“This monograph offers vivid explanatory captions, but there is little additional text to distract from the powerful images that put a human face on conflict.” — Communication Arts
“Tomasevic’s images sear themselves into your consciousness. I have never seen such powerful imagery that not only captures the horror of war itself but also its heartrending impact on innocent civilians, on our sense of our own humanity. But they do much more than that. They have an iconic quality as if created with a painter’s eye for detail, composition and contrast.” – John Green, Morning Star

“This powerful, terrible book conveys a Dantesque vision of our humanity. Admiration for Goran Tomašević, a wonderful Caravaggio of photography!” – Francis Kochert, Académie nationale de Metz

Goran Tomašević is a living legend. Not only has he survived for 30 years in crisis zones, but he has mastered the supreme art of photography, interpreting the world in a humanistic way, following in the footsteps of Robert Capa and James Nachtwey. This powerful, terrifying book conveys a Dantesque vision of our humanity. Current circumstances lead us to believe that this madness will go on and on. Goran is just 13 years old when his father gives him his first camera – an ancient FED 5V. And with it, his life begins to become a constant adventure, described in the 444 pages of this book. The quality of his reportage and the power of his images enabled him to join the Reuters agency in 1996 and, over the next 20 years, to become one of the most awarded photographers in the world. His œuvre can be called a photographic synthesis of the arts, an eminent contribution to the great path of photo reportage and an indispensable history of the last 30 years. Goran Tomašević’s credo:

“If you want to present the facts authentically, you have to be where they are. That’s the challenge.”



Text in English, German, and French.

Jordi Gómez: Unlimited showcases the dynamic visual world of photographer and multi-disciplinary artist Jordi Gómez, capturing his 25-year journey. From his early analog work to his exploration of digital photography, this collection highlights his unique ability to capture the essence of his subjects with a signature blend of fantasy, glamour, and sex appeal.

Born in 1978 near Barcelona and based in Ibiza since 2002, Gómez draws inspiration from hedonistic Ibiza and global cities like London, Miami, and Tokyo. His eclectic portfolio includes geisha, sumo wrestlers, ballerinas, models, and celebrities from music, fashion, and sports.

Pushing creative boundaries, Gómez merges photography, graphic design, and AI to craft immersive installations. His art extends beyond galleries into hotels, restaurants, and private collections, even appearing on furniture, fashion, and wine bottles.

Jordi Gómez: Unlimited is a tribute to his limitless imagination and groundbreaking artistic expression.

Text in English and Spanish.

“…a significant contribution to the study of Chinese photography.” – The Art Newspaper

From political leaders to celebrities, photographic portraits exert considerable influence over our reaction to public figures. As the first academic publication focused on the Taikang photography collection, this book explores both the mechanics of portraiture and its psychological effects.

Taikang Space is one of the most important non-profit art institutions in China. Based in Beijing, they focus on contemporary art and photography. The Chinese Portrait: 1860 to the Present is based on the framework of the eponymous exhibition, which ran at Taikang Space from March 2017. This book introduces the curator and researchers involved with the exhibition, as well as researchers such as Shi Zhimin, Jin Yongquan, Liu Jianping, Liu Zhangbolong, who deliver their own unique angles on the topic of portrait photography. The Chinese Portrait: 1860 to the Present also features the curator’s interviews with Qia Sijie, Chen Shilin and Zhang Zuo – respectively the personal photographer, standard portrait re-toucher and darkroom technician of Chairman Mao.

