“… essential reading for anyone interested in conservation, African history, and the human spirit. It is a moving portrait of a park that continues to inspire global efforts in environmental stewardship, even under the most difficult circumstances.” — Ninu Ninu
“This book is a reminder of the park’s value both in local terms and on a global scale, and why the fight to protect it must continue.” —Outdoor Photography
Virunga National Park, the green lung in the eastern DR Congo, is Africa’s oldest nature reserve. The park is breathtakingly beautiful and offers an unparalleled diversity of ecosystems—from active volcanoes to tropical rain forests, from the glaciers of the Rwenzori peaks to the savannas of Rwindi. It is home to an exceptional array of wildlife, including the world’s last mountain gorillas. Thanks to these unique features, Virunga is listed as a UNESCO World Heritage site. This publication, written by around 40 experts, explores the complex history of this Congolese gem. It sheds light on those who have dedicated themselves to its preservation since 1925, as well as the current teams fighting to address the countless environmental and social challenges in a region plagued by conflict, poverty, and humanitarian crises. Through their efforts, the park has become a catalyst for development and stabilisation of the entire region. The book invites us on a fascinating journey where resilience and innovation serve the park and surrounding communities, continuing to shape the legend of Virunga.
The Hannah Ryggen Triennale is initiated and organized by Nordenfjeldske Kunstindustrimuseum in Trondheim, Norway, and dedicated to the celebrated textile artist Hannah Ryggen (1894–1970). During her lifetime, Ryggen gained international recognition for her vibrant political tapestries, and her heartfelt humanistic works still resonate with audiences today.
Each Triennale explores themes from Ryggen’s art through the lens of contemporary craft and visual art. The theme of the 4th edition is “Mater,” for which the exhibitions and the accompanying catalogue highlight Ryggen’s thematizing of motherhood and material, how her works were rooted in the nature around her, and how she “wove herself” into arts and crafts traditions. This year’s Triennale presents contemporary artists who address these themes by approaching materiality from an ecological perspective, or by actively seeking out their foremothers in the textile tradition to explore their individual and cultural identity.
Text in English and Norwegian.
Gilbert & George are two men, but one artist. Tied to the 2025 exhibition Death Hope Life Fear… at the Gilbert & George Centre in London, this book showcases 18 of their powerful works from 1984 to 1998. During this period, their art evolved into vivid, confrontational territory, with intense colors and ritualistic energy. Central to the show is the monumental Death Hope Life Fear (1984), a key work from The 1984 Pictures, exploring themes of youth, nature, identity and cosmic balance. The exhibition spans early spiritual pieces from Finding God (1982) to the raw introspection of The Rudimentary Pictures (1998). Bold and uncompromising, Death Hope Life Fear… reaffirms Gilbert & George’s enduring mission to create art that speaks to all.
“The book is a tribute to a unique, taste-forming textile art that has lost none of its appeal to this day. ” — Preetorius Foundation
“If Chintz seems rather too ‘Miss Marple-y’ or old hat, this magnificently produced book, CHINTZ: Indian cotton textiles from the Karun Thakar collection, is set to change your mind, and your decor.” — Embroidery Magazine
Chintz explores the historic importance of Indian printed and painted cotton textiles, drawing on the Karun Thakar Collection. Assembled over thirty years, the collection comprises over two hundred examples, many of which have featured in significant museum exhibitions. With contributions from leading scholars and curators, including from the Victoria and Albert Museum and the Metropolitan Museum of Art, this book examines the historical significance of Indian printed cottons and their influence on global trade from the 14th century onward, and includes examples found in Sri Lanka, Japan and throughout Europe. The book provides insights into the artistry of Indian designers and the enduring legacy of this textile tradition, making it a valuable resource for those with an interest in art history, textile design and global cultural exchange.
Gilbert & George, one of the most significant artist duos of our time, created their three-film series Daytripping between 1992 and 2025. This three-volume set of books showcases Daytripping, Daytripping (Again) and Daytripping Forever! Directed by Southend-on-Sea-born British film and television director Iain B. MacDonald, the films follow three of the artists’ day trips from their studio, famously located in the East End of London, to the Essex coastline, asking bold and significant questions of the artists at different stages of their remarkable career. The three books feature stills from the films and a selection of the artists’ works, all presented in a printed slipcase. Each book also includes a link to watch the corresponding film.
