This catalog accompanies the exhibition Art & Fashion in the Calouste Gulbenkian museum, and highlights the inseparable relationship between art and fashion: art finds a constant source of inspiration in fashion, while fashion finds permanence and memory in art. Both disciplines engage in a dialog around beauty, both ephemeral and eternal, as an invisible thread between past and present.
The extraordinary Gulbenkian Collection, with pieces from Ancient Egypt to the 20th century, allows for a unique encounter between masterpieces of painting and decorative arts and iconic haute couture creations. It is not a question of comparison, but of establishing visual and symbolic conversations: contemporary silhouettes alongside Renaissance folds, exquisite embroidery juxtaposed with modernist flashes, ancient iconography reinterpreted.
The book captures that moment when the museum is transformed into a living space where art and fashion face each other, reminding us that beauty knows no boundaries, only the passage of time.
This book presents the richness, diversity and strength of the work of the most famous street art artist in the world… and yet nobody knows his identity. We are invited to follow the evolution of the artist from England to the United States, France, Israel and the Ukraine, and through more than a hundred emblematic works, all explained. This is the original Catalog Raisonné of the Banksy Museum, in which all these works are reproduced in their urban contexts, allowing the general public to discover them in a realistic way and to grasp their strength, including those that have been stolen or defaced and no longer exist.
Distilling a lifetime’s study of English art, Duncan Robinson here looks at the six leading artists of the end of the 18th and beginning of the 19th centuries through the lens of their relationship with writing. Hogarth, Reynolds, Gainsborough, Blake, Constable, Turner all engaged in different ways with literature and the word. From Hogarth, who developed a new kind of narrative from his experience of the theater, to Turner who wrote increasingly elaborate and enigmatic epic poetry to explain his painting, passing by Blake’s naive Songs of Innocence and Experience and his hallucinatory deranged mythological visions, the originality and fascination of these great artists are brought into a new, sharper focus by Robinson’s approach. Written with his characteristic geniality and profound, but lightly worn scholarship, and richly illustrated with familiar and many unfamiliar images, this will be an unmissable book for all interested in this seminal period in English art.
With an introduction by Brian Allen, former Director of the Paul Mellon Centre for Studies in British Art
There are no rules, and even less justice. Death takes everyone without discrimination. Sometimes it is accidental – like Signorelli, who fell from scaffolding. Sometimes it is expected, as with the diabetic Cezanne, who wrote “I am old, sick, and I swore to die while painting”. But often, researching a painter’s death is an easier task than determining which of their works is truly their ‘last’. Paintings tend to be dated by year and not month, inciting much debate among art historians. This book embraces this ambiguity, studying 100 examples of works that lay completed for several years, or were left unfinished on the easel, or were finished post-mortem by a friend’s grieving hand.
The Last Painting collects 100 terminal paintings from 100 artists, including Dalí, Manet, Toulouse-Lautrec, Degas, Goya, Pollock, Rembrandt, Dix, Bonnard, Titien, and many more. Each picture gives us a glimpse into the painter’s mind. Did they know death was coming? Did they paint with denial, or acceptance? Did they return to a favorite subject, or decide to embark on a new, original project while they still had time? A poetic and thought-provoking book, The Last Painting is a sensitive exploration of the relationship between art and death.
“Men’s Style Manual is an example of ramp style; it entertains with inspiring texts and interviews, beautiful images and illustrations, useful and useless knowledge, and a treasure trove of quotes and gadgets.” — NL Magazine
With rampstyle, Michael Köckritz has defined new standards in the genre of men’s lifestyle magazines. The multi-award-winning feature magazine is celebrated internationally as a magazine that is both stylish and style-defining. Men’s Style Manual is a best of rampstyle, it delights with inspiring texts and interviews, lovely imagery and illustrations, useful and useless knowledge and a wealth of quotes and gadgets. Men’s Style Manual will entertain you as a timelessly stimulating and entertaining smorgasbord.
Courageous, adventurous and surprising – a book for real men, wild guys and cool boys. Casually relaxed, tongue-in-cheek.
This book documents the exemplary planning and implementation of renovation work led by Jaccaud + Associés in the Cité du Lignon, Vernier near Geneva between 2010 and 2024. The Cité, which was built between 1963 and 1971 by Georges Addor, Dominique Julliard, Jacques Bolliger and Louis Payot, is one of the largest housing estates in Switzerland and has been preservation-listed since 2009. The Cité’s renovation was the subject of numerous studies and developments that have gradually resulted in the establishment of a major building site since 2012, which continues to operate today. The measures have improved the façades’ thermal insulation, renovated the communal areas and circulation routes, adapted the buildings to fire-safety regulations and renewed the technical shafts. Renovation work on the building envelope was implemented according to three principles, as presented in the studies by the TSAM Laboratory at the École Polytechnique Fédérale de Lausanne. Building work on the more than 1,000 apartments was carried out without interruptions to normal operations, thereby ensuring that residents were inconvenienced as little as possible during the measures. This book gives a voice to the main protagonists of this team task and is illustrated by two photographers, Leo Fabrizio and Paola Corsini, who documented the completed project and its building stages from their own perspectives.
