“Who better to supply us with our first comprehensive historical survey than the wine writer with the magic pen, Hugh Johnson?” – Jancis Robinson MW

Hugh Johnson has led the literature of wine in many new directions over a 60-year career. His classic The Story of Wine is his most enthralling and enduring work, winner of every wine award in the UK and USA. It tells with wit, scholarship and humor how wine became the global phenomenon it is today, varying from mass-produced plonk to rare bottles fetching many thousands. It ranges from Noah to Napa, Pompeii to Prohibition to Pomerol, gripping, anecdotal, personal, controversial and fun. This new edition includes Hugh’s view on the changes wine has seen in the past 30 years.

In his Foreword the celebrated historian Andrew Roberts writes: “The genius of The Story of Wine derives from the fact that it is emphatically not a dry-as-dust academic history – there are dozens of those – but an adventure story, full of mysteries, art and culture.”

María Campos Carlés de Peña, a leading expert in furniture history, has undertaken an exhaustive project of research into the large and varied production of furniture made in Peru in the seventeenth and eighteenth centuries – the colonial period – for churches, convents, monasteries and private collections. Over eleven chapters she provides a thorough description of this type of furniture, which was inspired by artistic styles ranging from Mannerism to Neoclassicim, with their many variants and creators.

Her analysis allows for an appreciation of the way vice-regal furniture in Peru is a valuable witness to its time: an example of a syncretism of varied and different cultures, endowed with symbolism, iconographic meaning and enormous beauty.

For the first time Katoen Natie, a global logistics service provider, shows its collection of unique modern and contemporary art from Latin America, the biggest collection in Europe. Renowned experts such as Laura Malosetti Costa and Christina Rossi discuss the art history of the continent and the 44 artists from the collection with toppers such as Joaquín Torres García and Diego Rivera. This lavishly illustrated catalogue is a kaleidoscope showing the artistic diversity of a fascinating continent that has been ignored for too long.

“The well-judged employment of classical detail in a new home has an additional significance that cannot be underestimated. It is an expression of an informed personal choice and an evocation of the delight in the human senses. This is true of all the houses featured in this book.” Jeremy Musson
“The architects and craftsmen that Phillip has featured in this wonderful book all have a love for classical detail. The art is alive and well, as can be attested to in these pages.” David Easton
In The Art of Classical Details, Phillip James Dodd takes a close-up look at some of the finest examples of contemporary classical architecture. The book consists of two chapters: The Essays and The Projects. Starting with a foreword by renowned decorator David Easton, The Essays are written by some of today’s most sought after architects, scholars and craftsmen. Accompanied by sumptuous full page photographs and renderings that illustrate a use of fine materials, intricate detailing, and superb artisanship, these insightful texts are essential reading for anyone with an interest in the theory, practice and craft of classical design. The Projects presents an illustrated look at 25 of today’s finest classically-designed homes. Employing the theories prescribed in the writings of the first chapter, this portfolio of contemporary buildings exhibits the work of some of the most recognizable and celebrated architects in Great Britain and the United States. The work featured in within this book demonstrates the timeless beauty of classicism, and delights in the role that superbly crafted details play in creating art.

The Ashcan School and The Eight are now recognized as America’s first modern art movement: rejecting their academic training and the practices of the National Academy of Design, they forged a new art that represented America’s shifting values. By focusing on urban streets scenes, the lives of immigrants, popular entertainments, and the working poor, this loosely affiliated group of artists became synonymous with ordinary, everyday subjects — in the words of one critic, “pictures of ashcans.” Yet this is only part of their story: they also experimented with complex color theory and embraced scientific studies about movement and perception, while also creating scenes of bourgeois leisure and society portraits in attempts to reconcile their high-art practices with their populist reputations.

This catalog features nearly 130 works across media, including paintings, drawings, pastels, and prints — rarely seen objects and popular favorites. Collectively these works emphasize the Ashcan School’s and The Eight’s valuable contributions to the formation of American modernism at the beginning of the 20th century.