“As enterprises embrace AI and automation, three challenges emerge: empowering employees as roles shift, enabling continuous reskilling without disruption, and creating real synergy between AI and human talent. Drawing from real-world transformation programs, this book offers a practical playbook to address these shifts – not with theory, but with actionable strategies, proven tools, and human-centric design. The new AI era demands more than technology; it demands a reimagined employee experience that fuels performance, personalizes learning, and strengthens coaching. When done right, this isn’t just adaptation. It’s transformation, helping people stay relevant, resilient, and ready for what’s next.” — Gal Rimon, Founder and CEO, Centrical
“With clarity and structure, this book turns the overwhelming topic of AI into the confidence leaders need to simply get started.” — Eline Lostrie, Co-CEO, nexxworks
AI Will Replace You shows how organizations can let go of their fear of AI and instead embrace this technology as a lever for growth. Using the practical and accessible AI Navigator framework, you’ll discover how to effectively embed AI into your strategy, get your employees on board, and prepare your organization to become an AI leader.
Flowers of Fire is a poetic and experimental collaboration between artist Anaïs Tondeur and philosopher Michael Marder, created during a residency in Naples in dialogue with scientists and the inhabitants of the Terra dei Fuochi. The project intertwines photography, ecology, and philosophy to address a landscape marked by pollution and environmental trauma. Using an innovative technique of phytography, Tondeur lets plants imprint their own presence onto photosensitive paper and textiles recovered from landfills—images born from sunlight, soil, and vegetal touch. Marder responds with letters addressed to the plants, read aloud by the artist in a ritual of correspondence and care. Together, their dialogue gives form to an ethics of listening and reciprocity between human and vegetal life. Both artwork and ecological meditation, Flowers of Fire invites us to imagine new bonds of responsibility with the living world.
For more than 4,500 years people have been drawn to a windswept plain at the heart of southern England where a circle of vast upright stones topped with massive lintels stands. Yet Stonehenge – probably the most famous prehistoric monument in the world – remains mysterious.
Today, nearly one and a half million people a year come from across the world to see for themselves this silent icon of the ancient past. But what do we really know about the people who built it, why they did so, and what they did here among the stones? In the 18th century stories of Druids, of sacrifices and pagan worship emerged in the silence. How has our understanding of this complex site changed since then?
Through spectacular new photography, historic images, artworks and a remarkable new reconstruction drawing, Susan Greaney tells the story of Stonehenge, its builders and the people whose lives have been touched by this awe-inspiring monument from earliest times to the present day.
The Letting Go is a long-standing, performative, and participatory practice by artist Natascha Stellmach. It explores themes of vulnerability and empowerment. Following a meditation and in response to the question, “What would you like to let go of?”, the practice involves identifying, naming, embodying, and experiencing healing and impermanence through the body. Its method includes ritual tattooing without ink (a bloodline tattoo) to address a personal obstacle and initiate an intimate enquiry.
Over a period of almost 10 years, Stellmach performed more than 120 sessions with individuals in galleries and privately, including herself. Through evocative photography, academic research, and participant-contributed selfies and reflections, the publication invites readers to embrace “the wonder in our wounds” and offers a deeply human portrait of what it means to let go.
The book includes a welcome message by acclaimed actor Sandra Hüller, as well as essays by curator and arts writer Kelly Gellatly and psychiatrist and psychoanalyst Dr. Matthew McArdle.
Text in English and German.
King of river fish, it is a portentous animal born in fresh waters and then driven far out toward the cold seas and deep oceans that will host it until the instinct to reproduce becomes dominant. At that moment, this extraordinary migrant begins its inexorable return journey, retracing the currents that lead it back to its place of origin. To survive such an undertaking is rare; whether male or female, each will die where it once received life and, in turn, gives life. A phenomenal example of courage and determination, salmon has held a prominent place in the vast realm of gastronomy since ancient times. Indeed, historical evidence related to its processing—such as smoking or marinating—traces the evolution of a foodstuff that spans millennia and connects cultures and traditions far removed from one another. A food of remarkable nutritional value, with meat characterized by a rich, slightly sweet, and brackish flavor, salmon has, however, been increasingly mistreated in recent years.
Text in English and Italian
İnci Eviner: Moving Across and Beyond the Line is the most comprehensive monograph to date on the Istanbul-based artist and academic, spanning her practice from early 2000s to present. Rooted in drawing yet multiplied across diverse media—video, performance, sculpture, costume, and writing—Eviner’s works form a living ecosystem: interconnected, mutable, and perpetually in flux. Uncanniness emerges at the intersection of humor and violence, where rigid taxonomies collapse, and a network of shifting forms resists linearity and Cartesian logic. Deeply political, Eviner’s practice does not simply address collective and socio-cultural realities but is inherently embedded within them. The figures inhabiting her universe appear and reappear across media, continually transforming while maintaining dialogic relationships with the artist herself. Featuring insightful essays by Roger Malbert and Heinz Peter Schwerfel, this richly illustrated volume unfolds Eviner’s oeuvre as a constellation of doorways—each leading elsewhere, yet all rooted in the generative act of drawing.
