“If celebrity watch spotting is your thing, and believe me, this is a growing tribe, then, Watch Spotting: The Collectors by ACC Art Books (left) is watch voyeurs dream come true.” — The Jewellery Editor

“Riche digs into the compelling nature of watch collecting, even for the very famous.” — Watchonista

“… If you share a passion for timepieces with Brad Pitt, Marlon Brando, Jay-Z, or even Princess Diana and many others, then these pages are for you! ” —Tribune des Arts

“With stunning visuals and sharp commentary, this tome is essential reading for anyone fascinated by horology and its ability to make a statement.” — Boss Hunting

The intricate mechanics, precision and artistry behind high-end watches have long been appreciated by collectors, but in more recent times watches have become cultural icons. Symbolizing luxury, wealth and success, timepieces now play a key role in pop culture with celebrities like Pharrell Williams and Rihanna elevating watches through endorsements, and rappers like Jay-Z and Drake flaunting high-end watches such as Patek Philippe, Audemars Piguet and Rolex in their lyrics and public appearances, turning them into status symbols.

Through the collections of 30 celebrities, chosen by Toronto-based watch writer Rhonda Riche, Watch Spotting: The Collectors sets out to illustrate what makes watch collecting so compelling and why timepieces have come to symbolize more than just timekeeping. With its marriage to pop culture, watch collecting has brought timepieces into mainstream consciousness in a fresh and bold way, making these wearable works of art more popular than ever.

“Neural networks do not understand what optical illusions are.” – Technologyreview.com

“Some pictures tell a thousand lies.” – hplyrikz.com

An optical illusion confuses the eye by pretending to be something it isn’t. It both misleads and deceives the brain, which is trying to make sense of the information the eye is sending. This book presents a selection of brain-bending optical illusions featuring graphic art and photography by 60 artists, and includes an overview of the history of optical illusions in art.

Dallas & the New Tradition explores Dallas’s unique architectural history and celebrates Larry E. Boerder’s vision of restoring the city’s great revival past in a manner fit for the twenty-first century.
Larry E. Boerder Architects specializes in designing and building homes in the prestigious suburbs of Highland Park, University Park, and Preston Hollow, nestled in Dallas. With a modern revivalist approach, their work honors the architectural traditions established in these communities in the early twentieth century.
Delve into the origins of some of America’s most beautiful and idyllic suburbs and how this setting inspired Boerder to create homes that are elegant, refined, and above all, harmonious to their surroundings. Come behind the scenes to tour some of his greatest properties located in Texas and farther afield, which stand as an enduring testament to the talent of Boerder and his team, as well as their dedication to preserving and taking forward the New Tradition.

“Russell Ord’s photographic odyssey through Australia’s coastal landscape explores this unique culture by portraying the people whose lives pulsate in time with the rhythmic swells of the ocean.” — HOOM

“Life Around the Sea is more than a book—it’s a tribute, a meditation, and a love letter to the ocean and the people who live in harmony with its eternal rhythm.” — Ninu Ninu

“… Their personal stories, told by surf writer Alex Workman and captured by Russell Ord’s evocative and breathtaking photography, are a testament to the boundless beauty, mystery and inspiration of the ocean.” —The Guardian

Life Around the Sea is an odyssey of Australia and a deep dive into some of the remarkable individuals who have been transformed by the sea’s enduring embrace; those whose hearts beat in unison with the rhythmic swells of the sea. In this beautiful publication, you’ll encounter people from all walks of life, from fearless big wave riders, and surfers who first felt the tender caress of a wave in their childhood, to artists drawn to the coastline to bring its ancient beauty to life, and shapers who expertly craft boards for wave seekers around the globe.

Be transported to Australian coastal villages, hinterland hideaways, remote beaches, and solitary shaping bays that form the backdrop to the unique lives of these people. Their personal stories, told by surf writer Alex Workman and captured by Russell Ord’s evocative and breathtaking photography, are a testament to the boundless beauty, mystery, and inspiration that the ocean bestows upon us all.

Step further into the world of Louis Vuitton, where legacy craftsmanship meets bold innovation. This extended edition delves deeper into the brand’s journey—from its origins in custom travel trunks to its status as a global symbol of style and sophistication.

Explore the evolution of the iconic monogram, the creative impact of designers like Marc Jacobs and Nicolas Ghesquière, and how Louis Vuitton has influenced fashion, art, and pop culture. With added chapters and rare visuals, this book uncovers the layers behind the label.

