This publication accompanied a 2018 exhibition by the British painter and printmaker Christopher Le Brun. The body of work explored here develops his long-standing interest in the ‘double’ – conceptual and embodied duality. The arresting diptychs and single paintings provide a direct continuation of his series of prints Composer (2017), which explores the musical form of distinct yet related movements and the essentially layered structure of both painting and music.
Working directly on the woodcut proofs, these new oil paintings extend Le Brun’s lifelong preoccupation with colour – in his words, ‘experiencing rather than seeing a property of the world we delight in for itself’ – and represent radical experiments in the juxtaposition of colour, tone, transparency and form.
The book features an essay by exhibition curator Anna Dempster exploring dualities across a number of disciplines.
When photographer Anthony Dawton realised how dramatically homelessness had increased in London, he took to the streets with his camera. For years, he had taken photographs in areas of need worldwide, but after spending some time in his home city, he noticed how many people were living on its streets. He embarked on a new project to raise awareness for a city he no longer recognised: NOTLondon.
Anthony Dawton photographs his subjects with a beauty and dignity that many of them are often denied. His portraits capture the strength and power of humanity as well as its vulnerability. By accompanying the image with the person’s name and their story, Anthony gives voice to the voiceless and attempts to offer the homeless a place, a home on the page. Governmental institutions turn a blind eye to the homeless, leaving the work up to charities. Homeless shelters are rife with substance abuse, making them a dangerous place for those trying to overcome addiction. Homelessness becomes a vicious cycle and many find it difficult to break free. Since the start of the pandemic, over 70,000 households in the UK have been made homeless. Dawton’s photographs are mesmerising, and as we stare into the eyes of their subjects, we’re faced with reality: this is a problem that’s getting worse and needs urgent attention.
NOTLondon is a provoking campaign to help the city’s most vulnerable and to address the fact that, despite its wealth, the city is not providing for those most in need. NOTLondon includes an introduction by Leilani Fahra, former UN special Rapporteur on the Right to Housing and the Global Director of The Shift. Having dedicated her life’s work to changing attitudes to homelessness and attacking the governmental systems and structures which perpetrate homelessness, she shares her thoughts in NOTLondon, highlighting the importance of Dawton’s project.
Pio Abad’s artistic practice is concerned with the personal and political entanglements of objects. His wide-ranging body of work, encompassing drawing, painting, textiles, installation and text, mines alternative or repressed historical events and offers counternarratives that draw out threads of complicity between incidents, ideologies and people. Deeply informed by unfolding events in the Philippines, where the artist was born and raised, his work emanates from a family narrative woven into the nation’s story. Abad’s parents were at the forefront of the anti-dictatorship struggle in the Philippines during the 1970s and 80s and it is the need to remember this history that has shaped the foundations of his work.
This beautifully designed book accompanies the Ashmolean Museum’s second exhibition of its new Ashmolean NOW series, featuring the work of Pio Abad. Abad’s artistic practice is concerned with the personal and political entanglements of objects. His wide-ranging body of work, which includes drawing, painting, installation, textiles and text, mines alternative or repressed historical events, offering counternarratives. Abad’s new works link narratives found in the Museum’s collections and Oxford with his personal life in the UK and Philippines, where the artist was born and raised. The book features a new text by Abad and contributions by art historical experts including Dan Hicks.
In her work, Camilla Løw explores the formal characteristics of spaces and physical forms. Her atmospheric installations, which are often reminiscent of the visual language of constructivism and minimalism, detach themselves from the purely physical space, transforming it into a place of socio-psychological resonance. This publication marks the unveiling of Løw’s first exterior installation in Japan, commissioned by the Norwegian embassy in Tokyo, and provides a fascinating insight into her creative process. Models, sketches, and studies reveal the poetic moment of creation—that state in which anything is possible. The book is complemented by Haiku poems by Karl Holmqvist and photos by Carla Åhländer that reflect the playful spirit and sensual depth of Løw’s artistic thought process.
Text in English and Japanese.
This scholarly volume explores the evolution and artistic significance of human figures and faces in historical and prehistorical Chinese jade. The fruit of an extraordinary collection of artefacts, assembled over several decades, Jade People: The Human Figure and Faces in Chinese Jade over More Than 7,000 Years showcases Chinese jade working dating back millennia, focusing on representations of the human figure in 3D, in relief and in cutout silhouette form. Portrayals of the human form have featured among the principal drivers of artistic expression throughout history, with China being no exception to this shared spirit of sculptural exploration, as the amazing historical development of Chinese jade-working skills makes clear in these pages.
