“…captures the energy and camaraderie of the city’s burlesque club scene.” — Burlesque Mag
Angus Stewart has spent 10 years backstage with London’s burlesque community, getting to know the performers and documenting their shared world to create what he calls ‘a family album’. From the beginning, his focus was on the personalities, rather than the performances. He deliberately eschews the ‘big reveal’. Instead, his photographs capture the friendships, the laughter and the camaraderie that characterise the burlesque scene. We are introduced to a thriving community that values dedication and loyalty, and where the exotic is always laced with humour; and we hear from performers Belle de Beauvoir, REIx, Lady Cheek, Lady May and Lynn Ruth Miller. Burlesque can be provocative, it can be political, and it can be serious. But it can also be a lot of fun.

‘I discovered that while some performers earn a living from burlesque, most have other jobs – anything from seamstresses to doctors, to company directors. This huge melting pot of professional experience, coupled with a variety of reasons for wanting to perform, means that personal development is encouraged. It’s an incredibly supportive community, and I wanted to try to capture that spirit.’ – Angus Stewart

Daniela Keiser ranks among the most renowned contemporary artists in Switzerland. In 2017 she was awarded the Prix Meret Oppenheim as well as a studio grant from Landis & Gyr Stiftung that enabled her to embark on an extended stay in London’s East End. There she discovered the Idea Store, the public library on Whitechapel Road built by British architect David Adjaye in 2001–05. Upon its opening to the public, this institution quickly became a meeting place for a broad spectrum of society including for socially disadvantaged people. The goal of the Idea Stores – eight of them have so far been opened in various London boroughs – is to enhance formerly neglected neighbourhoods and offer a low-threshold source of education and information.

From that initial Idea Store on Whitechapel Road, Daniela Keiser began to take pictures of the goings-on in the street outside. Her Library – Idea Store series reveals a calm, repetitive but insistent image of the city and offers insight into the small everyday variations of the surrounding world. Her photographic reflection is accompanied by a conversation between David Adjaye and art and architecture historian Philip Ursprung. They talk about Keiser’s perception of the site and – without actually showing the building – the impact of urban design and the architect’s intentions.

London in Frames by street photographer Ovidiu Selaru is the result of his years of exploring the city and its people – a powerful photo book that invites the viewer on a visual journey through the vibrant culture and pulsating life of London. Selaru’s style combines technical precision with a poetic point of view, making him one of the most sought-after photographers of his generation. This stunning photography book is ideal for those who appreciate the extraordinary in the everyday and want to be inspired by the beauty of the urban landscape—full of emotions, memories and moments of life.

“I don’t set expectations. I let the frame find me. I believe if you follow the light—and your own—something real will always emerge.” – Ovidiu Selaru

Between 1978 and 1987, renowned British photographer Derek Ridgers captured London youth culture in all its glory. With skinheads, punks and new romantics, in clubs and on the street, his images have come to define a seminal decade of British subculture.

This completely reimagined edition of 78/87 London Youth showcases a fresh selection of those images from the depths of Ridgers’ exceptional archive – including several previously unseen – beautifully printed and bound in an oversized volume.

Each picture is a tribute to the trials and triumphs of youth, and a precious document of style and culture in 1980s England, from the height of punk to the birth of acid house. Several have been exhibited internationally in cities as far-ranging as Moscow, Adelaide and Beverly Hills, in the National Portrait Gallery, Tate Britain and Somerset House. Ridgers has also collaborated with a number of major fashion houses, including Saint Laurent and Gucci, and his images continue to inspire photographers, artists and fashion designers around the world.

‘As time passes, this kind of observational photography attains a new importance’ – Sean O’Hagan, The Observer

‘Ridgers’ portraits of young boys and girls are weighted with a raw poetry and beauty’ – Cory Reynolds, artbook.com

London, the multifaceted metropolis on the River Thames, fascinates with its unique combination of historic architecture and modern lifestyle. From the majestic structures of Buckingham Palace to the dynamic streets of the East End, the city offers countless perspectives and motifs for photographers and art lovers. The vibrant culture, buzzing markets and impressive parks invite you to discover London’s diversity in all its splendour.

