Miami, Florida, is a city that’s highly vulnerable to the effects of climate change. Global design firm ArquitectonicaGEO is at the forefront of designing sustainable, contemporary landscaped environments that address these challenges as well as enhancing the human experience and community wellbeing.

In Resilient Horizons: The Future of Landscape Architecture, ArquitectonicaGEO presents 10 pioneering projects in Miami, offering an insightful case study that explores the transformative role of landscape architecture in creating a more resilient city. Ranging from urban green spaces and neighborhood precincts to large-scale developments and ecosystem restorations, these projects demonstrate how sustainable, innovative landscape architecture can transform not just spaces, but entire communities, and our future cities.

Full-color photography, site plans, drawings, and engaging narratives showcase the innovative approaches that ArquitectonicaGEO uses to design sustainable, resilient, enriching environments. Written in English and Spanish, the bilingual text reaffirms the importance of landscape architecture as a powerful, transformative tool for a greener future.  

Text in English and Spanish.

500 piece puzzle featuring the artwork of South African artist Thania Petersen.

South African artist Thania Petersen can trace her lineage back to Tuan Guru, an Indonesian prince brought to South Africa by the Dutch in the 18th century. Fittingly, her work interrogates colonial histories and explores hybrid identities. Her dazzling embroideries, like this middle panel from her recent Drowned Bodies Never Die tryptic, fuse styles derived from history painting and textiles and provide both visual delight and subversive content through their rich symbolism.

Gilbert & George are two men, but one artist. Tied to the 2025 exhibition Death Hope Life Fear… at the Gilbert & George Centre in London, this book showcases 18 of their powerful works from 1984 to 1998. During this period, their art evolved into vivid, confrontational territory, with intense colors and ritualistic energy. Central to the show is the monumental Death Hope Life Fear (1984), a key work from The 1984 Pictures, exploring themes of youth, nature, identity and cosmic balance. The exhibition spans early spiritual pieces from Finding God (1982) to the raw introspection of The Rudimentary Pictures (1998). Bold and uncompromising, Death Hope Life Fear… reaffirms Gilbert & George’s enduring mission to create art that speaks to all.

“As enterprises embrace AI and automation, three challenges emerge: empowering employees as roles shift, enabling continuous reskilling without disruption, and creating real synergy between AI and human talent. Drawing from real-world transformation programs, this book offers a practical playbook to address these shifts – not with theory, but with actionable strategies, proven tools, and human-centric design. The new AI era demands more than technology; it demands a reimagined employee experience that fuels performance, personalizes learning, and strengthens coaching. When done right, this isn’t just adaptation. It’s transformation, helping people stay relevant, resilient, and ready for what’s next.” — Gal Rimon, Founder and CEO, Centrical

“With clarity and structure, this book turns the overwhelming topic of AI into the confidence leaders need to simply get started.” — Eline Lostrie, Co-CEO, nexxworks

AI Will Replace You shows how organizations can let go of their fear of AI and instead embrace this technology as a lever for growth. Using the practical and accessible AI Navigator framework, you’ll discover how to effectively embed AI into your strategy, get your employees on board, and prepare your organization to become an AI leader.

Flowers of Fire is a poetic and experimental collaboration between artist Anaïs Tondeur and philosopher Michael Marder, created during a residency in Naples in dialogue with scientists and the inhabitants of the Terra dei Fuochi. The project intertwines photography, ecology, and philosophy to address a landscape marked by pollution and environmental trauma. Using an innovative technique of phytography, Tondeur lets plants imprint their own presence onto photosensitive paper and textiles recovered from landfills—images born from sunlight, soil, and vegetal touch. Marder responds with letters addressed to the plants, read aloud by the artist in a ritual of correspondence and care. Together, their dialogue gives form to an ethics of listening and reciprocity between human and vegetal life. Both artwork and ecological meditation, Flowers of Fire invites us to imagine new bonds of responsibility with the living world.

