Ancient adventurers have often spoken of a mystical land of perfect harmony and eternal bliss nestled in the forbidding remoteness of the Tibetan Plateau – the legendary Shangri La. No one has managed to pinpoint its exact location on a map. In the local belief system, Shangri La may well not be a place at all but rather the mental state of a pure and exalted body, speech and mind. Fascinated by this concept, the photographer and author Mahendra Singh set out on his quest. Most of it currently occupied by China, the Tibetan Plateau has been significantly distorted over time under state pressure. Therefore, the author traveled through some of the last surviving remnants of authentic Tibetan life found in the valleys of Ladakh and Spiti; often and justifiably referred to as ‘Little Tibet’. He traveled through remote valleys, ventured across stark landscapes and visited the improbable green oases of human habitation, culture and religion, to bring together this comprehensive portrait of the region through his vivid photographs and meticulously researched text. This book aims to take the readers on a journey of discovery and reflection, and hopefully, a little further along the path to finding their own Shangri La.
Threads of Time is a journey around the world through the medium of textiles. In many communities, cultural heritage and traditions have been handed down through generations by textile artisans. Their beliefs, history, ceremonies, and traditions have been woven into cloth with meaning and purpose sometimes lasting thousands of years. Textiles are special in that they can create narratives that are personal as well as eminently portable.
The pages of Threads of Time illustrate exquisite textiles with location photography, from historical examples of centuries past to extraordinary contemporary expressions, revealing a continuum of inspiration and beauty. The 16 chapters, covering regions from across the globe, feature contributions from local textile makers and experts, bringing together over 30 voices to tell stories of cloth.
Locations explored include: Indonesia, China, Vietnam and Cambodia, Laos and Myanmar, Bhutan, Nagaland, Punjab, Egypt and Palestine, The Caucasus, Turkey, Madagascar, Tunisia, Ghana, Peru and Guatemala, Navajo Nation.
Sasha Gusov (b.1960) is a Russia-born, UK-based photographer, fascinated by the morals, customs, and manners of people across the world. Alongside his commercial work for influential clients including Vogue, Christie’s, and Sotheby’s, Gusov is an avid street photographer, and his keen eye finds the differences, commonalities, comedy, and gravity in people and places.
Collecting the World presents his photographs taken over twenty-five years in a picture selection curated by editor Amanda Renshaw. An essay by academic and photographer Peter Hamilton sheds light on Gusov’s life as a photographer in Russia and London and his unique visual language.
In Collecting the World Gusov juxtaposes toreadors outside a bullring in Spain with synchronized swimmers in Belarus; a sumo wrestler riding a bicycle with a pilot sitting with his bike in front of an aircraft; and Jude Law in jeans and a ballerina from the Bolshoi Ballet in costume puffing on cigarettes. His message is clear: people are people all over the world.
This well-designed publication features new photographs by London-based artist Bettina von Zwehl (b.1971 in Munich). Following her graduation from the Royal College of Art in 1999, von Zwehl has completed high-profile residencies and had solo exhibitions at museums around the world, including the Victoria & Albert Museum, Freud Museum, Holburne Museum, and the New York Historical Society Museum. During a residency in Oxford, von Zwehl researched the Ashmolean’s founding collections and the many narratives embedded within the historical objects. This served as inspiration for a unique Wunderkammer book and exhibition that seamlessly transition between still-life, portraiture, monumental and miniature elements, as well as non-art objects and specimens from natural history collections. The artist’s aim is to rekindle wonder and curiosity as critical tools for exploring new ideas and unique practices, expanding the boundaries of the photographic medium.
Spanning from the Asuka Period to the 21st Century, this reprinted special issue of Shinkenchiku
presents a chronology of Japanese architecture from the perspective of ‘space’. With a focus on photography, this issue allows readers to draw relationships between 100 architectural projects and the eras that produced them.
It is often said that architecture does not ‘grow on its own’, and that it reflects human will and the varying combinations of the cultural, political, and economic situations of the time. It is also true that spatial architectural expressions are the result of all human activities and their underlying values and are not something that can neatly be confined to a particular age.