This book documents the transformation of the Ancien Manège in Geneva, a horse riding hall that was built in the 19th century and converted into a garage in the 1950s. The book brings together texts, photographs, plans, construction details and specifications in both French and English. The publication traces the history of the Manège, the participatory process that led to its transformation into a civic building, the architectural project, the execution of the works and the building’s current use. With graphic design by Studio Mut, it includes a series of conversations curated by Isabel Concheiro and photographic essays by David Grandorge, Andrés Fraga, Didier Jordan and Luis Díaz y Díaz. The book highlights contemporary issues relating to heritage transformation, sustainable development and shared governance. Intended for both professionals and the general public, it offers an in-depth perspective on an exemplary reuse project within a complex urban and historical context.
Text in English and French.
The Kama Sutra is a two thousand year old mystical treatize on sexuality – read and revered for generations. This first ever collector’s edition takes a contemporary look at the perennial classic and pairs the ancient text with vibrantly colored and richly detailed illustrations.
Rare miniatures, gouache and tantric paintings are published here for the first time. The gold edged book comes in a hand made box made of pure silk. The lavish packaging and sumptuous production of the book makes it a remarkable keepsake.
“It’s an evocative, inspiring mood board of a book.” — Andreina Cordani, Reclaim Magazine
“Decorating with flowers – on everything from walls and windows to sofas and floors – will bring magic and romance to any space.” — Mail on Sunday’s You Magazine
“In keeping with the typical Tricia Guild style, a penchant for color and patterns (mixes) runs through the 239 pages of “Moody Blooms”,…” — Anarchitecturallife.com
In the designs of Tricia Guild, atmosphere is everything. Patterns, color, texture, furniture and furnishings interweave to create spaces that have all the depth and meaning of installation art. Yet just as an outfit never feels complete without a spritz of scent, a room without plants is only nearly complete. Only nearly perfect.
At Designers Guild, Tricia Guild uses flowers, leaves and stems to enhance a room’s mood, bringing soul to the spaces we live in. A flower has many spirits over the course of its life, from the promise of those first pristine and innocent buds, to the resplendent joy of full blooms and the wistful glory as they fade. The cycle of nature provides an ever-evolving muse for Tricia Guild. Her latest book explores how blooms can evoke emotion, presenting a plethora of inspirational designs that breathe fresh life into our homes and workspaces.
“When the pre-eminent portrait photographer of the day met the Cockney kid dominating the London film scene, magic was made.” — Australian Women’s Weekly Icons
“Caine, the timeless gentleman.” — Diego Armes, GQ Portugal
“The engaging images are either black and white or in color and therefore perfectly show all facets of the actor. A wonderful book about a very special and remarkable actor! 5 Stars!” — Lovely Books
“I had to be an actor,” Michael Caine once said. “[…] And of course, you have to remember with me, the alternative was a factory.”
A working-class actor who broke through to stardom, Caine’s screen-time involves standout performances across multiple genres. To this day, he is synonymous with a certain kind of urbane cool. No camera has captured this quality over the decades better than that of his collaborator and long-time friend, Terry O’Neill.
Michael Caine: Photographed by Terry O’Neill offers an immersive visual journey through Michael Caine’s career, immortalizing Caine’s charm both in and out of character. Caine occupies a landmark position in cinema and O’Neill was there from the early days of his stellar career. From the comedy of Dirty Rotten Scoundrels to the European drama of Seven Times A Woman; from the miasma of The Magus to the British cult classic Get Carter, this book combines black and white and color images and includes never-before-seen contact sheets.
Featuring the following films: Mona Lisa, Midnight in Saint Petersburg / Bullet to Beijing, Dirty Rotten Scoundrels, Blue Ice, Without a Clue, Get Carter, Deadfall, Magus, Woman Times Seven, Funeral in Berlin.
