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Japan – Magazzino Delle Idee, Italy

14 Feb — 7 Jun 2026

On display are over 80 works, including photographs and videos by 16 artists: Asakai Yoko, Hayashi Noriko, Ishikawa Naoki, Kai Keijiro, Kawauchi Rinko, Momose Aya, Nagashima Yurie, Nomura Sakiko, Shimonishi Susumu, Sato Tokihiro, Sugimoto Hiroshi, Suzuki Risaku, Suzuki Ryoko, Tomoko Yoneda, Miyagi Futoshi, Yokota Daisuke.

The exhibition

The exhibition in Trieste aims to bring together three themes – Memory and Identity, Body and Bodies, Reality and Vision – a collection of works by contemporary Japanese artists who, through the use of images, offer a broad overview of the current Japanese photography and video scene, from dialogue with the masters to the research of new generations committed to reinterpreting Japan’s recent history, questioning issues of gender and everyday life, and sometimes using the body as a political medium.

‘Recognised since the 1930s as one of the most important photographic schools internationally, establishing itself in the early years of the third millennium with artists such as Hiroshi Sugimoto, Nobusyoshi Araki, Daido Moriyama and others, contemporary Japanese photography – observes curator Filippo Maggia – now seems to be opening up to interpretations that correspond to a generational renewal that is certainly closer to Western themes and issues.”

While 20th-century Japanese photography was long characterised by a strongly identity-based and self-referential language, today we are witnessing a significant change of direction: many young and established artists are taking as their reference point not only the complexity of their own country, but also global changes, constructing a close dialogue with Western themes such as gender issues, collective memory, social relations, the environment and the perception of images.

Memory and identity

Noriko Hayashi and Tomoko Yoneda revisit crucial periods and events in recent Japanese history through an approach that is both documentary and participatory. Susumu Shimonishi, with a zenithal shot and a moving image that becomes a measure of time, reflects on the continuity and fractures of the past. The daily life of the Okunoto peninsula – still suspended between tradition and marginality – is at the centre of the works of Naoki Ishikawa, a pupil of Moriyama. The celebrations and rituals that define the cultural fabric of the country emerge in Keijiro Kai‘s photographs, while Miyagi Futoshi’s videos explore personal memory and the construction of gender identity through an intimate account of memories and relationships.

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