Xu Zhimo (1897-1931) was China’s first great modern poet and a major figure of the intellectual revolution that shaped modern China. Educated in China (Peking University), America (Columbia and Clark), and England (Cambridge, where there is a monument in his honor), he was in contact with every major Chinese literary figure of his day, and met and was influenced by Rabindranath Tagore, Thomas Hardy, Katherine Mansfield, and Bertrand Russell, among others. Xu incorporated elements of the English poetic tradition and that of East India with native Chinese traditions to create a body of work that spoke to his contemporaries at a critical time in their history, and still speaks today. This book presents the largest selection of Xu’s poems available in English, as well as some of his prose works. Essays by translator Dorothy Bonett put the poet into context for English-speaking readers and reveals links between his works and other modern poetry, both Chinese and non-Chinese.

Saint Benedict the Moor, or Binidittu as the Sicilians fondly rechristened him, was an Afro-Sicilian hermit friar, the son of African slaves born in Sicily in the 16th century. Canonized in 1807, he was the Catholic Church’s first Black saint and was made Patron Saint of Palermo. These photographs address the lives of African migrants in the Mediterranean today through the historical figure of Binidittu. This project retraces his improbable life, explores the historical sites of his hagiography, the worship of relics, and the religious and secular practices devoted to him in Sicily and elsewhere in the Mediterranean. This book is part of Lo Calzo’s long-term photographic project, Cham, about the living memories of colonial slavery and anti-slavery struggles.

“Binidittu emerges in this work as an allegory of our time: an encounter between the Mare Nostrum and the world, between oblivion and memory, between racism made commonplace and our shared humanity, between the Sicilian people’s aspirations and African migrants’ hopes of freedom and dignity as they drift towards Europe’s shores.” Nicola lo Calzo

Text in English and Italian.

This catalog presents masterpieces of calligraphy, painting, sculpture, ceramics, lacquers, and textiles from two of America’s greatest Japanese art collections, which are featured in a landmark exhibition at the Asia Society in New York. Impermanence is a pervasive subject in Japanese philosophy and art, and recognizing the role of ephemerality is key to appreciating much of Japan’s artistic production. The dazzling range of art and objects in this beautifully photographed exhibition catalog show the broad, yet nuanced, ways that the notion of the ephemeral manifests itself in the arts of Japan throughout history. Insightful contributions from noted scholars explore the aesthetics of impermanence in religion, literature, artifacts, the tea ceremony, and popular culture in objects dating from the late Jomon period (ca. 1000-300 B.C.E.) to the 20th century.

Contents:
The Art of the Ephemeral;
Works in the Exhibition:
I. Retrieving Lost Worlds; II. Buddhism: Perpetual Impermanence; III. Tea: Choreographed Ephemerality; IV. Transforming Impermanence into Art.

Published to accompany an exhibition at the Asia Society Museum, New York, between 11 February and 26 April 2020.

What happens when an architect sets out to design the extraordinary, and by doing so challenges the established norms of the industry? A riot of inventive and ingenious residential structures to delight the eye and gladden the soul. This book decodes a wide selection of stunning experimental designs. By shaking off any limitations and seeking to challenge established design conventions, and using architectural ingenuity and modern technical aspiration, these carefully selected architects show how they develop bold and striking designs that will serve as inspiration for years to come, creating home designs that are both out of left field and can take residential ingenuity to the next level.

This edition is lavishly illustrated with crisp and evocative full-color images of the architecture, with insight from the architect detailing their inspiration and the challenges encountered through the designing and building processes. Whether it be a uniquely challenging location, the decision to use materials in innovative ways, or simply experimenting with a new design shape, the works featured within these pages challenge the everyday notions of what a residence should be.

Through these pages, the reader is drawn into a beautiful journey through a diverse range of truly beautiful homes as imagined—and realized—by some of the best architectural visionaries of our time.

