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The wreath is Japanese floral artist Manabu Hashiguchi’s preferred floral shape. Its symbolism is universal. With no beginning or end, the wreath represents eternity and the endless processes in nature. Hashiguchi’s designs are so graceful that they look as if there has been no artist’s hand involved, and nature created the shapes by accident. Even the humblest of materials get the chance to shine and tell their story. Discover this intriguing collection of seasonal wreaths, which balance on the thin line between classical floristry and land art. Text in English and Japanese.

In 1751, John Holker (1719-1786), an English textile manufacturer exiled in France, undertook an industrial espionage mission to England to collect samples of English textiles on behalf of the French king, Louis XV. On his return, the samples were assembled in a manuscript volume, which is now preserved at the Museum of Decorative Arts in Paris. Each sample in this album is accompanied by a handwritten technical description specifying the quality of the fabric, its price, its dimensions and the manufacturing processes. This album is famous for preserving the oldest identifiable samples of jean fabric.

Completely bilingual, the book includes a facsimile reproduction of the album, accompanied by a transcription of its handwritten text and a dozen essays. The essays, written by academics, curators and specialists from France, Britain and North America, explore the album from various angles: the globalization of commerce, the slave trade, industrial espionage, economic rivalry between France and England, the taste for cotton and its role in the history of fashion, etc. The book demonstrates the importance of centuries-old links between France and the United Kingdom and is an indispensable work of reference for the history of textiles.

Text in English and French.

“I have an old camera with which I have taken countless photographs of myself. It often produces astonishing effects”, Edvard Munch states in a 1930 interview. “Someday when I am old and have nothing better to do than work on an autobiography, all my photographic self-portraits will see the light of day again.” The autobiography was never realized, but the self-portraits have found their way to the pages of The Experimental Self. The Photography of Edvard Munch, which demonstrates the fundamentally experimental nature of the artist’s photographic practice. As a photographer, Munch embraced the freedom provided by the amateur position, and the unpredictable aspects of analogue photographic technology. By playfully approaching his own image in picture after picture, Munch extends his explorations of selfhood in other media through photography. The resulting photographs provide unique access to Munch’s radical artistic vision, which this book studies through eminent essays by Patricia G. Berman, Tom Gunning and MaryClaire Pappas.

Tea was introduced to Britain in the 1650s. Its popularity burgeoned over the following two-and-a-half centuries, until it became a defining feature of British culture.

Drawing inspiration from China, British craftsmen worked to display their skills on numerous tea-related objects, which ritualised the process of drinking tea and imbued it with luxury status. Calling on an array of different materials and techniques, they developed a huge variety of canisters and lockable containers for storing and preserving this precious commodity.

Tea chests and caddies were not merely functional items that might lurk at the back of the kitchen – they were intended for display and were an essential accoutrement for fashionable women. As the habit of tea drinking filtered down the social scale, caddies were made in larger numbers and in more affordable forms.

This book brings together a great range of decorative antique tea containers, presenting them alongside detailed historical research conducted into their making and their place in British society across the centuries. It also explores the materials and techniques employed. With historical art showing tea’s integration into British society, examples of old trade cards and original designs, and a wealth of illustrations of the objects themselves, this is a must-buy book for historians, collectors and those interested in the decorative arts.

Design on the High Seas is an autobiographical account of the architectural design work of Joseph Farcus, which charts his career as an architect who eventually found his way into the cruise-ship industry, in the early days of what is now a truly global business in more ways than one. His works reflects a hard-earned disciplined practice that has helped to foster sophisticated designs for the billion-dollar cruise-ship industry. Many of the projects featured in the pages of this book reflect the beautiful ships of Carnival Cruise Lines, the world’s leading cruise-ship company, as well as those of the celebrated Costa Cruises.

The volume combines spectacular full-color photography, original sketches, and a compelling, first-person narrative to showcase Farcus’s spectacular journey. The author shares anecdotes from his childhood, his university days and his early career, giving an insight into what inspired the architect he was to become – and explaining how the astronomical success of the Carnival Cruise Lines is due in no small way to his product-defining designs. Indeed, millions of passengers have enjoyed memorable and meaningful experiences aboard his works. This is a fascinating and unique account of an architectural designer’s journey, and it will appeal to a broad readership: those who love to sail, those with a passion for boat design, as well as businesspeople of all backgrounds who wish to learn the story behind a leisure industry powerhouse.

This luxuriously presented monograph documents the life, work, architecture and design achievements, plus the art, jewelry and fashion collections of leading Australian cultural advocate Gene Sherman. Here she shares intimate accounts of her journey in her own words and is joined by many internationally renowned and influential art world commentators, curators, fashion designers, and educators who have contributed incisive essays — ich with personal anecdotes — on the impressive cultural trajectory of this world-renowned art advocate and academic, collector and philanthropist. Beautifully photographed throughout, The Spoken Object features many previously unseen pictures of Gene Sherman, along with photographs of her personal collections, iconic fashion items and jewelry, significant art and sculpture, designer furniture, significant architecture, including the beautifully designed interiors of the stunning home she lives in and shared with her late husband, Brian Sherman.

