This book is put together like a jewel and contains a carefully chosen selection of around 100 West African combs from one of the world’s largest and finest private collections of sub-Saharan African art. Featuring a hitherto unseen assortment of pieces assembled over a period of more than 60 years, the book also includes an authoritative analysis by Alain-Michel Boyer, who approached this rarely addressed theme in what was his final work, begun almost ten years ago.
As well as offering us valuable insights into the cultures that produced these miniature sculptures (Ivory Coast, Ghana, Burkina Faso, Nigeria), he explores the way the form itself is approached. These creations transform what is in principle a plain accessory and in the effort to attain pure beauty, they display an aesthetic awareness that raises the adornment of the body to the level of fine art.
When the survival of the Catholic Church was threatened during the Republic and Catholic shelter churches were not allowed to be recognizable from the street, what was not allowed to be shown on the outside was compensated for on the inside. In the 17th century, the robes became gold, silver and silk expressions of silent resistance, but also of a feminist agenda of the makers. Behind closed doors, everything was literally and figuratively pulled out to propagate the Catholic faith. Worn ball gowns with colorful flowered French, English and Chinese fashion fabrics were donated to the church by rich, pious women so that beautiful and special church vestments could be made from them. So it could easily happen that a priest in a pink robe with flowers stood at the altar.
Marzena Pogorzaly made two trips to Havana. There, she walked the streets of Havana Vieja and El Centro, the old districts, trying to capture the melancholy beauty and decay of the city, and its inhabitants. Pogorzaly’s calmly gorgeous images are not directly concerned with politics, but as someone who grew up in pre-Solidarity Poland, she combines mature scepticism about communist regimes with due respect for some of its achievements. As she explains in her introduction: “Some of it was familiar. I was born, and grew up, behind the Iron Curtain. I immediately felt at home with the way The System worked, or rather the way it did not. But where the palette of my homeland was dull, drab and irredeemably monochrome, here I found a vivid treasure chest of visual epiphanies.” Her chief care is for people, either viewed directly or by means of the traces they leave: posters of Che Guevara, neglected chairs, rickety old American cars. Her photographs are entirely without sentimentality but rich in that tradition of humanism which sees the deeper qualities that unite us with strangers, as well as the surface differences that divide us. Her Cubans are not pathetic victims of a dictatorship but a handsome, vital, proud and resourceful people.
“This monograph offers vivid explanatory captions, but there is little additional text to distract from the powerful images that put a human face on conflict.” — Communication Arts
“Tomasevic’s images sear themselves into your consciousness. I have never seen such powerful imagery that not only captures the horror of war itself but also its heartrending impact on innocent civilians, on our sense of our own humanity. But they do much more than that. They have an iconic quality as if created with a painter’s eye for detail, composition and contrast.” – John Green, Morning Star
“This powerful, terrible book conveys a Dantesque vision of our humanity. Admiration for Goran Tomašević, a wonderful Caravaggio of photography!” – Francis Kochert, Académie nationale de Metz
Goran Tomašević is a living legend. Not only has he survived for 30 years in crisis zones, but he has mastered the supreme art of photography, interpreting the world in a humanistic way, following in the footsteps of Robert Capa and James Nachtwey. This powerful, terrifying book conveys a Dantesque vision of our humanity. Current circumstances lead us to believe that this madness will go on and on. Goran is just 13 years old when his father gives him his first camera – an ancient FED 5V. And with it, his life begins to become a constant adventure, described in the 444 pages of this book. The quality of his reportage and the power of his images enabled him to join the Reuters agency in 1996 and, over the next 20 years, to become one of the most awarded photographers in the world. His œuvre can be called a photographic synthesis of the arts, an eminent contribution to the great path of photo reportage and an indispensable history of the last 30 years. Goran Tomašević’s credo:
“If you want to present the facts authentically, you have to be where they are. That’s the challenge.”
Text in English, German, and French.
John Burgess masterfully brings to life the modern history of Cambodia’s fabled Angkor temples, from their “discovery” by French explorers in the mid-19th century, through to the latter part of the 20th century, when celebrity visitors included a well-publicised one by Jackie Onassis and making Angkor one of the top 3 monuments to visit in the world. An invaluable and riveting book about one of the greatest man-made wonders in the world.