See how stars like Zendaya, Scarlett Johansson, and Selena Gomez have redefined red carpet glamor and street style with Louis Vuitton’s signature pieces.

Whether you’re a longtime admirer or new to the brand, this expanded volume is a richly curated celebration of why Louis Vuitton remains at the pinnacle of luxury.

Also available is ISBN 9788794190596 The Essence of Louis Vuitton, Unfolded.

Pushtimarg, a Vaishnava sect founded by Vallabhacharya in the 15th century, lays great stress on worship of the deity Shrinathji through the joys of life and living and devotion through kirtan (devotional poem-songs), bhog (offerings of sumptuous food and beverages), shringara (offerings of adornment, through dressing and ornamentation), and decoration and painting. The paintings constitute the Nathdwara school, so named because the image of Shrinathji is enshrined in a temple in Nathdwara, Rajasthan.

Shringara of Shrinathji catalogs a set of previously unpublished miniature paintings of the Pushtimarg tradition from the collection of late Shri Gokal Lal Mehta. These 60 splendid artworks were executed by Sukhdev Gaur, the mukhia (chief artist) of the temple, during the dynamic stewardship of Tilkayat Govardhanlalji (1862–1934 AD). Documenting the high degree of skill in draughtsmanship, portraiture and in composition, expositions by artist Amit Ambalal accompany the exceptional, high-quality photographic reproductions of these beautiful paintings in this captivating volume.

According to Count Galeazzo Arconati, who gave other Leonardo manuscripts to the Ambrosiana Library in Milan, the drawings concerning nature, anatomy, and color, have been “in the hands of the King of England before 1640.” The collection has been recorded as being in the possession of Queen Mary II, in 1690, a year after she and her husband, William III, ascended the throne as joint monarchs. The collection comprises all the known anatomical drawings by Leonardo. Three hundred images of the human body by the great artist, made between about 1485 and 1510–15, are showcased in this magnificent volume. Based on the artist’s own anatomical dissections, they show his evolving understanding of physiology. The drawings demonstrate, as well, Leonardo’s progress from technical mastery of his subject to consummate draftsmanship.
The commentary on this astonishing body of work is by Professor Martin Kemp of Oxford University, a leading international authority of Leonardo da Vinci, who explains the uniqueness of the painter’s stroke and the refined figurative transposition. One of the most renowned Italian Anatomists, Professor Mario Rende of the University of Perugia, analyses the significance of these works from a medical-scientific angle, revealing the insights, the research methodology, and the experimental and analytical approach of the Genius of da Vinci. Moving between art and anatomy, between unsurpassed illustrative display and avant-garde Renaissance scientific research, the work thus provides an in-depth and comprehensive look at an indispensable aspect of the Great Master’s story.

Text in English and Italian.

Nineteenth-Century European Painting: From Barbizon to Belle Époque represents a comprehensive guide to the range of stylistically diverse genres of nineteenth-century European painting. Accessible and insightful, this exquisitely illustrated volume presents the historical context behind the century’s essential artistic movements including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting, Academic Painting, and Impressionist Painting. Influenced by an overwhelming wave of political, military and social change, nineteenth-century Europe represented an era more diverse in painterly subjects and styles than any before it. Indeed, it was a period that saw many European painters moving away from the strictures of the academy system, choosing instead to use their training to develop new techniques and traditions. A collection of independent stories, this book also outlines the unique progression between the different movements, exciting and enlightening the reader about the most magnificent period of art the world has ever known. Contents: Foreword; Dr. Vern G. Swanson; Introduction; Author’s Note; STYLES: The Barbizon School; Romantic Painting; Orientalist Painting; The Pre-Raphaelite Brotherhood; Realist Painting; Academic Painting; Impressionist Painting; The Newlyn School; Post-Impressionist Painting; SUBJECTS: Landscape Painting; Venetian View Painting; Maritime Painting; Sporting Painting; Animal Painting; Genre Painting; Cardinal Painting; Costume Painting; British Neoclassical Revival Painting; Belle Époque Painting; Conclusion; Endnotes; Bibliography. Featured works from museums and collections including: Louvre, Paris, Yale University Art Gallery, New Haven, Wallace Collection, London, Fine Art Museum of San Francisco, The Tate Gallery, London, The Schaeffer Collection, New South Wales, The Royal Collection, The Royal Academy of Arts, England, The Musée D Orsay Paris, Henri de Toulouse-Lautrec, The Metropolitan Museum of Art, New York (Catherine Lorillard Wolfe Collection), The J. Paul Getty Museum, Los Angeles, The Hermitage, Saint Petersburg, Russia, Russell-Cotes Art Gallery and Museum, Bournemouth, England, Rijksmuseum, Amsterdam, Plymouth City Museum and Art Gallery, Stanhope Forbes, Philadelphia Museum of Art, Pennsylvania, PA, USA, Paisnel Gallery, London, National Gallery, London, National Gallery of Victoria, Melbourne, Museum of Fine Arts, Boston, Museo e Gallerie Nazionale di Capodimonte, Naples, Italy, Museo de Arte, Ponte, Puerto Rico, Musée Marmottan, Paris, Musée D Orsay, Paris, Auguste Renoir, Metropolitan Museum of Art, New York, among many others.