Multiple Exposures – Allen Jones & Photography explores the numerous ways in which artist Allen Jones has engaged with the possibilities of this medium. Historian Philippe Garner has researched Jones’s extensive archive to develop and present the insightful narratives implicit in this remarkable, often surprising selection of images.
Studying at Hornsey School of Art, then at the Royal College of Art till 1961, Jones achieved swift success within a dynamic roster of artists celebrated as ‘The New Generation: 1964’ at the Whitechapel Gallery, London. Alongside his practice as a painter, sculptor, and printmaker, Jones nurtured an ongoing fascination with photography. This volume – an important addition to the literature on Jones’s oeuvre – reveals how he was first drawn as a student to the camera’s potential, making his earliest experiments in black and white.
Through the sixty-plus years of Jones’s career – using camera and, more recently, iPad, and iPhone – photography has become ever-more integrated within his wider practice as an artist. We observe his incorporation of ‘found’ photographs within his early collaged works; we discover the photographs he has taken as a visual ledger of all that intrigues him; we see a telling selection of the imagery that he has collected, mostly drawn from vernacular sources, such as post cards, newspaper cuttings, and magazine tear-sheets; we find his playful images of his studio and its juxtapositions; and we follow his investigation of the ways in which his paintings and sculptures can interact and invite fresh readings when transmuted into photographs.
The images in Multiple Exposures, mostly hitherto unpublished, are supported by an introductory text by Philippe Garner and by revelatory chapter introductions and pertinent pull-quotes by Allen Jones. The dynamic design of the book is by the legendary graphic artist David Hillman.

Robin Grierson’s photography book, Steam Rally is published by Lost Press and has an introduction by the esteemed journalist and author, Ian Jack. It consists of 72 high quality color photographs that explore steam rallies in England over the past 30 years. The images record the engine men, their restored traction engines, and the lively steam heritage scene, which draws thousands to its events around the country every summer.

Having grown up around his father’s bus garage in County Durham and spent much of his formative years tinkering with engines, Grierson found himself instinctively drawn to the steam people and their beloved vintage machines. This collection of thoughtfully composed images, include respectful portraits, close up details of people and their machines, and wider views of the steam rally within the rural landscape. Grierson pays particular attention to the work-worn textures, stained surfaces, and subtle colors of the working steam environment.
“The genuine tone of this work derives undoubtedly from the photographer’s long acquaintance with tough working men and the tools and sounds of busy engineering yard’s” – Ag magazine  

Between the twilight years of the Tokugawa shogunate (1603–1867) and the end of the Meiji Era (1868–1912) that followed it, photography offered a unique insight into the rapid transformation of Japan from an isolated, feudal society to a modern, industrialized state. In the four decades that followed the opening of the country in 1853, the camera evolved from an imported novelty to a familiar witness of Japanese daily life. Operating from the Treaty Ports of Yokohama and elsewhere, early practitioners of photography plied an often precarious trade in images of Japan and laid the foundations of what would soon become a highly competitive industry with a global reach. Whether cherished as souvenirs of an exotic land of fond imagination or curated as visual documents of a fast-changing society, these images by foreign and Japanese photographers, often packaged in exquisitely produced albums, enjoyed a wide circulation abroad and played an important role in influencing perceptions of Japan in the West well into the early 20th century.
Drawing from an extensive private collection assembled over many years, this book presents a unique selection of 19th century photographs of Japan, many of which are published here for the first time.

These previously unpublished images of New York’s waterfront are presented here as part of a unique editorial project: the iconographic perspective is analysed and discussed in Pauline Vermare’s interview with Sophie Fenwick, and finds further literary development in the photographer’s poetry, on which she started working during the pandemic and is used here to accompany the visual narrative.     

The language of photography is used here — in a series of black and white and color shots — to retrace the memory of a transformation and to express the urgency of documentation that in these pages evolves from personal to universal. The invitation to travel voiced by Fenwick is visual poetry articulated in a series of pictures, each of which possesses the potential to become a true icon.

Text in English and French.

“You’ll be in awe of the work of the American rancher and wildlife alike.” — Fox News

“… Krantz delivers a true sense of not only the size and scope of Art and Catherine Nicholas’ Wagonhound Ranch, but also the deep sense of stewardship the Nicholas family and their crew bring to ranching every day.” — Western Horseman

“…Anouk’s photographs tell a visual story of the rancher and his relationship with the land.” — The Eye of Photography

“A stunning photographic collection that celebrates the reality of ranch life.” — Big Sky Journal

Wagonhound is a historic working ranch spanning over 300,000 acres in Wyoming, where the elevation ranges from 5,000 feet to 9,000 feet; where talented, strong, and steady quarter horses supplied by the ranch-owned remuda are required to help the cowboys manage the herds in a spectacularly rugged terrain. Catherine and Art Nicholas, who took the reins of the historic ranch in 1999, take the stewardship of the land very seriously — their vision has been to honor tradition, preserve the land, which is steeped in history, and return it to a pristine condition.

