Miami, Florida, is a city that’s highly vulnerable to the effects of climate change. Global design firm ArquitectonicaGEO is at the forefront of designing sustainable, contemporary landscaped environments that address these challenges as well as enhancing the human experience and community wellbeing.
In Resilient Horizons: The Future of Landscape Architecture, ArquitectonicaGEO presents 10 pioneering projects in Miami, offering an insightful case study that explores the transformative role of landscape architecture in creating a more resilient city. Ranging from urban green spaces and neighborhood precincts to large-scale developments and ecosystem restorations, these projects demonstrate how sustainable, innovative landscape architecture can transform not just spaces, but entire communities, and our future cities.
Full-color photography, site plans, drawings, and engaging narratives showcase the innovative approaches that ArquitectonicaGEO uses to design sustainable, resilient, enriching environments. Written in English and Spanish, the bilingual text reaffirms the importance of landscape architecture as a powerful, transformative tool for a greener future.
Text in English and Spanish.
500 piece puzzle featuring the artwork of South African artist Thania Petersen.
South African artist Thania Petersen can trace her lineage back to Tuan Guru, an Indonesian prince brought to South Africa by the Dutch in the 18th century. Fittingly, her work interrogates colonial histories and explores hybrid identities. Her dazzling embroideries, like this middle panel from her recent Drowned Bodies Never Die tryptic, fuse styles derived from history painting and textiles and provide both visual delight and subversive content through their rich symbolism.
Gilbert & George are two men, but one artist. Tied to the 2025 exhibition Death Hope Life Fear… at the Gilbert & George Centre in London, this book showcases 18 of their powerful works from 1984 to 1998. During this period, their art evolved into vivid, confrontational territory, with intense colors and ritualistic energy. Central to the show is the monumental Death Hope Life Fear (1984), a key work from The 1984 Pictures, exploring themes of youth, nature, identity and cosmic balance. The exhibition spans early spiritual pieces from Finding God (1982) to the raw introspection of The Rudimentary Pictures (1998). Bold and uncompromising, Death Hope Life Fear… reaffirms Gilbert & George’s enduring mission to create art that speaks to all.
“As enterprises embrace AI and automation, three challenges emerge: empowering employees as roles shift, enabling continuous reskilling without disruption, and creating real synergy between AI and human talent. Drawing from real-world transformation programs, this book offers a practical playbook to address these shifts – not with theory, but with actionable strategies, proven tools, and human-centric design. The new AI era demands more than technology; it demands a reimagined employee experience that fuels performance, personalizes learning, and strengthens coaching. When done right, this isn’t just adaptation. It’s transformation, helping people stay relevant, resilient, and ready for what’s next.” — Gal Rimon, Founder and CEO, Centrical
“With clarity and structure, this book turns the overwhelming topic of AI into the confidence leaders need to simply get started.” — Eline Lostrie, Co-CEO, nexxworks
AI Will Replace You shows how organizations can let go of their fear of AI and instead embrace this technology as a lever for growth. Using the practical and accessible AI Navigator framework, you’ll discover how to effectively embed AI into your strategy, get your employees on board, and prepare your organization to become an AI leader.
Flowers of Fire is a poetic and experimental collaboration between artist Anaïs Tondeur and philosopher Michael Marder, created during a residency in Naples in dialogue with scientists and the inhabitants of the Terra dei Fuochi. The project intertwines photography, ecology, and philosophy to address a landscape marked by pollution and environmental trauma. Using an innovative technique of phytography, Tondeur lets plants imprint their own presence onto photosensitive paper and textiles recovered from landfills—images born from sunlight, soil, and vegetal touch. Marder responds with letters addressed to the plants, read aloud by the artist in a ritual of correspondence and care. Together, their dialogue gives form to an ethics of listening and reciprocity between human and vegetal life. Both artwork and ecological meditation, Flowers of Fire invites us to imagine new bonds of responsibility with the living world.
For more than 4,500 years people have been drawn to a windswept plain at the heart of southern England where a circle of vast upright stones topped with massive lintels stands. Yet Stonehenge – probably the most famous prehistoric monument in the world – remains mysterious.
Today, nearly one and a half million people a year come from across the world to see for themselves this silent icon of the ancient past. But what do we really know about the people who built it, why they did so, and what they did here among the stones? In the 18th century stories of Druids, of sacrifices and pagan worship emerged in the silence. How has our understanding of this complex site changed since then?
Through spectacular new photography, historic images, artworks and a remarkable new reconstruction drawing, Susan Greaney tells the story of Stonehenge, its builders and the people whose lives have been touched by this awe-inspiring monument from earliest times to the present day.