The well-preserved jade artefacts presented here include prehistoric works from before the Shang Dynasty and are accurately dated thanks to carbon dating of buried organic matter and skeletal remains, providing us with a continuous timeline from ancient times to the present. From leading expert Angus Forsyth, this is an important guide to the history of human images in China’s jade artefacts.
This fully illustrated and researched catalogue commemorates an exhibition of over 200 pieces of Chinese and related ceramics collected within the members of the Oriental Ceramic Society of London. The selection spans the complete range from Neolithic to contemporary ceramics, from minor kilns in many different regions to the major kilns working for the court, and from pieces of academic interest to world-famous masterpieces. It privileges unusual and rarely seen artifacts and avoids well known, repetitive designs such as that of the dragon, which is so firmly identified with China that it has become a cliche of Chinese art. It also aims to demonstrate the vast variety of wares and the inventiveness of Asian potters well beyond the classic confines.
Text in English and Chinese.
Anyone that has a cat will recognise the truth of this tender biography by The Gentle Author.
“I was always disparaging of those who doted over their pets, as if this apparent sentimentality were an indicator of some character flaw. That changed when I bought a cat, just a couple of weeks after the death of my father.”
Filled with sentiment yet never sentimental, The Life & Times of Mr Pussy is a literary hymn to the intimate relationship between humans and animals.
“When you land on this book, if you do not yet have an appreciation of butterflies or Chan’s workmanship, after reading, it will leave you in awe of both.”—Beth Bernstein, Forbes
“When I was a young boy, butterflies were flying colours – I knew not their name. Then butterflies became the Butterfly Lovers: a tragedy, a love story, a symbol of eternal love. As I grew older, I found them to embody the words of a great philosopher: life is but a dream; only we need to decide whether we want it to be the dream of a man, or the dream of a butterfly. I could not decide, and so I became The Butterfly Man.” – Wallace Chan
Father of The Wallace Cut – an illusionary three-dimensional gemstone carving technique – and The Wallace Chan Porcelain – a ground-breaking material five times stronger than steel – Wallace Chan is a guiding light in the world of jewellery design. Always innovating, always testing boundaries with his materials and technique, Chan’s creations are as stunning as they are intricate. Compiled by jewellery experts, this book explores the cultural and personal significance of Wallace Chan’s most famous emblem: the butterfly.
Winged Beauty: The Butterfly Jewellery Art of Wallace Chan features approximately 30 of his finest pieces. Enter a butterfly house of colourful gems, with brooches and necklaces so delicate they might have flown down and alighted on the page.
Richard Dadd (1817–1886) constructed fairytale worlds and other highly original works of art. After making his name as an exceptional student at the Royal Academy in the late 1830s, he travelled to the Eastern Mediterranean, where he developed a psychotic illness that led to the killing of his father. Dadd spent the rest of his life in London’s Bethlem Royal Hospital and then Broadmoor Hospital in Berkshire, in both of which he was encouraged to paint.
Dadd’s output encompasses much more than the fairy paintings for which he is renowned. There are also highly detailed sketches evocative of his Eastern Mediterranean travels, remarkable characterisations of the human passions, and perceptive portraits of his doctors. Profusely illustrated throughout, this new account of his life and art by Nicholas Tromans and other leading scholars re-examines the legacy of one of the most fascinating figures in the visual arts of the Victorian era.