Since the foundation of the Porsche design office 75 years ago, the archive has been part of the company and the Porsche brand. It is the company’s memory and database, filled with hundreds of thousands of exhibits. As a result, not every item on the inventory list can be shown to museum visitors. For the first time in their history, the Zuffenhausen-based company is presenting 100 extraordinary and often previously unseen exhibits from the depths of the company archive.
In close cooperation with experts and historians from the Porsche Corporate Archives, automotive journalist and Porsche expert Jan-Henrik Muche has compiled a selection of the most interesting archive documents and exhibits and tells their amazing stories. Specially taken photos are flanked by historical footage and never-before-seen photographs from the archive.
“A fascinating look at the new levels of craft and technology that have emerged to cater to the world of luxury mobility.” — Wallpaper
“Curated by Bill Schwartz, it’s the kind of book that fuels big dreams and garage goals.” — Boss Hunting
Cars Reimagined – Restomods: The New World Order of Handcrafted Cars celebrates the thrilling world of super-refined and highly personalized automobile restoration.
Fusing classic design with cutting edge technology requires an almost impossible level of imagination, creativity and workmanship, resulting in models that frequently test the technical boundaries of vehicle design and engineering. Cars Reimagined – Restomods: The New World Order of Handcrafted Cars collects over 50 companies who are at the forefront of this world, among them Singer, Eagle, Tuthill & Alfaholics. Each of the featured firms has contributed directly to these pages, supplying specifications, quotes and the very highest quality professional photographs. The result is a spectacular volume that showcases the new world order of personalized car restoration.
Cars Reimagined – Restomods: The New World Order of Handcrafted Cars is the first volume in the Cars Reimagined series, showcasing the cars and their creators who are pushing motor vehicles to the next level.
This publication was published to accompany the exhibition Homelands: Art from Bangladesh, India and Pakistan, at Kettle’s Yard 12 November 2019 – 2 February 2020, curated by Devika Singh with Amy Tobin and Grace Storey.
Through photography, sculpture, painting, performance and film, tells stories of migration and resettlement in South Asia and beyond, as well as violent division and unexpected connections. The exhibition themes engage with displacement and the transitory notion of home in a region marked by the repercussions of the Partition of India and Pakistan in 1947, and the independence of Bangladesh in 1971, as well as by contemporary migration. The artists explore intimate and political histories, often contesting borders, questioning common pasts and imagining new futures.
The exhibition included new works and works being shown in the UK for the first time by Sohrab Hura, Yasmin Jahan Nupur, Seher Shah, Iftikhar Dadi & Elizabeth Dadi and Munem Wasif, as well as a commission by Desmond Lazaro working with communities in North Cambridge and a performance by Nikhil Chopra. The publication includes contributions by Nancy Adajania, Homi K. Bhabha and each of the artists.
Art Thinking takes readers on a journey into the captivating intersection between art, luxury and fashion brands and businesses. It explores the notion of brands as cultural agents and how art can act as a mediator between meaning and management. The book allows the readers to develop skills in constructing strategic art initiatives and in management of artist collaborations and provides insight into the artistic process of creativity.
Divided into four chapters and supplemented with case studies, the book is supported by Vadim Grigoryan’s many years of experience, popular webinars and courses taught at leading business schools, such as INSEAD and cultural institutions, such as Sorbonne.
The Brussels-based artist David Helbich started collecting Belgian Solutions in 2006; he made photos of the peculiar and sometimes hilarious, no-nonsense solutions that he spotted in his daily surroundings. Once he started to share his photos online on Facebook in 2008 (the Belgian Solutions page has over 25,000 fans), the project gathered speed, with contributions by ‘Belgian Solutions’ spotters all over the world. And because Helbich keeps receiving pictures, he keeps creating content – much to the joy of his fans. Also available: Belgian Solutions 1 ISBN 9789460581571
This is a book about the future. Not the bleak, dystopian kind that so many seem convinced we’re heading toward, but one that is built on hope, possibility, and progress.
Humanity faces complex global challenges, from technological and geopolitical shocks to social and ecological disruptions. Fear, hesitation, and avoidance won’t help us overcome them. Slowing down is not the answer. We must move faster, think bigger, and fully leverage technology to build a future worth striving for. We need active hope and bold leaders who can turn adversity into opportunity.