In Ranchland: Wagonhound, Anouk Krantz’s beautiful photography reveals the daily and seasonal rhythms of the ranch and the daily lives of its men and women cowboys, whose long hard days — starting in the dark and finishing in the dark — involve everything from cattle driving to branding to training the best quarter horses in the country and more. Set in a stunning large-format book, these photographs and the stories offer an inspiring new perspective into today’s cowboy/ranching culture and land stewardship of the American West. 

“Russell Ord’s photographic odyssey through Australia’s coastal landscape explores this unique culture by portraying the people whose lives pulsate in time with the rhythmic swells of the ocean.” — HOOM

“Life Around the Sea is more than a book—it’s a tribute, a meditation, and a love letter to the ocean and the people who live in harmony with its eternal rhythm.” — Ninu Ninu

“… Their personal stories, told by surf writer Alex Workman and captured by Russell Ord’s evocative and breathtaking photography, are a testament to the boundless beauty, mystery and inspiration of the ocean.” —The Guardian

Life Around the Sea is an odyssey of Australia and a deep dive into some of the remarkable individuals who have been transformed by the sea’s enduring embrace; those whose hearts beat in unison with the rhythmic swells of the sea. In this beautiful publication, you’ll encounter people from all walks of life, from fearless big wave riders, and surfers who first felt the tender caress of a wave in their childhood, to artists drawn to the coastline to bring its ancient beauty to life, and shapers who expertly craft boards for wave seekers around the globe.

Be transported to Australian coastal villages, hinterland hideaways, remote beaches, and solitary shaping bays that form the backdrop to the unique lives of these people. Their personal stories, told by surf writer Alex Workman and captured by Russell Ord’s evocative and breathtaking photography, are a testament to the boundless beauty, mystery, and inspiration that the ocean bestows upon us all.

Think of the images our minds create from the simplest combinations of line and form, and of the stories and scenes they evoke. Imagine, the third volume in Sean Palfrey’s photography book series, is filled with the mysterious, the beautiful, and the abstract: a suite of pictures of expressive shapes, strong patterns, and ideas in color.

Palfrey is a renowned pediatrician and child health advocate who travels the world with his work and for pleasure. His fascination with people, places, and stories informs both his artistic and his professional practice. In Imaginings, Palfrey has created a wide diversity of images, both figurative and abstract, but all of them starting from a photograph of the real in nature – an object, a texture, a landscape. Whether it’s a single, framed shot of a patch of sand, or a composition of multiple exposures taken to make the familiar new, Palfrey’s images and musings on them stimulate our imaginations into taking flight.

Star and Moon presents the daily life of the Hui people and expresses a kind of “emptiness” that transcends time and meaning. Lonely, mysterious, quiet and elegant, the simple images are like a faded postcard, bringing a deep Zen feeling to the heart. At first glance, the images of Star and Moon are plain and seemingly picturesque. However, if you sit quietly for a moment and feel the breath conveyed by the black and white shadows, you will experience a heavy breath running through it, adsorbing the viewer’s eyes tightly, following the photographer’s lens in the cycle of the stars and the moon, experiencing the destiny of the Islamic nation together.

Yang Yankang expands the scope of experimental exploration of the language of modern Chinese photography, and creates a revelatory way of perceiving the art of practical photography. His works on the three major religions have historically placed them in a prominent position in the history of modern Chinese art, and he has become one of the leading photographic artists in China and even in the world.

“I recommend to every Architect, designer and those who have a passion for New York to own this magnificent book…there is no better on the extraordinary Beaux Arts of New York.” —Lemeau, Decorator’s Insider

“This great, beautiful, glossy, polychromatic slab of a book more than does justice to an epic period in architecture when some of the world’s most luscious buildings were designed for some of the most unpleasant people in American history.” — Timothy Brittain-Catlin, World of Interiors

“New York would be little more than another faceless glass-and-steel city were it not for its Gilded Age buildings and institutions… An American Renaissance: Beaux-Arts Architecture in New York City, written by Phillip James Dodd with photography by Jonathan Wallen, is a gilded embrace of this legacy.”  — The Critic
The Gilded Age, also referred to as the American Renaissance, is an era associated with unparalleled growth, technological advancement, prosperity, and cultural change. Spanning from the 1870s to the 1930s, it marks the first time that the titans of American finance and industry had more wealth than their European counterparts. As the center of this dynamic economy, New York City attracted immigrant workers and millionaires alike. It was not enough for the self-appointed elite to just build their own grand châteaux and palazzos along Fifth Avenue—collectively they dreamed of creating a new metropolis to rival the great cultural capitals of London, Paris, and Rome. To flaunt their newly acquired wealth they needed an architecture dripping in embellishment and historical reference. Enter the Beaux-Arts.

