The Art & Times of Daniel Jocz presents the entrancing and challenging work of American jewelry artist and sculptor Daniel Jocz. There is a spontaneous quality to the work, yet it is always rich with meaning. His open spirit is fully embodied in the 2007 neckpiece series An American’s Riff on the Millstone Ruff. Inspired by the extravagant scale of 17th-century Dutch ruffs at the Rijksmuseum in Amsterdam, he decided to update them with automobile paint.
Jeannine Falino takes an in-depth look at the twists and turns of Jocz’s long career, from his early geometric sculptures to the fashion-forward flocked Candy Wear collection, and from his ruminations on Marlene Dietrich in the form of necklaces featuring enamel smoked cigarettes to the wall reliefs he explores today. Wendy Steiner considers Jocz’s place in the avant-garde through the lens of fashion and culture, while Patricia Harris and David Lyon explore his involvement in the rollicking Boston jewelry scene of the late 20th century.
“I have an old camera with which I have taken countless photographs of myself. It often produces astonishing effects”, Edvard Munch states in a 1930 interview. “Someday when I am old and have nothing better to do than work on an autobiography, all my photographic self-portraits will see the light of day again.” The autobiography was never realized, but the self-portraits have found their way to the pages of The Experimental Self. The Photography of Edvard Munch, which demonstrates the fundamentally experimental nature of the artist’s photographic practice. As a photographer, Munch embraced the freedom provided by the amateur position, and the unpredictable aspects of analogue photographic technology. By playfully approaching his own image in picture after picture, Munch extends his explorations of selfhood in other media through photography. The resulting photographs provide unique access to Munch’s radical artistic vision, which this book studies through eminent essays by Patricia G. Berman, Tom Gunning and MaryClaire Pappas.
Miami is a city in constant motion, where luxury high-rises reshape the skyline and vibrant art, neon-lit beaches, and tropical charm create a one-of-a-kind atmosphere. Beyond the lively nightlife lies the serene paradise of the Keys, a chain of islands steeped in history, hidden gems, and sun-soaked adventures.
This guide uncovers Miami and the Keys’ most unusual experiences, inviting you to explore places you’ve passed or never noticed. Discover rotating art displays in a millionaire’s mansion, dance to Latin rhythms in Little Havana, or slide down a two-story chute into a shopping haven.
Dive into crystal-clear waters to explore pirate shipwrecks, visit the country’s smallest post office, or track down Florida’s elusive Skunk Ape. Seek tranquility at a tropical Buddhist temple, stroll through mango groves, and celebrate sunsets at the southernmost point of the U.S. 111 places are waiting to reveal the magic of Miami and the Keys.
The Art of the Architect celebrates the role that drawing and watercolor painting play in architecture. Architectural drawing as we know it dates from the Renaissance, but with the arrival of computer design programs this ancient art—formed of pen, pencil, and brushstrokes on paper—is sometimes regarded as obsolete. The work of Michael G. Imber, whose watercolors and sketches are published for the first time in paperback, shows what a vital contribution they can still make at every stage of an architectural project. His personal example is followed by his colleagues in a visual culture that permeates his practice, Michael G. Imber Architects.
Whatever the place occupied by photographs, simulations, and visual graphics in the design process of today, hand drawing still facilitates a moment of deeper connection between an architect and his environment. Unlike a snap taken on a smart phone, a hand drawing is an active response to its subject: what is understood about a place in sensory terms cannot help but inform the finished design, creating buildings which maintain the balance between the way we live and the natural world around us.
Not only do Michael’s sketches allow him to visualize his environment more clearly, but they provide an immediate visual language with which he can communicate with his team, his craftsmen, and his clients. Pen and wash is a suggestive, selective, and emotive technique. Rich in examples of the art and philosophy that have inspired him over the years, this book is both an ode to a precious art form, and a visual delight to anyone who may turn its pages. Michael’s attention to light, color, line, shape, and space in these “working paintings” reveals a love for the medium that extends from his architectural practice into the time he spends both traveling, and at his summer home on an island in Maine. The beauty of the result will be inspiring to anyone who loves architecture and the attendant arts.
As soon as Bill Wyman was given a camera as a young boy, he quickly developed a passion for photography. After joining what would become the world’s greatest rock ‘n’ roll band, Wyman continued his hobby. When he didn’t have his bass, he had his camera. The result is an arresting, insightful and often poignant collection of photographs, showing his exclusive inside view of the band. From traveling to relaxing, backstage and on, Stones From the Inside is a unique view captured by a man who was there, every step of the way. Along with the images of the band at work and play, Wyman includes remarkable images of those along for the ride, from John Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and Dan Aykroyd. To accompany his photographs, Wyman offers up wonderful insights, anecdotes and behind-the-photo stories, giving all us a front-row seat and backstage pass to what it was like to be there, as music history was made as a member of The Rolling Stones. Limited to just 300 copies, this slipcased edition is accompanied by a print.