With his unique approach to photography, he creates colourful and contrasting images. Ramelli’s work radiates a special energy and invites you to look at London from a new perspective.

In his new book, the French city and landscape photographer Serge Ramelli impressively shows the beauty of London and his creative and inquiring mind drives him to constantly explore new techniques. This innovative spirit enables him to capture the splendour of urban landscapes in an impressive way. 

Text in English, German and French.

This richly illustrated publication accompanies a major exhibition organised by Kunstmuseum Den Haag in collaboration with Tate, exploring the School of London — a group of postwar artists who redefined figurative painting in Britain. Featuring more than 70 works by Francis Bacon, Lucian Freud, David Hockney, Paula Rego, Frank Auerbach, and their contemporaries, the book traces how these painters captured the human condition in an era of social and cultural upheaval. While Paris and New York led the charge in abstraction, London fostered a quieter yet profound revolution centered on the human body and psyche. Through essays and artworks, the catalogue reveals how these artists grappled with shifting notions of identity, intimacy, and power, offering a compelling perspective on 20th-century art and reaffirming London’s role as a crucible of postwar creativity.

“The London Youth Portraits (ACC Art Books), a sumptuous collection of never-before-seen photographs of punks, skinheads, New Romantics, goths, ravers, and fetishists.” — Huck Magazine

“A new edit of a beloved classic.” — Marc Jacobs Instagram

“Across 176 pages, the oversized volume documents Ridgers’ vision of England’s seminal youth culture from the height of punk to the birth of acid house, each image a tribute to the trials and triumphs of youth.” — 10 Magazine

‘As time passes, this kind of observational photography attains a new importance’ – Sean O’Hagan, The Observer

‘Ridgers’ portraits of young boys and girls are weighted with a raw poetry and beauty’ – Cory Reynolds, artbook.com

Between 1978 and 1987, renowned British photographer Derek Ridgers captured London youth culture in all its glory. With skinheads, punks and new romantics, in clubs and on the street, his images have come to define a seminal decade of British subculture.

Broadly based on the now out of print book 78/87 London Youth, this showcases a completely fresh selection of images from the depths of Ridgers’ exceptional archive – including many previously unseen – beautifully printed and bound in an oversized volume.

Each picture is a tribute to the trials and triumphs of youth, and a precious document of style and culture in 1980s England, from the height of punk to the birth of acid house. Several have been exhibited internationally in cities as far-ranging as Moscow, Adelaide and Beverly Hills, in the National Portrait Gallery, Tate Britain and Somerset House. Ridgers has also collaborated with a number of major fashion houses, including Saint Laurent and Gucci, and his images continue to inspire photographers, artists and fashion designers around the world.

London is the most diverse of all the great fashion megacities, drawing from a vast palette of cultures, artistic disciplines and historical references to produce some of the world’s best loved and most influential trends. From the flappers of the 1920s to the swinging ’60s, from punks and new romantics to the 21st-century modes of sustainability and representation, the storied British capital has made a habit of crystalising youthful rebellion by wearing its identity on the outside. Home to Vivienne Westwood, Burberry and Palace, iconic stores like Harrods, Harvey Nichols and Selfridges, as well as some of the most famous fashion streets on Earth, including Carnaby Street, King’s Road, Savile Row and many more.

London. In Fashion is an unmissable opportunity to walk among London’s trendsetters without leaving your own home.

From Paris and New York to more surprising hotbeds of style, the In Fashion series invites you to discover the most fashionable locations in the world. Covering high fashion, classic street style and trendsetting people, as well as interiors, streets, shops and more, each beautifully presented volume offers a unique glimpse into the clothes and fashion culture of a distinct and remarkable destination.

Perfect for fans of fashion and travel.