Whisky is a story. Whisky is many stories. This book brings together the most surprising anecdotes from the world of whisky and is therefore the perfect addition to other books on distilling, tasting and travelling. Enjoy heart-warming tales about secret recipes, haunted castles, hidden distilleries, generous drunks and the first whisky tourist, and discover aspects about whisky that you’ll never find in any other book. For almost 40 years, whisky enthusiast Fernand Dacquin has been traveling through this wonderful world of whisky, in search of the most striking stories and images. Now he turns those experiences into 111 stories, in his own tongue-in-cheek style. The result is a wonderfully unusual book, published in a practical format that leaves one hand free for a good glass of whisky.

In Discover the Modern Benno Tempel, director of the Gemeentemuseum Den Haag, tells us a story about modern art. Through the different themes the reader gets an atmospheric picture of the dynamic development of fine art, from the 19th-century until modern day. Steeped in political and social events, the book presents correlations between photography and painting, between space travel and utopian projects. This leads to fascinating comparisons, for example, between Claude Monet and Wassily Kandinsky, Francis Bacon and Gerhard Richter or Anton Heyboer and Vincent van Gogh. This incredible publication is more than a book about modern art… it reads like an exciting exploration of modern times. Text in English and Dutch.

More than four centuries ago, the small Republic of the United Netherlands embarked on an economic boom. Contacts were established with the four corners of the world. Many of these centuries-old relationships have left traces in museums and archives, in the open fields or in the city, in stories and in pictures. Footsteps and Fingerprints, the Legacy of a Shared History presents an image of the legacy the contacts between Brazil, Ghana, India, Indonesia, the Netherlands, Russia, Sri Lanka, Surinam and South Africa have produced over the last 400 years. Various ‘top pieces’ and other remarkable items designated Mutual Cultural Heritage are described: from Vingboons’ View of Table Bay, Henkes Schnapps in Ghana to the Dutch Church in St Pertersburg.

What is a beautiful watch? How do you make a good choice? The Magic of Watches explains how and why these little objects are so precious, fascinating and exciting. The book presents paradoxes: why a one-million-dollar watch might be less precise and more fragile than one that costs 15 dollars. It comes back to the origins of the measurement of time: how did we go from the water clock to the wristwatch? The book goes on to technique: how does a mechanical movement work? How does a quartz one work?; delves into details: what is a ‘complication’ and when do we speak about ‘chronometer’?; showcases art: how do we enamel a dial?

The Magic of Watches is unique: it focuses in detail on the basics in order to understand and love watches better.

“…a delectable tour of 46 clubs that span 300 years of architecture and design.”Airmail

“… a lavishly illustrated and wittily written study of one of the capital’s most distinctive – and most secretive – institutions.” House & Garden UK

“Jones treats them not really as clubs, but as examples of interior decoration, which he writes about interestingly and with an observant eye.”Charles Saumarez Smith

“From the concealed bookcase door in the library of The Travellers Club in St James’s to the taxidermy fish and walls lined with rods in Mayfair’s Flyfishers’ Club, it serves as an unofficial guide to the city’s strangest and most elegant private dining and drinking venues.”FT

“…wonderful book on the architecture and interiors of London’s private members’ spaces.”— The Rake

London has more members’ clubs than any other city. There are clubs for everyone: from actors, plutocrats, aristocrats and bishops to sailors, soldiers, fishermen and spies, as well as journalists, jockeys, architects and æsthetes.
Andrew Jones opens the door to 46 of the most beautiful, interesting and unusual of these clubs, presenting 300 years of architecture and design. The London Club features the oldest clubs in London as well as the most recent, with perfectly preserved interiors, original furniture and extraordinary
collections. From bohemian to bling, shabby to chic, classical and brutal, this is a celebration of variety and beauty, with newly commissioned photographs by Laura Hodgson.
“From the grandest to the simplest taking in the quirkiest en route, this book is an irresistible journey through London’s clubland.” – From the Foreword by Nina Campbell OBE

“…the panorama of a self-forgotten milieu.”  — Monopol
“Toffs behaving badly: 1980s high society in photos.” — The Times

“The pictorial equivalents of Evelyn Waugh’s sentences.” — The New Yorker
“Modest though he is, Dafydd’s photographs will endure for having perfectly captured a society on the brink of decline. Unmissable listening.” — Country & Townhouse podcast

“Wonderfully ironic, every point in the picture ignites and knows how to entertain very well.” — Lovely Books

“Dafydd catches those moments of genuine exhilaration, wealth and youth.” — The Hollywood Reporter

“I wondered if the party guests I’d photographed were just re-enacting a nostalgic fantasy, an imaginary version of England that already no longer existed.” – Dafydd Jones

Throughout the 1980s, award-winning photographer Dafydd Jones was granted access to some of England’s most exclusive upper-class events. Now, the author of Oxford: The Last Hurrah presents this irreverent and intimate portrait of birthday parties and charity balls, Eton picnics and private school celebrations.