The Letting Go is a long-standing, performative, and participatory practice by artist Natascha Stellmach. It explores themes of vulnerability and empowerment. Following a meditation and in response to the question, “What would you like to let go of?”, the practice involves identifying, naming, embodying, and experiencing healing and impermanence through the body. Its method includes ritual tattooing without ink (a bloodline tattoo) to address a personal obstacle and initiate an intimate enquiry.
Over a period of almost 10 years, Stellmach performed more than 120 sessions with individuals in galleries and privately, including herself. Through evocative photography, academic research, and participant-contributed selfies and reflections, the publication invites readers to embrace “the wonder in our wounds” and offers a deeply human portrait of what it means to let go.
The book includes a foreword by acclaimed actor Sandra Hüller, as well as essays by curator and arts writer Kelly Gellatly and psychiatrist and psychoanalyst Dr. Matthew McArdle.
In his first monograph; Libasse Ka brings together a selection of his recent work. In it he continues his exploration of the essence of painting and examines the boundaries of his own creative process.
Ka approaches painting as an ongoing process of layered transformation. His works emerge through the reworking of forms; the introduction of pauses; and the continuous reformulation of ideas. He frequently returns to older or unfinished canvases; which he reactivates to address unresolved questions or to give new direction to incomplete passages.
His compositions are driven by a lively rhythm; in which colour plays a prominent and propelling role.
This publication appears on the occasion of his solo exhibition at Carlos Ishikawa Gallery in London. His first institutional exhibition at Museum Dhondt-Dhaenens in the Autumn of 2025 received international attention and acclaim.
King of river fish, it is a portentous animal born in fresh waters and then driven far out toward the cold seas and deep oceans that will host it until the instinct to reproduce becomes dominant. At that moment, this extraordinary migrant begins its inexorable return journey, retracing the currents that lead it back to its place of origin. To survive such an undertaking is rare; whether male or female, each will die where it once received life and, in turn, gives life. A phenomenal example of courage and determination, salmon has held a prominent place in the vast realm of gastronomy since ancient times. Indeed, historical evidence related to its processing—such as smoking or marinating—traces the evolution of a foodstuff that spans millennia and connects cultures and traditions far removed from one another. A food of remarkable nutritional value, with meat characterized by a rich, slightly sweet, and brackish flavor, salmon has, however, been increasingly mistreated in recent years.
Text in English and Italian
İnci Eviner: Moving Across and Beyond the Line is the most comprehensive monograph to date on the Istanbul-based artist and academic, spanning her practice from early 2000s to present. Rooted in drawing yet multiplied across diverse media—video, performance, sculpture, costume, and writing—Eviner’s works form a living ecosystem: interconnected, mutable, and perpetually in flux. Uncanniness emerges at the intersection of humor and violence, where rigid taxonomies collapse, and a network of shifting forms resists linearity and Cartesian logic. Deeply political, Eviner’s practice does not simply address collective and socio-cultural realities but is inherently embedded within them. The figures inhabiting her universe appear and reappear across media, continually transforming while maintaining dialogic relationships with the artist herself. Featuring insightful essays by Roger Malbert and Heinz Peter Schwerfel, this richly illustrated volume unfolds Eviner’s oeuvre as a constellation of doorways—each leading elsewhere, yet all rooted in the generative act of drawing.
Text in English and Turkish.
Real Life is introduced and curated by Wells Fray-Smith. It is published in collaboration with Gallery Sofie Van de Velde on the occasion of the group exhibition Real Life. The publication gathers works by Ilse D’Hollander, Lois Dodd, Christopher Colm Morrin, Jesse Murry, Heidrun Rathgeb, Peter Shear, Trevor Shimizu, and Frank Walter, presenting a dialog across generations and geographies around painting’s enduring engagement with lived experience. The book explores how these artists, much like Ilse D’Hollander herself, use paint to address reality in its most porous, poetic, and capacious sense. Whether working through figuration or abstraction, their practices blur the boundaries between pigment and picture, illusion and observation, the tangible and the transcendental. At its heart Ilse D’Hollander’s quiet yet profound vision. Through sketchbooks and paintings from 1988 onward, she offered intimate glimpses of her daily surroundings — a window frame, a stairway, a cat — each rendered with the same precision and restraint that define her painting. These drawings were not preparatory studies but complete reflections on perception itself, acts of seeing that transformed the ordinary into the contemplative.
The Zambian-Norwegian artist, Anawana Haloba, creates multi-media installations that appeal to all the senses, including hearing and smelling. But she also challenges audiences to think. Many of her works address current discussions about Africa’s colonial legacy.
