Edinburgh is rightly celebrated for its famous historical and cultural attractions. But for the discerning visitor it has much more to offer away from the well-worn tourist trail. This book takes you to hidden corners and secret sights in this city of contrasts, exploring fascinating locations unknown even to most residents, and revealing unexpected aspects of some familiar local landmarks. Marvel at a unique underground temple hewn out of the living rock; learn how a world-famous illusionist came to be buried here – with his dog; find out why the city council once commissioned an enormous electric blanket; look out for the ordinary Edinburgh post box with an explosive history. Discover the human stories behind a wide range of places, both exceptional and commonplace, bringing to life the greatly varied cityscape where people have been leaving their mark for at least 5,000 years.
‘Dark Tourism’ involves traveling to sites associated with death, disaster, or the macabre. Scotland is filled with these ‘dark places’ that embody pain, shame, and ‘difficult heritage.’ 111 Dark Places in Scotland That You Shouldn’t Miss provides an engaging, accessible, and authoritative guide to these significant sites within Scotland’s castles, ancient cities, towns, and natural landscapes. This book delves into the darker aspects of the nation’s heritage.
Scotland, while part of the UK, maintains a distinct cultural identity with a history steeped in conflict, especially with its dominant neighbor, England. The country’s legacy of turmoil has shaped its strong sense of national identity, often the core of dark tourism. This guidebook is the first of its kind, designed for both locals and visitors to explore Scotland’s dark tourism sites. It complements 111 Dark Places in England and provides a distinctly Scottish perspective on the nation’s challenging past.
A beautifully illustrated and extensively researched collection of 100 of the most famous houses of Britain’s Arts and Crafts Movement.
The Arts and Crafts Movement, founded in the philosophies of John Ruskin and William Morris, produced some of the world’s most enduring architectural masterpieces. Author and architect David Cole presents the 100 great Arts and Crafts houses, each individually described and analyzed with insightful detail and floor plans, and illustrated with stunning photography.
Beginning with Morris’s own iconic Red House, the book traces the fifty-year span of the movement, with a short chapter dedicated to each of these extraordinary houses: from the works of the pioneer Arts and Crafts architects, to the great reformer architects of the next generation, to the craftsman architects who took their lives and their work to the countryside, to the movement’s Scottish architects, and finally to the houses of the Garden Cities and suburbs built through the movement’s last decade before the First World War. The book features the great houses of some forty of the movement’s most renowned architects, including Philip Webb, R. Norman Shaw, E.S. Prior, William Lethaby, C.F.A. Voysey, Edgar Wood, Ernest Gimson, the Barnsley brothers, C.R. Ashbee, M.H. Baillie Scott, Edwin Lutyens, Charles Rennie Mackintosh, Robert Lorimer, Parker and Unwin, and many others.
As Morris famously said, “Have nothing in your house that you do not know to be useful or believe to be beautiful.”
Fife is an ancient Scottish county, proudly known as the Kingdom. Its distinctive, self-contained identity is summed up in the old adage ‘Bid farewell to Scotland, and cross to Fife!’ A compact peninsula shaped like the head of a Scottie dog nosing the North Sea, it boasts magnificent approaches from south and north via the celebrated bridges over the Forth and Tay. Tourists flock to the world-famous golf courses in the old university town of St Andrews. But Fife is packed with all manner of much less-visited treasures, places of stunning natural beauty as well as fascinating monuments of every era, from prehistoric to post-industrial, testaments to its long and eventful past and richly diverse cultural heritage. You will discover a land where generations of the illustrious and the powerful, the humble and the hard-working have all left their mark, from kings and queens to miners and fishermen, from bishops, earls and industrialists to scholars, artists and sportsmen – to say nothing of the internationally famed Fifers whose legacies have changed history. This book will introduce visitor and native alike to a whole host of unexpected and contrasting sites and sights that celebrate the delightful otherness of this unique little Kingdom.
Social, relaxing and actually really good for you… saunas are replacing the pub as Britons’ favorite pastime. They can be found everywhere, from rugged Pembrokeshire coastlines and Scottish islands to inner-city car parks. Some are so traditional, they could have been plucked from Helsinki; others put an innovative – and distinctly British – spin on things, with saunas in repurposed horseboxes and pub backrooms. Many are new, boasting dynamic community events (sweaty yoga, anyone?); some are as old as Britain’s heritage spa towns. This book explores the very best of them.