For more than 4,500 years people have been drawn to a windswept plain at the heart of southern England where a circle of vast upright stones topped with massive lintels stands. Yet Stonehenge – probably the most famous prehistoric monument in the world – remains mysterious.

Today, nearly one and a half million people a year come from across the world to see for themselves this silent icon of the ancient past. But what do we really know about the people who built it, why they did so, and what they did here among the stones? In the 18th century stories of Druids, of sacrifices and pagan worship emerged in the silence. How has our understanding of this complex site changed since then?

Through spectacular new photography, historic images, artworks and a remarkable new reconstruction drawing, Susan Greaney tells the story of Stonehenge, its builders and the people whose lives have been touched by this awe-inspiring monument from earliest times to the present day.

The Letting Go is a long-standing, performative, and participatory practice by artist Natascha Stellmach. It explores themes of vulnerability and empowerment. Following a meditation and in response to the question, “What would you like to let go of?”, the practice involves identifying, naming, embodying, and experiencing healing and impermanence through the body. Its method includes ritual tattooing without ink (a bloodline tattoo) to address a personal obstacle and initiate an intimate enquiry.

Over a period of almost 10 years, Stellmach performed more than 120 sessions with individuals in galleries and privately, including herself. Through evocative photography, academic research, and participant-contributed selfies and reflections, the publication invites readers to embrace “the wonder in our wounds” and offers a deeply human portrait of what it means to let go.

The book includes a foreword by acclaimed actor Sandra Hüller, as well as essays by curator and arts writer Kelly Gellatly and psychiatrist and psychoanalyst Dr. Matthew McArdle.

In his first monograph; Libasse Ka brings together a selection of his recent work. In it he continues his exploration of the essence of painting and examines the boundaries of his own creative process.

Ka approaches painting as an ongoing process of layered transformation. His works emerge through the reworking of forms; the introduction of pauses; and the continuous reformulation of ideas. He frequently returns to older or unfinished canvases; which he reactivates to address unresolved questions or to give new direction to incomplete passages.

His compositions are driven by a lively rhythm; in which colour plays a prominent and propelling role.

This publication appears on the occasion of his solo exhibition at Carlos Ishikawa Gallery in London. His first institutional exhibition at Museum Dhondt-Dhaenens in the Autumn of 2025 received international attention and acclaim.

King of river fish, it is a portentous animal born in fresh waters and then driven far out toward the cold seas and deep oceans that will host it until the instinct to reproduce becomes dominant. At that moment, this extraordinary migrant begins its inexorable return journey, retracing the currents that lead it back to its place of origin. To survive such an undertaking is rare; whether male or female, each will die where it once received life and, in turn, gives life. A phenomenal example of courage and determination, salmon has held a prominent place in the vast realm of gastronomy since ancient times. Indeed, historical evidence related to its processing—such as smoking or marinating—traces the evolution of a foodstuff that spans millennia and connects cultures and traditions far removed from one another. A food of remarkable nutritional value, with meat characterized by a rich, slightly sweet, and brackish flavor, salmon has, however, been increasingly mistreated in recent years.

Text in English and Italian

İnci Eviner: Moving Across and Beyond the Line is the most comprehensive monograph to date on the Istanbul-based artist and academic, spanning her practice from early 2000s to present. Rooted in drawing yet multiplied across diverse media—video, performance, sculpture, costume, and writing—Eviner’s works form a living ecosystem: interconnected, mutable, and perpetually in flux. Uncanniness emerges at the intersection of humor and violence, where rigid taxonomies collapse, and a network of shifting forms resists linearity and Cartesian logic. Deeply political, Eviner’s practice does not simply address collective and socio-cultural realities but is inherently embedded within them. The figures inhabiting her universe appear and reappear across media, continually transforming while maintaining dialogic relationships with the artist herself. Featuring insightful essays by Roger Malbert and Heinz Peter Schwerfel, this richly illustrated volume unfolds Eviner’s oeuvre as a constellation of doorways—each leading elsewhere, yet all rooted in the generative act of drawing.

Text in English and Turkish.