Focusing on Calouste Gulbenkian’s determination to preserve his cherished art collection intact after his death, this book tells the story of the creation of the Gulbenkian Museum in Lisbon. It begins with the efforts of the Calouste Gulbenkian Foundation, founded in 1956, to reunite an exceptional art collection then dispersed between Paris, Washington D.C. and London. The book examines the legal, diplomatic and practical measures that made this mission possible and follows the planning of a museum shaped by the most advanced museological thinking of the 1950s and 1960s, whereby the artworks themselves guided decisions across architecture, exhibition design and museography. It also highlights the key roles played by the first generation of Portuguese women curators and international consultants, from cataloguing the works to trial exhibitions and final installation. Ultimately, the volume shows how the Foundation interpreted and translated Gulbenkian’s taste and character into museum form, resulting in a unique and enduring institution.

The Inside series focuses on the mission and organization of an institution rather than the collections within it – the context in which it operates and the people who make it work. It tells the story of how an institution has evolved through its people, history, architecture, purpose and practice.

“So far, there haven’t been many women who have dared to dream on a truly megalomaniac scale—and see those dreams through to completion.” — Niki de Saint Phalle.
The story of the Tarot Garden, created by Niki de Saint Phalle (1930–2002), unfolds like a fairy tale. For the first time, this book documents the extraordinary adventure of its construction, from 1978 to 1998. It all began when, at the age of twenty-five, Niki de Saint Phalle visited Gaudí’s Park Güell and decided to give form to her lifelong “desire for grandeur.” The result was the creation of twenty-one monumental and esoteric sculptures spread across two hectares in Tuscany’s Maremma region—an artistic interpretation of the Tarot’s major arcana, a system that had long captivated her imagination. The Tarot Garden stands within a visionary lineage of fantastical environments, alongside the Palais Idéal of Ferdinand Cheval, Gaudí’s Park Güell, Alain Bourbonnais’s Fabuloserie, and the Gardens of Bomarzo in Lazio. Enriched with rare archival material, this book reveals the behind-the-scenes story of Niki de Saint Phalle’s magnum opus, shaped by Etruscan heritage, local craftsmanship, and rituals drawn from cultures around the world.

“Seeing the garden Gaudí built in Barcelona changed my life. From that moment on, my path would be a slow apprenticeship—until the day I, too, would be capable of creating a magnificent work like his, a place of joy.” — Niki de Saint Phalle.

Text in English, Italian and French.

Chai: The Experience of Indian Tea is a journey into the heartlands of tea production, across the length and breadth of India, offering a glimpse into the history and culture of the people who cultivate it, the process of growing, the diversely beautiful landscapes, the rich traditions and the ceremony. This intriguing volume is a visual treat, that traces leaf to cup, covering the entire spectrum of the tea industry through wonderfully descriptive text and stunning photography; put the kettle on, put your feet up and enjoy! Contents: Preface; Chai the Indian Way; Ever Popular Chai; How Tea Came to India; Contemporary World of Indian Tea; Into the Heartlands of Tea; Picturesque Tea Tourism; Bounty of Assam; Divine Boon of Darjeeling; Bonanza of South India; Bouquet of Regional Teas; From the Leaf to the Sip; Plucking the Leaf; The Planter’s Life; From Nature to Man; The Tea Taster’s Verdict; Tea the Universal Brew; The Saga of Tea; Choices for the Tea Lover; A Cupful of Health; Recipes with Tea; Finally the Perfect Cup of Tea; Author Note: Rajan’s Vision / Rekha’s Musing; Acknowledgements; Photo Credits; Select Bibliography; Glossary; Index