“…Modern British Jewellery Designers 1960-1980: A Collector’s Guide, is an ode to an extraordinary period in British jewelry history.”— Phyllis Schiller, Rapaport
“This book, in my opinion, fills a significant gap in the literature providing a good starting point for anyone thinking of collecting jewellery from the 1960s and 1970s, and for anyone interested in jewellery from that era.” —Elizabeth Passmore, Scottish Gemmological Association
“Another classic that belongs in every jewelry aficionado’s library is Modern British Jewellery Designers by Mary Ann Wingfield…” — Instore
In the 1960s, British jewelry underwent a revolution. Natural, uncut stones exploded into vogue and a 1961 exhibition at the Goldsmith’s Hall kickstarted the nation’s new obsession with gold. The women who shopped at Quant’s Bazaar and Hulaniki’s Biba no longer just received jewelry as gifts. They placed their own orders, exploring Grima’s drizzled gold and Flockinger’s fused metallic experimentations; John Donald’s textured gold cubes and the House of Munsteiner’s curious new gem cuts. This was an era of innovation – captured here through insights into the work of 25 major jewelers and sumptuous pictures of their work.
This book introduces the most influential British designers, jewelers, goldsmiths and silversmiths of 1960-1980. Tracing the evolution of style across these decades, Modern British Jewellery Designers reveals the designers’ inspirations and the identifying signatures of their work. Accompanied by new photography showing each designer’s creations, this is the perfect introduction for anyone with an interest in collecting, or learning more about this transformative period in British jewelry design.
A vivid portrait of much-loved artist, Joan Eardley, and her relationship with the Scottish coastal fishing village, Catterline.
Joan Eardley, one of Scotland’s most loved artists, first visited the coastal fishing village of Catterline in north-east Scotland in 1951. It sparked a fascination that would last the rest of her life.
She made the village her home and found inspiration in the dramatic light and rapidly changing weather. The gentle landscapes and wild rolling seascapes she painted there in wind, snow, rain and sunshine are among her best-loved works.
Focussing on Eardley’s relationship with Catterline, this book includes previously unpublished archival material as well as specially conducted interviews with many of those in the village who knew her, shedding new light on Eardley’s life and artistic practice. A vivid portrait is painted both of Eardley and of the village, showing the vital part Catterline played in her development as an artist.
The fifth volume in the Car Racing series charts 1969, the year of avoiding unnecessary risk. Le Mans circuit, 14 June 1969. Silence reigns. In a matter of seconds, the din will rise from the engines of 45 cars roaring to life. Into this sonic gap, a man strides towards his destiny. Unlike his neighbors, he does not run. He walks to forestall superfluous danger. At the risk of ruining the race for his crew — and for Ford. Jacky Ickx has just said no to unnecessary risk, no to herringbone starts at the 24 Hours of Le Mans, with drivers leaping into their cars without taking the time to properly strap themselves in before launching full throttle into the race.
Three years earlier, stuck upside down with a back injury and trapped in the cockpit of his BRM he had just spun around on the first lap of the Belgian Grand Prix, Jackie Stewart felt gasoline gushing over him. A mere spark would have spelled tragedy. From this nightmare moment onwards, the Scottish driver campaigned against dangerous circuits and imposed the first safety standards. In 1969, Jacky Ickx — the ‘GT40 walker’ — won the 24 Hours of Le Mans, even as Jacky Stewart was crowned victor of the Formula 1 World Championship in his Matra MS80.
Text in English and French.
Also available:
Car Racing 1965, 9782702210963
Car Racing 1966, 9782702211014
Car Racing 1967, 9782702211113
Car Racing 1968, 9782702211236
Whisky is a story. Whisky is many stories. This book brings together the most surprising anecdotes from the world of whisky and is therefore the perfect addition to other books on distilling, tasting and travelling. Enjoy heart-warming tales about secret recipes, haunted castles, hidden distilleries, generous drunks and the first whisky tourist, and discover aspects about whisky that you’ll never find in any other book. For almost 40 years, whisky enthusiast Fernand Dacquin has been traveling through this wonderful world of whisky, in search of the most striking stories and images. Now he turns those experiences into 111 stories, in his own tongue-in-cheek style. The result is a wonderfully unusual book, published in a practical format that leaves one hand free for a good glass of whisky.