“A beautiful coffee table book you will actually read from cover to cover, over and over again.” — Homes & Gardens
“Blue Carreon’s latest book, The Gardens of the Hamptons, takes us behind the hedges into some of the East End’s most spectacular properties.” — Hamptons Cottages & Gardens
” …With richly hued photography and evocative storytelling, Carreon artfully reveals the soul of each garden, unearthing the personal philosophies of the owners behind the blooms.” — Modern Luxury
The Gardens of the Hamptons is an awe-inspiring collection of vibrant, luxurious, full-color photography amid personal profiles of individuals who have shared the story behind their private garden with lifestyle writer and photographer Blue Carreon, who is also the author of bestseller Equestrian Life in the Hamptons.
The Hamptons is a well-known destination for sunshine, luxury, and fun, especially during the summer. This book embraces the well-established, beloved, and aesthetic qualities of the glorious Hamptons communities by showcasing over 50 wonderful examples of lush gardens, ranging from bespoke private oases to public offerings and also larger garden estates, inspired by renowned gardens overseas.
Each individual speaks of their personal interest and purpose when envisioning and designing the garden of their dreams. Blue effortlessly conveys each gardener’s sense of pride and the reasons behind the choices of landscape design and architecture, as well as color scheme and flora selection—whether the garden be the source of an intimate escape or a space to activate family laughter and glee.
Blue captures the heart of the Hamptons by showcasing the friendly people and elegant portraits of nature at its best.
“Seldom does a collection of art history essays leave readers yearning for a second volume…”—Barbara Wisch, Renaissance Quarterly
Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.
The history of the erstwhile State of Jodhpur is a record of heroic exploits, epic victories and magnificent gallantry displayed by its army. The Story of the Jodhpur Lancers is a remarkable narrative of the warriors of this Indian Princely State – prior to, and during the First and Second World Wars – and of how the friendship between an Indian Prince, Sir Pratap Singh, and British royalty contributed to the Allied War efforts. This book provides a comprehensive historical account of the Jodhpur Lancers – their origin, their deeds and dash and their role in the armies of British India and their Princely State. Featuring rare photographs, maps, documents and sketches, this book is a richly illustrated kaleidoscope packed with historical data assembled from a wide variety of sources, much of it previously unavailable. The author has taken the skeins of Jodhpur history and woven them expertly to create a fascinating story. Forewords by General Bipin Rawat, Chief of the Army Staff and Maharaja Gaj Singh, erstwhile Maharaja of Jodhpur, make the book even more memorable. The Story of the Jodhpur Lancers also reminds us, lest we forget, of the sacrifice of so many Indians who fought in the Great War and who died in foreign lands, as brave sons of India. The book contains detailed information about the Jodhpur Lancers and the mavericks who won fame at the Battle of Haifa in 1918, during the Great War. Ardently written and engrossing to read, it takes readers back to an era of royalty and pageantry, passion and valor.
A Sino-Chinese family find their destiny is inseparably entangled with that of the country they have adopted as a home. Not long before the Communist revolution, Tong, sent by his peasant-parents in impoverished rural China to work with a relative in Siam, has risen to become a rice-trading tycoon in Bangkok’s Chinatown, married a former palace cook and built a large family in the town of Pad Riew. Haunted by the dream of returning to his true home in China, Tong, along with his wife and their five children, are swept along by the torrents of history as World War II breakout and China turns red, while the military strongman in Thailand act out the interminable cycle of power struggle, rebellion and coup d’état.
Memories of the Memories of the Black Rose Cat, the award-winning second novel by Veerapon Nitiprapha, is a generations-spanning family saga that explores the roots of the Chinese diaspora in Siam and how the tragedy of ruined love, maternal betrayal and futile ambition shape the lives of Tong’s clan members, each of them hounded by their own ghosts and burdened by their own sins. All of this is played out against the backdrop of Siam’s mid-century social and political history, the most chaotic period the formation of the nation.
In 1856, just months after Britain and Siam had finalized the historic Bowring trade treaty that would prevent the countries colonization, the violent death of a Siamese official at the new British consulate threatens to scuttle the deal and lead to war. The King and the Consul explores UK and Thai archives to reveal the twists, turns and tensions of this little-known episode that pitted Thailand’s renowned King Mongkut, Rama IV, against the first British Consul, Charles Hillier. The crisis was resolved without war, but not without cost for the participants who suffered unintended tragic outcomes. By examining the background to this tragedy, the book reveals how history has often overlooked the importance of an issue that lay behind it the right of foreigners to own land in the country, and issue that continues to be a thorn in the side of Thailand’s foreign relations to this day.