The Uncertainty Principle focuses on the key levers of transformation to help leaders rethink and reshape their companies: strategy, foresight, organizational design, culture, innovation, risk appetite, and the evolving nature of work. Above all, it serves as a guide for those who see cracks in the system not as warnings, but as windows—those daring enough to believe they can change the world, because they are the ones who will.
“As we zoom up the exponential curve of tech enabled change we all need an optimistic and inspiring guide. Peter Hinssen is that guide. In this new book Peter describes a “Never Normal” world helping us navigate “between the forces of pessimism and possibility”. — Dr Peter Weill, Chairman MIT Center for Information Systems Research (CISR)
“In an age when warnings dominate the conversation, The Uncertainty Principle stands out as a refreshingly optimistic guide. It demonstrates how business leaders can turn disruption into opportunity—not just for their own organizations, but for the world at large”. — Costas Markides, Professor of Strategy and Entrepreneurship at London Business School
“Uncertainty isn’t a threat—it’s the raw material for tomorrow’s opportunities. This book helps leaders imagine the impossible and install hope to change the future. A must-read!” — David De Cremer, Dean of D’Amore-McKim School of Business at Northeastern University
Discover Derby like never before with 111 Places in Derby That You Should Not Miss. Nestled along the River Derwent, Derby is a city rich in history, from its Roman roots to its prominence as a railway town, where rolling stock has been manufactured since the early 19th century. Visit the Museum of Making to explore this industrial legacy and much more.
Beyond railways, Derby boasts stunning Victorian architecture, a splendid cathedral, and serves as a gateway to the gentle, rolling landscapes of south Derbyshire with, its grand country houses and charming towns and villages like Melbourne, Ticknall and Dale Abbey. Learn about local heroes such as Florence Nightingale, football legend Brian Clough, and artist Joseph Wright.
With a mix of quirky history and local humor, this guide is a perfect blend of intrigue, charm, and fun. 111 Places in Derby is a must-read for anyone eager to explore this unique and versatile English city.
Supercars is a celebration of the world’s most beautiful and iconic motorcars, ranging from icons like the Ferrari F40 to modern classics such as the Bugatti Veyron. Belgian photographer Rudolf van der Ven captures the essence of each car in this stunning 224-page coffee table book through his photography and unique stories. Foreword by Tim ‘Shmee150’ Burton.
“I fully intend to lean heavily on my copy of Blanning’s guide in planning my next trip to the region, not least as she helpfully includes places to stay and eat too. The mix of the practical and educational with a real sense of love for the region is a gift that will keep giving for many years to come.” — Club Enologique
“… it’s an essential buy for any enthusiast, budding or committed.” — Decanter
Wines of the Loire Valley provides an up-to-date guide to the wines of this historic region. The hallmark of Loire wines is their balance between succulent fruit and refreshing acidity but the Loire Valley encompasses a vast array of wines, not only the well-known and trusted names but many more little known, overlooked and undervalued. The complex patchwork of vineyards that extends more than 500 kilometers along France’s longest river is a haven of discovery for wine lovers. The Loire’s winemakers are at the forefront of the move towards a more natural approach to winegrowing, making it a preferred choice for anyone looking for organic, biodynamic and ‘natural’ wines. While higher-profile regions are struggling with rising temperatures and excessive alcohol levels, the cooler vineyards of the Loire are benefiting from warmer vintages. The first part of the book covers the Loire Valley’s history and presents an overview of the region, the grape varieties used, the wine styles produced, and the viticulture and vinification of the Loire Valley. The second part profiles the main regions and the individuals shaping the vinous landscape of the Loire Valley today, from Muscadet on the Atlantic coast, through Pouilly-Fumé and Sancerre in Centre Loire, to Côtes d’Auvergne in the Upper Loire. A final chapter gives an overview of Loire vintages.
Taking those steps that will lead to your ultimate victory and achieving top performances, everyone dreams of it. In The Ultimate Victory, top sports psychologist Ellen Schouppe teaches you how developing attitudes such as leadership, energy management and mental resilience can leverage your talents. Take your personal development into your own hands, be inspired by top performers and achieve your own goals as a professional in your field, as an athlete, as an entrepreneur, but above all, as a person.