Real Life is introduced and curated by Wells Fray-Smith. It is published in collaboration with Gallery Sofie Van de Velde on the occasion of the group exhibition Real Life. The publication gathers works by Ilse D’Hollander, Lois Dodd, Christopher Colm Morrin, Jesse Murry, Heidrun Rathgeb, Peter Shear, Trevor Shimizu, and Frank Walter, presenting a dialog across generations and geographies around painting’s enduring engagement with lived experience. The book explores how these artists, much like Ilse D’Hollander herself, use paint to address reality in its most porous, poetic, and capacious sense. Whether working through figuration or abstraction, their practices blur the boundaries between pigment and picture, illusion and observation, the tangible and the transcendental. At its heart Ilse D’Hollander’s quiet yet profound vision. Through sketchbooks and paintings from 1988 onward, she offered intimate glimpses of her daily surroundings — a window frame, a stairway, a cat — each rendered with the same precision and restraint that define her painting. These drawings were not preparatory studies but complete reflections on perception itself, acts of seeing that transformed the ordinary into the contemplative.

The Zambian-Norwegian artist, Anawana Haloba, creates multi-media installations that appeal to all the senses, including hearing and smelling. But she also challenges audiences to think. Many of her works address current discussions about Africa’s colonial legacy.

The publication presents a selection of works from her artistic practice. In addition, she has created a new work—her very own opera— a video installation with singing sculptures, that draws on rich traditions of folk opera in Zambia.

Haloba’s work invites us to listen in new ways, not just with our ears, but to history, forgotten languages, and to the stories that materials can tell. Her art reminds us to make room for what is disappearing, and to imagine new ways of being that can grow from what is left behind.

Text in English and Norwegian. 

In Signs of New York, architect and photographer Emma Verhagen invites you on a visual journey through the streets of the Big Apple. With a keen eye for detail, she captures the most fascinating signs, typefaces, and graphic gems found in the public realm. From iconic restaurant logos and vintage advertising murals to the distinctive signage of the subway: every photograph is paired with the exact location where it was captured. This collection is presented in a beautifully crafted, tactile hardcover. Featuring elegant foil stamping and printed on premium uncoated paper, it serves as the perfect souvenir for any New York visitor, as well as a must-have for enthusiasts of typography, graphic design, and urban nostalgia.

Based in New Canaan, Connecticut, David Prutting, Prutting + Co, has built some of the finest contemporary houses in the area. This stunning publication features many of these spectacular residences, as founder David Prutting takes readers behind the scenes to offer a unique builder’s perspective.

Working in an area that was once a hot bed of modernism—where influential modernist architects Marcel Breuer, Phillip Johnson, and Eliot Noyes designed pioneering houses—Prutting has built many award-winning homes that have been inspired and influenced by this architectural heritage. These contemporary residences—designed by Steven Holl Architects, Toshiko Mori Architects, Joeb Moore & Partners, Olson Kundig, KieranTimberlake, plus others—showcase why Prutting + Co. has a well-earned reputation for building custom homes.

It takes a courageous client, a visionary architect, and an exacting builder to bring these homes to life. But it’s the builder who bridges the gap between an architect’s drawings and a client’s reality. In A Builder’s Life Done Well, Prutting offers a down-to-earth look at how his firm navigates difficult sites and complex builds. Recounting his 50-year career, he imparts words of wisdom and advice for clients, architects, and contractors, sharing his experience of building homes and running a successful business.

“So far, there haven’t been many women who have dared to dream on a truly megalomaniac scale—and see those dreams through to completion.” — Niki de Saint Phalle.
The story of the Tarot Garden, created by Niki de Saint Phalle (1930–2002), unfolds like a fairy tale. For the first time, this book documents the extraordinary adventure of its construction, from 1978 to 1998. It all began when, at the age of twenty-five, Niki de Saint Phalle visited Gaudí’s Park Güell and decided to give form to her lifelong “desire for grandeur.” The result was the creation of twenty-one monumental and esoteric sculptures spread across two hectares in Tuscany’s Maremma region—an artistic interpretation of the Tarot’s major arcana, a system that had long captivated her imagination. The Tarot Garden stands within a visionary lineage of fantastical environments, alongside the Palais Idéal of Ferdinand Cheval, Gaudí’s Park Güell, Alain Bourbonnais’s Fabuloserie, and the Gardens of Bomarzo in Lazio. Enriched with rare archival material, this book reveals the behind-the-scenes story of Niki de Saint Phalle’s magnum opus, shaped by Etruscan heritage, local craftsmanship, and rituals drawn from cultures around the world.