Text in English and Turkish.
Real Life is introduced and curated by Wells Fray-Smith. It is published in collaboration with Gallery Sofie Van de Velde on the occasion of the group exhibition Real Life. The publication gathers works by Ilse D’Hollander, Lois Dodd, Christopher Colm Morrin, Jesse Murry, Heidrun Rathgeb, Peter Shear, Trevor Shimizu, and Frank Walter, presenting a dialog across generations and geographies around painting’s enduring engagement with lived experience. The book explores how these artists, much like Ilse D’Hollander herself, use paint to address reality in its most porous, poetic, and capacious sense. Whether working through figuration or abstraction, their practices blur the boundaries between pigment and picture, illusion and observation, the tangible and the transcendental. At its heart Ilse D’Hollander’s quiet yet profound vision. Through sketchbooks and paintings from 1988 onward, she offered intimate glimpses of her daily surroundings — a window frame, a stairway, a cat — each rendered with the same precision and restraint that define her painting. These drawings were not preparatory studies but complete reflections on perception itself, acts of seeing that transformed the ordinary into the contemplative.
The Zambian-Norwegian artist, Anawana Haloba, creates multi-media installations that appeal to all the senses, including hearing and smelling. But she also challenges audiences to think. Many of her works address current discussions about Africa’s colonial legacy.
The publication presents a selection of works from her artistic practice. In addition, she has created a new work—her very own opera— a video installation with singing sculptures, that draws on rich traditions of folk opera in Zambia.
Haloba’s work invites us to listen in new ways, not just with our ears, but to history, forgotten languages, and to the stories that materials can tell. Her art reminds us to make room for what is disappearing, and to imagine new ways of being that can grow from what is left behind.
Text in English and Norwegian.
The volume analyzes a selected series of “palimpsest facades” of buildings of medieval foundation between Italy and France, in which transformation, restoration and redecoration interventions carried out in later eras speak of the human and material history of cities and their spaces.
Facades are an expression of the buildings’ intended uses, and at the same time vehicles of political, social and cultural messages. Within the complex phenomena of renovation, restoration, and reconstruction, external pictorial and sculptural decorations therefore play a role of great importance, revealing events and interests that transition from the private to the public sphere. Often reconstructable only through written sources, or denounced by the still visible material traces, changes and transformations represent a manifestation of the processes of historical memory and the dynamics that accompany them. These essays, in Italian and English, address previously unpublished aspects of fundamental monuments of medieval art, from Saint Denis in Paris to the Scrovegni Chapel in Padua, passing through the Cathedral of Reims and San Petronio in Bologna.
Text in English and Italian.
Art historian Serge Lemoine has been drawn to geometric abstract art since the late 1960s. This volume gathers the 400 texts he has devoted to the subject, from 1969 to today. They address major historical figures such as Mondrian, Schwitters, Van Doesburg and Herbin, as well as François Morellet and Aurélie Nemours, and movements including De Stijl, kinetic art, Purism and Minimal Art. They also trace the emergence of distinct scenes, notably in Germany with the Bauhaus and in Latin America, and of groups such as Zero and GRAV.
In 17 chapters, Lemoine examines the theoretical and formal issues that shaped this artistic tendency, from the diversity of practices to the evolution of sensibilities and geographical contingencies. Its reach extends to Fernand Léger and Willi Baumeister, to architecture with Le Corbusier, Gropius, Mies van der Rohe and Rietveld, and to design and the applied arts with Marcel Breuer. An iconographic section of reproductions accompanies the texts.
Related exhibitions include – François Morellet 100 pour cent (Centre Pompidou-Metz, 2026), Calder. Rêver en équilibre (Fondation Louis Vuitton, 2026) and François Morellet, traits d’esprit (Cité de l’Architecture et du Patrimoine, 16 October 2026 – 3 January 2027).
Text in French.