This book, which has been painstakingly researched and beautifully photographed over many years, takes a close look at 20 of the finest examples of Beaux-Arts architecture in New York City. While showing public exteriors, its focus is on the lavish interiors that are associated with the opulence of the Gilded Age—often providing a glimpse inside buildings not otherwise viewable to the public. While some of the buildings and monuments featured are world-renowned landmarks recognizable and accessible to all, others are obscure buildings that history has forgotten.

Set amid the magnificent achievements of an American Renaissance, this book recounts not only the fascinating stories of some of New York’s most famous and significant Beaux-Arts landmarks, it also recalls the lives of those who commissioned, designed, and built them. These are some of the most acclaimed architects, artists, and artisans of the day—Daniel Chester French, Cass Gilbert, Charles McKim, Augustus Saint-Gaudens, Louis Comfort Tiffany, and Stanford White—and some of the most prominent millionaires in American history—Henry Clay Frick, Jay Gould, Otto Kahn, J.P. Morgan, John D. Rockefeller, and the ubiquitous Astor and Vanderbilt families. Names that—as Julian Fellowes (the acclaimed director of Downton Abbey) notes in the Foreword—“still reek of money.” Excerpt from the Introduction

architekturbild, the European Architectural Photography Prize, has been awarded on a two-yearly basis since 1995. The theme for 2021 is “The Urban in the Periphery”.

Migration between conurbations and rural areas, their respective attractiveness and independence, but also dependence and interdependence with one another: What would be more predestined to trace the subtle or even obvious effects of the urban-rural movement than architectural photography?

Text in English and German.

“Stunning images in fine art photobook capture the ‘strength and dignity’ of America’s cowboys and their breathtaking Wild West home.” – Daily Mail

“Titled American Cowboys, the book captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.” – Daily Mail

The ranching communities in the heartland of the great American West may be a long way from New York City, but renowned photographer Anouk Masson Krantz has been drawn back time and time again to explore this largely unfamiliar and overlooked part of the world. In West: The American Cowboy, Anouk revisits this enduring iconic symbol of America’s pioneering spirit. Set out in a stunning large-format book, the pages within inspire with a fresh and contemporary perspective of the American West. Along with the cowboy’s ranching traditions comes a life built around the core values and faith that are central to their integrity. Long admired for their strength, relentless work ethic, and humble values, the forgotten American cowboy is alive and well, and has never stood in such stark contrast to the rapidly changing nation that surrounds them.

Earning wide acclaim for her incredible fine art work exhibited in galleries and published in the bestselling Wild Horses of Cumberland Island (2017), also by IMAGES, West: The American Cowboy is another artful, intimate study of the American character and their sense of place, and is a unique collection of works brought together by this award-winning photographer and storyteller. Also available by Anouk Krantz: Wild Horses of Cumberland Island ISBN 9781864708851

In the Land of Fire and Ice: Horses of Iceland is photographer and explorer Guadalupe Laiz’s second book celebrating her love for Iceland, its people, and its horses. In this follow up to Horses of Iceland (2019), Laiz widens her lens to not only capture the undeniable beauty of the horses in their natural habitat, but to showcase the rugged, harsh, and unpredictable environment that has shaped their character. Her intimate color and black-and-white images of the majestic Icelandic horses are pure poetry in motion.

Undertaking a more ambitious production, Laiz collaborated with local horse breeders and with Icelandic photographer, filmmaker, and artist Thrainn Kolbeinsson to capture the magnificent animals in iconic and breathtaking locations—from the famous Skógafoss blanketed with snow to the active Fagradalsfjall volcano; and galloping across beaches, frolicking amid glaciers, and with waterfalls, tundra, and fierce ocean backdrops. Kolbeinsson’s powerful drone photography featured throughout the book showcases the aerial perspective of these epic landscapes that have shaped the horses of Iceland.