It is extraordinary enough that one small area in north-eastern France, on the northern edge of Europe’s wine-growing regions, should be capable of producing the finest sparkling wine in the world, one of the few worth discussing as a wine and not merely as a sparkling beverage. Yet Champagne fascinates not only wine lovers, but also historians – social, economic, political – linguists, physiologists, physicists and chemists. The long-awaited new edition of Nicholas Faith’s landmark The Story of Champagne tells the tale of Champagne from the winemakers’ point of view. This classic study of the world’s greatest wine is a masterpiece of storytelling and analysis that has for decades sent readers away with renewed excitement about the different types of Champagne and the landscape, geology and climate that inspire them. The story of champagne explores the history of Champagne from its origins in the seventeenth century to the high-tech industry of the twenty-first before examining the wine itself, how it is made, the crus, the vines and the harvest. Faith provides completely up-to-date statistics on wine production and consumption and finishes the book with an all-important evaluation of today’s most important producers. The Story of Champagne is essential reading for anyone interested in the world’s most celebrated wine.

Using the formalist conventions of an ironic heritage, William Ludwig Lutgens attains the expression of something sincere. Like the philosophical idiot who did his utmost best to unlearn all the fallacies he was acquitted with since birth and now only knows he knows nothing, the artist made the world into his own theater wherein he can stomp around like a bull in a china shop with the grace of a prima ballerina. Forcing a pathway to possible exits by presenting us with the alloy of his observations, imagination and scattershot references. Not merely asking questions, which seems to be the hype in contemporary art nowadays, he is unraveling the framework wherein these questions originate. The image deconstructed by the story of its creation, alternating between the power and impotence of the theatrical madness at the end of the world as we know it. William Ludwig Lutgens presents with his Comedy of Humours the dysfunctional family of man.

Text in English and Dutch.

“Showcasing 25 residences by today’s leading classical architects, this wonderful new book also addresses the fundamental issue of collaboration between architect, decorator, landscaper, and the enormous cast of characters who bring their formidable talents to the realization of every project. An Ideal Collaboration is an important addition to the literature of architecture and design.” – Ellie Cullman

“An Ideal Collaboration shares a place in my library next to volumes on great 20th century Classicists. It is essential as a visual reference to the continued evolution of timeless style.” Steven Gambrel

In the follow-up to the critically acclaimed The Art of Classical Details, Phillip James Dodd continues his look at some of the finest examples of contemporary classical architecture in Great Britain and the United States, while also examining how collaboration is the key to their successful design. In reality, collaborative relationships are rare, especially amongst designers, where each is often focused on their own individual objectives and unable to transcend their own egos. Often used as a catch phase, but not often realized, true collaboration requires an understanding and an appreciation – of the role that all parties play in the design and construction of a home. An Ideal Collaboration includes the work of some of the most notable names in contemporary residential design. Architects, decorators, landscape designers, consultants, builders, craftsmen, artists and vendors, all address the design process and the pivotal role that collaboration plays in creating cohesive timeless designs.

A new edition of the bestselling Every Picture Tells a Story from one of the greatest photographers from the early 1960s onwards, Terry O’Neill. This updated edition includes 32 additional pages of new stories behind some of the O’Neill’s most iconic images.

From the morning he spent with Faye Dunaway at the pool in Beverly Hills, to walking around Vegas with Sean Connery dressed as James Bond, a chance encounter with Bruce Springsteen on the Sunset Strip, to taking Jean Shrimpton to a doll hospital – these are the stories behind the images as only Terry O’Neill can reveal.

“I was walking up the Miami Beach boardwalk to the Fontainebleau Hotel where Sinatra was staying… I just reached out with the letter in my hand and he took it. He opened it, read it… turned to his security men and said, “this kid’s with me.” I never found out what Ava said to him in that letter. From that moment on, I was part of his inner circle.” – Terry O’Neill

From The Beatles to the Rolling Stones, Terry O’Neill fast became the photographer of the 1960s. Having an eye – and ear – for music and musicians, he instinctively knew what bands to focus on. And they in turn trusted him. “I remember sitting in a pub with the Beatles and the Stones. We were just hanging-out and talking about what we’d do next, after all of this was over. By this, we meant the fame, being the ‘new kids of the moment’. Usually, this sort of celebrity doesn’t last. Little did we know that 60 years later, we’d still be at it.” Music led O’Neill to Hollywood and working with stars resulted not only in to memorable moments but long-lasting friendships. He traveled with Frank Sinatra. Took Raquel Welch to the beach. Went in the ring with Ali. Put The Who in a cage.