With the crack of a hunting rifle and a spray of champagne, these photos give an almost cinematic account of high-society England at its most riotous and its most vulnerable. Against the backdrop of Thatcher’s Britain, globalization, the Falklands War, rising stocks and dwindling inherited fortunes, Jones reveals the inner lives of the established elite as they party long into the night-time of their fading world.

Praise for Oxford: The Last Hurrah

‘Sublime vintage photographs…’ – Hermione Eyre, The Telegraph

‘In The Last Hurrah…we see familiar faces from British high society poised on the brink of adulthood.’ – Eve Watling, Independent

In the middle of Tivoli Gardens, beneath a canopy of lanterns and reflections from the lake, stands one of Copenhagen’s most iconic buildings — The Japanese Pagoda. Once a symbol of amusement and light, it has in recent years become a beacon of culinary excellence. Over the past five years, twenty-five Michelin-starred restaurants and chefs from all over the world have brought their artistry to The Pagoda — each for a shorter period, each re-imagining the space through their own vision of fine dining.

The Pagoda tells this story through text, photography, recipes, and behind-the-scenes insights, capturing how chefs transform architecture and atmosphere into edible experience. Alongside menu creation, craftsmanship, and the history of Tivoli’s gastronomy, the book unfolds a dialogue between past and present — between playful nostalgia and modern precision. A tribute to creativity, collaboration, and culinary ambition, The Pagoda celebrates the meeting of taste and tradition in the most magical corner of Copenhagen.

Photographer Mirjam Bleeker and stylist and designer Frank Visser have known each other for more than 20 years. During this time, they have traveled around the world together, often without a fixed plan, seeking adventure and beautiful houses. On their travels, they love to visit the homes and holiday retreats of some of the fascinating people they know, who live on or at the beaches of various oceans and seas. There, Mirjam and Frank make honest, sensitive photo reports of the houses or cabanas, and still lifes of details of the interiors, as well as wonderful images of the people and surroundings. In 2014, this led to the publication of At the ocean – Inspiring coastal houses and refuges. In 2023, by popular demand, Mirjam and Frank decided to team up again and explore brand new magical seaside locations to create a sequel: By The Sea. A unique book with an adventurous and dreamy look and feel, for lovers of interior design, but also for travelers and for everyone who likes to dream of a life elsewhere.

Now you can eat your cake and have your veggies too. Cakes designed for training, social events and special diets in mind, used and baked by athletes and families too. Featuring: The Endurance Pie, The Podium Pie, The Race Cakes and the Climber’s Cake. Learn how to bake cakes that are Gluten-free, without added sugars, and dairy free. Learn how to turn plain vegetables into delicious cakes by using carrots, sweet potato, potatoes, beet and even celeriac – yep your kids will love it.

The Cake Cookbook teaches you how to bake delicious cakes with vegetables, designed for endurance training and fine tuned so the whole family will eat and ask for more. Learn how to bake easy vegan cakes. All cakes can be baked for training sessions in portion sizes or for parties with elaborate spreads on top.

What you eat before intimacy matters more than you think! The wrong foods can leave you bloated, sluggish, or self-conscious—but the right ones will make you feel light, energized, and irresistible. This book is packed with delicious, easy-to-make recipes designed to enhance your mood, boost circulation, and keep you feeling fresh. Say goodbye to heavy meals that slow you down and hello to dishes that keep you ready for romance. Dig in, stay light, and let the real fun begin.

Good food brings harmony to ones’ body, mind and soul. Keeping this in mind, the recipes in The Ayurvedic Cookbook
are tailor-made to suit different body types. They are pure vegetarian, nutritious recipes with therapeutic values. If cooked with love and attention, the recipes can be wholesome, tasty and hearty. The book offers recipes that are simple, fresh, organic and easily digestible. These recipes are effective in keeping the body healthy and disease free. For the first time, the secret weight management/loss recipes of Kairali – the Ayurvedic Healing Village – are revealed. To make the herbal diet easy-to-understand and follow, a two-week chart is provided as ready reckoner. If followed correctly, you can get healthy and fit in just two weeks! The informative section on nutritional and medicinal values of fruits and vegetables and spices makes this a comprehensive introduction to eating the Ayurvedic way. The Ayurvedic Cookbook is a must buy for anyone who wants to live healthy and eat healthy.