This is the second book in a series (after Barcelona Interiors 9789401485586) that presents the most inspiring interiors in the most beautiful cities in the world. London Interiors showcases famous and classic homes, converted industrial buildings, and historic mansions. This book takes you through the front door of homes in the bustling metropolis, and surprises you time and time again with eclectic, elegant, and creative interiors. A must-have for all architecture and interior design lovers. 

Global climate change is a frequently and controversially discussed topic. Yet apart from natural disasters which tend to be interpreted in any number of ways to serve vastly differing interests, it has so far hardly been a tangible phenomenon in our day-to-day lives. The Climate Garden experiment enables the experience of climate change’s consequences firsthand: it shows how the vegetation of a place might change in the future, what we may be eating, and what our gardens might look like. The experiment is conducted based on detailed climate scenarios that can be translated to different locations around the globe.

This new book serves as a manual for the implementation of such a public experiment at a local or regional level anywhere in the world. Contributions by human geographers, art historians, and ecologists are complemented by a practical step-by-step guide to creating a climate garden. It provides a tool for private and public institutions to tell their own story and in particular to add a personal and emotional dimension to the largely abstract climate scenarios we usually learn about in the media.

La Gara is an 18th-century country estate in Jussy, a village near Geneva, Switzerland. The buildings have been carefully restored by Swiss architect Verena Best, who also added inspired touches to the interior design. The renowned Belgian landscape designer Erik Dhont reinterpreted and subtly redesigned the gardens and surrounding grounds, completed by a palindrome-like labyrinth designed by Swiss artist Markus Raetz. This new book tells the full story of the La Gara estate and illustrates its beauty. The essays investigate various aspects of its preservation and restoration of buildings and gardens and the contemporary interventions. They highlight features such as the historic watering system for the gardens and the fishponds and look at the specific Genevan garden tradition and characteristics of the rural landscape around Jussy with its biodiversity. Moreover, they contextualise La Gara with the ‘ferme ornée’, a villa with agricultural and ornamental features following ancient Roman models. The beautiful volume is rounded out with newly commissioned photographs by renowned Swiss photographer Georg Aerni.

Text in French

“Okun has extended her gaze to encompass horticulture and the drama of the natural world, while exploiting the potential of digital photography to create subtler impressions of mountains and ocean, clouds and gardens, foliage and cacti.” — Michael Webb

Layered Landscapes is a collection of essays and photographs of our beautiful world from just outside our homes all the way to the heavens. The book has introductions by Michael Webb (architecture writer) and Craig Krull (gallerist). Craig Krull aptly points out that Okun’s photographs are a “reconstructed harmony into what we believed to be a ‘real’ landscape.” He writes that “her work has always defined the point that landscapes do not exist in nature, but only in our minds.” Okun’s artwork is a mixture of multiple layers that present a memory of the places she has visited on her many travels. The photographs are as poetic as the essays. Griff Rhys Jones (writer, actor, presenter) explores the colour blue. Kathy Lette (author) becomes a cloud on an Australian beach. Thea Musgrave (composer) explains a tempest in musical notes. Tania Compton (garden designer) talks about meadows balancing wild and formal gardens. Caleb Leech (landscape Gardener) writes about medieval gardens. Annie Gatti (garden writer) and Steve Reich (writer and producer) both talk about happiness in gardening. James Forrest (writer) climbs mountains to become calmer. Richard Sparks (writer, director) and Lee Holdridge (Composer) discuss Okun’s projected design for opera. Layered Landscapes is a meditation on our earthly desires.

The library of the Miramare Castle reveals for the first time its treasure chest of books on botany, flowers, plants and gardens.

The rich collection, steeped in the spirit of the 19th century, reflects in the living garden surrounding the castle. A creation at once natural, artificial and artistic, the garden of archduke Ferdinand Maximilian of Habsburg and his consort Charlotte of Belgium embodies an ideal of perfection, beauty and relationship with nature.