This book brings together over 500 extraordinary objects from the MAK Collection (Vienna) with the artistry of Van Cleef & Arpels, celebrating the Maison’s 120-year history. This stunning catalogue presents a dialogue between medieval textiles, Wiener Werkstätte designs, and iconic creations such as the transformative “Zip” necklaces, the brilliant “Mystery Set” gemstones, and the historic Varuna yacht model. Featuring insights from MAK curators, Van Cleef & Arpels experts.

Text in English and German.

Assembly of the Exalted presents some 50 pieces from the remarkable collection of Alice S. Kandell. The works, dating from the late 13th century to the early 20th, include great masterpieces and emblematic examples of Tibetan Buddhist art. They are all presented here as the constituents of a Tibetan Buddhist shrine. Shrines, both modest and grand, are the primary sites of Tibetan Buddhist practice, whether it be reciting scriptures, performing rituals, saying prayers, or engaging in meditation. The introductory essays thus focus on the Tibetan Buddhist shrine, describing its evolution over the history of Buddhism, its special role in Tibet, and how the pieces in the Kandell Collection came to be assembled and displayed in shrines at institutions across America. Illustrated with vivid photography, forty short essays, each centered on a single work or set of objects, describe the pieces in terms of their importance for the practice of Buddhism, highlighting the many essential functions of Tibetan Buddhist art within the space of a shrine.

Punjab, and especially Sikh art, has taken multiple forms ranging from scriptural manuscripts, floral adornments to illustrations and illuminations. This family collection showcases varied forms of jewelry, textiles, arms, coinage, along with construction of religious places and monuments. Murals and frescoes, paintings from Mughal, Punjabi and Pahari styles as well as calligraphy; all enhance the culture and add to its beauty. In addition, foreign artists such as Emily Eden, Shoefft, Soltikoff and other Europeans have left their imprint. The Khanuja Family believes encouragement of art is an essential element in enriching cultural heritage, upliftment of the human spirit, which eventually results in understanding, tolerance and interconnecting us all. This collection is a labor of love which started with an interest in listening to the history of Punjab from elders and subsequently reading about it. Over time with the help of Dr P Khanuja’s daughter, Jasleen it evolved into this expensive passion of collecting artifacts and paintings over the last 14 years.

The very first retrospective book showcasing the renowned high jewelry Maison Chaumet features a collection of iconic editorials and campaigns captured by major photographers such as Guy Bourdin, Peter Lindberg, Mario Testino, Mario Sorrenti, Richard Burbridge, and Paolo Roversi. Additionally, it presents previously unreleased autochromes from the early 20th century, offering a captivating glimpse into the Maison’s historical archives.

A photographic reference title authored by Carol Woolton, a leading authority on high jewelry at British Vogue, Sylvie Lécallier, director of the photographic collection at Palais Galliera Musée de la Mode in Paris, and Flora Triebel, a curator specialist in 19th-century photography at Bibliothèque Nationale de France, delves into the close ties Chaumet has woven with photography since its inception, revealing its innovative collaborations over the years. From the 1930s to the present day, the book offers a portrait of high jewelry and women, making it an essential read for photography and high jewelry enthusiasts worldwide.

“…sumptuous large illustrations of the selected Works, with a beautifully printed tonality”
“lt is exciting to think about how this important collection can continue to grow while this publication is already a beautiful tribute to Scottish art.” — Journal of the Scottish Society for Art History, Volume 29, 2024-2025, p.128
The National Galleries of Scotland is home to the most important collection of Scottish art in the world. This beautifully illustrated book introduces the collection through 100 works, specially chosen by the curatorial team who care for them.
The selection ranges chronologically from a 16th-century portrait of a Scottish king to 21st-century instalations and prints. Some of the most famous painters in Scotland’s history feature alongside some of the finest artists working in Scotland today. Many of the most distinctive movements in Scotland’s artistic heritage are represented, including the Celtic Revival, Arts and Crafts, the Glasgow Boys and the Scottish Colourists.
Each of the 100 works is reproduced alongside a text by one of 23 three expert contributors. The introduction gives an overview of the collection and Scottish art history more broadly. It is perfect for those who already love Scottish art, and those who are yet to discover its riches.  

