Despite its trademark transparency, the Corum Golden Bridge is a wristwatch full of mystery. This new book describes the iconic linear timepiece’s fascinating history including the innovative mechanical invention conceived by a nonconformist autodidact and the difficult technical breakthroughs by two like-minded personalities needed to achieve the dream wristwatch. This story, chock-full of narrative substance, begins in Switzerland of the late 1970s, at a time when electronic timekeeping was threatening to overtake the magical mastery of mechanical ticks and tocks. The Golden Bridge, spanning the gap between mechanics and art, is an integral part of this era as luxury watchmaking teetered on the brink of extinction. The Golden Bridge additionally helped usher in the era of the independent watchmaker, as its very creation was rooted in shedding light on the work of the watchmaker in a way that no other timepiece before or after it ever would.

The Khalili Anīs al-Hujjāj (Pilgrims’ Companion) presents a ground-breaking new exploration of Safi ibn Vali Qazwini’s richly illustrated manuscript dating from 1676-77. This beautifully produced volume, with a scholarly introduction by Qaisra M. Khan and translation by Michael Burns, documents the author’s year-long journey to Mecca and Medina from Mughal India via the Indian Ocean and Red Sea.

Commissioned by Zeb un-Nisa, the daughter of Mughal Emperor Aurangzeb, this delightfully vivid account belongs to a long-established tradition of guides to the Holy Sanctuaries. It gives comprehensive advice to prospective pilgrims on every aspect of the maritime journey, such as which ships to select, the best foods to consume, rituals to observe, significant places to visit and the people one might encounter.

This volume extensively explores the original manuscript’s detailed illustrations and text, providing an invaluable window into 17th-century religious practices, maritime travel, and the cultural landscape of the Indian Ocean world.

Roger Fry (1866–1934) and his role as critic, curator and member of the Bloomsbury Group are explored in this rich and vibrant biography. From his curation of one of the most important collections in New York and groundbreaking exhibitions in London, to his launch of the Omega Workshops with Vanessa Bell and Duncan Grant, Fry introduced post-impressionism, radicalized interiors and changed the landscape of 20th-century art. His introduction of Cézanne, Van Gogh and Matisse to the British audience played a significant role in a legacy that still inspires today.

Often overlooked, Fry was one of the most influential figures in 20th-century art in Britain, giving a generation of modern British artists their first exhibitions, while also creating art himself. Roger Fry: Bloomsbury and the Invention of Modern Art offers a compelling portrait of his extraordinary career and his pivotal role in redefining British art.

The conceptual art practice of Cerith Wyn Evans encompasses installations, sculpture, film and text, translating ideas from philosophy, art history, film and literature into lyrical, often monumental, site-specific exhibitions. This publication provides valuable insight into Evans’ wide-ranging practice, as well as a document to the artist’s 2025–26 exhibition of the same name – Forms in Space…through Light (in Time) – at Lisbon’s MAAT – Museum of Art, Architecture and Technology. Featuring specially commissioned photographs of Evans’ complex, captivating works in situ, the title includes an introduction by exhibition curator Sérgio Mah, who also conducts an interview with the artist, and an essay by Professor Michael Newman.

Dual Language English and Portuguese.

Ian McKeever RA (b. 1946) began painting in 1969. His early work grew out of a conceptual interest in landscape, painting and photography, reflecting his journeys to Greenland, Papua New Guinea and Siberia. In the mid-1980s his art became more abstract, revealing his interest in the human body and architectural structures. McKeever has published many texts concerning his travels and the nature of painting, and this selection – ranging from Piero della Francesca to Joan Mitchell – brings these together in one volume for the first time.

