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Jangarh Singh Shyam was born in the early 1960s to an impoverished Gond family in rural central India. Discovered and nurtured by the renowned artist J. Swaminathan at Bharat Bhavan, the multi-arts center in Bhopal, Jangarh rose to global prominence after participating in a seminal art exhibition in Paris. After a brief career spanning only 20 years – and by then recognized as one of India’s greatest tribal artists – Jangarh committed suicide in 2001 at the age of 39. His work, informed by the Gond deities of his childhood, defied established categories and inspired a contemporary school of indigenous painting, which continues to attract admirers in India and abroad. Exploring his aesthetics, themes, and art historical relevance, this book also looks at the relationship between the artist and his early patrons, the collectors Niloufar and Mitchell S. Crites. Dr. Aurogeeta Das closely examines the huge body of work Jangarh left behind in The Crites Collection, enriching her study with references to works in other private and institutional collections. As such, she also captures early practices of collecting contemporary folk and tribal art in India. Contents: Preface by Mitchell S. Crites Patangarh to Paris, New Delhi to Niigata; Images I Samvega, Aesthetic Shock: Jangarh’s Artistic Evolution; Images II The Enchanted Forest: Jangarh’s Thematic Range; Images III Cataloague Raisonné: Paintings and Drawings from the Crites Collection.

House for All Regions: CRAN Residential Collection is the first in a series on international residential architecture produced by IMAGES Publishing in partnership with the American Institute of Architects (AIA). The projects are divided into four climate zones: Arid & Semi-arid, Temperate, Arctic and Sub-tropical & Tropical, and each illustrates how architects adapt their designs to accommodate the challenges posed by the local topography and variations in climate. Containing cutting-edge residential designs by leading architects from across the world, including North America, the Caribbean, Asia, and Europe, and featuring rarely seen images, this collection underlines the sensitivity of today’s architects to the natural environment, as well as the care and attention paid to interior design and everyday living.

Loving: A Photographic History of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public.

Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love – impossible to manufacture or hide. They were also recognized by body language – evidence as subtle as one hand barely grazing another – and by inscriptions, often coded.

Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots – over 100 years of social history and the development of photography.

Loving will be produced to the highest standards in illustrated book publishing, The photographs – many fragile from age or handling – have been digitized using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world’s elite printers. Loving, the book, will be up to the measure of its message in every way.

In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope – indeed human connectivity – are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.

Under the ambiguous term HUNT (English: the hunt; Estonian: the wolf), Kadri Mälk unites her collection of contemporary art jewelry. As a lone wolf, the Estonian artist and teacher compiled the pieces in her eternal hunt for beauty, mystery and creativity.

Since jewelry is designed to be worn, Mälk’s fellow artists are not only immortalized in these works; they also pose in portraits alongside their favorite pieces. The jewelry is thus brought to life on the bodies of the collector’s friends and companions.

Text in English and Estonian.

“Anyone who always wanted to know about the Rolls-Royce factory in Goodwood, it can all be found here thanks to high-quality images from photographer Mariona Vilarós, who has captured every production step in detail.” — Octane
Step inside a world of engineering excellence with this collection, dedicated to Rolls-Royce Motor Cars. The authors were granted unique access by the Rolls-Royce company. Detailed descriptions of the manufacturing process are set against a backdrop of heritage and prestige,including an exclusive showcase of the company’s manufacturing facility and a splendid gallery of Rolls-Royce cars dating back to sketches of work from the1930s. This collection includes numerous unseen photos of Sir Henry Royce driving early versions of his iconic cars.

A true behind-the-scenes experience, this book introduces the reader to the Rolls-Royce master craftsmen at work.High-quality images and detailed insights reveal the process by which each caris constructed, from the 2019 Ghost Zenith back in time to the 1904 Original.Rolls-Royce opens their archive to reveal a spectacular timeline of design, providing readers with an insight into the world of those who still uphold the words of Sir Henry Royce: “Strive for perfection in everything you do”.

The contents list guides the reader through the complete construction of a car: Design and Customisation, Paint and Finish,Chassis Assembly, Woodwork, Leather, Testing, The Spirit of Ecstasy Hood Ornament, and more. With a glimpse at the Rolls- Royce Training Academy and a plethora of featured cars from last year to the start of the last century, this is the ultimate Rolls-Royce collectors’ volume. Featured cars include the new Ghost (2020), the Phantom Tranquility (2019), Phantom Aviator Coupe (2012), the Phantom II Continental (1934), the AX201 Silver Ghost (1907), and many more.

These 100 examples, from various Neolithic cultures throughout the region known today as China, are described in this catalog by the collector himself, focusing on their design and engineering ingenuities and their artistic merits. After a 50-year career in consumer product design, author Ronald W. Longsdorf applies the principles of that discipline to these marvelous pots. This is the only book currently available in the market for collectors who wish to study Neolithic ceramics from China from this exquisite collection. It includes lots of information and comparisons from other pieces in museums.

Text in English and Chinese.