Organizations and companies remain successful if they are ecosystems in which people are motivated to improve. People are engaged when organizations have a purpose and attract like-minded men and women. The transformative power of noble purpose is what unites individual self-realization, organizational efficiency, and societal evolution. This book, inspired by the life story of the author, promotes a society where environment, humanism and economy go hand in hand to create a sustainable future.

Rome is not only enriched by the works that have led it to be known as the “eternal city”, or with those monuments that still preserve the stories of a strong people, such as the Colosseum, the Roman Forum or Castel Sant’Angelo. It is not only the symbolic center of Christianity thanks to St. Peter’s Basilica, or the central and figurative hub of the Italian Republic because of the Palazzo del Quirinale. The history, art, and culture of Rome tell the story of a process of restoration and innovation that sees the participation of some timeless places and the birth of other contemporary community services that join those already known to the public. During 1930s, the social and cultural revolution and call for functionality and practicality are represented by impressive modern public and residential works, as well as by major operations from architectural protagonists in the urban change of the capital. Works such as the university city of Sapienza and its institutes, or the EUR district tell the story of the formal transition between modernity and contemporaneity.  

Amsterdam Castle Muiderslot is not just the oldest castle in the Netherlands. It is a magical place, surrounded by water and vegetation. The castle gardens feature lots of heritage varieties: vegetables, herbs, fruit, herbaceous plants and flowers (some of them edible). The produce from the gardens was for centuries used to prepare the exquisite meals at the castle. And the gardens still produce a rich harvest every year. Muiderslot is also part of the Amsterdam Defence Line, a World Heritage Site. The castle gardens are open daily, offering visitors the chance to enjoy this lush part of our heritage.

The largest maps in the world are to be found in the floor of the Citizens’ Hall, in the heart of the Royal Palace Amsterdam. The three circular mosaics, each measuring over six metres in diameter, together depict the known world and the night sky. They remain to this day an iconic and beloved part of the majestic palace, which was originally built in the mid-17th century to serve as Amsterdam’s town hall. At that time, the city was the world’s leading cartography centre. The prominent place of the floor maps relates directly to that primacy. This book tells the story of these unique maps and of the flourishing of cartography in Amsterdam in the 17th and 18th centuries.

“The book is intelligent and informative. Investors should find it particularly interesting.” Financial Times

The future is uncertain but for one thing: the global economy is in disarray. Investors, companies and governments must rethink their approach in light of raging inflation, the ongoing climate crisis and an ageing population. In addition, they have to deal with the highest mountain of debt ever accrued in peacetime, disruptive innovations and the effects of multi-globalization. So much is happening simultaneously, making it difficult to distinguish the big waves from the small hypes. Which economic developments are here to stay and which are transient? How will interest rates evolve? Which emerging countries will become tomorrow’s global powers? Which sectors offer the most opportunities? Macroeconomist Koen De Leus and market strategist Philippe Gijsels take a deep dive into the inner workings of our economy. They identify the five major trends that will dominate our lives and our money over the next 30 years. With in-depth analyses and concrete advice, they offer guidance, reveal connections and temper alarmism. The New World Economy in 5 Trends shows how you can surf global megatrends and successfully invest in our changing reality.

The ethnographic literature of the 20th century focused mainly on the sculptural traditions of the numerous ethnic groups that populated Southern Nigeria while the more northern areas remained largely terra incognita. In 2013 Jan Strybol published a study on the sculpture of Northern Nigeria. He pointed out that in many parts of this region there are people who still had, at least until recently, their own sculptural tradition. In this study the author restricted himself to what is referred to as the Middle Belt and especially to the part between the Bauchi Plateau, the Gongola River and the Katsina Ala River. In 1974 Roy Sieber pointed out that, with a few exceptions, the people who were members of the Niger-Congo language family laid the foundations for the great African sculptural traditions south of the Sahara. However, the largest group of iconophile peoples in the Central Middle Belt of Nigeria is to be found in the Chadic branch of the Afro-Asiatic language family.

In this book of objects from private collections the author shows the great variety of the sculptures of the Middle Belt. This study mainly deals with wooden figures but also contains four wooden masks and three bronzes.

Text in English and French.

Travel today is fast, comfortable, and accessible to many. But between the 17th and early 19th centuries, it was a privilege reserved for the elite. Young British aristocrats would embark on a Grand Tour as the final stage of their education. Italy was the highlight of this cultural journey, with visits to Rome, Florence, Venice, and Mount Vesuvius. Along the way, they admired art and architecture, forged connections, and refined their taste—often returning home with artworks and souvenirs to adorn their country estates.

It wasn’t just young men who traveled; entire families journeyed across Europe in grand entourages. What inspired them to set out, which routes did they take, and what treasures did they bring back?

This book explores those journeys and presents a remarkable selection of artworks brought home from three of England’s finest stately homes: Holkham Hall, Burghley House, and Woburn Abbey.