With this in mind, the catalogue presents this accumulation of Japanese spatial expressions to encourage the creation of new histories to contemplate. Beyond being visually provocative, this special book also contains a chronological catalogue of technical drawings to supplement any investigations.
Text in Japanese.
A century after Theodore Dreiser and F. Scott Fitzgerald mapped the American Dream’s promise and peril, Lauren Greenfield’s latest photographic monograph, The Queen of Versailles: An American Allegory, arrives in bookstores to visually recapture the origin story behind her hit 2012 documentary film and the 2025 Broadway musical—collectively transforming a documentary mirror onto the national stage, where wealth, overreach, and reality-TV culture converge in one distinctly American aria. Named by The New York Times as “America’s foremost visual chronicler of the plutocracy,” and the best-selling author of four award-winning monographs that incisively deconstruct turn-of-the-century America (Fast Forward, Girl Culture, Thin, Generation Wealth), Greenfield now presents The Queen of Versailles: An American Allegory—the first publication of the complete photographic series from the iconic documentary, featuring essays by Greenfield and longtime collaborator and curator Trudy Wilner-Stack.
“Award-winning Belgian photojournalist Nick Hannes casts a critical eye on six newly built capital cities around the world, from Korea to Kazakhstan, and questions whether they are really serving the people who live in them.” — Elle Decoration UK
What does the ideal capital look like? Photographer Nick Hannes traveled to six countries – Egypt, Korea, Nigeria, Kazakhstan, Indonesia and Brazil – that have recently built a new capital or are in the process of doing so. Each and every one of them is a typical example of what Rem Koolhaas calls the Generic City: a planned city without historical layers, local identity, or its own character. As a visual sociologist with a sharp eye for detail, Hannes searches for the human dimension in a setting full of spectacular architecture and pompous prestige projects. New Capital is a critical reflection on unbridled neoliberal urban development and its social and ecological consequences, but is also peppered with subtle humor and surprising coincidences. Meandering between pride and sadness, New Capital shows how utopia and dystopia are sometimes surprisingly close.
Morten Andersen’s photo book follows the development of a collaborative project between Satyricon’s Sigurd Wongraven and MUNCH. The project explores the intersection between images and music, and so does the photo book. In Andersen’s characteristic visual language, the book documents the visuality of Wongraven’s work process as well as the musicality of Edvard Munch’s images. The Norwegian band Satyricon was formed in 1991 and is today one of the world’s most famous black metal bands. They have produced work straddling many genres throughout their career and collaborated with well-known artists and ensembles such as Anja Garbarek, Trondheimsolistene, and The Norwegian National Opera Chorus. Now you can experience the band in relation to Norway’s most famous artist – Edvard Munch. The selected works of art draw on existential themes, but also rhythms and waves, which are features we recognize from the world of music. The intersection of Munch’s expressive motifs and Satyricon’s baseline-heavy music creates room for thought and reflection that goes beyond the realm of black metal alone. Just like Munch, Satyricon’s approach is open and inquisitive, constantly evolving.
Visions of Paradise: American Wilderness is a singular, timeless publication — a photographic tour de force celebrating the extraordinary majesty and rich legacy of America’s wild places, as seen through the eyes of one of the country’s foremost wilderness photographers, Jon Ortner, and conveyed through the transcendent medium of black-and-white film. Ortner has always been fascinated with the natural world, particularly as an avid hiker in the American wilderness. This luxurious book collects in a large format his inspiring landscape images, forming a passionate tribute to the American wilderness. In this sensational portfolio of 200 black-and-white images, Ortner has rediscovered and reinterpreted the compelling beauty of many of his most cherished wilderness locations with remarkable portrayals of their sublime, dramatic, tranquil, and transcendent aspects. Join Ortner as he guides us through his visions of paradise.
Signed, numbered special edition, slip cased, with signed landscape print (measuring 28 x 23 mm), and limited to 200 copies.
