The Story of the America’s Cup 1851-2021 tells the chronological history of 150 years of the most exciting and exhilarating yacht race, open the pages and you can almost feel the wind in the sails and the salt spray.

Full page color illustrations bring the yachts alive, set as they are in their natural element, at sea, on the waves; detailed descriptions give an amazing insider’s view of the construction of individual boats, the routes sailed, the crews, the highs and lows of what was undoubtedly, extremely tough and competitive sailing, the victories and the defeats.

Paintings by Tim Thompson, a leading marine artist are an integral part of the book’s appeal; he has captured the pure essence, the spirit of the race and its place in history.

Since 1970, the collection of Panini stickers has accompanied every FIFA World Cup™, which takes place every four years. The collection is not only a practical guide to the final tournament, but also provides a valuable visual archive of all the teams and their memorable matches.

Through the faces of its protagonists, the book tells the story of the FIFA World Cup™ from Mexico 70 to Canada, Mexico and the United States in 2026. Famous and less famous champions, loved and less loved, who shared the desire to raise the most coveted football award to the sky.

Includes 1,104 pages of stickers, stadiums, scores, formations, rankings, summary tables and results that have made the history of the FIFA World Cup™.

For lovers of statistics and curiosities, the albums – always published before the competitions and shown in their original format – are completed by graphs and tables of the results of the final phase of the tournament and, starting from South Africa 2010, by an insert with stickers of substitutions.

Text in English, Spanish, French, German, Dutch and Italian.

For the nature and adventure enthusiast: Roaming America is a visually stunning, ultimately practical guide to visiting the US National Parks.
Combining breathtaking imagery, useful planning information for each national park, suggested itineraries, best-of recommendations, and more Roaming America will give you all the inspiration you could need to plan your next national park road trip! Featured inside:

The history of the erstwhile State of Jodhpur is a record of heroic exploits, epic victories and magnificent gallantry displayed by its army. The Story of the Jodhpur Lancers is a remarkable narrative of the warriors of this Indian Princely State – prior to, and during the First and Second World Wars – and of how the friendship between an Indian Prince, Sir Pratap Singh, and British royalty contributed to the Allied War efforts. This book provides a comprehensive historical account of the Jodhpur Lancers – their origin, their deeds and dash and their role in the armies of British India and their Princely State. Featuring rare photographs, maps, documents and sketches, this book is a richly illustrated kaleidoscope packed with historical data assembled from a wide variety of sources, much of it previously unavailable. The author has taken the skeins of Jodhpur history and woven them expertly to create a fascinating story. Forewords by General Bipin Rawat, Chief of the Army Staff and Maharaja Gaj Singh, erstwhile Maharaja of Jodhpur, make the book even more memorable. The Story of the Jodhpur Lancers also reminds us, lest we forget, of the sacrifice of so many Indians who fought in the Great War and who died in foreign lands, as brave sons of India. The book contains detailed information about the Jodhpur Lancers and the mavericks who won fame at the Battle of Haifa in 1918, during the Great War. Ardently written and engrossing to read, it takes readers back to an era of royalty and pageantry, passion and valor.

‘This is me, Hee-haw. I’m going to tell you a story. Not just any old story – a Christmas story. You’re going to see the most beautiful paintings and drawings in the world too. You’ll probably be surprised to see how many pictures I’m in. Hundreds – no, thousands! And that’s because I, Hee-haw, play a very important part in this story. As you will see.’ Martine Gosselink, director of the Mauritshuis museum, tells the Christmas story through the eyes of Hee-haw the donkey, drawn by Thé Tjong-Khing. ‘How come? Because I was always there!’

While connoisseurship of natural stones is today well established in the West, books on viewing stones still predominantly feature East Asian examples. This is the first to present the finest North American viewing stones from private and institutional collections, selected by a panel of experts from over 275 professional photographs submitted by over 50 individuals and institutions. Each stone confronts us with the beauty and diversity of the natural world, and each has an uncanny ability to elicit an emotional response in the viewer. Included are introductory essays on Native American stone appreciation and a brief history of stone collecting on the continent.

The project was conceived and developed by Dr. Thomas S. Elias, former Director of the U.S. National Arboretum, Chairman of the Viewing Stone Association of North America, and Honorary Vice-Chairman of the Viewing Stone Association of China.

The great World’s Fairs and Expositions staged around the world since the mid-19th century were among the largest and most dramatic cultural events ever staged. In both beneficial and detrimental ways, they affected the lives of tens of millions of people. Fair World tells the story of these extraordinary exhibitions from the Victorian period to the present day.