The publication presents a selection of works from her artistic practice. In addition, she has created a new work—her very own opera— a video installation with singing sculptures, that draws on rich traditions of folk opera in Zambia.
Haloba’s work invites us to listen in new ways, not just with our ears, but to history, forgotten languages, and to the stories that materials can tell. Her art reminds us to make room for what is disappearing, and to imagine new ways of being that can grow from what is left behind.
Text in English and Norwegian.
In Signs of New York, architect and photographer Emma Verhagen invites you on a visual journey through the streets of the Big Apple. With a keen eye for detail, she captures the most fascinating signs, typefaces, and graphic gems found in the public realm. From iconic restaurant logos and vintage advertising murals to the distinctive signage of the subway: every photograph is paired with the exact location where it was captured. This collection is presented in a beautifully crafted, tactile hardcover. Featuring elegant foil stamping and printed on premium uncoated paper, it serves as the perfect souvenir for any New York visitor, as well as a must-have for enthusiasts of typography, graphic design, and urban nostalgia.
This impressive book offers a comprehensive overview of designer and sculptor Eric Schmitt’s work, focusing on the years 2015–2025 while tracing the notable shifts of his practice since the 1980s.Working primarily with noble materials such as patinated bronze, alabaster, marble, natural stone, and glass, Schmitt blends traditional French craftsmanship with a modern aesthetic to create functional works of art that balance geometry, fluidity, and subtle strength. Written in English and French, the book opens with an introduction by Patrick Mauriès, who charts the development of Schmitt’s artistic influences—from his early fascination with the Creative Salvage movement in the 1980s to his enduring commitment to hands-on fabrication. Organized thematically, the book’s central section explores Schmitt’s creations through chapters such as Cornerstones, Metal & Company, Levitation, and Material Illusions, with opening commentaries by Axelle Corty.
Through stunning photography by Adrien Dirand, readers are invited onto the grounds of Le Chapitre, while Alexandra Babeanu’s text shares the story behind the restored 12th-century farm that serves as Schmitt’s home, studio, and collaborative workshop. The volume concludes with an extensive catalogue raisonné of more than 700 pieces, establishing the book as both a visual archive and an essential reference for collectors, curators, and design professionals. Eric Schmitt portrays the distinguished designer’s multi-faceted practice, one that continues to blur the boundaries between design, sculpture, and architecture.
Eric Schmitt (born in 1955) is a renowned French designer and sculptor internationally recognized for his sculptural, timeless furniture and objects. Self-taught, he began his career creating expressive wrought-iron pieces before evolving toward refined, minimalist forms inspired by nature, architecture, and his upbringing in Poitou, France.
Text in English and French
José Bedia: Inner Circle Journey 1976 – 2026 is a rich exploration of the career and work of Cuban artist – José Bedia. From being a formative member of the “Volumen Uno” Cuban art renaissance, Bedia’s international outreach continually grew from the 1980’s onward, reaching worldwide acclaim – spanning from his participation in the monumental exhibit Magiciens de la Terre in 1989 to winning First Prize at the Beijing Biennale in 2010. His unique artistic craft focuses on organic elements, tribal symbology, and shamanism from diverse cultures. Bedia’s work and artistic creations are deeply informed by living and past ancestral communities everywhere and his personal interactions with them, while simultaneously using a “field work” approach of an ethnographer or anthropologist to create his paintings, drawings, sculptures, and installations. Anchored by his 5-decade retrospective at the MARCO Museum of Monterrey, and also accompanied by text from various art scholars, this book will look at his trajectory focusing on his different styles and periods throughout the years, as well as images from his personal travels, and tribal collection, that directly impact his artistic output.
Text in English and French.
“Dafydd Jones’s photographs capture the future establishment at their most unguarded.”— FT How To Spend It
Cambridge Balls is the sensational new book by bestselling social photographer Dafydd Jones. The Cambridge University colleges are renowned for many great alumni and important achievements… and also a series of marathon all-night parties, known as the May Balls, held annually to celebrate the end of the academic year. Dafydd Jones, who according to The New York Times, ‘goes about his business with cheery zest and a wicked eye’, has been granted unique access to this hidden world of revelry since 1981, during which the author of England: The Last Hurrah and Hollywood Confidential has captured an extraordinary tableau of antics and shenanigans now beautifully reproduced on these pages. From former British Prime Minister David Cameron in his Bullingdon coat to victorious rowing teams celebrating into the night, from gate crashers punting across the river to the more international student groups of modern times toasting their successes, this is a fascinating portrait of jubilation among the young, the wealthy and the academic elites of one of the world’s most famous universities.