The bridge has always stood as a transitional structure – not purely a work of engineering, nor simply a work of architecture. Its functional requirements are more stringent than those of the average building; it not only must stand up; it must stand up, support those who cross it, and effectively span the space over which it stands. As Samuel Johnson said, “the first excellence of a bridge is strength … for a bridge that cannot stand, however beautiful, will boast its beauty but a little while.” The Scottish architect Robert Adam (1728-92) understood these precepts well, continually building bridges that were not just structurally sound, but also aesthetically pleasing. Unlike his contemporaries, Adam did not view bridges as mere skeletons upon which to apply ornament. Rather, he sought to achieve architectural totality, incorporating his bridge designs into greater architectural programs, thereby producing aesthetically pleasing and contextually specific designs. From the Pulteney Bridge in Bath to the ruined arch and viaduct at Culzean Castle in Ayrshire, The Bridges of Robert Adam: A Fanciful and Picturesque Tour will take the reader across Britain, shedding new light on an understudied aspect of the great architect’s career.
The photographs of these journeys form one of the most extensive records of any region taken in the 19th century. The range, depth and aesthetic quality of John Thomson’s photographic vision mark him out as one of the most important travel photographers.
Thomson arrived in Siam in 1865 and with the help of the British Consul in Bangkok, he was able to gain an audience with King Mongkut who granted him permission to take some formal portraits of the King, his royal family and chief ministers, as well as recording important ceremonies and traveling to Ayutthaya, Petchaburi and the surrounding countryside. Staying in Bangkok for several months he photographed many aspects of the city, river scenes, its surrounding countryside and people, before journeying to Cambodia and the amazing Angkor Wat ruins. After an arduous and dangerous journey, Thomson became the first photographer to document Angkor Wat before returning to London.
Between 1868-1872 Thomson turned his attention to China, making extensive trips to Guangdon, Fujian, Beijing and China’s north-east traveling down the Yangtze river and covering nearly 5,000 miles.
In China, Thomson’s photographic skills reached their zenith and his portraits of women are particularly remarkable.
His collection of over 600 glass negatives form a unique archive of images, which are today housed in the Wellcome Library, London.
An unashamedly simple and highly opinionated guide to the very best boutique escapes in Britain. Lockdown has been hard: take a much-needed break. Stay in a wildflower-inspired suite in the Scottish Highlands, explore the Welsh countryside from an art-filled historic townhouse, or sip local cider in the grounds of a Somerset manor. Following on from Hoxton Mini Press’ highly successful series of pocket-sized, paperback Opinionated Guides to London, this sumptuous, larger hardback is our first guide to Britain: with more detailed write-ups, more stunning photography, and even more opinion.
“A collection of glamorous lodgings offering what Scarabeo Camp in Morocco calls “dusty luxury.” — Remodelista
“Celebrates the solitude of the desert and extraordinary places to stay.” — Wallpaper
The desert offers the great benefits of silence, slowness and space. These startling landscapes and awe-inspiring vistas can only be found in a few places in the world. Accompanied by stunning photography, this book bundles together 40 dreamy locations in one volume and shows the most luxurious and special overnight stays the desert has to offer. Get insider tips on travel to the Sahara in Morocco, the salt flats (Salar de Uyuni) in Bolivia or the Gobi Desert in Mongolia, among others.
a+u’s October issue features the work of Charles Rennie Mackintosh, born in 1868, in Glasgow, Scotland. Glasgow grew rapidly into a modern industrialized city in the latter half of the 1800s. With this urban development came a generation of students from Glasgow School of Art, including Mackintosh and his close associates known as The Four, who started creating designs and artworks from an entirely new vantage point. As detailed in an essay by guest editor Hiroaki Kimura, Mackintosh enriched traditional architectural composition through his advocacy of the “philosophy of craft,” which brought together craft and engineering. In their distance from historicist styles and pursuit of a new environmental aesthetic, these activities paralleled other movements in continental Europe at the turn of the 20th century. This issue showcases 15 built works by Mackintosh through lavish displays of archival drawings and historical photographs.
Text in English and Japanese.
“You’ll be in awe of the work of the American rancher and wildlife alike.” — Fox News
“… Krantz delivers a true sense of not only the size and scope of Art and Catherine Nicholas’ Wagonhound Ranch, but also the deep sense of stewardship the Nicholas family and their crew bring to ranching every day.” — Western Horseman
“…Anouk’s photographs tell a visual story of the rancher and his relationship with the land.” — The Eye of Photography
“A stunning photographic collection that celebrates the reality of ranch life.” — Big Sky Journal
Wagonhound is a historic working ranch spanning over 300,000 acres in Wyoming, where the elevation ranges from 5,000 feet to 9,000 feet; where talented, strong, and steady quarter horses supplied by the ranch-owned remuda are required to help the cowboys manage the herds in a spectacularly rugged terrain. Catherine and Art Nicholas, who took the reins of the historic ranch in 1999, take the stewardship of the land very seriously — their vision has been to honor tradition, preserve the land, which is steeped in history, and return it to a pristine condition.