Over recent years, the internationally renowned fashion photographer Alexander Gnädinger has been devoting himself to a free project to act as a counterweight against his commercial work. Extremely stylized, aesthetically condensed images, such as those created for his customer Adidas for years, are his trademark. For his project 100 Girls on Polaroid he embarked on a journey to rediscover the original fascination of photography – capturing an authentic moment.
He asked 100 girls to pose in the way in which they consider themselves to be beautiful. In their professional lives, models are the projection screens for society’s ideas of beauty. They are depicted by the photographer, a whole host of stylists, and hair and make-up artists according to the customer’s wishes. Many of the models shown in the book are known from cover pictures and campaigns. Instead, Alexander Gnädinger was looking for the girls’ own individual perception and self-expression. You can sense this on every single page in the book. Shortly after Alexander Gnädinger began the project, he received the surprising news of the collapse of Polaroid.
The Polaroid medium is currently experiencing a renaissance thanks to its authenticity. From Polaroid’s bankrupt estate, Gnädinger bought the last remnants of the black cardboard box that protects the Polaroid film in every cassette. This cardboard box became the dust jacket for the book and gives the book a unique look.
Manhattan Project is a collection of photographs that capture the evolving landscape of Manhattan’s West Side over the past decade. Exploiting the revelatory power of photography, these images explore a city’s architectural transformation.
While Jan Staller’s earlier work focused on industrial decay, these new photographs explore the rise of high-rise construction. By isolating and zooming in on building materials, Staller elevates the ordinary to the extraordinary. The resulting images, reminiscent of drawings or abstract paintings, reveal the hidden beauty and formal qualities of these often-overlooked elements.
This project reimagines the city not as a monolithic entity, but as a composition of intricate details. It celebrates the interplay of light, form and texture, inviting viewers to rethink the familiar and discover the artistic potential of the urban environment.
Text in English and French.
With her project Like we could almost live forever, Carlotta Guerra (*1976) invites us on a visual and emotional journey. The photographs, taken in Italy and North America, draw on her family heritage and create a tapestry of personal memories, experiences, impressions, and emotions. Aware that our limited time in life makes our encounters precious and unique, Guerra collects photographic moments, which she arranges like tiny pieces of a vast puzzle into a narrative full of expressive and associative power. This collection encourages us to explore the magic and the sorrows of life, from the simplest to the most significant moments of everyday existence.
Reality Check shows an overview of a decade of Dutch realism in painting, photography, video, sculpture, installations, drawings and graphics. On the basis of over 50 artists – young and old, established and recently graduated – Sito Rozema – curator at Museum MORE – outlines the latest developments in realism in the Netherlands. What is it in our time that prompts the contemporary artist increasingly opt for a figurative visual language to explore reality? The catalogue, the participating artists themselves have their say: what does realism mean to them?
Text in English and Dutch.
“With 240 pages filled with incredible art, the bird lover will enjoy flipping through and taking in the vast distinctions between species in the bird kingdom.” — Prevention
Australian artist Greg Oakley has had a lifelong fascination with birds and bird art, and began photographing birds 20 years ago, progressing from traditional film to digital in the early 2000s. In the past six years, he has worked on perfecting the difficult and exacting area of bird photography known as “setup”, where perches and backgrounds are meticulously crafted and designed, and lighting strictly controlled.
There are sometimes hundreds of individual photographs taken and then digitally combined to create a single work. With a combination of photographic skill, field craft, meticulousness and incredible patience, he removes the subject from its natural environment and context, re-imagining it in a field-guide style reminiscent of the historic bird artists.
Oakley’s photographs represent a reconstructed contemporary vision of important historic artists such as Gould and Audubon. This collection of stunning artwork is a testament to the natural beauty of birds, highlighting the precarious existence of many endangered species and a reminder of the beauty we could lose. By isolating the subject into an unblemished reality, each species’ character and beauty is celebrated with empathy and understanding. The resulting images provide both a rare glimpse in stunning detail of these delicate creatures, and a poignant reminder of the tragic, impending loss of many of them due to habitat loss and climate change.