The botanical library is a garden on paper that guides along a path of dreams and meditations born in a cultivated, aristocratic salon of the 19th century.

Text in English and Italian.

Captured brings cities to life through the eyes of talented photographers from around the world, with the mission of highlighting the beauty, diversity, and energy of urban landscapes and offering a fresh perspective on familiar places. With contributions from 45 different photographers in each edition, the Captured series offers a rich and varied view of every city. From iconic landmarks to hidden corners, each photo tells a story or captures moments that reflect the city’s true essence. These photo books offer viewers a deeper connection to the cities they love — or inspire them to discover new ones.

The latest edition is Captured: London. A book that is more than just a collection of photographs; it is a tribute to a city that never stands still. A global metropolis that embraces both its grandeur and its rawness, its iconic landmarks and its hidden corners. London’s strength lies in its diversity—the people, cultures, and creativity that shape it every day.

The coffee-table book London Vertical is a delight both for lovers of the British capital and for fans of Hamann’s work. Whether Big Ben, Tower Bridge, London Eye or The Shard, Hamann presents all these sights, which have already been photographed thousands of times, in his own creative way and thus creates something completely new. It is fun to pick up this illustrated book again and again, because the unusual approach to the motifs is interesting for the eye and brings new details to the fore.
The passionate photo artist was born in Mannheim in 1958 and discovered the camera for himself at the age of 11. Having grown up on two continents, Europe and America, he began an intensive artistic exploration of the extreme format of panorama photography in 1985. But it was not until 1991 that what Hamann’s followers adore about him today happened: He turned his camera to portrait format for the first time at the intersection of 41st Street and Avenue of the Americas and has since been called the “inventor” of vertical photography among insiders.

His photographs not only testify to his great skill and compositional talent, Hamann manages in a unique way to stage well-known motifs in a completely new way. As a reader, you look at his pictures with curiosity and look forward anew to recognising the sights in each photo.

Text in English and German.

Royalty, Aristocrats, American heiresses, exiled Russian Grand Dukes, Randlords, Maharajas, Socialites and Financiers with newly made fortunes flocked to Fabergé in London to buy gifts for each other. The Imperial Russian Goldsmith’s London branch was the only one outside of Russia and its jewelled and enamelled contents were as popular there as they were in St. Petersburg or Moscow.

Using previously unreferenced sources and a newly discovered archive of papers relating to Fabergé in London, Kieran McCarthy studies the branch’s structure, customers and exclusive stock. The book will be of interest to enthusiasts of the decorative arts, the social history of the Edwardian Golden Age and especially of European Royalty. Fabergé’s works were and continue to be intimately associated with the British Royal Family. For Violet Trefusis, daughter of King Edward VII’s mistress Mrs. Keppel and lover of Vita Sackville-West, a Fabergé cigarette case was the emblem of Royalty, as symbolical as the ‘bookies’ cigar’, or the ‘ostler’s straw’.

Tadema Gallery was founded in 1978 by Sonya and David Newell-Smith in London’s famed Camden Passage in Islington. They were successful photo-journalists who ventured into the field of 20th century abstract art and the decorative arts of the 19th and 20th centuries. By 1982 they had discovered a passion for artist-designed jewellery and showed in the gallery an eclectic choice of jewels from significant designers of the Revivalist, Art Nouveau, Arts & Crafts, Jugendstil, Art Deco, and Modernist movements. With over 500 unique jewellery pieces from the 1860s to 1960s, the book reflects the 40-year history of the gallery and the superb eye of its inspirational founders.