“… an amazing photographer.” — Professional Photographer Magazine

A longtime favorite getaway for America’s most influential families, Cumberland Island, off the Atlantic coast of Georgia, offers breathtaking white-sand beaches, rolling dunes, old-growth oak forests, and salt marsh tidal estuaries. At the center of it all is a population of horses that has thrived, untouched for generations, within this serene sanctuary. In Wild Horses of Cumberland Island, photographer Anouk Masson Krantz has captured the dramatic scenery and majestic horses as they have never been seen before. Her images show the remarkable animals in their naturally diverse ecosystems. A lone horse on a distant beach; four creatures peacefully grazing; a shy animal peering over its shoulder from a brushy thicket – Krantz’s portfolio, built over the last decade, is an intimate reflection not only of Cumberland Island’s exceptional beauty and spirited horses, but of the history and the safekeeping that have allowed both to flourish.

This second edition includes many new images and showcases Krantz’s expansive body of work that reflects the remarkable majesty of these horses as they continue to roam across this remote island landscape.

McInturff Architects are renowned for their innovative and creative zeal and have been awarded hundreds of awards for their beautiful, stylish houses plus other projects. For this book, McInturff’s fourth with IMAGES, this award-winning firm takes us on a journey through nearly 50 works, which include dozens of stunning new homes and interiors, incredible renovations of residences, and innovative and modern commercial and cultural centers, hotels, stores, and much more. Complete with beautiful photographs and detailed plans and diagrams, the architects walk us through this significant selection of works, celebrating craft, light, and site. Looking back and looking forward, this book summarizes many lessons learned over more than 35 years of a very successful architectural journey.

Our memories define our lives. So we owe it ourselves to create as many wonderful memories as we can. Travel is great at creating memories and travel adventures create the most ‘memorable’ of memories. As they say: ‘travel is the only thing we pay for that makes us richer’. The world is a big and fascinating place and affordable airfares have made it accessible for all of us. But what will you do when you get there?  Will you sit on a beach or will you embark on an adventure that will enrich your life?  If you prefer the latter then this book is for you. It took more than 20 years to assemble these adventures. They are not the result of online search; they were discovered the old fashioned way: by trial and error and by luck and happenstance. The one thing they all have in common is that the author has personally experienced each adventure so there is a reliable consistency to these 111 adventures as much as there is an exotic variety.

After more than eight years of intensive research this is the first and only encyclopaedia of glass marks from the 17th to the 20th century and its at last available

Collage is one of the most popular and pervasive of all art-forms, yet this is the first historical survey book ever published on the subject. Featuring over 200 works, ranging from the 1500s to the present day, it offers an entirely new approach. Hitherto, collage has been presented as a twentieth-century phenomenon, linked in particular to Pablo Picasso and Cubism in the years just before the First World War. In Cut and Paste: 400 Years of Collage, we trace its origins back to books and prints of the 1500s, through to the boom in popularity of scrapbooks and do-it-yourself collage during the Victorian period, and then through Cubism, Futurism, Dada and Surrealism. Collage became the technique of choice in the 1960s and 1970s for anti-establishment protest, and in the present day is used by millions of us through digital devices. The definition of collage employed here is a broad one, encompassing cut-and-pasted paper, photography, patchwork, film and digital technology and ranging from work by professionals to unknown makers, amateurs and children.

Contents:

Collage Over the Centuries, an introductory essay by Patrick Elliott; Collage Before Modernism by Freya Gowrley; On Edge: Exploring Collage Tactics and Terminology by Yuval Etgar; catalogue of exhibition works; a Chronology of Collage.

Eleanor Moty (b. 1945) from the US is a seminal figure in the field of contemporary international studio jewelry. In a career that has spanned more than 50 years, she has been both a dedicated practitioner and a devoted teacher who has inspired succeeding generations of artists, collectors, and fellow professionals. She began to attract national attention in the late 1960s and early 1970s for her experiments with photoetching and electroforming metal. Later, mid-career, Moty made what seems like an abrupt shift in style and focus, with more abstract works whose designs were inspired by the natural inclusions within the non-precious gems used in their fabrication. While her works have been published in prominent books, catalogs, and journals internationally, this monograph is the first comprehensive in-depth examination of her career from its inception in 1967 through the present day.