In 1851 John Ruskin came to the defence of the young artists of the Pre-Raphaelite Brotherhood by writing two letters to The Times, refuting widespread criticism of their paintings. Soon afterwards he published a pamphlet entitled Pre-Raphaelitism, beginning almost a decade of public support for the work of William Holman Hunt, John Everett Millais and their associates.
Already established as one of the leading writers on art, he took a personal risk in defending the Pre- Raphaelite cause, but saw a parallel in the hostile reaction to the paintings of his artistic idol J. M. W. Turner. In Millais especially, Ruskin hoped to nurture a worthy successor in landscape painting, arguing that the Pre-Raphaelites’ attention to truth and detail offered the opportunity to establish a “new and noble school” of British art.
This is the first compilation of all of Ruskin’s published writings relating to the Pre-Raphaelites, beginning with the celebrated passage in the first volume of Modern Painters (1843) exhorting young artists to “go to nature in all …. rejecting nothing, selecting nothing and scorning nothing,” later claimed by Hunt to have been an inspiration. As well as Pre- Raphaelitism (1851), rarely reprinted since, and the fourth of the 1853 Edinburgh lectures, it includes all the comments on paintings in the annual Academy Notes (1855-9) which pertain to Pre-Raphaelitism, underlining Ruskin’s significant contribution to the movement’s popular success and the widespread acceptance of its principles. From the period after 1860, when Ruskin was concentrating more on social issues, come the the little-known articles published in the Nineteenth Century magazine under the title The Three Colours of Pre-Raphaelitism (1878), and a number of lectures, including the last of his Slade Lectures, The Art of England (1883), delivered just a few years before his mental faculties failed.
Edited with a commentary and preface by Stephen Wildman, Director of the Ruskin Library and Research Centre, University of Lancaster, and with an introduction by Robert Hewison, one of Ruskin’s successors as Slade Professor of Art at the University of Oxford.

Another America challenges the notion of truth in photography, blurring the lines between reality and fiction. Set against the backdrop of the 1940s and ’50s —a time when photographic imagery held a unique sense of veracity — the project transports viewers to a parallel universe where historical events take unexpected turns. From surreal landscapes to hauntingly realistic scenes, each AI-generated image invites audiences to question their perceptions and reconsider the narratives that shape our understanding of the past.

Tea was introduced to Britain in the 1650s. Its popularity burgeoned over the following two-and-a-half centuries, until it became a defining feature of British culture.

Drawing inspiration from China, British craftsmen worked to display their skills on numerous tea-related objects, which ritualised the process of drinking tea and imbued it with luxury status. Calling on an array of different materials and techniques, they developed a huge variety of canisters and lockable containers for storing and preserving this precious commodity.

Tea chests and caddies were not merely functional items that might lurk at the back of the kitchen – they were intended for display and were an essential accoutrement for fashionable women. As the habit of tea drinking filtered down the social scale, caddies were made in larger numbers and in more affordable forms.

This book brings together a great range of decorative antique tea containers, presenting them alongside detailed historical research conducted into their making and their place in British society across the centuries. It also explores the materials and techniques employed. With historical art showing tea’s integration into British society, examples of old trade cards and original designs, and a wealth of illustrations of the objects themselves, this is a must-buy book for historians, collectors and those interested in the decorative arts.

During the day, painter and graphic artist Fred Bervoets (1942) works almost routinely at his large format etchings. At night, he lets his imagination run wild. The hundreds of drawings, sketches, doodles and paintings done in the margin today fill almost the entire ground floor of his studio home. The one thing they have in common, apart from their maker, is their modest A4 format.
The spontaneity of these small works on paper forms the heart of this book, which also includes Bervoets’ more monumental etchings since 2013. This one-of-its kind “print room” offers an impressive kaleidoscopic self-portrait of an absolutely unique artist.

Text in English and Dutch.

More than any other civilization, China is renowned for its long tradition of ceramic production, from its terracotta and stoneware works in ancient times to the imperial porcelain manufactured at Jingdezhen from the end of the fourteenth century. These works have been admired and collected over centuries for their outstanding quality and refinement. Now two hundred masterpieces from prominent private collections around the world have been brought together for the first time in a new book. The Baur Collections in Geneva, formed between 1928 and 1951, and the Zhuyuetang Collection (the Bamboo and Moon Pavilion in Hong Kong), which has been building since the late 1980s, reveal the elegance and variety of imperial monochrome porcelain wares produced during the Ming (1368-1644) and Qing (1644-1911) dynasties, which followed on from the Tang (618-907) and Song (960-1279) periods. These restrained pieces – both profane and sacred – exemplify the values of simplicity and modesty espoused by classical Chinese texts. With chapters devoted to the historical, cultural and technical contexts in which these pieces were made, this book will be a key reference on Chinese monochrome ceramics for all lovers of the subject, as well as students, researchers and connoisseurs.