“As an artist, I look for beauty in things, and appreciate the unusual.” – Ceil Pulitzer

Ceil Pulitzer started her journey as a collector of African art more than 30 years ago. Her artistic spirit has drawn her to all forms of culture and human expression. As a dedicated painter, she has relentlessly exercised her eye in the study of art and art history. As a collector of modern art first, she understood that African art shaped the trajectory of 20th-century art. Later, in Paris, she met the venerable expert and legendary dealer of African art, Charles Ratton. In one brief meeting, he said to her: “You have a good eye.” This encounter distilled her passion and pursuit of excellence in classical African art.

The Ceil and Michael Pulitzer Foundation has developed and supported a number of philanthropic endeavors in Africa, and in major institutions that promote the art of Africa and humanitarian efforts there.

In the 18th century pugs found their way onto the laps of noblewomen and, with this, into the portraits of contemporary rulers. Small and forever panting, the pug could not be put to use as a watchdog or a herding dog, but it compensated for this with its charm. The dog ultimately found its way onto porcelain and faience. Johann Joachim Kändler, the most significant modeler of the Meissen porcelain manufactory, designed over 60 variants of the pug between 1740 and 1760 – standing, lying, scratching, and performing tricks.

Kändler portrayed the pug belonging to Count Heinrich von Brühl in a splendid one-off, but he also produced models for serial production. This southern German collection comprises over 150 ceramic pugs as well as other dogs. Moreover, they do not just appear individually; they may also be part of a courtly scene or decorate wares in the gallant style – accessories such as flacons, (snuff) boxes, and walking-stick handles.

Text in English and German.

John Ruskin assembled 1470 diverse works of art for use in the Drawing School he founded at Oxford in 1871. They included drawings by himself and other artists, prints and photographs. This book focuses on highlights of works produced by Ruskin himself. Drawings by John Ruskin are uniquely interesting. Unlike those of a professional artist they were not made in preparation for finished paintings or as works in their own right. Every one – and they number several thousand, depending on what can be considered a separate drawing – is a record of something seen, initially as a memorandum of that observation but with the potential to illustrate his writings or for educational purposes, notably to form part of the teaching collection of the Drawing School he established after election as Slade Professor of Fine Art at Oxford University. In addition, because of the range of interests of arguably the only true polymath of his time, every drawing touches on some interesting aspect of art and architecture, landscape and travel, botany and natural history, often connected with his writings and lectures. Ruskin’s life is one of the best documented of any in the 19th century, through letters, diaries and the many autobiographical revelations in his published writings: this allows the opportunity to give almost any drawing a level of context impossible for any other artist. When there is so much background information, a single drawing reveals much about its creator, and becomes a window into the great sprawling edifice of his life and work.

The art of Samuel Palmer is essentially a discovery of the 20th century. Although he exhibited widely during his lifetime, and found buyers for some of his watercolors and etchings, it was not until the retrospective exhibition held at the Victoria and Albert Museum in 1926 that the general public were able to enter the uniquely personal world of Palmer’s early years at Shoreham. Since then, his influence on a generation of English painters including Nash, Sutherland, John Piper, and F.L. Griggs, the publications of Geoffrey Grigson, Raymond Lister and others, have made him one of the most popular of English artists.

The collection of paintings, drawings, watercolors, and etchings by Samuel Palmer in the Ashmolean Museum is the most important in the world. It is especially rich in the early works of the Shoreham period, from c. 1824 to 1835, notably the haunting self portrait and the unique group of six sepia drawings of 1825, which represent the ‘visionary landscape’ at its most intense.

Mythical Diary is a visual journey through the classical sculpture of the Archaeological Museum of Naples. It is a physical engagement with the marble bodies of myth.

Through his black and white photography, Luigi Spina disassembles the limbs of the sculptures, emphasizing their curves and hidden eroticism, humanizing them to establish a dialogue with the observer.

Sculpture is a sign of eternal, unchanging beauty: the only true testimony of many lives that have passed and come to an end, leaving a profound mark in the story of many other existences. For Spina, with his own vision of sculpture, a statue of Aphrodite is not merely a stereotypical portrayal of myth. In it are gathered the anxieties, dreams, hopes and joys of all those who have seen her and dreamed of or studied her. In a way, classical sculpture is profoundly present in our veins, in our very breath.

The project takes the form of an imaginary diary covering fifteen days. But this is only an ephemeral period of time, a convention. The whole work developed over a period of days and months amounting to years, always in contact with the circumscribed space made of myriad lives and stories, which we call a museum.

In Mythical Diary, Spina attempts to make classical sculpture interact with the viewer’s desire to be a part of this ancient world which has continually influenced our way of life, our culture and our society, proving itself to be contemporary with any period.

Jane and Raphael Bernstein were early supporters of the innovative teaching practices of the Hood Museum of Art, Dartmouth. This richly illustrated catalog traces the legacy of their gifts of art from 17th-century Japanese handscrolls to 18th-century English satirical prints, from 20th-century American landscape and portrait photography to contemporary art from the Canadian Arctic, plus an extraordinary collection of calligraphic prints and paintings by Japanese centenarian Toko Shinoda. Curatorial essays reveal how the depth and richness of the various collections the Bernsteins have entrusted to the museum increase the range of the work it can do. They have long conceived their gifts of art as part of an overriding project: object-based inquiry. This catalog celebrates the Bernsteins’ support for learning with art, inviting readers to join the museum’s faculty, staff, visitors, and – perhaps most importantly – students who will forever benefit from their generosity.