Dust Free Friends is a series of designs for small pieces of domestic furniture, designed by London-based 6a architects, that can be made very simply at home, in restricted spaces, with a small number of tools and without specialist skills. The lightness and simplicity of the pieces is derived from a combination of observation of the way simple plywood constructions on a construction site are adapted to become stools, tables, steps, and stairs, changing quickly and without fuss as workers need them. The designs also re-examine the long tradition of self-build that has shared the journey through modernism with industry and craft. With the Dust Free Friends series, Tom Emerson and Stephanie Macdonald invite the reader to make his or her own everyday furniture from dressed plywood. Beautifully produced and illustrated with some 90 easy-to-understand diagrams and images, Dust Free Friends is a comprehensive, precise, and entertaining, manual to furnishing a comfortable place entirely by its users. Also available: Never Modern ISBN 9783906027241
“This is a reissue of a sought after classic that has stood the test of time, and this new edition now stands as a testament to its creators and an age that has passed.” — Black + White Photography Magazine
“Soho Night & Day is that rare beast of a ‘back in the day’ photo essay that’s twinned with vital prose — the two pulling equal weight.” — The Londonist
“My London is Soho” — Frank Norman
For as long as anyone can remember, Soho has been the fluttering heart of London. Its storied pubs, shops, trattorias, gambling dens and nightclubs are every bit as alive as the millions of tourists, locals and crosstown visitors who crowd the streets all year round. People from all walks of life are made and unmade in Soho, and few knew it better than Frank Norman and Jeffrey Bernard. Writers and raconteurs, the pair haunted Soho’s establishments for much of their lives. While Bernard was renowned for his Low Life column in the Spectator, these pages collect his photos of the Soho he loved, with insightful commentary from Norman, an acclaimed novelist in his own right. Soho Night & Day is an authentic and very personal portrait of a special time and place, telling the tale of Soho in the ’60s.
This new edition is embellished with an introduction by Barry Miles, as well as Jeffrey Bernard’s moving obituary for Frank Norman.
Terry O’Neill (1938-2019) was one of the world’s most celebrated and collected photographers, with work displayed and exhibited at first-class museums and fine-art galleries worldwide. His iconic images of Frank Sinatra, The Beatles, Brigitte Bardot, Faye Dunaway, and David Bowie – to name but a few – are instantly recognisable across the globe.
Now, for the first time, O’Neill selects a range of images from his extensive archive of “vintage prints”, which will surprise and delight collectors and photography lovers alike. Long before the age of digital, photographers would send physical prints to the papers and magazines. These prints were passed around, handled by many, stamped on the back, and often times captioned. After use, the prints were either filed away, thrown out or – for the lucky few – sent back to the photographer or their photo agencies.
At the dawn of the 1960s, when O’Neill’s career began, physical prints were the norm. Terry kept as many as he could that were sent back to him. “I just kept everything,” he says. “I don’t know why. Back then, there wasn’t really a reason to keep them. Photos were used straight away and then I just moved on to the next assignment. No one was thinking these would be worth anything down the line, let alone fifty years later.”
This book collects hundreds of these rare images, a true must for Terry’s fans and photography collectors.
As elsewhere in the world, mountains have been instrumental in defining identities in Switzerland. The theme has not ceased to fascinate artists and mountain landscapes have attracted photographers since the earliest days of the new art, when masterful work was produced during the last decades of the nineteenth century. Today mountain chains are seen differently, recognised as having an unsettling fragility in the face of their occupation by human beings. What remains of the myths linked to mountains? Are mountains still a source of inspiration for today’s artists? How do perceptions of them shift as their populations disappear, and references are increasingly centred on an urban existence? High Altitude provides some of the answers to these questions. This book has been conceived as a companion to the Swiss photography festival, Alt. +1000, held in Rossinière, a well-known village in the foothills of the Alps. High Altitude features works of contemporary photographers who record mountains in their various and multiple states: spectacular, sublime, domesticated, constructed (even artificial!) and frightening. Young artists from around the world, many of whom live far from a mountainous environment, celebrate and challenge deeply-rooted myths, and each in his own way tries to interpret this elusive landscape. The famous landscape photographer Olaf Otto Becker (Germany 1959), renowned for his views of Greenland, has been invited to make a portrait of a natural park situated close to the festival. He was chosen for the breathtaking beauty of his work, a beauty that nonetheless reminds us that nature is being radically modified by climate change. Unspoiled nature versus mountains altered by man is the theme interpreted by talented artists, whose visions are far removed from those of tourist postcards. Text in English and French.
EUROPAN is an initiative that puts on competitions for young architects. Founded in 1989 and supported by 13 countries in the EU, it runs a competition every two years for innovative and experimental models in urban development. The 2017 and 2019 EUROPAN competitions focused on the topic Productive Cities. The 2019 edition involved more than 900 planning teams from all over Europe, who prepared proposals for 47 towns.