Praise for England: The Last Hurrah…
“Wonderfully ironic, every point in the picture ignites and knows how to entertain very well.” — Lovely Books
“Dafydd catches those moments of genuine exhilaration, wealth and youth.” — The Hollywood Reporter
Praise for Hollywood Confidential…
“With his new collection of photographs, Dafydd Jones offers a sensational dive into the excitement of the awards season in the 1990s.” — Vanity Fair France
Praise for New York: High Life / Low Life…
“The New York book is an evocative historical document, brimming with nostalgia and menace.” –– Hannah Marriott, The Guardian
Praise for Dafydd Jones…
“Modest though he is, Dafydd’s photographs will endure for having perfectly captured a society on the brink of decline.” –– Country & Townhouse podcast
“Sublime vintage photographs…” –– Hermione Eyre, The Telegraph
“Some carefully tended public images are punctured with such rapier precision that one can hear the hiss as they deflate.” –– Mitchell Owens, The World of Interiors
“I was impressed by The Stones. They were dressed casually, had mischief in them and were different to other bands.” Terry O Neill
In July 1962, a group of young men played a gig at The Marquee Club on Oxford Street, London. They called themselves ‘The Rollin’ Stones’ and little did they know they would soon be making music history.
This brilliant new book captures the youth, the times and the spirit of The Stones’ formative early years. And documenting 1963-1965 were two young photographers just starting out in their careers. Terry O’Neill, aged just 25, had a few years’ experience photographing musicians and knew that this group had the same magic as another British phenomenon that just recently started to chart, The Beatles. As the band was starting to record and tour, Gered Mankowitz came along. His first shoot, the now famous Mason’s Yard session, was so fruitful, Gered was asked to tag along on tour to America. Gered was a mere 19 when he picked-up his camera and joined the band on stage in 1965. Between these two legendary photographers, they document the band’s beginnings and these indelible images are forever placed in music’s consciousness. The photography throughout this book is embellished with various memoires and interviews, celebrating the early days and giving an insight into what it must have felt like to go from a small club in Soho with no record deal to touring the world a few years later with a number one record. Terry O’Neill and Gered Mankowitz, two of the most respected, collected and exhibited photographers in the world were sitting in the front-row.
In 2016, London’s Saatchi Gallery hosted the first ever major exhibition dedicated to the band: Exhibitionism, a career-spanning, museum-style display of Stones artifacts and memorabilia. The publication of this book coincided with the opening of this ground-breaking exhibition.
Few marques command the same reverence as Ferrari — a symbol of Italian artistry, innovation, and unrelenting pursuit of excellence. Since Enzo Ferrari founded the brand in 1947, the Prancing Horse has stood not just for performance, but for a way of life defined by style, emotion, and craftsmanship. The Essence of Ferrari Unfolded celebrates this spirit in all its forms — from the sculpted curves of the 250 GTO and LaFerrari to the precision engineering that turns mechanical movement into poetry. Through breathtaking photography and insightful storytelling, the book explores the DNA of Ferrari: design, speed, sound, and the people who live for them. It delves into the creative worlds of designers, drivers, engineers, and dreamers, capturing how Ferrari continues to merge technology and beauty in perfect harmony. Beyond the racetrack, the book unfolds Ferrari’s cultural impact — from haute couture collaborations and architectural icons to its influence on film, art, and design.
Laura Dowling is an expert floral designer artist who combines French-inspired designs with the wildness of nature to create romantic floral arrangements. In her book, she shares her process for creating a beautiful Christmas at home, drawing inspiration from Paris, her experience as White House floral designer, and nature. She provides practical tips on how to incorporate holiday decor in phases using 10 favorite elements and showcasing 10 different design schemes, including a vintage Parisian theme and an Italian-style motif. Whether you want to add subtle touches or go all out for the holidays, Laura’s book offers inspiration tips and tricks, and step-by-step instructions for making your home festive and beautiful.
“A fascinating look at the new levels of craft and technology that have emerged to cater to the world of luxury mobility.” — Wallpaper
“Curated by Bill Schwartz, it’s the kind of book that fuels big dreams and garage goals.” — Boss Hunting
“… Schwartz has curated a veritable smorgasbord of restomod goodness, moving effortlessly from coupes to trucks, American muscle to Italian speed, and powertrains that run the gamut from naturally aspirated to turbocharged to fully electrified.” — LA Car Online
“Bill Schwartz’s well-researched, 324-page hardback is a fascinating Who’s who of the industry, filled with 55 of the scene’s biggest movers and shakers – you’ll know your Revology from your Zero Labs in no time.” — Classic & Sports Car Magazine
“A collector’s edition that doesn’t just revisit classic cars, but transforms them into modern works of art.” — Knightsbridge Magazine
Cars Reimagined – Restomods: The New World Order of Handcrafted Cars celebrates the thrilling world of super-refined and highly personalized automobile restoration.