In Ranchland: Wagonhound, Anouk Krantz’s beautiful photography reveals the daily and seasonal rhythms of the ranch and the daily lives of its men and women cowboys, whose long hard days — starting in the dark and finishing in the dark — involve everything from cattle driving to branding to training the best quarter horses in the country and more. Set in a stunning large-format book, these photographs and the stories offer an inspiring new perspective into today’s cowboy/ranching culture and land stewardship of the American West.
Star and Moon presents the daily life of the Hui people and expresses a kind of “emptiness” that transcends time and meaning. Lonely, mysterious, quiet and elegant, the simple images are like a faded postcard, bringing a deep Zen feeling to the heart. At first glance, the images of Star and Moon are plain and seemingly picturesque. However, if you sit quietly for a moment and feel the breath conveyed by the black and white shadows, you will experience a heavy breath running through it, adsorbing the viewer’s eyes tightly, following the photographer’s lens in the cycle of the stars and the moon, experiencing the destiny of the Islamic nation together.
Yang Yankang expands the scope of experimental exploration of the language of modern Chinese photography, and creates a revelatory way of perceiving the art of practical photography. His works on the three major religions have historically placed them in a prominent position in the history of modern Chinese art, and he has become one of the leading photographic artists in China and even in the world.
These previously unpublished images of New York’s waterfront are presented here as part of a unique editorial project: the iconographic perspective is analysed and discussed in Pauline Vermare’s interview with Sophie Fenwick, and finds further literary development in the photographer’s poetry, on which she started working during the pandemic and is used here to accompany the visual narrative.
The language of photography is used here — in a series of black and white and color shots — to retrace the memory of a transformation and to express the urgency of documentation that in these pages evolves from personal to universal. The invitation to travel voiced by Fenwick is visual poetry articulated in a series of pictures, each of which possesses the potential to become a true icon.
Text in English and French.
Think of the images our minds create from the simplest combinations of line and form, and of the stories and scenes they evoke. Imagine, the third volume in Sean Palfrey’s photography book series, is filled with the mysterious, the beautiful, and the abstract: a suite of pictures of expressive shapes, strong patterns, and ideas in color.
Palfrey is a renowned pediatrician and child health advocate who travels the world with his work and for pleasure. His fascination with people, places, and stories informs both his artistic and his professional practice. In Imaginings, Palfrey has created a wide diversity of images, both figurative and abstract, but all of them starting from a photograph of the real in nature – an object, a texture, a landscape. Whether it’s a single, framed shot of a patch of sand, or a composition of multiple exposures taken to make the familiar new, Palfrey’s images and musings on them stimulate our imaginations into taking flight.
“Russell Ord’s photographic odyssey through Australia’s coastal landscape explores this unique culture by portraying the people whose lives pulsate in time with the rhythmic swells of the ocean.” — HOOM
“Life Around the Sea is more than a book—it’s a tribute, a meditation, and a love letter to the ocean and the people who live in harmony with its eternal rhythm.” — Ninu Ninu
“… Their personal stories, told by surf writer Alex Workman and captured by Russell Ord’s evocative and breathtaking photography, are a testament to the boundless beauty, mystery and inspiration of the ocean.” —The Guardian
Life Around the Sea is an odyssey of Australia and a deep dive into some of the remarkable individuals who have been transformed by the sea’s enduring embrace; those whose hearts beat in unison with the rhythmic swells of the sea. In this beautiful publication, you’ll encounter people from all walks of life, from fearless big wave riders, and surfers who first felt the tender caress of a wave in their childhood, to artists drawn to the coastline to bring its ancient beauty to life, and shapers who expertly craft boards for wave seekers around the globe.
Be transported to Australian coastal villages, hinterland hideaways, remote beaches, and solitary shaping bays that form the backdrop to the unique lives of these people. Their personal stories, told by surf writer Alex Workman and captured by Russell Ord’s evocative and breathtaking photography, are a testament to the boundless beauty, mystery, and inspiration that the ocean bestows upon us all.
“The dialogue between natural and artificial but also between the earthly dimension and the spiritual, seen through the eyes of photographers who have examined places, conflicts and paradoxes that cross the contemporary world, reflecting on the complex position that humans occupy on the planet.”
The idea for SuperNatural – imagined by Irene Alison and Paolo Cagnacci as a reflection that cuts across contemporary life including our relationship with space as much as the way in which we project ourselves in time, before a horizon that grows even more uncertain, between epidemics and climate crisis – is expressed in this cycle of exhibitions featuring national and international authors with photographs and videos that, though firmly anchored in reality, generate the awe of science fiction. The great conflicts of the Anthropocene are explored visually and symbolically, articulating a path in search of human nature in relation to the mark and imprint that humans leave on the earth: from the creative recycling of waste, to the denial of the artificial dimension in favour of a return to the origins, to the need for transcendence and spirituality inherent in human nature at any latitude and in any age.