In this exceptional book on the London based studio 6a architects, architecture critic Irénée Scalbert looks at the role of narrative, history, appropriation and craft in the work of Tom Emerson and Stephanie Macdonald. The book traces an architectural approach avoiding style, signature, theory and even concept in favor of metis, an ancient form of intelligence combining “flair, wisdom, forethought, subtlety of mind, deception, resourcefulness, vigilance, opportunism, varied skills, and experience.” Structured around notions of situation, intervention, making, comedy, bricolage, chance and anthropology, the text is mirrored in a visual essay of archive photographs, artworks, film stills and recent projects by the practice. 6a architects were founded in London in 2001. The practice has developed a reputation for award winning contemporary art galleries, educational and residential projects in sensitive historic environments. Recent projects include the critically acclaimed extension to the South London Gallery (New London Architecture Award 2011 and Civic Trust Award Commendation 2012), Raven Row, contemporary art gallery in Spitalfields, east London (RIBA Award 2010) and the new Fashion Galleries at the V&A opened in May 2012 (nominated for the Mies van der Rohe Award 2013). 6a architects won the Schelling Medal for architecture 2012.

The clear and fundamental train of thought that forms the basis for every design by the London architects leads to projects that are characterized to an equal extent by the utilisation and the location-specific, constructive requirements. A semi-detached house in London is thus transformed into a complex organism that is incorporated respectfully into the housing development. Text in English and German.

Buildings by the London architect Stephen Taylor use their powerfully innovative nature to smoothly integrate themselves into the surroundings, thereby becoming a valuable part of the London environment. At the same time, the form, materials and details of the buildings are reduced to produce a meditative, consistent character. Text in English and German.

In the third decade of the 21st century, we are witnessing an unprecedented exploration of female sexual power, while on the other hand reactionary cultural forces contrive to keep women as defenceless as possible. In this context, the work of photographer Alejandra Guerrero can be understood as a clarion call. Hers is a rarefied visual art that marks a turning point for female sexuality in erotica, her eloquent tableaux revealing the intricate ways in which women exert their erotic power. Here we see a future in which women dictate raw, yet refined desires. Each moment comes from the erotic fever dreams of the participants and the desires of the woman behind the camera.
Guerrero grew up against a backdrop of sleek automobiles. As a child she would sit in the driver’s seat of her mother’s Mercedes and dream of one day being in control of such an elegant machine. Her father was a mechanical engineer whose hobby was fixing up cool cars, and she would watch him at work, taking in the details of fins and fenders. It sparked a fascination, which became an adult passion, which eventually inspired an entire body of work. Auto Erotica is Guerrero’s second monograph with Circa and follows Wicked Women down the same electrifying road.

“I thoroughly enjoyed reading it and I cannot wait to visit Upton Grey to see the garden for myself.” Garden Design Journal

Gertrude Jekyll was perhaps the most important British garden designer of the 20th century. She famously argued that gardening ought to be considered a Fine Art, highlighting that it becomes a point of honour to be always striving for the best. This volume examines Jekyll’s work at Manor House, Upton Grey in Hampshire, offering an insight into her eclectic, imaginative, and inspiring art. Designed between 1908 and 1909, and once maintained by as many as nine gardeners, the garden fell into disrepair by the second half of the twentieth century, before a full and accurate restoration was carried out in the early 1980s.



Gertrude Jekyll: Her Art Restored at Upton Grey presents a visual record of the garden’s plants and layout, with original plans and photographs, as well as beautiful images of the garden taken since its restoration. There is also a fascinating chapter about Miss Jekyll’s discovery, admiration and use of Mediterranean plants. The book succeeds in illustrating exactly why Jekyll was so admired in her lifetime and why she continues to inspire and influence gardeners today.

Contents: Introduction Chapter 1: The Garden from 1902 to the Start of its Restoration in 1984 Chapter 2: The Rose Garden Chapter 3: The Dry-Stone Walls Chapter 4: The Main Herbaceous Borders Chapter 5: The Pergola, the Rose Arbour and Surrounding Garden Chapter 6: Miss Gertrude Jekyll’s Mediterranean travels and plant discoveries and their use at Upton Grey Chapter 7: The Wild Garden Chapter 8: The Art Completed Also available: The English Garden Through the Twentieth Century ISBN: 9781870673297