Laura Dowling creates beauty and poetry with her signature wreaths, weaving an enticing floral fairy tale of color and inspiration, timeless style and fanciful details that are evocative of secret, wild gardens, meadows and forests brimming with enchantment and delight. With layer upon layer of lush blooms and fruits, entwining vines, and surprising combinations of colors, textures and both every day and extraordinary materials, her wreaths make unique design statements that inspire the imagination with a forward-looking, trend-setting approach. Here in this lavishly illustrated book, Laura shares her inspiration, creative process, and step-by-step tips and techniques for creating 75 beautiful and innovative seasonal wreaths for all occasions. From simple and elegant evergreen wreaths to intricate and elaborate fruit and vegetable designs, Laura provides expert insights and detailed guidelines for replicating her fabulously festive wreaths at home.
The revival of the decorative arts in post-war France is extremely diverse, from the 40’s style which endures through official orders to classical or neoclassical furniture whose success is unprecedented. Modernity remains a battle taken up by the young generation of decorators presented in this book. Their approach responds to the needs and aspirations of a country undergoing reconstruction, with the extraordinary vitality that characterized the time.
An introduction, which emphasizes the combination of aesthetics, fantasy and rigor of this abundant French creation, is followed by four parts, each preceded by an introduction that defines the historical context:
- the masters of the interwar period.
- the representatives of a ’50s style – in freedom, playful and freed from any discourse in “ism”
- the great figures of Reconstruction.
- their spiritual sons.
In addition to these 33 monographs, Patrick Favardin analyzes the establishment of a publishing and distribution structure, with manufacturers such as Airborne, Les Huchers-Minvielle or Steiner, galleries such as Steph Simono or MAI or even the Salons.
This book includes 33 monographs of : Adnet, Arbus, Gueden, Matégot, Old, Poillerat, Quinet, Raphaël, Royère, Dumond, Gabriel, Gascoin, Gautier, Hitier, Landault, Laverrière, Perriand, Pré, Renoud & Génisset, Sognot, Abraham & Rol, ARP, Caillette, Dangles & Defrance, Fatus, Gautier-Delaye, Guariche, Monpoix, Mortier, Motte, Paulin, Philippon & lecoq, Richard, Atleiers Prouvé, Pierre Disderot…
Text in French.
‘To critics who said that the full-lipped so-called ‘Beardsley mouth’, which adorned many of his women, was ‘inexpressive and ugly’, the artist countered, ‘Well, let them criticise. It’s my mouth and not theirs. I like big mouths. People like the little mouth – the “Dolly Varden” mouth, if that describes it better. A big mouth is the sign of character and strength. Look at Ellen Terry with her great, strong mouth. In fact, I haven’t any patience with small-mouthed people.’ ‘The popular idea of a picture is something told in oil or writ in water to be hung on a room’s wall or in a picture gallery to perplex an artless public.’ ‘To my mind, there is nothing so depressing as a Gothic cathedral. I hate to have the sun shut out by the saints.’ ‘What a nice ample creature George Sand is: like a wonderful old cow with all her calves.’ And other witty, urbane insights on life, art, and culture, illustrated with selected drawings from his Grotesques series.
Elizabeth Siddal is remembered as a Pre-Raphaelite supermodel and the muse and wife of Gabriel Rossetti. She is cast as a tragic heroine much like the Ophelia she modelled in the renowned Millais painting. But Elizabeth Siddal: Her Story overturns this myth. ‘Lizzie’ is presented as an aspirational and independent woman who knew what she wanted and was not afraid to let it be known.
With extraordinary stories, including previously undiscovered details of Siddal’s journeys across the UK and to the south of France, Jan Marsh reclaims Siddal’s narrative from the historical record. She brings new perspective to the post-natal, mental trauma Elizabeth suffered after a stillbirth. Furthermore, she casts new light on the renowned story of Siddal’s grave being exhumed for Rossetti’s poems.
Jan Marsh explores the finer, little known details of Siddal’s life, including her four months at art school in Sheffield, which Rossetti’s brother always denied. In addition to this, few will know how Siddal was often regarded as difficult and ungrateful.
Historical record tends to forget or misremember women, but with Elizabeth Siddal: Her Story, Jan Marsh forces us to take a closer look and see a very different picture. Siddal was not passive and lacking in agency, she was a woman with a strong mind, flourishing career and an admirable talent.
The palaces built in Rome in the 17th and 18th centuries are some of the most magnificent buildings in Europe – yet they remain relatively unfamiliar. This is the first stand-alone overview guide ever published. We produce it as a companion volume to our revised edition of Anthony Blunt’s seminal A Guide to Baroque Rome: The Churches.