O’Neill captured many of the most unforgettable faces from the frontline of fame, and his photographs exude his own brand of serene simplicity, intimate behind-the-scene moments and the rare quality of trust between photographer and subject. The list of people Terry O’Neill has worked with since the early 1960s is a Who’s Who in celebrity; from film to music, sports to politics. Terry O’Neill: Every Picture Tells a Story is like going through a walking tour of memory by a man who has seen, met and photographed them all.

How do you stage an inspiring, original and captivating event? What kind of marketing event awakens the interest of clients, employees or exhibition visitors? Answers to these and many other questions can be found in the new Event Design Yearbook! The rich illustrations and plans with accompanying text show numerous international examples presenting solutions for a wide array of tasks. A yearbook for all creative professionals in the field of event management, who wish to be inspired and keep up to date with the latest developments.

Miyamoto Musashi (c. 1584-1645) is the most revered and celebrated swordsman in Japanese history; in Japan alone close to a thousand works have taken the ancient warrior as its subject. Unfortunately, our modern portrait of this folk hero is derived mainly from popular books, comics, and film, with little heed paid to the early denki, chronicles recorded by men who, though they had not known Musashi in his lifetime, faithfully recorded what was passed down by those who had. The Bushû Denraiki is the earliest such record still in existence. Completed in 1727 by Tachibana Minehide, the fifth generation master of Musashi’s Niten Ichi school of fencing, it is the most reliable record of Musashi’s life and exploits outside those from the hand of the master swordsman himself. Now, after three centuries, Minehide’s insight into this enigmatic and solitary swordsman are available to the English reader. His text throws a new and refreshing light on many aspects of especially Musashi’s early life-his troubled relations with his father, his first battle experience during Japan’s period of unification, the sad death of his illegitimate child, and of course his legendary duel on Ganryû island.

In 1925 Edward Cecil Guinness, 1st Earl of Iveagh bought Kenwood, the magnificent 18th-century mansion of the 6th Earl of Mansfield on Hampstead Heath. The empty house was just what Iveagh needed to provide a gallery for the best of the art collection he had formed between 1887 and 1891 for his palatial home in Mayfair. Through the Iveagh Bequest Act of 1929 he left his collection to the nation, where it remains on display at Kenwood. This catalog reproduces in glorious full color Lord Iveagh’s bequest of paintings, discusses each work, and in addition discusses the wider collection on display at Kenwood, the spectacular white villa of Hampstead Heath.

Joseph Mallord William Turner (1775–1851) is without contest England’s greatest painter – as his contemporaries were quick to admit, even when they could not understand his increasingly abstract art. Yet, despite achieving fame young, the man himself was so intensely private as to be almost unknown. Both brusque and kindly, tight-fisted and generous, taciturn and witty company, he remained a fascinating enigma and source of many legends.

Soon after Turner’s death the journalist, critic and novelist Walter Thornbury began collecting anecdotes from friends and colleagues. The resulting biography provides most of what we know about Turner. It is unfailingly energetic and entertaining – but also ill-organized and prolix. In this edition, the scholar Ian Warrell has arranged Thornbury’s most illuminating passages into a compact, coherent narrative of the painter’s life.

Unfailingly vivid and thought-provoking, and with nearly 100 pages of color illustrations, this is the first stop on any exploration of Turner’s life and career.

An History of Richmondshire (1819–23) is the only part to be published of the largest commission ever received by Turner. Originally intended to count 120 drawings for a General History of the County of York by the well-known historian Thomas Dunham Whitaker, it was cut short owing to the death of the author and the spiralling costs. Nevertheless, Turner produced some of his finest work for the project, and the finished engravings demonstrate how his topographical art took landscape painting and illustration to new heights, and guaranteed his popular fame. 

All 20 prints are reproduced here, at approximately three-quarters of the size of the originals. This is the first time they have been published together since the 19th century.