This photo book presents a series of bus stops photographed by Michael Kruscha while traveling. The pictures were taken in Eastern Europe, Kazakhstan/Armenia, Arabia/Middle East, North and South Africa, South America and Asia. The trip began in Oman, where the artist encountered bus stops strewn along hundreds of kilometers of desert road. They seem paradoxical: the structures built for the purpose of waiting appear to be deprived of their role, a l’art-pour-l’art product? All the more astonishing is the design. The small secular constructions vary in material, shape and condition: they are a mix of geometrically reduced decorative architecture and futuristic plastic, with reliefs, paintings or mosaics, and ornamentation or figures. Some are serially produced, while others are individual, some palatial and ornate, while others are only semi-erected in a provisional state or dilapidated. Close-ups of evocative landscapes and unusual details, picturesque transitions of color and contrasting compositions alternate with every page in the book. Portrayals of art history, an interview with the artist and quotes from wellknown authors intensify the traveling experience. The viewer is fascinated by the aesthetic appeal of foreign landscapes and the diversity of international architectural styles that uniquely coalesce.

Mayra Martell (b. 1979) is a documentary photographer from Ciudad Juárez, México. She has worked primarily in areas of Latin America and Africa subjected to forced disappearance. Her newest project, the book Ciudad Juárez, is about a city whose social fabric has been torn by violence. Martell has received many distinctions and awards. In 2011, at the 4th International Fotobook Festival in Kassel, Germany, she won the first prize in the Reviewer Award and second prize in the Dummy Award. She also obtained an honorable mention in Lens Culture International Exposure Awards in París, France.

“And, wow, what treasures Michael Kathrens’s beautiful book brings out of this city’s neighborhoods… some of the most magnificent homes in the country.” – William O’Connor, Daily Beast

2019 Osmund Overby Award, Missouri Alliance for Historic Preservation
Back in stock March 2023!
House lovers have cherished Michael C. Kathrens’s survey of historic homes in Kansas City, another important volume documenting 19th- and early-20th-century high-end residential architecture in America. The third printing of Kansas City Houses is now available (coinciding with the release of Michael C. Kathrens’s most recent book, Newport Cottages 1835-1890: Summer Villas Before the Vanderbilt Era). Readers can once again marvel at the beauty and craftsmanship of the midwestern gems they discover inside. Built between 1880 and 1930-the city’s boom years-these houses, mostly in revival and Beaux Arts styles, reflect the outsized fortunes of the influential Kansas Citians who built them and speak to the importance of this Midwestern metropolis.
Among the 40 superb homes featured-each well documented with archival and new photography as well as floor plans-are Oak Hall (1887) built for newspaper publisher William Rockhill Nelson, whose fortune helped establish the Nelson-Atkins Museum; the magnificent Corinthian Hall (1910), the classical mansion built by Henry F. Hoit for lumber baron Robert A. Long; the modern masterpiece designed by Edward W. Tanner for Walter E. Bixby of Kansas City Life Insurance, with Kem Weber’s widely admired interiors; Bernard Corrigan’s mansion (1913) designed by Louis S. Curtiss with a nod to the Vienna Secession; and two beautifully eclectic houses by local architect Mary Rockwell Hook, one of the first women to study at the E´cole des Beaux-Arts in Paris.

Kathrens’s authoritative yet accessible text is complemented throughout by drawings, floor plans, archival images, and newly commissioned photographs–a treat for architectural scholars and enthusiasts alike.