“The tragic deaths in 1856 of the first British consul to Siam and a Siamese official had an unusual impact on Thailand‘s property law and Britain’s diplomatic presence in the country. This intriguing book could only be written by someone with long residence in Bangkok, through knowledge of Thailand’s property law, and enthusiasm for history. Simon Landy gives us a slice of legal and diplomatic history with close attention to its human dimensions. An unusual and lovely read” – Chris Baker
architekturbild, the European Architectural Photography Prize, has been awarded on a two-yearly basis since 1995. The theme for 2021 is “The Urban in the Periphery”.
Migration between conurbations and rural areas, their respective attractiveness and independence, but also dependence and interdependence with one another: What would be more predestined to trace the subtle or even obvious effects of the urban-rural movement than architectural photography?
Text in English and German.
“…a significant contribution to the study of Chinese photography.” – The Art Newspaper
From political leaders to celebrities, photographic portraits exert considerable influence over our reaction to public figures. As the first academic publication focused on the Taikang photography collection, this book explores both the mechanics of portraiture and its psychological effects.
Taikang Space is one of the most important non-profit art institutions in China. Based in Beijing, they focus on contemporary art and photography. The Chinese Portrait: 1860 to the Present is based on the framework of the eponymous exhibition, which ran at Taikang Space from March 2017. This book introduces the curator and researchers involved with the exhibition, as well as researchers such as Shi Zhimin, Jin Yongquan, Liu Jianping, Liu Zhangbolong, who deliver their own unique angles on the topic of portrait photography. The Chinese Portrait: 1860 to the Present also features the curator’s interviews with Qia Sijie, Chen Shilin and Zhang Zuo – respectively the personal photographer, standard portrait re-toucher and darkroom technician of Chairman Mao.
Men in stately black, women with huge ruffs, children with golden rattles, old women with wizened faces, and self-satisfied artists… These are the main players in just about every portrait ever painted in the Southern Netherlands. From the15th to the 17th centuries, the tract of land that we today call Flanders was the economic, cultural, intellectual and financial heart of Europe. And money flows – with everyone who could afford it investing in a portrait.
Today, these cherished status symbols of the past have largely lost their original significance. But beyond their functional and emotional aspects, these portraits turn their subjects into gateways to the past. This book takes masterpieces from the collection of The Phoebus Foundation and outlines the broad context in which they came into being, peeling back levels of meaning like the layers of an onion. Whether captured in an impressive Rubens or Van Dyck, or an intimate portrait by a forgotten artist, the persons portrayed were once flesh and blood, each with their own peculiarities, hidden agendas and ambitions. Some portraits are very personal and hyper-individual. Others are a little dusty, the ladies and gentleman being children of their time. In most cases, however, their dreams and aspirations are surprisingly timeless and soberingly recognisable.
The Bold and the Beautiful
is an appointment with history: a meeting through portraiture with men and women from bygone centuries. But for those willing to look closely, the border between the present and the past is paper-thin.
Published on the occasion of the exhibition Blind Date. Portretten met blikken en blozen, Autumn 2020, in Snijders&Rockoxhuis Antwerp, curated by Dr. Katharina Van Cauteren & Hildegard Van de Velde with a scenography by Walter Van Beirendonck.
There are many reasons to plan a visit to The Hague. It is the international city of peace and justice, the only large Dutch city by the sea, one of the greenest cities of the Netherlands, and it boasts a long and rich history.
For this book, Tal Maes listed her 500 favorite places and tips, presenting them in original and interesting lists such as 5 historic houses of famous Dutchmen, 5 fun boat trips, the 5 best spots for Dutch “maatjes” herring, 5 museums around the Binnenhof, the 5 best lifestyle and concept stores, and much more. This guide encourages you to look further than the usual hotspots. Walk to the far end of the beach to find peace and quiet, try a beer from a hidden monastery, discover cutting-edge art in a former power plant. Of the highlights included, lesser-known aspects are revealed.
Photographer Monika Rittershaus is regarded as an inspiring interpreter of today’s musical theater in all its diversity, opulence, and drama, but also in its human profundity, uniqueness, and veracity. As a highly sensitive observer, she looks out over the on-stage activity, uncovering gentle, touching, and peripheral moments. Barrie Kosky: “I have often observed Monika at work through the corner of my eye as I sit behind the production desk … She seems to sense the inner world of a moment and to know at exactly the right moment when to click her camera.” In her highly stringent visual compositions, Rittershaus depicts in a personalized and decisive way many influential directors and operas such as:
DAS RHEINGOLD, Richard Wagner, Los Angeles Opera (2009), director: Achim Freyer
COSI FAN TUTTE, Wolfgang Amadeus Mozart, Salzburger Festspiele (2020), director: Christof Loy
TANNHÄUSER, Richard Wagner, De Nationale Opera, Amsterdam (2019), director: Christof Loy
CARMEN, Georges Bizet, Oper Frankfurt (2016), director: Barrie Kosky
SALOME, Richard Strauss, Bolshoi Theatre, Moscow (2021), director: Claus Guth
ELEKTRA, Richard Strauss, Staatsoper Hamburg (2022), director: Dmitri Tcherniakov
IPHIGÉNIE EN TAURIDE, Christoph Willibald Gluck, Opernhaus Zurich (2020), director: Andreas Homoki
CENDRILLON, Jules Massenet, Opéra National de Paris Bastille (2022), director: Mariame Clément
Text in English and German.