On the screens of Rifugio Digitale, Firenze, the pictures open windows and other worlds, where they give concrete shape to hope, inviting the viewer to acquire critical awareness and attempt a change of pace, in search of a new balance. The cycle includes works by photographers Luca Locatelli, Charlotte Dumas, Matthieu Gafsou, Piero Percoco, Hayley Eichenbaum, Maria Lax and Petrina Hicks.
“Images of life, love, humor, and the surreal on London’s Brick Lane form the basis of this sumptuous catalogue of photographs” — Street Photography
Images of life, love, humor, and the surreal on London’s Brick Lane form the basis of this sumptuous catalogue of photographs. Today Brick Lane is a favorite tourist destination, famous for its street art and theater, and colorful market stalls. For centuries it was a hub for immigrant communities entering Britain through the nearby docks on the River Thames.
Sonya and David Newell-Smith, whose careers began in professional news photojournalism, have spent decades recording the changing streetscape and vibrant personalities of this East End district. This publication serves as a tribute to their passion for street photography, for capturing a ‘decisive moment’, and for documenting everyday lives and diverse cultures, their interactions, and emotional connections. Scholarly texts accompany over 170 photographs curated by Sonya in memory of David (1937–2017).
Life Around the Sea is an odyssey of Australia and a deep dive into some of the remarkable individuals who have been transformed by the sea’s enduring embrace; those whose hearts beat in unison with the rhythmic swells of the sea. In this beautiful publication, you’ll encounter people from all walks of life, from fearless big wave riders, and surfers who first felt the tender caress of a wave in their childhood, to artists drawn to the coastline to bring its ancient beauty to life, and shapers who expertly craft boards for wave seekers around the globe.
Be transported to Australian coastal villages, hinterland hideaways, remote beaches, and solitary shaping bays that form the backdrop to the unique lives of these people. Their personal stories, told by surf writer Alex Workman and captured by Russell Ord’s evocative and breathtaking photography, are a testament to the boundless beauty, mystery, and inspiration that the ocean bestows upon us all.
In the Land of Fire and Ice: Horses of Iceland is photographer and explorer Guadalupe Laiz’s second book celebrating her love for Iceland, its people, and its horses. In this follow up to Horses of Iceland (2019), Laiz widens her lens to not only capture the undeniable beauty of the horses in their natural habitat, but to showcase the rugged, harsh, and unpredictable environment that has shaped their character. Her intimate color and black-and-white images of the majestic Icelandic horses are pure poetry in motion.
Undertaking a more ambitious production, Laiz collaborated with local horse breeders and with Icelandic photographer, filmmaker, and artist Thrainn Kolbeinsson to capture the magnificent animals in iconic and breathtaking locations—from the famous Skógafoss blanketed with snow to the active Fagradalsfjall volcano; and galloping across beaches, frolicking amid glaciers, and with waterfalls, tundra, and fierce ocean backdrops. Kolbeinsson’s powerful drone photography featured throughout the book showcases the aerial perspective of these epic landscapes that have shaped the horses of Iceland.
Laiz’s photographs are testament to her passion for the Icelandic horse and wildlife photography. She shares this collection to reveal the beauty and importance of the remote corners of our planet and the unique animals that call it home.
The book presents a selection of the photographic work made in Naples by Anders Petersen, Swedish master of photography, during Spot home gallery’s first artist residency in the year 2022.
Throughout his long career, Petersen has photographed in cities across almost every continent, from Tokyo to London, from Valparaiso to Stockholm, driven by an inexhaustible curiosity and a profound interest for the other. For him, photography serves as a means to explore the complexity of the human experience, to capture with sensitivity and honesty the emotions that define and unite us as living beings, part of the one, big, same family.
Naples, a “city-world” of many thousand facets, with its chaos and its diverse humanity, was the ideal place for a photographer like him: it is precisely in chaos that life unfolds with all its unpredictability, vibrancy, and beauty.
They had never met before, but when it happened, it was love at first sight. Anders was struck by the city’s energy and enthusiastically accepted the not-so-easy challenge of photographing it. Naples revealed herself without filters, without fear of showing its wounds and vulnerabilities, open to the empathetic approach of a photographer who can look beyond the surface of things, who can find beauty in the ordinary, and embrace its imperfections.