Japan was isolated almost completely from the West for more than two hundred years, from 1641 to 1854. One of the first Westerners to penetrate that barrier and reveal fundamental information about the country – and the Far East in general – was Philipp Franz von Siebold (1796-1866), a doctor from Würzburg in Germany. He spent the period 1823 to 1829 on the small island of Dejima, a Dutch trading post in Nagasaki that was then the only point of contact between Japan and the West. Full of ambition, Siebold was sent from the Dutch East Indies to Japan with the task of gathering as much information as possible about the country, its geography, its people, religion, customs and traditional costumes. The ultimate aim was to use this information to boost Dutch trade. Working with Japanese artists including Kawahara Keiga and Hokusai, Siebold embarked on an unprecedented visual and scientific project, culminating in the book Nippon. In this publication of Nippon, we give Siebold’s work a new lease of life that lets us understand the Japan he saw. This edition includes all the original prints, with a commentary on the most compelling images. The introduction discusses the unique relationship between Japan and the Netherlands, Siebold’s life, his work on Dejima and the historical significance of Nippon. The thematic essays and image keys point out striking details and interesting stories, all with a view to achieving once again what Siebold sought to do all those years ago: let readers marvel at the incredible beauty of Japan.
The formal and content-related concept of this publication is based on a series of lectures by Armon Semadeni, covering a number of years. The book sheds light on and documents 14 selected buildings, studies and competitions that have been designed, planned and implemented by the architectural practice since its foundation in 2009. Going beyond classic project presentation, the volume offers a thematically focused investigation of contemporary urban-planning and architectural aspects, with the aim of guiding readers beyond the concrete projects to a critical engagement with society and its constructed environment.
The renowned book designers Valeria Bonin and Diego Bontognali were responsible for the volume’s high-quality design and graphic implementation. Roman Keller has photographically documented all the buildings, from their conception to their presentation to the clients; Alexandre Jaquemet and Anja Schori use their unconventional photographic perspectives to highlight specific urban, landscape and architectural moments.
Food is a social phenomenon: it keeps us alive, influences our identity and creates social codes and values. Food and food preparation is no longer simply a question of sustenance, but of lifestyle as well. At the same time, however, agriculture and the current standards of food production are among the main drivers of climate change. What does the future of our food look like in the light of dwindling resources and the globalization of the food industry? How can we produce enough food for the rapidly increasing global population in a way that respects the earth’s ecosystems? Food Revolution 5.0 tries to find answers to these questions. The Museum für Kunst und Gewerbe Hamburg has invited the Dutch design studio Makkink & Bey to create a multidisciplinary laboratory dedicated to the future of food, including four stages – farm, supermarket, kitchen and table as visual representations of the food cycle from start to finish. The book takes a critical look at the global food industry and presents visions of designers, architects, scientists and photographers. Text in English and German.
The seventh book in the Laboratorium series is entitled Revision, celebrating the joyful diffusion of everyday aspects of building and solid means of creating spatial structures at the new first-year course of the HSLU, overlapped by, compared to and confronted with theses, references and itself. The illustrated book regards itself as a handy inspiration machine for design that is motivated by spatial construction, while appealing for diversity and multi-valence in architecture and referring to a wide range of contemporary revisions – namely those referring to collective values and goals, our self-awareness as practicing architects, and also structural revision as an act of upkeep and care.
Text in English and German.
“…one book captures it all, featuring over 100 artists in an unprecedented archive of photographs and exclusive commentary that pulls back the velvet rope on one of music history’s most misunderstood decades.” — Florida Weekly
“Adding even more sparkle than a disco ball are the dozens of photos of the era’s biggest acts.” — Newsday
“If you’re a fan of 1970s-era dance music, don’t miss the irresistible new book by Christian John Wikane and Alice Harris, …”— The Washington Blade
A Night at the Disco is a celebration of groundbreaking dance music from 1970–’79. An unprecedented collection of photographs of more than 100 artists, illuminating the styles and sounds from a decade that sparked a global phenomenon in music and culture. Exclusive comments from Donna Summer, Barry Gibb, Debbie Harry, Giorgio Moroder, founding members of CHIC, Labelle, The Trammps, Village People, Earth, Wind & Fire, and dozens more artists, songwriters and producers, offering fascinating insights that tell the stories behind the beats. From underground New York clubs to discothèques across the globe, A Night at the Disco illustrates how artists spanning soul, pop, disco, funk, jazz and rock defined nightlife during the 1970s and influenced popular music to the present day.
With a foreword by Verdine White of Earth, Wind & Fire, this is a real treat for music, dance and disco fans everywhere.
A vivid portrait of much-loved artist, Joan Eardley, and her relationship with the Scottish coastal fishing village, Catterline.
Joan Eardley, one of Scotland’s most loved artists, first visited the coastal fishing village of Catterline in north-east Scotland in 1951. It sparked a fascination that would last the rest of her life.
She made the village her home and found inspiration in the dramatic light and rapidly changing weather. The gentle landscapes and wild rolling seascapes she painted there in wind, snow, rain and sunshine are among her best-loved works.
Focussing on Eardley’s relationship with Catterline, this book includes previously unpublished archival material as well as specially conducted interviews with many of those in the village who knew her, shedding new light on Eardley’s life and artistic practice. A vivid portrait is painted both of Eardley and of the village, showing the vital part Catterline played in her development as an artist.