Laiz’s photographs are testament to her passion for the Icelandic horse and wildlife photography. She shares this collection to reveal the beauty and importance of the remote corners of our planet and the unique animals that call it home.

“This modern, refreshing examination of today’s American cowboys and cowgirls is something people will want to revisit time and time.” — Yahoo
“…captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.” – Ailbhe Macmahon, Daily Mail

“Cowboys may be innately photogenic, but French photographer Anouk Krantz has succeeded in capturing their lives and surroundings like no other.”  —Graphius Magazine

Having earned wide acclaim for her bestselling Wild Horses of Cumberland Island (2017) and West: The American Cowboy (2019), this new collection of work that is American Cowboys is Anouk’s strongest work yet. Join Anouk Masson Krantz in her solo journey across America where she reveals the intimate lives and families of this private, elusive icon of our American West. Through her lens Anouk showcases an incredible journey from an outsider’s perspective into the private world of the American cowboy. Real people and real stories — a remarkable and inspiring story of people coming together to share their lives and celebrate the nation’s cowboy culture. This book is a must-have title among Anouk’s fine collections of photographs.

Anouk’s work has been exhibited in galleries and museums across America. She is renowned for her large-scale contemporary photography and her use of white space that defines her elegant, minimalistic style.

What Denis Rouvre admires about Sâdhus is the way they are in the world, the way they respond to the world, and the way they carry the burden of parallel paths. In non-identity toward extinction, they resist the necessity of their birth. They are born to die, to no longer exist. Every day, individuals defy their common destiny. Among the people whose portraits are exhibited by photographers, we are referring to those who, by their own will and courage, place themselves among the gods.

The book presents a selection of the photographic work made in Naples by Anders Petersen, Swedish master of photography, during Spot home gallery’s first artist residency in the year 2022.

Throughout his long career, Petersen has photographed in cities across almost every continent, from Tokyo to London, from Valparaiso to Stockholm, driven by an inexhaustible curiosity and a profound interest for the other. For him, photography serves as a means to explore the complexity of the human experience, to capture with sensitivity and honesty the emotions that define and unite us as living beings, part of the one, big, same family.

Naples, a “city-world” of many thousand facets, with its chaos and its diverse humanity, was the ideal place for a photographer like him: it is precisely in chaos that life unfolds with all its unpredictability, vibrancy, and beauty.

They had never met before, but when it happened, it was love at first sight. Anders was struck by the city’s energy and enthusiastically accepted the not-so-easy challenge of photographing it. Naples revealed herself without filters, without fear of showing its wounds and vulnerabilities, open to the empathetic approach of a photographer who can look beyond the surface of things, who can find beauty in the ordinary, and embrace its imperfections.

“… a fascinating collection of images of wild horses.” — Amateur Photographer

Photographer and wildlife activist, Alfie Bowen presents his two-year-long project photographing Britain’s wild horses through the eyes of someone living with autism spectrum disorder. Wild Horses is all about connection: Bowen’s personal connection to the animals he photographs; his connection to photography as an art form; the horses’ connection to one another; and our collective connection to the land and our planet.

Bowen borrows the words of American landscape photographer Ansel Adams to describe his approach to his work: ‘You don’t make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.’ For Bowen, photography is an outlet for his emotional energy. It enables him to draw from difficult moments in his life and turn the energy that manifests from his emotions into truly mesmerizing images.

This book chronicles the career of Belgian photographer John Vink, who began contributing to Libération Tin 1985. His personal project Water in the Sahel won the Eugene Smith Prize in 1986, showcasing his commitment to capturing the human experience in difficult environments.
As a founding member of Agence VU, Vink documented refugee camps globally. It allowed him to become a full member at Magnum Photos in 1997, which he would remain until 2017.

His Peuples d’En Haut series highlights the resilience and cultural identity of mountain communities, such as the Mam in Guatemala and the Hmong in Laos. After years of travel, Vink settled in Cambodia in 2000, allowing him to engage more deeply with a single culture. Now based in Brussels, he continues to inspire through his powerful visual storytelling that explores themes of identity and humanity. With a text contribution by Rik Van Puymbroeck.