Whereas the Western world views dolls as children’s toys – apart from a few adults with a passion for collecting them – in South Africa dolls are part of a tribe’s cultural heritage. They are not toys but objects that are laden with associations and the ritual and religious beliefs of a community. African dolls are seen as mediators between the natural and the supernatural; they were created in a great variety of materials and used for ritual, spiritual and healing purposes. All dolls in this collection come from a Zulu household in Msinga, a tribal region in the former province of Natal, today KwaZulu-Natal, on the eastern coast of South Africa. Made by women of the tribe between 1987 and 1994, they document the end of an agrarian-oriented population and the development towards a modern industrial society in South Africa. In numerous interviews with the women of this tribe, the author captured the meaning and the content of this collection, which has been passed on over many generations from mothers to daughters.

Text in English & German.

This book is put together like a jewel and contains a carefully chosen selection of around 100 West African combs from one of the world’s largest and finest private collections of sub-Saharan African art. Featuring a hitherto unseen assortment of pieces assembled over a period of more than 60 years, the book also includes an authoritative analysis by Alain-Michel Boyer, who approached this rarely addressed theme in what was his final work, begun almost ten years ago.

As well as offering us valuable insights into the cultures that produced these miniature sculptures (Ivory Coast, Ghana, Burkina Faso, Nigeria), he explores the way the form itself is approached. These creations transform what is in principle a plain accessory and in the effort to attain pure beauty, they display an aesthetic awareness that raises the adornment of the body to the level of fine art.

This book highlights the treasures of the extraordinary personal collection of the Salar Jung family. The Indian Art section focuses on ancient sculptures of the Andhra region and representative paintings of the medieval period. The ‘Asian Art’ section includes a few exceptional pieces of ceramic and other arts from China and Japan. The ‘European Art’ segment includes various pieces of art for which the Museum is famous such as the ‘Veiled Rebecca’ and oil and watercolor paintings by English, French and Dutch artists, apart from several other rare European pieces. ‘In the Palace’ has furniture and household collection of glass and ceramics from around the world. The ‘Arms Collection’ of the Museum has treasured items including weapons belonging to Mughal emperors such as Shah Jahan and Aurangzeb.

Headrests from Southern Africa – The architecture of sleep presents the subject of southern African headrests in a fascinating new light. The book, richly illustrated – often with in situ photographs, offers unique historical and personal information collected from many of the original owners and carvers of the headrests. So, for the first time African headrests are brought to life with detailed information and the stories of their creation, ownership, use and significance.

The 438 headrests from the collections of Bruce Goodall from Cape Town and Frédéric Zimer from Paris are presented according to 3 geographical areas: KwaZulu-Natal, Limpopo (where the Ntwane people live) and Eswatini (formerly known as Swaziland).

Since 2003, Goodall has made numerous field trips collecting, as well as interviewing and photographing the owners and carvers of headrests. In 2017, Goodall’s collection grew substantially with the purchase of a comprehensive collection of headrests from the Msinga area of KwaZulu-Natal. This collection had been assembled and meticulously documented by the late Anglican priest Clive Newman and his friend and assistant, Mavis Duma, between the late 1980s and the mid-2000s. The Zimer collection has been built up since the 1990s through his many travels in Africa, and his acquisitions from collectors and African art dealers around the world.

This publication not only offers insight into the personal and historical dimensions of this important southern African tradition through the text written about the headrests and their owners by Bruce Goodall, but includes essays by Newman, Nel and Leibhammer and a text about collecting by Duma. Together these facilitate a penetrating understanding of these valued items as well as a respectful appreciation of the cultures and individuals who made and used them.

The very first retrospective book showcasing the renowned high jewelry Maison, Chaumet features a collection of iconic editorials and campaigns captured by major photographers such as Guy Bourdin, Peter Lindberg, Mario Testino, Mario Sorrenti, Richard Burbridge, and Paolo Roversi. Additionally, it presents previously unreleased autochromes from the early 20th century, offering a captivating glimpse into the Maison’s historical archives.