In this volume, Anthony Langdon draws on an encyclopedic knowledge of the hugely productive scholarship in the field, which he distills with elegance, acumen and wit. Over the last 30 years all aspects of the design, construction, decoration and functions of these great houses have been examined and our understanding of the period has been transformed. Scholars and visitors will find this volume stimulating, concise and eminently readable.
The rich illustrations include over 140 contemporary prints, as well as plans, elevations, and specially taken photographs. Full references and indexes complete this indispensable aid to further research.
Dismissed by contemporaries as the ravings of a deluded enemy of modernity, The Storm Cloud of the Nineteenth Century is an eerily prescient denunciation of capitalism’s assault on the atmosphere – and the profound danger for the earth but also the spiritual well-being of humanity. It is one of Ruskin’s final writings, conducted with both rigorous scientific observation and a sense of Biblical prophecy.
Ruskin’s call to action is even more urgently needed today. His rallying cry, There is no Wealth but Life, is implicit throughout the Storm Cloud. How his thought developed through a conflicted relationship with the professional science of his day, and what we can take from his writings, are examined by Peter Brimblecombe, Professor of Atmospheric Pollution at the University of Essex, in his Introduction. A foreword by the Master of the Guild of St George, Ruskin’s association for social and spiritual reform, sets out what Ruskinians today can do and are doing.
From Nigel Grierson, (photographer/sleeve designer and joint creator of the 4AD visual identity), and with an essay by esteemed photography writer, Gerry Badger, comes the first volume of his street photography from the early 1980s – created while studying at The Royal College of Art in London. Here ‘the decisive moment’ combined with Grierson’s uniquely minimalist eye, are employed to create images of great power, humor and poignancy. Pioneering ‘flash in daylight’ within British documentary photography from the late 1970s, onward (‘a time when natural light was almost a creed’ – Badger), this award winning work, is finally published. In his brief introduction, Grierson speaks of his fascination for the ‘paradoxical’ nature of the medium, being both documentation and self expression simultaneously. He states, ‘It seemed to me, that through photography and observation, there was the possibility, for the two great arcs of life; one of the outer world of reality / documentation, and the other of the inner world of fiction and dream, to come together with the single click of a shutter’.
“A joy.” – Evening Standard
“Writing like [this] lasts forever: and this wonderful, extensive selection is highly recommended.” – Philip Hensher, The Spectator
A. C. Benson (1862-1925), novelist, poet (he wrote Land of Hope and Glory), educationalist and Master of Magdalene College, Cambridge, kept a voluminous diary for most of his life. Considered too controversial at the time, it was sealed up after his death. Only now, with the publication of this extensive selection, can his witty and acute judgements on people, institutions and issues – including Henry James, Thomas Hardy, Queen Victoria, Dean Inge, Balfour, Asquith, Eton and Cambridge – be fully appreciated. He paints an endlessly fascinating and often very funny picture of a public life at the heart of the Edwardian literary, educational, church and political establishments; but also of a private life riven by the pressures of unconsummated romantic attachments to young men, and by attacks of appalling depression, an illness then barely understood.
Historians Eamon Duffy and Ronald Hyam made this 300,000-word selection, adding a substantial introduction, footnotes, chronology, index and photographs. It is presented as two hardbacks.
“… a wonderfully kinetic, joyful, and gorgeous tribute to Kirk’s work for just about every edition of Vogue” — Vogue.com
Neil Kirk in Vogue: The Supermodel Years is a unique retrospective of 1980s and ’90s fashion, as captured by one of the most exceptional photographers of the era.
A prominent and prolific fashion photographer for over four decades, Neil Kirk’s sensational body of work has left a lasting impression on designers, editors and catwalk models across the fashion industry. A frequent contributor to Vogue US, British, Italia and Deutsch throughout the ’80s and ’90s, his photographs helped propel some of the biggest fashion names into the public sphere during an era when supermodels were becoming A-list celebrities and fashion designers were pioneering an innovative take on modern luxury.
With a foreword by Bryan Ferry and contributions from Helena Christensen, Claudia Schiffer, Manolo Blahnik, Sam McKnight, Stephen Jones, Yasmin Le Bon, Christian Lacroix and Jasper Conran among others, this is every fashion lover’s dream in one beautifully illustrated, must-have volume.
Featuring Salma Hayek, Carla Bruni, Cindy Crawford, Yasmeen Ghauri, Valentino Garavani, Vivienne Westwood, Malcom McLaren, Ewan McGregor, Kate Winslet, Jerry Hall, Linda Evangelista, Rachel Williams, Jonathan Rhys Meyers, Robin Wright and many, many more.