“Seeing the garden Gaudí built in Barcelona changed my life. From that moment on, my path would be a slow apprenticeship—until the day I, too, would be capable of creating a magnificent work like his, a place of joy.” — Niki de Saint Phalle.

Text in English, Italian and French.

Just as the ‘black continent’ is nothing like as monochrome as our stereotyped ideas of it, so neither are the skin tones of its inhabitants. One variant, however, here more than elsewhere, marks people out as misfits: very white skin, unusually light hair color, blue or green eyes. This congenital metabolic disease is called albinism. People with albinism (PWA) are often visually impaired and need special protection from the sun. Most of all they suffer from social stigmatization. So it is little short of a miracle how courageously and confidently that the PWA of Kinshasa, Democratic Republic of the Congo, try to overcome their role as outsiders. Lead by the famous Congolese albino wrestler, Mwimba Texas, they demand to be treated with respect. In her photographs Patricia Willocq helps boost the self-assurance of people with albinism in the Congo. Her photo report is a testimony to hope, courage, love and success to give them the dignity they deserve.

Text in English, French and German.

Contents:
Photographic Essay; About albinism; The Dibwe family; Mwimba Texas; Gaëlle Kayowa Mukadi; Michel Mualaba Senga; Social Project.

List of events surrounding publication:
3 June 2015: press conference in Brussels to launch the book and to announce the opening of the photo exhibition and the First International Albinism Awareness Day
13 June (to 27 July 2015): opening of the exhibition “White Ebony” at the Halles St Gery in Brussels to celebrate the first International Albinism Awareness Day
02 July 2015: Projection of a movie about Mwimba Texas, the famous wrestler with albinism and albinism in DRC
13 July 2015: Concert with the Congolese artist Freddy Massamba engaged in the cause of albinism
09 – 30 October 2015: Exhibition “White Ebony” at the Maison de la Laïcité in La Louvière, Belgium
13 November to 11 December 2015: Exhibition “White Ebony” at la Maison du Hainaut, Charleroi

Sicilian cuisine is known as curtigghiu – of the courtyard – with recipes passed from door to door and from generation to generation by word of mouth. Influenced by the endless crossing of cultures that is Sicily’s history, its food is as rich in tradition as it is in taste. Here this mingling of Europe, Italy, the Middle East and North Africa is celebrated in 30 recipes chosen by Maite and Marie and photographed – both landscapes and finished dishes – by Mau.

Japan was isolated almost completely from the West for more than two hundred years, from 1641 to 1854. One of the first Westerners to penetrate that barrier and reveal fundamental information about the country – and the Far East in general – was Philipp Franz von Siebold (1796-1866), a doctor from Würzburg in Germany. He spent the period 1823 to 1829 on the small island of Dejima, a Dutch trading post in Nagasaki that was then the only point of contact between Japan and the West. Full of ambition, Siebold was sent from the Dutch East Indies to Japan with the task of gathering as much information as possible about the country, its geography, its people, religion, customs and traditional costumes. The ultimate aim was to use this information to boost Dutch trade. Working with Japanese artists including Kawahara Keiga and Hokusai, Siebold embarked on an unprecedented visual and scientific project, culminating in the book Nippon. In this publication of Nippon, we give Siebold’s work a new lease of life that lets us understand the Japan he saw. This edition includes all the original prints, with a commentary on the most compelling images. The introduction discusses the unique relationship between Japan and the Netherlands, Siebold’s life, his work on Dejima and the historical significance of Nippon. The thematic essays and image keys point out striking details and interesting stories, all with a view to achieving once again what Siebold sought to do all those years ago: let readers marvel at the incredible beauty of Japan.