A photographic reference title authored by Carol Woolton, a leading authority on high jewelry at British Vogue, Sylvie Lécallier, director of the photographic collection at Palais Galliera Musée de la Mode in Paris, and Flora Triebel, a curator specialist in 19th-century photography at Bibliothèque Nationale de France, delves into the close ties Chaumet has woven with photography since its inception, revealing its innovative collaborations over the years. From the 1930s to the present day, the book offers a portrait of high jewelry and women, making it an essential read for photography and high jewelry enthusiasts worldwide.

For thousands of years, the peoples of Central Asia have created spectacular textiles for every aspect of life. Infinite care, resources and time have gone into making elaborate costumes (connoting the wearer’s identity and place in society), equestrian items, and exquisite furnishings for settled as well as nomadic lifestyles. Items of dress were decorated literally from top to toe: boots were embroidered with metal thread, while hats were stitched, appliquéd and felted. The women of a family would come together to embroider dazzling suzanis to form part of a bride’s dowry; master dyers and weavers would craft vibrant ikat hangings. Combined, these objects tell an evocative story of life along the Silk Road in times past.

This book brings together outstanding textiles from the Neville Kingston Collection, featuring many previously unpublished pieces. It is the second volume to document this exceptional English collection; Turkmen Carpets: The Neville Kingston Collection was published in 2016.

“This book is a fascinating look at a history rarely told.” —The Guardian

“a fascinating look at a history rarely told” — The Observer

“In his new book “Around the World in 200 Globes” (Luster), he spot-lights some of the most significant and interesting, shpwing that a globe is more than a map on a ball.” — Wall Street Journal

“…a superb illustrator of changing boundaries and national self-regard” — Strong Words

“…exquisite examples that speak to our species’ ever-shifting ideas of who we are and where we live” — National Geographic Traveler

“…beautifully put together – and the photographs of the globes are straightforward but show off the magnificence of the collection admirably” — Amateur Photographer

The Dutch architect Willem Jan Neutelings (co-founder of Neutelings Riedijk Architects) is known as the architect of, among other things, the MAS in Antwerp and the Gare Maritime in Brussels’ Tour & Taxis district. Few people know, however, that Neutelings is also an avid collector who, over the years, has built up a very extensive and also very specific collection of hundreds of globes, made between 1900 and 2000. In this book, he presents his collection to the public for the first time. He selected 200 globes, each telling a very individual and interesting story about the time and place when and where they were created. Some globes bear witness to technological innovations by the way they were made, some show how advanced people’s knowledge of space was at the time, some were intended as navigational aids. Neutelings’ collection includes globes in cast iron, steel, wood and even paper; some look very old and fragile, others are very colorful, and some even give off light. Each one is a beautiful and intriguing object that teaches us a lot about the ever-changing world view of mankind. This beautiful and skillfully crafted book is an ode to these stories, to the unique objects often anonymous craftsmen produced in the last century, and to the special dedication of collectors.

Defining a distinct style of painting produced in India during the British period and influenced by European artistic norms, this catalogue of Company Paintings in the TAPI (Textiles & Art of the People of India) Collection is a unique illustration of the social milieu prevailing in India in the nineteenth century. Tracing the origins and evolution of this genre of painting, the volume shines a fresh beam on subjects commissioned to be painted by officials of the East India Company, such as occupations, customs, dress, bazaars, festivals and daily life of ordinary people, a world removed from the elite and princely environment that was the chosen subject of Indian miniature artists. The catalogue of the TAPI Collection of Company Paintings highlights works from the major regions where such paintings were produced – Murshidabad, Calcutta, Patna, Lucknow, Delhi, Punjab, Kutch, Tanjore, Trichinopoly, Madras, Kerala and the Andhra Coast. It comprises a rich and accurate record of the diverse modes of dress and manners of the people before the advent of photography. This catalogue documents the first-ever exhibition on the subject to be held in India, being a collaboration between TAPI and CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, formerly the Prince of Wales Museum of Western India).

For the first time Katoen Natie, a global logistics service provider, shows its collection of unique modern and contemporary art from Latin America, the biggest collection in Europe. Renowned experts such as Laura Malosetti Costa and Christina Rossi discuss the art history of the continent and the 44 artists from the collection with toppers such as Joaquín Torres García and Diego Rivera. This lavishly illustrated catalogue is a kaleidoscope showing the artistic diversity of a fascinating continent that has been ignored for too long.