Harris and David Lyon explore his involvement in the rollicking Boston jewelry scene of the late 20th century.

“Ballet inspires me. Human beings have the capacity to express themselves through many art forms, but when it comes to dance – and especially classical modern ballet – I am always amazed by that unbelievably elevated form of expression. It’s so precise and so incredibly skilled; I admire that enormously.” — Photographer and filmmaker Erwin Olaf

“The fact that the photographer is looking through the camera lens means they have a different perspective from looking directly at the figure. That is voyeuristic. The camera can do something that the audience member can’t: zooming in for a close-up.” — Choreographer Hans van Manen

The grand master of Dutch dance, Hans van Manen, celebrates his 90th birthday this year. That has given rise to international celebrations by leading ballet companies with the Hans van Manen festival from 8 to 29 June 2022, the exclusive publication Dance in Close-Up and the exhibition of the same name in Galerie Ron Mandos in Amsterdam from 19 June to 17 July 2022.

From the 1970s to the 1990s, Hans van Manen was not only one of the world’s leading choreographers, but also an internationally acclaimed photographer. It was during this period that the then very young photographer Erwin Olaf met the famed artist, who immediately took him under his wing and introduced him to the world of the visual arts and studio photography.

This book celebrates their 40 years of friendship, with a photo series in which Van Manen directs moments from his choreographic career, recorded with the utmost precision by Erwin Olaf.

With text contributions from the authors Nina Siegal and Michael James Gardner.

“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express

Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.” 

As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. 

Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. 

Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. 

With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express

Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.” 

As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. 

Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. 

Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. 

With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express

Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.” 

As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. 

Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. 

Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. 

With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express

Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.” 

As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. 

Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. 

Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. 

With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express

Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.” 

As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. 

Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. 

Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favorites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. 

With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.