This book features the 12 winning submissions to the 2019 Productive Cities 2 competition for the Austrian cities Graz, Innsbruck, Villach, Weiz, and Vienna. They are presented in great detail through photos, drawings and visualisations, along with commenting texts. The projects focus on architectural and urban-planning interventions and processes. They offer innovative concepts for the use of public space as well as holistic solutions for sustainable construction and models for cross-functional use of space. The book is a rich source for trend-setting ideas about our future cities and the development of a new urban lifestyle.
The biblical metaphor of a “Land of Milk and Honey” has denoted for millennia a prophecy and promise for plenitude. This book, published in conjunction with the Israeli Pavilion at the 17th International Architecture Exhibition of the Venice Biennale, examines the reciprocal relations between humans, animals, and the environment within the context of modern Palestine-Israel, and demonstrates how this promise has become an action-plan over the course of the twentieth century.
Through this lens, Land. Milk. Honey investigates how colonialism, settlement, urbanisation, infrastructure, and mechanised agriculture radically reshaped the environment of the contested territory of Palestine-Israel, and altered human-animal relationships. It shows how the celebrated metamorphosis of the region into a prosperous agricultural landscape was entangled with irreparable damage to the local fauna and flora, as well as the disruption of human communities and ways of living. And it highlights the predicaments that both the environment and its inhabitants are facing after the territory has over a century been the test bed of modernist aspirations for plenitude.
The fundamental changes the region has gone through are portrayed through the stories of five local animals: cow, goat, honey-bee, water-buffalo, and bat. These case-studies and a zoo-centric analysis construct a spatial history of a place in five acts: Mechanization Territory, Cohabitation, Extinction and the Post-Human. A rich collection of literary excerpts, historical documents, archival photos, as well as short original vignettes brings about the story of this remarkable transfiguration and redesign.
“The book “Rihanna and the Clothes She Wears” satisfies the cravings of fans and fashion enthusiasts alike, boasting over 100 images of Rihanna and her favorite designers who have influenced her taste.” — HOLA! Magazine
“I grew up on a really small Island, and I didn’t have a lot of access to fashion, but as far as I could remember, fashion has always been my defence mechanism. Even as a child I remember thinking, she can beat me, but she cannot beat my outfit.” – Rihanna, accepting the CFDA Fashion Icon of the Year Award in 2014.
From the author of the runaway bestseller Harry Styles and the Clothes He Wears comes a new, fresh look at style icon Rihanna.
Rihanna has learnt how to define her own terms whatever she does – whether in the worlds of fashion, music, beauty, philanthropy, business, or activism, she is both muse and creative, a collaborator and pioneer. To date she has 135 million Instagram followers and counting. In 2022 at the age of 34, largely because of her Fenty Beauty empire, she became Forbes’ youngest self-made billionaire.
But it is her personal wardrobe and the way she wears it that embodies Rihanna’s charisma, integrity, and humour most: everything she does reflects what she wears herself. She is a risk-taker, but as she said on the red-carpet in 2014 “you will never be stylish if you don’t take risks.” The gamble has paid off. Rihanna’s mix-and-match method of wearing high fashion and streetwear, young designers and vintage, hip-hop classics, and avant-garde custom-made pieces, has meant that she has equal footing in both the music and fashion industries. Chairman and CEO of the LVMH group, Sidney Toledano says she is: “a style icon for today’s generation”.
The breadth of Rihanna’s fashion knowledge and style is astounding. In Rihanna and the Clothes She Wears, Terry Newman steps into the world of this fashion icon by examining her style. From couture catwalks to her own empire Fenty, political statements to high street casual, this chic book fizzles with facts about Rihanna’s styling choices, presenting the star’s most revered looks. With quotes from key designers, this is the perfect gift for any fan.
Founded in 2003 by Laurent Vuilleumier and Paul Humbert, the architectural practice LVPH (Pampigny/Fribourg) primarily works on projects in Western Switzerland. Its tasks range from an autonomous residential building in Treyvaux supported by 14 columns, to larger projects such as the monolith of a sports hall in Geneva with a colourful anodised, expanded steel façade. All of the practice’s works have a poetic character expressed in reduced, radical architecture.
Text in English, German and French.