Nineteenth-Century European Painting: From Barbizon to Belle Époque represents a comprehensive guide to the range of stylistically diverse genres of nineteenth-century European painting. Accessible and insightful, this exquisitely illustrated volume presents the historical context behind the century’s essential artistic movements including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting, Academic Painting, and Impressionist Painting. Influenced by an overwhelming wave of political, military and social change, nineteenth-century Europe represented an era more diverse in painterly subjects and styles than any before it. Indeed, it was a period that saw many European painters moving away from the strictures of the academy system, choosing instead to use their training to develop new techniques and traditions. A collection of independent stories, this book also outlines the unique progression between the different movements, exciting and enlightening the reader about the most magnificent period of art the world has ever known. Contents: Foreword; Dr. Vern G. Swanson; Introduction; Author’s Note; STYLES: The Barbizon School; Romantic Painting; Orientalist Painting; The Pre-Raphaelite Brotherhood; Realist Painting; Academic Painting; Impressionist Painting; The Newlyn School; Post-Impressionist Painting; SUBJECTS: Landscape Painting; Venetian View Painting; Maritime Painting; Sporting Painting; Animal Painting; Genre Painting; Cardinal Painting; Costume Painting; British Neoclassical Revival Painting; Belle Époque Painting; Conclusion; Endnotes; Bibliography. Featured works from museums and collections including: Louvre, Paris, Yale University Art Gallery, New Haven, Wallace Collection, London, Fine Art Museum of San Francisco, The Tate Gallery, London, The Schaeffer Collection, New South Wales, The Royal Collection, The Royal Academy of Arts, England, The Musée D Orsay Paris, Henri de Toulouse-Lautrec, The Metropolitan Museum of Art, New York (Catherine Lorillard Wolfe Collection), The J. Paul Getty Museum, Los Angeles, The Hermitage, Saint Petersburg, Russia, Russell-Cotes Art Gallery and Museum, Bournemouth, England, Rijksmuseum, Amsterdam, Plymouth City Museum and Art Gallery, Stanhope Forbes, Philadelphia Museum of Art, Pennsylvania, PA, USA, Paisnel Gallery, London, National Gallery, London, National Gallery of Victoria, Melbourne, Museum of Fine Arts, Boston, Museo e Gallerie Nazionale di Capodimonte, Naples, Italy, Museo de Arte, Ponte, Puerto Rico, Musée Marmottan, Paris, Musée D Orsay, Paris, Auguste Renoir, Metropolitan Museum of Art, New York, among many others.

A multitude of colorful and naïve biblical and other religious pottery figures found their way into 19th century Victorian homes in Britain. They were bought by tradesmen, shop-keepers, clerks, teachers and the more skilled working class people. This book tells the story of these Staffordshire pottery figures, which sold in their thousands to stand on the mantelpieces of Christian families, both Protestant and Catholic.

Three chapters provide a social history context: the religious background, an assessment of who purchased the figures, the Victorian home and how it was furnished. The final four chapters review the pottery figures themselves, which are based on the Old Testament, the New Testament, relevant religious themes and portraits of preachers. A catalogue of well over 200 figures in full color with an assessment of their dating and rarity completes the book.

This is the first comprehensive record of Victorian religious figures placed in the context of their times.

Gertrude Jekyll was perhaps the most important British garden designer of the 20th century. She famously argued that gardening ought to be considered a Fine Art, highlighting that it becomes a point of honor to be always striving for the best. This volume examines Jekyll’s work at Manor House, Upton Grey in Hampshire, offering an insight into her eclectic, imaginative, and inspiring art. Designed between 1908 and 1909, and once maintained by as many as nine gardeners, the garden fell into disrepair by the second half of the twentieth century, before a full and accurate restoration was carried out in the early 1980s. Gertrude Jekyll: Her Art Restored at Upton Grey presents a visual record of the garden’s plants and layout, with original plans and photographs, as well as beautiful images of the garden taken since its restoration. There is also a fascinating chapter about Miss Jekyll’s discovery, admiration and use of Mediterranean plants. The book succeeds in illustrating exactly why Jekyll was so admired in her lifetime and why she continues to inspire and influence gardeners today. Contents: Introduction Chapter 1: The Garden from 1902 to the Start of its Restoration in 1984 Chapter 2: The Rose Garden Chapter 3: The Dry-Stone Walls Chapter 4: The Main Herbaceous Borders Chapter 5: The Pergola, the Rose Arbour and Surrounding Garden Chapter 6: Miss Gertrude Jekyll’s mediterranean travels and plant discoveries and their use at Upton Grey Chapter 7: The Wild Garden Chapter 8: The Art Completed Also available: The English Garden Through the Twentieth Century ISBN: 9781870673297