Text in English and French with Chinese summaries.

The all-American state and county fair tradition is not all carnies, corn dogs, cotton candy, and apple pie. The fair is a place for communities to come together and share some of the most meaningful moments in life that can evoke affection and nostalgia. Liza Gershman’s book is a visual feast—it’s jam-packed with the images, stories, and voices of the folk and tight-knit communities who celebrate this unique slice of Americana each year.

Beautifully illustrated throughout with stunning color photographs of food, vintage, and retro ephemera, showcased here are close to 80 Blue Ribbon–winning recipes from across America’s heartland. What’s not to love about homemade pies and cakes, jams and jellies, pickles, preserves, and sweets! County Fair weaves together a celebration of classic, prize-winning regional specialties, secret tips for stocking your pantry, and the legacy of an American institution.

In the 19th century, photography and colonial ethnography were tools of British governance on the subcontinent. Colonial officers were asked to submit photographs on various subjects across India. Images of people, place and space was seen as useful surveillance documentation to observe, understand and control native communities. Eugene Clutterbuck Impey (1830-1904) arrived in India in 1851 and lived there until his retirement in 1878. He served as political agent at different posts across the country. The Eastern Art archives include over 250 negatives and photographs of Impey’s images of people, architectural sites, and landscapes.

As some American artists began to eliminate people and remove extraneous details from their compositions, they often employed neat, orderly brushwork or close-up, unemotional photography. Artists as diverse as Patrick Henry Bruce, John Covert, Georgia O’Keeffe, Paul Strand and Arthur Dove navigated European and American avant-garde circles, picking and choosing new ideas and methods. Inspiration ranged from cubism and machine parts to new technologies, and they found ways to bring order to the modern world through extreme simplification.

For them, abstraction involved absence and presence – the evacuation of human beings but also the desire to depict something that would not otherwise be visible or to render visible unseen natural processes like the passage of time, sound waves, or weather patterns. Their artworks provide a new context for the precisionist works in the subsequent sections and point to modern ideas about what art could be. How does a crisp painting technique relate to an aesthetic of absence?

A Sino-Chinese family find their destiny is inseparably entangled with that of the country they have adopted as a home. Not long before the Communist revolution, Tong, sent by his peasant-parents in impoverished rural China to work with a relative in Siam, has risen to become a rice-trading tycoon in Bangkok’s Chinatown, married a former palace cook and built a large family in the town of Pad Riew. Haunted by the dream of returning to his true home in China, Tong, along with his wife and their five children, are swept along by the torrents of history as World War II breakout and China turns red, while the military strongman in Thailand act out the interminable cycle of power struggle, rebellion and coup d’état.

Memories of the Memories of the Black Rose Cat, the award-winning second novel by Veerapon Nitiprapha, is a generations-spanning family saga that explores the roots of the Chinese diaspora in Siam and how the tragedy of ruined love, maternal betrayal and futile ambition shape the lives of Tong’s clan members, each of them hounded by their own ghosts and burdened by their own sins. All of this is played out against the backdrop of Siam’s mid-century social and political history, the most chaotic period the formation of the nation.

“Seldom does a collection of art history essays leave readers yearning for a second volume…”—Barbara Wisch, Renaissance Quarterly

Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.

“Erudite, while still being fun to read.” — Professor Tim Neild, physiologist and medical educator

“A triumph of Social History in the Georgian period.” — Dr Nigel Cooke FRCP, physician and ceramic historian

This is the first biography and reference book dedicated to Samuel Percy, a modeler who produced an impressive oeuvre of wax portraits and tableaux in the mid-to-late eighteenth and early nineteenth century. Based in part on the author’s own substantial collection of Percy waxes, this book follows Percy from his beginnings in Dublin, at the Dublin Society Drawing Schools, working with the famed statuary John Van Nost; to England, where he journeyed from town to town, putting advertisements in regional newspapers. These revealing advertisements have been gathered here for the first time, in order to track his travels. Whether taking the likeness of Princess Charlotte of Wales, or falling victim to a highway robber in Birmingham, these fragments of Percy’s history paint a fascinating picture of his life as a wandering artisan. As well as a chronological narrative of Percy’s life, this book commits an entire chapter to an area of his work that has never been studied before: his miniature tableaux. These portray various subjects, both religious and secular, from Christ on the Cross to playing children. They are catalogued in an appendix, and almost thirty are illustrated. Based entirely on original research, Mr. Percy: Portrait Modeller in Coloured Wax features over a hundred illustrations, celebrating both Percy’s accomplishments and the works of other modellers for comparison.