Highlights of the Frans Hals Museum presents a richly illustrated selection of 40 masterpieces from the diverse and expansive collection of the Frans Hals Museum in Haarlem. Spanning six centuries of art, the book highlights works ranging from Old Masters to contemporary installations — including painting, photography, and video art. Both celebrated Dutch artists and internationally renowned names are represented, offering a vivid impression of the museum’s unique character and curatorial vision. Designed as both an introduction and a lasting memento, this compact volume appeals to art lovers, museum visitors, and anyone interested in Dutch cultural heritage. With its accessible bilingual format (Dutch and English), high-quality reproductions, and thoughtful presentation, the book invites readers to discover — or revisit — the stories and treasures held within one of the Netherlands’ most renowned museums.
Text in English and Dutch.
“Any man that loves Bond will love to get this amazing book in their life.” – Men’s Journal
“A great coffee table book filled with amazing photos of everyone’s favourite spy.” – Tom Lorenzo, Men’s Journal
“No fan of 007 will want to miss this coffee-table album…” – Michael Dirda, The Washington Post
“Shy, lascivious, self-confident or sometimes completely private – O’Neill always knows. The photographs are all very aesthetic, somehow magical and an absolute must for all Bond fans.” – Lovely Books Germany
Terry O’Neill was given his first chance to photograph Sean Connery as James Bond in the film Goldfinger. From that moment, O’Neill’s association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O’Neill who captured gritty and roguish pictures of Connery on set, and it was O’Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O’Neill’s casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world’s most recognisable spy.
Terry O’Neill opens his archive to give readers – and viewers – the chance to enter the dazzling world of James Bond. Lavish colour and black and white images are complemented by insights from O’Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly conducted interviews with a number of actors featured in O’Neill’s photographs.
The success of Christian Dior’s first essence, Miss Dior, was so outstanding as to leave its permanent mark in history. Ten years on from the founding of his perfume factory, on 24 October 1957, Christian Dior’s untimely death conferred a new dimension to a decade characterised by an uncommon destiny. Text in English and French.
Following on from the success of the exhibition Before Time Began, Fondation Opale is taking on a new challenge with a show that juxtaposes contemporary Aboriginal art with prominent examples of contemporary art created in a Western and Asian tradition. This beautifully illustrated catalogue includes more than eighty works by over 54 artists from two separate collections, both of which are outstanding in their own right: the collection of Aboriginal art belonging to Bérengère Primat and the contemporary art collection amassed by Garance Primat. The works play off each other with powerful effect. Insightful pairings suggest an underlying unity, a merging of mankind, heaven, earth, and the whole cosmos.
The Aboriginal artists represented include: Rover Thomas, Gulumbu Yunupingu, Clifford Possum Tjapaltjarri, Judy Watson, Sally Gabori, Emily Kame Kngwarrey, Paddy Bedford, Nonggirrnga Marawili, Ronnie Tjampitjinpa, and John Mawurndjul. The artists working in the Western and Oriental traditions include: Jean Dubuffet, Kiki Smith, Anselm Kiefer, Sol Lewitt, Yayoi Kusama, Giuseppe Penone, and Anish Kapoor.
Published to accompany an exhibition at Fondation Opale, Lens – Crans Montana, 14 June 2020 – 4 April 4 2021.
A strong visual identity is hard to miss, instantly catching the eye. In children’s spaces, it is best tailored with their unique outlook in mind as children perceive the world around them differently from the rest of us, responding to specific sets of details.
Design and Visual Identity for Children’s Spaces shares a variety of contemporary creative designs for children’s spaces all over the world; they combine children-friendly visual elements with smart space design to tailor comfortable and conducive environments where they can learn, have fun, flourish, and be themselves.
Over 35 projects that focus on educational institutions, enrichment centres, recreational clubs, play zones, concept stores, and children’s hospitals, among others, share concepts that transform spaces to make them more relatable for children through thoughtfully considered visual identity and interior layouts that resonate specifically with them. Designers dig deep, even consult with children, to create designs that call out to them in fun, inspiring spaces that unleash imaginations, while they foster a sense of connection and belonging.
Discover the rationales and inspirations behind these concepts, which also unify aspects of the business with a cohesive brand identity to promote the desired brand impressions and top-of-the-mind consumer recall. Through the projects in these pages, the reader is offered a host of thoughtful and creative solutions in designing children’s spaces, making this book a handy tool for anyone in the business of managing children’s spaces, or keen on designing children’s spaces.