Joan Kron’s remarkable career spans from her early work as a costume designer at NBC Universal to her later roles as a reporter, writer, and editor for prominent New York publications, including the New York Times, New York Magazine, and Allure. In The Renegade Housewives of the 1960s, Kron’s voice—strong-willed, witty, and incisive—resonates on every page as she details her life. Alongside her business partner and close friend of the ‘60s, Audrey Sabol, Kron corresponded and collaborated with artists such as Andy Warhol, Robert Indiana, and Marisol Escobar. The two were known for their leadership at the Y Arts Council in Philadelphia, Pennsylvania, where iconic events and exhibitions shaped a local arts community. Drawing on a rich collection of personal stories and an extensive private photographic archive, this extraordinary written and visual memoir offers an intimate portrait of Joan Kron’s life while also illuminating the vibrant creative landscape of 1960s Philadelphia and beyond.

Say Cheeeeese is the highly anticipated first book by British painter Rachel Jones featuring her explosive new works and an original, collectible insert. The book was published to accompany Jones’ new commission at Chisenhale Gallery, London, in Spring 2022. For this first solo exhibition, she used her signature material, oil pastels, to produce a new body of paintings on canvas and paper. The publication includes a photo essay and commissioned text by poet and artist Anaïs Duplan; Chisenhale Gallery senior curator Ellen Greig; curator and researcher Aïcha Mehrez; poet, essayist, playwright and MacArthur Fellow Claudia Rankine; and curator Yates Norton. The foreword is written by Zoé Whitley, Chisenhale Gallery Director.

Caroline Broadhead (b. 1950) is a highly versatile artist who started in jewelry in the late 1970s. Since then she has extended her practice from “wearable objects” and textile works to dance collaborations and installations in historic buildings. Broadhead’s work is concerned with the boundaries of an individual and the interface of inside and outside, public and private, including a sense of territory and personal space, presence and absence and a balance between substance and image. It has explored outer extents of the body as seen through light, shadows, reflections and movement. This comprehensive overview also comprises larger scale and collaborative works that aim to elicit a particular experience or to start a train of thought.

Published to accompany the Exhibition at CODA Museum Apeldoorn (NL), 4 February – 15 April 2018 and the Exhibition at Lethaby Gallery, Central Saint Martins, London, 11 January – 2 February 2019.

John Russell Pope is one of America’s most famous architects, responsible for many major works, including the Jefferson Memorial, the House of the Temple and the West Building of the National Gallery of Art. This book, The Architecture of John Russell Pope, Selected Works: Houses is the first volume of a two-part monograph, to be followed by a volume on public buildings.

Made in association with the ICAA (the Institute of Classical Architecture & Art), this is a lavishly illustrated study of Pope’s extraordinary house designs, often inspired by classical European architecture, standing proudly among his achievements as the crown jewels in many of the USA’s most vaunted ZIP codes. Originally published during the 1920s, Pope’s exquisite floorplans and sketches accompany period photographs and the original commentary by art historian and traditionalist Royal Cortissoz to create a comprehensive and visually stunning account of a true titan of American design.

Houses include: the residence of Ogden Mills, Woodbury, Long Island; Moses and Edith Taylor’s Glen Manor House, Portsmouth, Rhode Island; Charlcote House, built for James Swan Frick in the suburbs of Baltimore; the now lost Oak Hill mansion, Jericho, Long Island; and Brodhead-Bell-Morton Mansion (aka Morton House) in the exclusive Logan Circle area of Washington DC.