Text in English, French and Dutch.

This book collects Li Qiang’s classic photographs from 1981 to the present with three chapters: Northern Homeland, Distant Memory, and City Encounter. Li Qiang applies black and white images to record the changes in the lifestyle and cultural landscape of this era, from his hometown of Liyaoxian in northern Shaanxi to Xi’an, where he works and lives, and then to Shenzhen, Hong Kong and Macau in the south. These photographs record the social landscape of the current accelerated industrialization and urbanization, criticize the destruction of nature and original civilization, and pay attention to the state of individual existence. This deep humanistic sentiment is placed in every frozen moment, allowing us to refocus on the freshness and touching of daily life that has long been common place. Li’s influence on contemporary photography is not only reflected in his absolute adherence to his own aesthetic system, but also in his personal understanding between his hometown and modernity, and between himself and the times, providing a unique path for the innovation and expression of photographic language. 

Marilyn Monroe 100 is the only official publication celebrating and commemorating the centenary of Marilyn Monroe’s birth. Published in association with the Marilyn Monroe Estate, this stunning book brings together specially curated sections of work by the best photographers who collaborated with Monroe during her lifetime, including some of the greatest names in the art of photography. 

André de Dienes, Joseph Jasgur and Bernard of Hollywood unveil early images of a young Norma Jeane; John Florea and Philippe Halsman showcase stunning publicity shots of an aspiring actress; Eve Arnold, Elliott Erwitt, Bruce Davidson and Henri Cartier-Bresson capture Marilyn on the sets of some of her most famous films; Cecil Beaton and Richard Avedon portray the actress’s alluring beauty; and the candid photography of Alfred Eisenstaedt, Sam Shaw, George Barris and Milton Greene reveal another side to the Hollywood icon. The book ends with Bert Stern’s ‘Last Sitting’ along with recently rediscovered images of a radiant and smiling Monroe taken from a photo shoot for Life magazine by Allan Grant, originally published two days before the star’s death.  

Alongside this sumptuous exhibit of Marilyn’s life, a selection of fascinating quotes by Monroe herself, as well as texts by scholars and admirers, chronicles the life of a woman with a unique persona who was a trailblazer ahead of her time. Looking back over the past 100 years, it becomes apparent just how avant-garde Marilyn Monroe truly was. 

This exceptional book is a fitting celebration of the life of this most extraordinary woman. 

Horses of Iceland is photographer Guadalupe Laiz’s first book celebrating her love for Iceland, its people, and its horses. Taken over a period of five years, Laiz’s photographs are a portrait of the beauty and gentleness of the Icelandic horses in their natural habitat.

In this superb large-format volume, first published in 2019, Laiz captures the beauty and strength of the Icelandic horses in a compelling pictorial journey. Her sensitive photography showcases the inherent nature of the horses in intimate portraits and against Iceland’s dramatic landscapes. The magnificent color and black-and-white images present the horses in fine detail, bringing the majestic animals to life.

Laiz invites readers to share her love for Iceland, its people, and the horses. She has since returned to Iceland numerous times to photograph the horses for her follow-up publication.

“… an amazing photographer.” — Professional Photographer Magazine

A longtime favorite getaway for America’s most influential families, Cumberland Island, off the Atlantic coast of Georgia, offers breathtaking white-sand beaches, rolling dunes, old-growth oak forests, and salt marsh tidal estuaries. At the center of it all is a population of horses that has thrived, untouched for generations, within this serene sanctuary. In Wild Horses of Cumberland Island, photographer Anouk Masson Krantz has captured the dramatic scenery and majestic horses as they have never been seen before. Her images show the remarkable animals in their naturally diverse ecosystems. A lone horse on a distant beach; four creatures peacefully grazing; a shy animal peering over its shoulder from a brushy thicket – Krantz’s portfolio, built over the last decade, is an intimate reflection not only of Cumberland Island’s exceptional beauty and spirited horses, but of the history and the safekeeping that have allowed both to flourish.

This second edition includes many new images and showcases Krantz’s expansive body of work that reflects the remarkable majesty of these horses as they continue to roam across this remote island landscape.