Fusing classic design with cutting edge technology requires an almost impossible level of imagination, creativity and workmanship, resulting in models that frequently test the technical boundaries of vehicle design and engineering. Cars Reimagined – Restomods: The New World Order of Handcrafted Cars collects over 50 companies who are at the forefront of this world, among them Singer, Eagle, Tuthill & Alfaholics. Each of the featured firms has contributed directly to these pages, supplying specifications, quotes and the very highest quality professional photographs. The result is a spectacular volume that showcases the new world order of personalized car restoration.
Cars Reimagined – Restomods: The New World Order of Handcrafted Cars is the first volume in the Cars Reimagined series, showcasing the cars and their creators who are pushing motor vehicles to the next level.
Kipat—an anagram of the Turkish word ‘kitap’ (book)—was published on the occasion of Güçlü Öztekin’s exhibition Topsy-Turvy! Selpakla Gorili Bitirdim! at Dirimart Dolapdere (18 December 2017–21 January 2018). Gathering nearly all works produced between 2009 and 2017, the book offers the most extensive insight into the artist’s prolific practice. Much like Öztekin’s exhibitions and sketchbooks, Kipat resists explanation, placing the viewer in direct encounter with his fantastical imagery. Everyday objects and fleeting moments—a roll of toilet paper, a face, a glimmer of light—are transformed into scenes that recall cartoons, cinema, and dreamlike narratives.
Designed without hierarchy or fixed sequence, the book embodies Öztekin’s emphasis on simplicity, disorder, and openness. Each copy is uniquely ordered and numbered by the artist, inviting readers into a world where daily life and the imagination of his alter ego, kaplankadilak, collide. A dialogue on painting, process, and the ordinary accompanies this journey.
Text in English and Turkish.
After his last book Escapes, Stefan Bogner returns to the Alps again with this illustrated book. This time not only did he photograph particular routes, but he looked for the ideal tour through the Alps: 3 countries, 14 passes – the perfect little escape for 4 days.
Different from Bogner s photographs in Escapes or Curves, where Bogner just presents dreamlike empty streets, Porsche Drive focuses on the journey in Porsche models such as Porsche 906, Porsche 911, Porsche 918 and more. Stefan Bogner drives his own Porsche 911 1970 ST.
Apart from Bogner’s photographs, Porsche Drive offers information on each route and height profile. Thus you can follow Bogner’s itinerary on a long weekend.
Text in English and German.
“… Use it for inspiration before ~booking~ your next trip.”— Buzzfeed
Discover the most enchanting libraries around the world in 150 Libraries You Need to Visit Before You Die. This book will take you on a fascinating journey through 150 unique libraries across all continents. Whether you are an avid reader or architecture lover, this richly illustrated book serves as an inspiring travel guide and is the perfect reference for those in search of quiet yet endlessly interesting spaces. From opulent Baroque monasteries to sleek contemporary cultural hubs, each library has its own story – and an engrossing selection of books and media to browse through, of course.
“People just have to accept me the way I am. And I actually love myself now. I have learned to appreciate inner beauty more, even in other people. So I am trying to be proud of what is in my heart.” Flavia, Uganda.
Ann-Christine Woehrl visited survivors of fire and acid attacks in Bangladesh, Cambodia, India, Nepal, Pakistan and Uganda. In her portraits she does not present them as tragic victims, but as the personalities they have always been and still are despite their unimaginable suffering. The result is an insightful ‘almost private’ album that challenges and most of all inspires. It is an homage to women that master their unique lives with humility and heroic strength.
After the photographer had accompanied the 25-year-old Neehaari in India for ten days, Neehaari took off her veil, which she was wearing constantly to protect herself from being stared at in the streets, and said: “Today is my personal day of independence. I will stop hiding myself.”
By choosing a neutral black background for the portraits in the first part of the book, the photographer left out any reference to the social environment of these women and provided them with a safe and also special – even solemn – frame. In the second part of the book she takes a closer look at one survivor in each of the six countries capturing her everyday life, her will to survive, moments of hopelessness and despair as well as those of joy and happiness. The photographic work is framed by an essay and six interviews with the six women.
Text in English and German.
Contents: In/Visible; We Are Visible; My Name Is Farida; My Name Is Neehaari; My Name Is Chantheoun; My Name Is Renuka; My Name Is Nusrat; My Name Is Flavia.