South Africa is the eighth largest wine-producer in the world and its wine industry is among the oldest of the New World. Today it is one of the globe’s most dynamic industries, compact but diverse. In the past decade a new generation of winemakers has breathed life into centuries-old estates and new, boutique brands alike. The Wines of South Africa begins by introducing readers to the history of South African wine, starting with the arrival of the Dutch and the establishment of what would become Cape Town. Clarke then analyses South Africa’s industry today including the geological, geographical, and climatic conditions that create the parameters and potential of South African wine. He describes the major grape varieties and wine styles and outlines the broad range of wines being produced. The book the current infrastructure of the industry paying particular attention to the role of Black and coloured people in the wine industry since the end of apartheid. Key challenges facing the industry are explored, including profitability and the loss of vineyards as farmers switch to higher-margin orchards; environmental concerns, the effects of climate change, and water conservation; and the legacy of apartheid and continued imbalances in the socioeconomic structure of the Western Cape. The major growing areas of South Africa are described in turn, including an explanation of the Wine of Origin scheme, and the most important producers operating in each one.
Francisco de Goya and Edvard Munch revolutionized art through their groundbreaking pairing of raw realism and unique imaginative power. Exploring inner worlds and existential questions, they had a formative impact on art history and our understanding of our times.
The book is published in conjunction with the exhibition Goya and Munch: Modern Prophecies, the first comprehensive presentation of these two artists in tandem. It is lavishly illustrated with reproductions of all the exhibited works and features texts by Trine Otte Bak Nielsen, Manuela B. Mena Marqués, Janis Tomlinson, Ute Kuhlemann Falck and Ask Salomon Selnes.
The Perfect Home Office highlights the many options that come into play when designing a home office. It brings together a wealth of inspiring visuals and design ideas from home offices around the world, along with practical guidance and the latest trends. The author introduces a variety of designs and styles – from London to Tokyo, from country-style to industrial – that might inspire us to turn our home offices into more than just a place to work. From tiny offices to panoramic workplaces, from ‘the messy office’ to ‘the glamour office’, every type of office worker will find what they are looking for.
Previously published as Where We Work ISBN 9789401478335.
Curator Marc Donnadieu turns his critical gaze on Tornabuoni Art gallery’s post-war masterpieces and proposes a project based around the notion of creative destruction; a way of making that led to a total renewal of art in the aftermath of the Second World War. The exhibition is articulated around a simple alphabet, where 25 works by 22 Italian and international artists are assembled in a trilingual alphabet, with each letter introducing an artist and a disruptive action to which he or she has subjected the artwork: Enrico Baj “attacks” and Alberto Burri “burns”, while Arman “vandalizes” and Tancredi “zigzags”. This list, which is by no means exhaustive, is merely the starting point for an infinite repertoire of iconoclastic artists and verbs.
The curator also pays homage to one of Tornabuoni Art’s most beloved artists: Alighiero Boetti, whose apparently playful works allow us to confront deep philosophical issues. Opening 30 years to the day since the artist’s death, An alphabet of order and disorder looks outwards to the world and to a new generation confronted with its uncertainties.
Text in English and French.
Between 1963 and 1970, Lawrence Halprin and Associates realized a quartet of public plazas in Portland, Oregon, that redefined the city and set a bold new precedent for urban landscape architecture. Dubbed the Portland Open Space Sequence and composed of the Lovejoy Fountain, Pettygrove Park, and Forecourt Fountain (later renamed Ira Keller Fountain), plus the lesser known Source Fountain, the plazas were a dynamic collage of striking concrete forms, gushing water, and alpine flora that, in their seamless mix of nature and theater, created a playful metaphorical watershed coursing through the central city. Where the Revolution Began is the story of how these plazas came to be. Born of the creative experimentation and collaboration between Halprin and his wife, pioneering choreographer/ dancer Anna Halprin, the sequence came to life in the unlikely setting of the city’s first scrape-and-rebuild urban renewal project. But Halprin defied the conventions of both American urban renewal and midcentury modernism, designing the kind of inviting, exuberant public space not seen since Renaissance Rome’s Trevi Fountain and Piazza Navonna. For Halprin, the plazas became the first step in a career-long exploration of sequential works of landscape design, from the Haas Promenade in Jerusalem to the Roosevelt Memorial in Washington, D.C. For Portland, Halprin’s work marked the beginning of a tradition of remaking the city around interactive public spaces such as the famed Pioneer Courthouse Square. And for landscape architecture, the plazas offer some of the earliest precedents for the ecologically and socially responsive urbanism ascendant today.