As part of a major urban renewal project in the Humayun’s Tomb Hazrat Nizamuddin Basti area of Delhi, the Aga Khan Trust for Culture has been hosting the Jashn-e-Khusrau festival with the support of the Ford Foundation since 2010. Hazrat Amir Khusrau Dehlavi, the renowned 13th-century Sufi poet, was the favorite disciple of Hazrat Nizamuddin Auliya. His remarkable legacy is entwined with the rich cultural heritage of the Hazrat Nizamuddin Basti.

This volume is a compilation of discussions, lectures, exhibitions, heritage walks, musical performances, as well as film screenings devoted to illustrating the impact of Hazrat Amir Khusrau Dehlavi’s legacy in folk and classical music all held as part of the Jashn-e-Khusrau festival. The book is accompanied by a set of three music CDs that will have selected tracks from spanning the repertoire of Jashn 2013 concerts.

Published in association with Aga Khan Trust for Culture, New Delhi.

A lone PSG sticker on a North‑London Street sign; the towering Maradona mural that watches over Naples. Europe’s fan‑made canvases tell football’s biggest stories. Timed perfectly for World‑Cup fever, Tifo: The Art of Football Fan Stickers—Revised & Expanded presents 500 plus images from over 100 clubs, printed on premium matte‑art stock and bound in a linen‑wrapped hardback with foil stamping.

Stickerbomb founders Suridh Hassan and Ryo Sanada spent more than two years tracking down these graphics and the tales behind them: the unlikely bond between Boavista and Aberdeen, St Pauli’s anti‑fascist iconography, Sevilla’s surprising love affair with Karl Marx, and how Parma became entangled in Europe’s biggest bankruptcy scandal. Insightful essays by award‑winning journalist James Montague and Design Museum curator Eleanor Watson deepen the cultural and historical context.

Equal parts visual archive and behind‑the‑scenes anecdote, Tifo is the ultimate gift for ground‑hoppers, quiz‑night champions and anyone who bleeds club colors.

“Who better to supply us with our first comprehensive historical survey than the wine writer with the magic pen, Hugh Johnson?” – Jancis Robinson MW

Hugh Johnson has led the literature of wine in many new directions over a 60-year career. His classic The Story of Wine is his most enthralling and enduring work, winner of every wine award in the UK and USA. It tells with wit, scholarship and humor how wine became the global phenomenon it is today, varying from mass-produced plonk to rare bottles fetching many thousands. It ranges from Noah to Napa, Pompeii to Prohibition to Pomerol, gripping, anecdotal, personal, controversial and fun. This new edition includes Hugh’s view on the changes wine has seen in the past 30 years.

In his Foreword the celebrated historian Andrew Roberts writes: “The genius of The Story of Wine derives from the fact that it is emphatically not a dry-as-dust academic history – there are dozens of those – but an adventure story, full of mysteries, art and culture.”

Written as a type of intimate journal combining childhood memories with those of a young apprentice and all the experiences gained and born of encounters, firstly with the great names in jewelry and subsequently in watchmaking, this book is above all a testimony to the birth of a passion placed at the service of the brand. François Bodet makes plain, through his own story, the profound significance of time in the evolution of knowledge. This is all the more worth highlighting today, when our society is confronted with the constraints of standardization, computerization and dehumanization which result in the “quickly done” taking precedence over the “well done”. It is appropriate to remember that success may only be achieved by following the various stages of a process that must allow time to take its course. As well as devoting his life to the rebirth of historical pocket watches while safeguarding their essence, François Bodet succeeded in promoting Breguet internationally, while preserving the emotional substance of objects that have come to life through a process showing respect for the various phases of time. These pages are filled with a sense of humility, since knowledge – as the author aptly expresses it – is passed on by individuals serving as intermediaries in fostering the growth of talent. All his masters are named and due tribute is paid to them, since it is so clearly true that “the nostalgic sound of the soul” in each of these watches.

María Campos Carlés de Peña, a leading expert in furniture history, has undertaken an exhaustive project of research into the large and varied production of furniture made in Peru in the seventeenth and eighteenth centuries – the colonial period – for churches, convents, monasteries and private collections. Over eleven chapters she provides a thorough description of this type of furniture, which was inspired by artistic styles ranging from Mannerism to Neoclassicim, with their many variants and creators.

Her analysis allows for an appreciation of the way vice-regal furniture in Peru is a valuable witness to its time: an example of a syncretism of varied and different cultures, endowed with symbolism, iconographic meaning and enormous beauty.