“This exhaustive study will be an invaluable tool in identifying not only where a piece was made and when, but in understanding the processes of its manufacture” The Regional Furniture Society
“Cataloguers now have an impressive volume of new information to draw on when describing anything from a simple tea tray to those suites of papier mâché furniture which remain as impressive today as when they dazzled visitors at the great international exhibitions of the 19th century” Antiques Trade Gazette
As one of the few decorative arts about which little has been written, japanning is today fraught with misunderstandings. And yet, in its heyday, the japanning industry attracted important commissions from prestigious designers such as Robert Adam, and orders from fashionable society across Europe and beyond. This book is a long overdue history of the industry which centered on three towns in the English midlands: Birmingham, Wolverhampton and Bilston. It is as much about the workers, their skills, and the factories and workshops in which they labored, as it is about the goods they made. It tells of matters of taste and criticism, and of how an industry which continued to rely so heavily upon hand labor in the machine age reached its natural end in the 1880s with a few factories lingering into the late 1930s. Richly illustrated, it includes photographs of mostly marked, or well-documented, examples of japanned tin and papier mâché against which readers may compare – and perhaps identify – unmarked specimens. Japanned Papier Mâché and Tinware draws predominantly upon contemporary sources: printed, manuscript and typescript documents, and, for the period leading up to the closure of the last factories in the 1930s, the author was able to draw on verbal accounts of eyewitnesses. With a chapter on japanners in London, other European centers, and in the United States, together with a directory of japan artists and decorators, this closely researched and comprehensive book is the reference work for collectors, dealers and enthusiasts alike. Contents: From Imitation to Innovation; Enter the Dragon!; The Lion of the District; Japanning & Decorating; Not a Bed of Roses!; Clever Accidents?; Decline of the Midlands Japanning Industry; The Birmingham Japanners; The Wolverhampton Japanners; The Bilston Japanners; Japanners in London and Oxford; Products; Other Western Japanning Centres; Appendices.

Heroes – the concept dates back to the dawn of civilization. Where there was society, there were also heroes: they were the bravest, the strongest, the most exemplary and outstanding within their field. In the past, heroes have been commended by medals, trophies, and various other cross-cultural badges of honor. But what constitutes a ‘hero’ today? And how might we identify these extraordinary individuals, to make them stand apart from the crowd? Ausgezeichnet! Most Excellent! is a joint project, organized by the Chemnitzer Künstlerbund e. V., the Militärhistorisches Museum der Bundeswehr in Dresden (DE), and the Institute for European Studies of the Technische Universität Chemnitz (DE). It aims to cultivate a relationship between contemporary art and contemporary heroes. The exhibit has invited jewelers, sculptors, and a range of other creatives to present the current attitudes of the public towards those deemed heroic, channelling their individual interpretations of the topic into their work.

This book captures the most eye-catching and inventive exhibits in full-color photographs. The heroic subjects vary; some real, some fictional; and the range of mediums in which they are represented exemplifies the diversity of the project. Many of the pieces are accompanied by essays from renowned authors, which reflect on historical, social and cultural contexts, making this title a comprehensive study of the modern hero. Text in English and German.

The complex oeuvre of the American artist Cy Twombly (1928-2011) comprises a time period of around six decades, during which it never lost any of its expressive power. Twombly was one of the most productive artists in the history of more recent art. Acclaimed as one of the most important painters of the second half of the 20th century, he fused the legacy of American Abstract Expressionism with European and Mediterranean culture. The book focuses to a degree never before seen on his major cycles: Nine Discourses on Commodus (1963), Fifty Days at Iliam (1978), and Coronation of Sesostris (2000). The artist’s development as a whole is traced based on nearly 200 paintings, sculptures, drawings, and photographs. This thus provides unique insights into the overall intellectual and sensual richness of the oeuvre. From his early works at the beginning of the 1950s, which are characterized by the use of text, to his compositions of the 1960s, his reaction to the minimal art and conceptual art of the 1970s to his final paintings, the overview of the oeuvre underscores the significance of the series and cycles in which Cy Twombly invented history painting anew. With its polyphonic conception, the monograph offers numerous approaches with essays that shed light on the various aspects and phases of Twombly’s path as an artist. It comprises et al. the reflections and personal impressions of other artists as well as the memories of his assistant Nicola Del Roscio. These diverse testimonies make it possible to discover Cy Twombly not only as an artist, but also as an individual.