Documents on Contemporary Crafts
is a book series published by Norwegian Crafts in collaboration with Arnoldsche Art Publishers. The series provides a critical reflection of contemporary crafts in a wider context and in doing so asks questions about the ties between contemporary craft, fine art and design, thus helping to redefine the concept of crafts as such. The five volumes discuss such topics as skills, materiality, curating, collecting, perception and New Materialism. The more than thirty contributors range from leading craft theorists, such as Jorunn Veiteberg, Glenn Adamson and Liesbeth den Besten, via academics outside the craft tradition, such as Roger L. Kneebone, professor of surgical education, Trevor Marchand, professor of social anthropology, and Margaret Wasz, consultant psychological therapist, to emerging voices like Sarah R. Gilbert, Marianne Zamecznik and Stephen Knott.
No. 1: Museum for Skills. Skills are essential to the crafts discourse. Yet in an art world that for the last 50 years has become increasingly focused on conceptual strategies, we have seen the tendencies of deskilling and outsourcing. In Museum for Skills, the contributors analyze the current situation for skills by drawing on experience from the fields of brain research, surgery and anthropology.
No. 2: Materiality Matters. If materiality is a quality-related concept in both contemporary crafts and contemporary art, are we talking about the same notion? Or is there a fundamental difference between, on one hand, a maker’s confidence in his or her materials, and on the other, a contemporary artist’s use and adaption of a given material?
No. 3: Crafting Exhibitions. Curatorial discourse has been an increasingly important aspect of contemporary art. The curator took on a new role as the ‘author’ of the exhibition. Crafting Exhibitions introduces some of the processes that go into making an exhibition, from developing concepts to the physical realization. The contributors offer different approaches to exhibitions.
No. 4: On Collecting. Collections make up an important part of the contemporary arts and crafts infrastructure. Collectors and museums help improve the financial situation of artists. Additionally, to be included in the ‘right’ collection or museum can give an artist a high level of recognition and preserves the art works for the future. On Collecting offers insights into collecting from different perspectives and sheds light on some of the structures that determine the ‘collectability’ of works of art.
No. 5: Material Perceptions. Contemporary craft objects can be perceived for instance, as works of art in ceramics, glass, textile, metal and wood, or as functional, handmade and everyday objects. Material Perceptions investigates contemporary crafts as representations of reality that do not rely on the concept of autonomy, unravelling the dualism between aesthetic objects and everyday things.
Norwegian Crafts is a non-profit organisation founded by the Norwegian Association for Arts and Crafts in 2012. Norwegian Crafts initiates and produces exhibitions in collaboration with Norwegian and international institutions, curators and artists. The aim is to strengthen the position of contemporary craft from Norway internationally, contribute to the development of the artists’ careers and stimulate further exchange across national borders in the field of crafts.
Silicon Valley has become the Mesopotamia of the Digital Age, built on cycles of innovation and disruption, monstrous ambition, and a steady supply of labour and capital. Yet for all that’s known about companies like Apple, Google, and Facebook – and the personas behind those companies – the culture of Silicon Valley remains elusive and contradictory, even to many locals. This unique guidebook, written by longtime local Floriana Petersen, takes you on an insider’s tour of 111 cool, offbeat, and very compelling places that offer insight into the evolving character of Silicon Valley.
Visit the Cantor Arts Center at Stanford to see drawings done by Leland Jr. Stanford, after whom the university was named after his death at age 15 in 1884. Sit at the Rosewood Hotel bar to witness the mating habits of venture capitalists. Go to the Music@Menlo Festival to listen some of the best chamber music to be found anywhere in the country. Enjoy the Stanford Powwow, a festival to celebrate some of the great American Indian tribes of Northern California. Visit Steve Jobs’ final resting place, or spend an afternoon at the Hakone Japanese gardens. Explore the Filoli Estate, a living testimony to the wealthy families who used the Gold Rush to build the infrastructure that has become Silicon Valley.
An ode to Alberic ‘Briek’ Schotte, the godfather of all flandriens.
The heroes of the Tour of Flanders and the Paris-Roubaix are tough and determined. The Flemings specialize in riding on bad roads and in bad weather. This set of photos provides an intimate and emotional portrait of these legendary athletes, landscapes and the Flemish culture. Stephan Vanfleteren has been photographing cycling races in Belgium and its surrounding areas for more than 15 years already.
With more than 100 images, carefully selected by photographer Stephan Vanfleteren.