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This is the first comprehensive presentation of the Danish furniture designer Jakob Berg (1958–2008) and his work. As a designer, he was ahead of his time and not only continued the story of the golden age of Danish Design but, building on this legacy, fundamentally rethought the approach to seating and rest, sustainability, and the role of different wood types. Today, his furniture designs, which have enhanced home interiors around the world, are as current and relevant as ever. The reader is invited on a panoramic tour of Jakob Berg’s wonderful furniture universe, from his early one-offs, presented in art and design exhibitions during the 1980s, to his indoor/outdoor furniture and his many projects around the world. The publication is authored by leading Danish design experts and lavishly illustrated throughout, with 300 photos, as well as drawings and digital sketches. In addition to portraying Jakob Berg’s inspiring body of work, the book is in itself a piece of Danish Design — a unique experience that is not to be missed.

Text in Danish.

The Ashmolean is fortunate in having the finest collection of Indian art in Britain outside London, one which includes many works of great beauty and expressive power. For this we are indebted above all to the generosity, knowledge and taste of our benefactors and donors from the 17th century to the present. This book offers a short account of how the collection developed and a selection of some of its more outstanding or interesting works of art. While it is written mainly for the general reader and museum visitor, it includes many fine objects or pictures, some of them unpublished, that should interest specialist scholars and students.

Since 1987, the Ashmolean has made many significant new acquisitions of Indian art and these are highlighted in this collection. As the book’s title implies, it also ventures beyond the bounds of the Indian subcontinent by including works from Afghanistan and Central Asian Silk Road sites as well as many from Nepal, Tibet and Southeast Asia. From the early centuries AD, Indian trading links with these diverse regions of Asia led to a widespread cultural diffusion and regional adoptions of Buddhism and Hinduism along with their related arts. Local reinterpretations of such Indic subjects, themes and styles then grew into flourishing and enduring artistic traditions which are also part of the story of this book.

The selection of works ends around 1900. By the 16th century and the early modern period in India, growing European interventions and Western artistic influences under Mughal rule saw a significant shift in sensibility and the practice of more secular and naturalistic forms of court art such as portraiture. By the late 19th century, fundamental cultural changes under British rule and the advent of new technologies brought about a gradual decline in many of India’s traditional arts.

“Hands down the wine book of the year.” —David McIntyre, Washington Post

“…paints a glorious picture of Bordeaux as seen through the skittish and mischievously observant eyes of Somerville and Ross – cousins and writing partners.” —Victoria Moore, The Telegraph

Journeying through the Medoc in the autumn of 1891, Anglo-Irish cousins and traveling companions, Edith Somerville and Martin Ross (aka Violet Florence Martin) bring their distinctive mélange of wry wit, acute observation and unabashed horror at the barefoot treading of Cabernet Sauvignon to this delightful account of vendangeurs lofty and low-born as they bring in the harvest in time-honored fashion. Illustrated using Somerville’s equally delightful sketches, this is a story of two feisty ladies for whom anything remotely pretentious is fair game.

Better known for their tales of an Irish R. M. (resident magistrate), Somerville and Ross outraged their respective families – who referred to them ‘the Shockers’ – by combining travel writing with the fight for Women’s Suffrage. The contrast between the emancipated pair and the largely unreconstructed characters they encounter on their travels only serves to heighten the charm of an already indelibly charming book.

The Classic Editions breathe new life into some of the finest wine-related titles written in the English language over the last 150 years. Although these books are very much products of their time – a time when the world of fine wine was confined mostly to the frontiers of France and the Iberian Peninsula and a First Growth Bordeaux or Grand Cru Burgundy wouldn’t be beyond the average purse – together they recapture a world of convivial, enthusiastic amateurs and larger-than-life characters whose love of fine vintages mirrored that of life itself.

When things turn out right for Bordeaux, as they frequently do, its wines are sublime. They inspire many thousands of tributes, from Samuel Pepys’ succinct reviews to the most rhapsodic of Michael Broadbent’s tasting notes – in short, over 300 years of wine writing. On Bordeaux is a collection of the best bits, from our best-loved wine writers, critics and commentators, set around 10 of the themes that make Bordeaux tick.

As Jane Anson writes in her introduction: “multi-layered, clear-eyed, moving and often extremely funny [this] collection of stories… celebrates, illuminates and renews our understanding of Bordeaux.”

* Hugh Johnson, Fiona Beckett and Baron Elie de Rothschild discuss dining out on Bordeaux: how best to serve it, with what and who with.

* Mathieu Chadronnier, Christian Seely and Joe Fattorini shed light on the way we see claret today.

* Ian Maxwell Campbell extols the virtues of 1871 and 1875, the last great vintages before the phylloxera plague.

* Fiona Morrison MW explores Bordeaux’s great bounce-back and how the vintage of 1982 changed everything.

* John Salvi, Bill Blatch and Peter Vinding-Diers reveal the wines that lead the way to Bordeaux’s future.

* Joe Fattorini serves up everything you need to know on running the iconic Médoc Marathon.

* Hugh Johnson pays tribute to Bordeaux master Michael Broadbent.