“I am the unit of measurement.” Fiete Stolte divides the day into twenty-one hours to create a week with eight days, and thereby centres his works on himself as an object of observation and experimentation. A specially designed clock lends visual expression to his alternate way of calculating time; live projections of Stolte’s showing shifted sleeping cycles serve as time sculptures that portray the artist’s parallel world. For Drawing Your Mirror, Stolte cast his own hand in graphite, making a “pencil” of his index finger; in Eye, the pupil of an eye contains a reflection of the self instead of the outside world. Text in English and German.

Despite some field research our knowledge of the sacred among the Mumuye is still embryonic. In all these acephalic groups of a binary and antinomic nature, the complex va constitutes an extremely varied semantic field in which certain aspects are accentuated depending on the circumstances. Religious power is linked to the strength contained in sacred objects, of which only the elders are the guardians. Moreover, this gerontocracy relies on a system of initiatory stages which one must pass to have access to the status of ‘religious leader’. Geographically isolated, the Mumuye were able to resist the attacks of the Muslim invaders, the British colonial authority and the activities of the different Christian missions for a long time. As a result the Mumuye practised woodcarving until the beginning of our century. In 1970 Philip Fry published his essay on the statuary of the Mumuye of which the analysis of the endogenous network has so far lost nothing of its value. Basing himself on in situ observations, Jan Strybol attempted to analyze the exogenous network of this woodcarving. Thus he was able to document about forty figures and some masks and additionally to identify more than twenty-five Mumuye artists as well as a specific type of sculpture as being confined to the Mumuye Kpugbong group. During and after the Biafran war, hundreds of Mumuye sculptures were collected. Based on information gathered between 1970 and 1993 the author has demonstrated that a certain number of these works are not Mumuye but must be attributed to relic groups scattered in Mumuye territory.

A vibrant, colorful and beautiful book that introduces readers to Impressionism and Post-Impressionism. It explains the difference between the two movements and the main artists associated with each. Illustrations are drawn from the renowned and outstanding collection of French art held by the National Galleries of Scotland and they include a number of rarely seen works.

This book tells the fascinating stories of how key paintings and drawings found their way into the collection.

Artists include Monet, Millet, Gauguin, Bastien-Lepage, Charles Jacque, Troyon, Corot, Degas, Seurat, Van Gogh, Cézanne, Vuillard, Bonnard, Derain, Matisse, Legros and Rodin.

The iconic Dome of the Cathedral of Florence, the largest masonry vault in the world, was built by Filippo Brunelleschi between 1420 and 1436. More than 100 years later, between 1572 and 1579, the vault was decorated with frescos by the artists Giorgio Vasari and Federico Zuccari depicting the Last Judgment. Working with advanced imaging technology, total access, and Italy’s leading art photographer, this book presents in never-before-seen detail and completeness the entire pictorial cycle of the Dome. Contributions by noted art historians Marco Bussagli, Mina Gregori, and Timothy Verdon illuminate the art historical significance of this magnificent symbol of Florence and the Renaissance.

Text in English and Italian.

The volume accompanying an exhibition at Collection de l’Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 invites us to reflect on the role a face can play in mediating communication through the gaze. We are all aware of how powerful it can be when eyes meet, as well as their crucial role in giving dignity to people through caring. But the face can also be considered from another, almost conflicting, point of view, as a visible surface masking the invisible aspects of the human being: it can either reveal or conceal feelings and emotions, thoughts and concerns…

The subject of faces deserves to be explored here in all its anthropological depth. In Art Brut, its production marked as it is by a powerful creative urge, this exploration takes on a singular dimension, with the presentation of works whose figurative content facilitates the encounter with this inalienable aspect of humanity, which becomes somehow inevitable, regardless of the marginality of the social and cultural acknowledgement of the artists.

These faces, whether withdrawn or seeking, with their attentive, questioning, communicative, absent, or empty expressions, reflect a manner of relating to the world that interrogates, through a mise en abyme of sorts, our very encounter with humanity.

This monograph edited by Ilaria Bernardi is the first comprehensive examination of the oeuvre of the Italian artist Loris Cecchini, from his debut in the mid-1990s to the present.