Love is one of the most difficult things to photograph, yet this anthology of moving, unexpected images captures the heart of what it means to know and love another. From first love to lost love, these intimate portraits express the tenderness and vulnerability, passion and patience of this powerful emotion. Challenging our perceptions of relationships in the 21st century, this joyful celebration of love beautifully depicts the deep connections between partners of all genders, between friends, siblings, parents and children, and communities.
50 Ways to Cycle the World is the kind of book you’d give to a friend or family member who’s considering cycling somewhere in the world but feels that there are too many obstacles to overcome. 50 Ways encapsulates 50 unique cycling projects accomplished by 75 cyclists from 23 countries. It serves as the ultimate visual guide and encyclopedia to traveling by bicycle no matter what your personal situation is. You’ll find impressive, powerful, emotional and incredibly fun stories on almost every page, accompanied by the beautiful and inspiring photography shot all over our planet by the many cyclists who’ve shared their cycling stories.
Want to know what it’s like to cycle alone, with a dog or a cat, with kids, or with strangers you meet on the road? Or how to travel by tandem, folding bicycle, e-bike or on a bamboo frame? Or maybe you’re simply in need of that last little push over the doorstep, inspired by those who’ve seen the world by bike. Featuring over 400 revealing questions and answers, we’re sure 50 Ways to Cycle the World will tell you exactly what you need to know in order to overcome whatever is holding you back from starting out on your big adventure.
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“…the panorama of a self-forgotten milieu.” — Monopol
“Toffs behaving badly: 1980s high society in photos.” — The Times
“The pictorial equivalents of Evelyn Waugh’s sentences.” — The New Yorker
“Modest though he is, Dafydd’s photographs will endure for having perfectly captured a society on the brink of decline. Unmissable listening.” — Country & Townhouse podcast
“Wonderfully ironic, every point in the picture ignites and knows how to entertain very well.” — Lovely Books
“Dafydd catches those moments of genuine exhilaration, wealth and youth.” — The Hollywood Reporter
“I wondered if the party guests I’d photographed were just re-enacting a nostalgic fantasy, an imaginary version of England that already no longer existed.” – Dafydd Jones
Throughout the 1980s, award-winning photographer Dafydd Jones was granted access to some of England’s most exclusive upper-class events. Now, the author of Oxford: The Last Hurrah presents this irreverent and intimate portrait of birthday parties and charity balls, Eton picnics and private school celebrations.
With the crack of a hunting rifle and a spray of champagne, these photos give an almost cinematic account of high-society England at its most riotous and its most vulnerable. Against the backdrop of Thatcher’s Britain, globalization, the Falklands War, rising stocks and dwindling inherited fortunes, Jones reveals the inner lives of the established elite as they party long into the night-time of their fading world.
Praise for Oxford: The Last Hurrah
‘Sublime vintage photographs…’ – Hermione Eyre, The Telegraph
‘In The Last Hurrah…we see familiar faces from British high society poised on the brink of adulthood.’ – Eve Watling, Independent
Supercars is a celebration of the world’s most beautiful and iconic motorcars, ranging from icons like the Ferrari F40 to modern classics such as the Bugatti Veyron. Belgian photographer Rudolf van der Ven captures the essence of each car in this stunning 224-page coffee table book through his photography and unique stories. Foreword by Tim ‘Shmee150’ Burton.
The Lone Star State continues its love affair with innovative and contemporary architecture and design. Showcasing a stunning range of modern homes, this book will inspire best-design practice and spur on lifestyle dreams. Set out with beautiful full-color photography, New Texas Modern delves into the finer details of trending architectural styles. The exquisite kitchens, glorious living spaces, sumptuous bedrooms, luxurious bathrooms, spectacular outdoor entertaining areas, and other delightful spaces, are all part and parcel of the Texas residential dream. Abundant available space, a sense of Texas architectural historical vernacular, and a need to cater to the harsh Texas climate all combine together to produce gorgeous livable contemporary residences to delight the eye and the senses.