Born in 1935 in France, Jean-Louis Avril studied architecture at École nationale supérieure des Beaux-Arts. Technique is central to his building process. He is passionate about jazz and is interested in American minimal art, particularly the work of Donald Judd. This monograph traces his career and focuses on his furniture, which represents the taste and aspirations of a generation of baby boomers. The choice of Celloderm, a derivative of cardboard, allows for a simple and accurate design language. The solutions display strong ideas: a beautiful shape, a practical function, an accessible price. His creations are very successful. With the creation of the company Marty-Lac (Carton Applications) in 1967 associated with his father-in-law, he achieved commercial success by developing numerous models of furniture, seats, tables, bed, shelves and lighting. They offer a strategy, a catalog, sales outlet and export to England with Hull traders. Faithful to his commitment as an architect, he also imagines interior spaces with great spatial efficiency.

Text in French.

J.M.W. Turner 1775-1851 was perhaps the most prolific and innovative of all British artists. His outstanding watercolors in the Scottish National Gallery are one of the most popular features of its collection. Bequeathed to the Gallery in 1899 by the distinguished collector Henry Vaughan, they have been exhibited, as he requested, every January for over 100 years. Renowned for their excellent state of preservation, they provide a remarkable overview of many of the most important aspects of Turner’s career.

This richly illustrated book provides a commentary on the watercolors, addressing questions of technique and function, as well as considering some of the numerous contacts Turner had with other artists, collectors and dealers. The introduction concentrates on Henry Vaughan, one of the greatest enthusiasts for British art in the late nineteenth century, whose diverse collections have not previously been fully appreciated.

This is a lavish new 360-page book about the legendary Swedish boat builder Hallberg-Rassy. Hallberg-Rassy is one of the world’s most respected and successful boatyards. The book The Story About Hallberg-Rassy – Legendary Boat Builders is a must-have for all sailboat lovers and Hallberg-Rassy aficionados. Read about Hallberg-Rassy’s fascinating journey across its first nine decades. From the 1940s until today this impressive success story is still unfolding with no end in sight. This richly illustrated book contains many interesting insights, pictures, and stories never before published and depicts hitherto unknown yachts that were never built. You can learn about the history and philosophy of the yard through interviews with key people and yacht owners, discover many new details about all the Hallberg-Rassy yachts ever built and about boat builder Christoph Rassy.

Enjoy this engaging and informative read, which includes texts by boat journalists and authors Bengt Jörnstedt and Curt Gelin, as well as Magnus Rassy.

Thanks to its location between two continents, Georgia has traditionally formed a bridge between East and West. A Story of Encounters reflects the exceptional art, culture, and history of the country from the Neolithic to the 18th century. Especially in the “golden age” of united Georgia, between the 11th and 13th centuries, the country experienced an unprecedented cultural and economic boom.

This book shows how the turbulent history and the many exchanges along the major trade and silk routes at this crossroads of Europe and Asia resulted in an unimaginably rich heritage, which has remained largely unexposed until now. Refined goldsmith’s art from the Bronze Age, wine – the country’s oldest cultural asset – and original visual arts: Georgia offers many unexpected treasures, which are shown in detail for the first time.

Italian Story is the culmination of more than forty years of photographic work by Andrea Modica in Italy, a country with which the artist has formed a deep, evolving relationship. Made entirely with an 8×10 view camera, the photographs span decades and regions, revealing a slow, attentive way of seeing rooted in time, presence, and return. The title draws from the layered meaning of the Italian word storia—at once history, story, situation, and fiction—reflecting the book’s open, fluid narrative. Rather than offering a linear account, Italian Story unfolds as a personal and poetic record of encounters, places, and moments shaped by memory and imagination. Balancing intimacy and distance, documentary precision and lyrical ambiguity, Modica’s images form a quiet meditation on duration, place, and the act of looking. Published by L’Artiere, the book stands as an ongoing visual narrative—both lived and constructed—between photographer and country.