The publication coincides with the 30th anniversary of the artist’s first inclusion in an exhibition: in three group shows in 1995. The book reviews Cecchini’s solo and group exhibitions, providing information on awards, residencies and lectures, as well as extensive commentary on his most distinctive works.

Alternating between photography, sculpture, drawing, digital processing and environmental installations, Cecchini’s aim is to shape real space by means of innovative materials, focusing on how matter holds together and the aesthetic, architectural, organic, and structural processes associated with it. He has a particular interest in industrial materials such as rubber, resin and steel. His work explores the sense of the real, in a perspective suspended between the natural and the man-made that challenges the viewer’s perception.

This book reconstructs the trajectory of Cecchini’s personal and creative life by interweaving biographical information, historical background and an ample selection of works, thus providing a unique contribution to the literature devoted to the artist.

Text in English and French

Ellora attempts the first systematic overview of the Ellora cave temples, a UNESCO World Heritage Site, excavated between 600 CE and 1000 CE and the only cave temple site that houses Buddhist, Hindu, and Jain caves. 

This volume looks at each of these three groups of rock-cut temples and the stylistic influences they drew from each other and from surrounding regions. 

Essays and analyzes by scholars bring a comprehensive understanding of the chronology and stylistic development of the 34 main caves and lesser caves of the site. Ellora also includes extensive photographic documentation, ground plans, and rarely seen early 19th-century etchings of the most significant caves. 

With contributions by Stanislaw J. Czuma, Nicolas Morrissey, Lisa N. Owen, Vidya Dehejia, Pia Brancaccio and Arno Klein. 

Japanese woodblock prints, exemplified by iconic works such as Hokusai’s Great Wave, Utamaro’s portraits of beauties, Hiroshige’s Heavy Rain on Ohashi Bridge, and Kuniyoshi’s tattooed warriors, rank among the most influential art forms in history. While celebrated artists are widely known, the publishers, carvers, printers, and other collaborators who shaped production and distribution have often remained overlooked. Publishers drove the commercial print industry, assessing demand, commissioning designs, financing production, securing censor approval, and managing carving, printing, and sales. The Japanese Woodblock Prints Companion: Publishers, Carvers, Printers, Censors, Collectors examines this collaborative process and restores attention to these essential contributors. Andreas Marks profiles more than 1,900 publishers and nearly 900 carvers and printers, provides publication lists for almost 1,000 artists, and reproduces thousands of seals dating from the 1640s to the 1990s. Documenting places of operation, active periods, and professional networks, this extensive reference offers scholars and collectors a comprehensive guide.

Miró – Loeb. Correspondence 1926–1936 reveals the exceptional relationship between Joan Miró and Pierre Loeb, his gallerist and close friend in Paris. Through previously unpublished letters, richly illustrated with Miró’s works and facsimiles, the book traces a decade of exchanges during which exhibitions, collaborations, and new visions of modern art took shape. This vivid and illuminating correspondence captures the daily life of an artist and a dealer at the heart of the cultural ferment of the interwar years. It offers a glimpse into the realities of the gallery world, the networks of friendship, and the evolving dialogue between artistic creation and its dissemination in a time of profound transformation. The volume is accompanied by texts by Albert and Sonia Loeb, which place these exchanges within their human and historical context, offering a sensitive perspective on a relationship that proved decisive for both modern art and the life of Parisian galleries in the twentieth century.

Text in English and French.

GIRLS explores the beauty and complexity of girlhood and the emotional journey to adulthood. How is ‘being a girl’ portrayed? How is it remembered? And how does ‘the girl’ influence visual culture and fashion? Central themes are daughters, sisters, and friendship, along with experiences of boredom, rebellion, and growing up.

Featuring work by various artists from different fields, including Veronique Branquinho, Louise Bourgeois, Sofia Coppola, Jenny Fax, Roni Horn, Jas Knight, Alice Neel, Meret Oppenheim, Frida Orupabo, and Simone Rocha.