Discover the quietly powerful world of Marina Yee (1958–2025), one of the original and most enigmatic members of the Antwerp Six. A graduate of the Royal Academy of Fine Arts Antwerp, Yee helped redefine global fashion in the 1980s, yet chose a more introspective path beyond the spotlight.

Moving effortlessly between fashion and art, Yee created with found materials, guided by intuition and a deep sense of form. Yee’s remarkable legacy resists trends, favoring simplicity, modesty, and quiet expression.

This book, curated by Rafael Adriaensens, Geert Bruloot and Sofie Van de Velde, with a text by Kaat Debo, brings together over four decades of her work: drawings, collages, silhouettes, and designs. It offers a rare opportunity to experience the singular vision of a designer whose influence continues to resonate worldwide.

A collector’s edition measuring a prodigious 11.5 x 15.5 inches, India Through Iconic Maps is a sight to behold – an unprecedented display of the scale, story and beauty of mapmaking in India. There is more to a map than just the sheet of paper one sees – there’s a motive, a story, people, circumstances, science, mathematics, technology and analysis among other aspects. This book with more than 400 maps aims to highlight and bring forth these hidden layers of a map and trace a unique cartographical history of the Indian subcontinent.

“Men’s Style Manual is an example of ramp style; it entertains with inspiring texts and interviews, beautiful images and illustrations, useful and useless knowledge, and a treasure trove of quotes and gadgets.” — NL Magazine

With rampstyle, Michael Köckritz has defined new standards in the genre of men’s lifestyle magazines. The multi-award-winning feature magazine is celebrated internationally as a magazine that is both stylish and style-defining. Men’s Style Manual is a best of rampstyle, it delights with inspiring texts and interviews, lovely imagery and illustrations, useful and useless knowledge and a wealth of quotes and gadgets. Men’s Style Manual will entertain you as a timelessly stimulating and entertaining smorgasbord.

Courageous, adventurous and surprising – a book for real men, wild guys and cool boys. Casually relaxed, tongue-in-cheek.

The Kama Sutra is a two thousand year old mystical treatize on sexuality – read and revered for generations. This first ever collector’s edition takes a contemporary look at the perennial classic and pairs the ancient text with vibrantly colored and richly detailed illustrations.

Rare miniatures, gouache and tantric paintings are published here for the first time. The gold edged book comes in a hand made box made of pure silk. The lavish packaging and sumptuous production of the book makes it a remarkable keepsake.

McMillen: 100 Years of American Decorating is a sweeping two-volume history of America’s oldest and longest-running full-service interior design firm, McMillen Inc.. Written by McMillen President Ann Pyne, the book traces the evolution of the legendary firm from its founding in 1924 by Eleanor McMillen Brown through a century of cultural, architectural, and aesthetic change.

Richly illustrated with photographs accompanying every chapter, the volumes chronicle McMillen’s pioneering role in shaping American interior decoration through periods of prosperity, depression, war, postwar expansion, and modern transformation. Beginning with the firm’s “Successful Beginnings” in the 1920s, the narrative follows Eleanor McMillen Brown’s conviction that decorating was both an art and a science—grounded in scholarship, craftsmanship, historical understanding, and exacting standards rather than passing fashion.

Across chapters exploring experimentation during the 1930s, wartime adaptation, the celebrated “Glory Years” of the 1950s and 1960s, and the firm’s evolution into the partnership era, the book reveals how McMillen cultivated some of the most influential figures in American design, including Albert Hadley and Mark Hampton. It also examines the firm’s work for distinguished private clients and historic residences.

More than a company history, McMillen: 100 Years of American Decorating is a portrait of American taste, craftsmanship, and domestic life across the twentieth and twenty-first centuries. Through archival material, personal histories, and lavish photography, the book documents the enduring philosophy, artistry, and influence that established McMillen as a defining force in American interior design.