The Bari people, who settled on the banks of the White Nile, remained closed off from the outside world until the dawn of the 19th century. The earliest contact dates back to the “scientific” expedition commissioned in 1840 by Ismail Pascha, followed by repeated forays by explorers in search of the sources of the Nile during the closing decades of the Ottoman period in Egypt, interspersed with the often competing efforts of slave hunters.
This book places the collection of Bari statues known today in the historical context of the Egyptian Sudan, from the earliest contacts with explorers Joseph Pons d’Arnaud and Wilhelm Werne in 1841 to the final stages of the pre-colonial era described by Wilhelm Junker. Many museums founded during the 19th century embarked on a frantic scramble to collect ethnographic objects, relying in particular on explorers, but also on traders and adventurers. This book catalogs the roughly 63 Bari statues that are known today and offers a comprehensive overview of historical sources and current knowledge of the Egyptian Sudan that provide the context for these works, their use and stylistic diversity.
Text in English and French.
“Mesmerizing and unputdownable – a virtuoso translation of what must surely be one of the best Thai novels to make it into English.” – Lawrence Osborne, author of Hunters in the Dark and Only to Sleep
”At its core, this novel from Veeraporn Nitiprapha has a simple dynamic: the tension between two sisters, and the young man whose life interweaves with each of theirs. What makes this novel unique is its attention to the granular, whether it’s the music that several of its characters obsess over or its author’s tendency to fill in the history or future of a specific character at a moment’s notice.” – Words Without Borders, February 2019
Watchlist On the day Chareeya is born, her mother discovers her father has been having an affair with a traditional Thai dancer. From that moment, Chareeya’s life is fated to carry the weight of her parents disappointment. With her sister, Chalika, she grows up in an insular world, until joined by the laconic orphan, Pran, and together they navigate the labyrinth of their own making, each trying to escape their fate.
This book of photographs by Swedish photographer Christer Löfgren explores the diverse and multifaceted world in which we live, from north to south. In comparing photographs of various cultures, diversity is more noticeable: the colors, clothes, and food point to the identity of each place. The further north or south of the equator you travel, colors are paler, and the food is milder and less spicy. The more extreme nature is, the more difficult the lifestyle. These vibrant photographs ask us to broaden our vision and grasp the complexity and beauty of the world as a global whole. This deluxe edition consists of three hardcover books in a slipcase.
Scotland has produced an astonishingly high number of men and women whose lives have inspired and changed the world. This book, illustrating just over forty portraits, represents only a few of them, but with Robert Burns and Walter Scott, Eric Liddell and Alex Ferguson, Bonnie Prince Charlie and Queen Victoria, it represents the flavour of the collection at the Scottish National Portrait Gallery.
The global porcelain scene is celebrating the 40th anniversary of the International Ceramics Fair and Seminar, which was founded by Brian Haughton and his wife, Anna, in London in 1982. That was just the beginning: further fairs and accompanying symposia on design, jewelry, and antiques in New York and Dubai were to follow, becoming important venues of exchange, not just for trade but for the academic world too.
To mark this anniversary, more than 40 renowned scholars were asked to write about selected European ceramics that had been traded in Brian Haughton’s gallery and that he had been particularly passionate about.
This publication is a wonderful kaleidoscope of unique ceramics from the 18th and 19th centuries, released as a homage to Brian Haughton, The Man with the Butterfly Tie.
The world as we know it is on its last legs; the old order is faltering. In these uncertain times, it’s tempting to lose faith in the future. But what if this is precisely the beginning of something new? F*ck the System, and Other Bad Ideas for the Future unravels the chaotic forces behind the geopolitical scenes and asks a fundamental question: can Europe emerge as a strong player in the emerging world order? What do we need to build a Europe that is sovereign, resilient, and radically innovative? This is a manifesto to understand the present and imagine the future—provocative, sharp, and unorthodox. It breaks with old logic and prejudices, finding in today’s disorder the seeds of something better. For thinkers and doers, for citizens, entrepreneurs, and policymakers who believe Europe can be more than an old continent in crisis.