Presented as a non-linear work where viewers are invited to explore the pages through live indexing, Liminalism offers a collection of thought-provoking visual pairings that document Based Upon’s exploration in global landscapes and the epic sculptural works that result from its process. It includes an introduction by Meagan Kelly Horsman, the Managing Director of Christie’s Middle East.
Becoming a philosophical treatise, Liminalism illustrates that truth exists not only in those things which can be named, but in the apparent space between them. Readers are invited to allow the images to act as edges between which a connective tissue can be found. In bringing awareness to the liminal space between these pairings, each viewer creates their own exhibition, while the artist offers a poetic reflection on life as a creator.
This beautifully presented monograph features the outstanding architectural and planning design work of Washington D.C.–based David M. Schwarz Architects, a firm with a significant focus on how buildings relate and contribute to their surroundings. Featuring 40 projects across the United States, the range of work in this book is extensive and includes cultural, sports and entertainment, office and residential, mixed-use, retail, hospitality, civic, healthcare, and education projects.
Each project is richly photographed in lavish full color, with text commentary by Craig P. Williams, who has been associated with David M. Schwarz Architects for nearly forty-five years. All essays in this volume are based either on Craig P. Williams’s firsthand recollections or direct conversations with his colleagues who worked on those projects.
This anthology celebrates the remarkable beauty of our feline companions. Deliberately striking, the photographs in this exquisitely bound book emphasize modern, innovative perspectives – showcasing fresh, unexpected projects from both renowned and emerging photographers around the world. Moving beyond the traditional, sometimes predictable shots of cats lounging on windowsills or in laps, these images re-imagine cats in a new light, whether captured in studio settings, on location or using surprisingly abstract techniques.
Over the past half century, Marina Abramović has earned worldwide acclaim as a pioneer of performance art. This handsome new book records the first UK exhibition to include works from her entire career. Re-performances of some of her best-known and most radical pieces appear alongside new and recent work. An augmented-reality app for iOS and Android enables readers to watch films of Abramović’s original performances while reading the book.
An essential purchase for all followers of Abramović’s extraordinary 55-year career, this important publication brings expert voices into the debate that her groundbreaking art engenders. How far should an artist push herself in pursuit of her work? What role does the audience play in creating a performance? How can performance art outlive the moment in which it takes place?
“These photos are stunning, bittersweet visions of a past shared by all of us.” – Tom Hanks.
“Brian Hamill is best known as a still photographer and a photojournalist. But I’ve always regarded him – first and foremost – as a master portraitist. And this book bears that out – capturing as it does, the many-faceted phenomenon that was John and Yoko – artists, lovers, cultural comrades and – most elusively – business partners. Behind his camera, Hamill is something of a phenomenon himself.” – Richard Price
John Lennon’s life, death and music shaped the world. His reputation as a philanthropist, political activist and pacifist influenced millions worldwide. If Elvis was King, Lennon was his rightful successor – and fittingly, several images in this collection of both classic and unseen photos show him wearing a diamond-studded ‘Elvis’ pin over his heart, in homage to his forefather on the throne of Rock ‘n’ Roll. John Lennon is seen here in several sessions in New York, performing on stage, relaxed at home and walking on the street with Yoko Ono.
Renowned celebrity photojournalist Brian Hamill delivers his own insider view of this Beatles icon, through intense, intimate photographic portraits and insightful text. Whether Lennon is dominating the stage, posing on the roof of the Dakota building, or relaxing with Yoko Ono, Hamill’s photography takes this quasi-mythical figure from the world of Rock ‘n’ Roll and shows him as the man he really was.
“Brian looked at the John Lennon who had become an icon and saw instead a familiar face. He saw a working-class hero like those that built the City of New York. And so when John Lennon came to live in New York, Brian captured him as a New Yorker, in the joyous images that you will find in this book.” – Pete Hamill
“Lennon, one of the most famous men in human history, wanted to live as one among many. Of course, he hit it off with Hamill. The guy that flew so high needed some oxygen. Hamill is fresh air. His folio of Lennon images shows Lennon focused, present, but edgy, never relaxed.” – Alec Baldwin
In today’s economy, everything has changed. In order to survive, managers and organizational leaders will have to address the need to connect to the largest possible audience without losing touch with the individual. But how does this work? How can managers look ahead? How can they imagine how their company will be doing in thirty years from now, and do so in an environment where predictions have become all but impossible, and then at the same time successfully imprint their vision into a strategy for the next three months from now? What makes today’s customers tick? Why does everything have to be easy, fast, fun and simple? Why is data the new gold, and why is AI a blessing? The answer is plain. To keep evolving, leaders should be inspired by the outside world. They should have the guts to read the signals all around them. They should meet the needs of their customers and, above all, they should focus on every possibility. In short, they should never stop experimenting.