Discover the life and work of Joan Eardley; one of Scotland’s best loved artists and a major figure of the post-war British art scene.

Joan Eardley was one of the best-loved Scottish artists of the twentieth century. Her observations of children in the back streets of Glasgow as well as her expressionistic drawings and oils of the elements on the north-east coast of Scotland have caught the imagination of the Scottish public. Eardley is cherished as a painter of the Scottish identity in both town and country, who had a unique ability to sum up a community and the timeless drama of the natural world. This book examines Eardley’s ouevre and its place in the international and British context.

It includes paintings and drawings from private collections and works from the collection of the Scottish National Gallery of Modern Art, which also holds the Joan Eardley Archive.

Joan Eardley (1921-1963) is one of Scotland’s most admired artists. During a career that lasted barely fifteen years, she concentrated on two very distinct themes: children in the Townhead area of central Glasgow, and the fishing village of Catterline, just south of Aberdeen, with its leaden skies and wild sea. The contrast between this urban and rural subject matter is self-evident, but the two are not, at heart, so very different. Townhead and Catterline were home to tight-knit communities, living under extreme pressure: Townhead suffered from overcrowding and poverty, and Catterline from depopulation brought about by the declining fishing industry. Eardley was inspired by the humanity she found in both places. These two intertwining strands are the focus of this book, which looks in detail at Eardley’s working processes. Her method can be traced from rough sketches and photographs through to pastel drawings and large oil paintings. Identifying many of Eardley’s subjects and drawing on unpublished letters, archival records and interviews, the authors provide a new and remarkably detailed account of Eardley’s life and art.

Uncover the stories of 45 female painters and sculptors and their influence on Scottish modern art history. 

In 1885 Sir William Fettes Douglas, President of the Royal Scottish Academy, declared that the work of a woman artist was ‘like a man’s only weaker and poorer’. Yet between 1885, when Fra Newbery was appointed Director of Glasgow School of Art and did much in terms of gender equality amongst his staff and students, and 1965, when Anne Redpath, the doyenne of post-Second World War Scottish painting, died, an unprecedented number of Scottish women trained and worked as artists. 

This book focuses on 45 Scottish female painters and sculptors and explores the conditions that they negotiated as students and practitioners due to their gender. Many of the artists featured are not widely known and so will be a revelation to readers, while others with established reputations are evaluated afresh. 

An essay by Alice Strang and artist entries by twenty-one authors uncover and celebrate women’s contribution to this chapter of Scottish modern art history.

Considered to be one of Scotland’s leading figurative painters, Moyna Flannigan is known for her wry and penetrating observations on society. Her portrait miniatures reflect the styles, manners and culture of contemporary life. In this book Keith Hartley examines Flannigan’s paintings and discusses the artistic and social influences on her work. The illustrations are accompanied by poetic prose by award-winning Scottish writer Dilys Rose, which sets up an imaginative dialogue with the miniatures. ‘Dilys Rose is one of the most versatile writers in Scotland, as well as one of the best‘ – Douglas Dunn

This is the exceptionally rich story of Rembrandt’s fame and influence in Britain. No other nation has witnessed such a passionate – and sometimes eccentric – enthusiasm for Rembrandt’s works. His imagery has become ubiquitous, making him one of the most recognised artists in history. In this book, some of the world’s leading experts reveal how the taste for Rembrandt’s paintings, drawings and prints evolved, growing into a mania that gripped collectors and art lovers across the country. This reached a fever pitch in the late 1700s, before the dawn of a new century ushered in a re-evaluation of Rembrandt’s reputation and opportunities for the wider public to see his masterpieces for themselves.

The story of Rembrandt’s profound and inspirational impact on the British imagination is illustrated by over 130 sumptuous works by the master himself, as well as by some of Britain’s best-loved artists, including William Hogarth, James Abbott McNeill Whistler, Eduardo Paolozzi and John Bellany.

Foreword; Introduction; 1 Rembrandt’s Fame in Britain, 1630 1900: An Overview- Christian Tico Seifert; 2 Rembrandt and Britain: The Modern Era – Patrick Elliott; 3 ‘The Finest Possible State’: Cataloguing and Collecting Rembrandt’s Prints, c.1700 1840 – Stephanie S. Dickey; 4 From Studio to Academy: Copying Rembrandt in Eighteenth-century Britain – Jonathan Yarker; 5 Regarding Rembrandt: Reynolds and Rembrandt – Donato Esposito; 6 Rembrandt: Paragon of the Etching Revival – Peter Black; 7 Rembrandt and Britain: A ‘Picture Flight’ in Three Stages, 1850 1930 – M.J. Ripps; Catalogue; Bibliography.

Over the course of three years, the Institute of Architecture and Planning at the University of Liechtenstein, the Mackintosh School of Architecture in Glasgow, and the Academie van Bouwkunst, Amsterdam, cooperated on an international research project dedicated to the design of façades. Crafting the Façade presents the results of this productive co-operative study, which cut across disciplines to look at historical developments in the design and building of façades, the theoretical underpinnings that can explain these developments, the common materials and their main characteristics, and the techniques used in assembly. The project also prompted a great deal of innovative design work, including detailed drawings at a scale of 1:10 and the design and construction of life-size prototypes in stone, brick, and wood – all of which are reproduced here among the book’s two hundred illustrations. Through their leadership roles with the project, editors Urs Meister, Carmen Rist-Stadelmann, and Machiel Spaan also reflect in Crafting the Façade on the learning processes that emerged from the project and offer guidance and resources for others looking to delve into this topic in depth.

This book sheds new light on the work of German-born modernist architect Konrad Wachsmann (1901-1980) and his legendary knotted joints. It is based on years of research on Wachsmann’s work by Swiss architect Christian Sumi. At the core of this book is Wachsmann’s dynamic ‘Grapevine Structure’, a universal construction element developed with students in the early 1950s at the Chicago Institute of Design. The book also investigates the ‘Local Orientation Manipulator’ (LOM), an apparatus developed in 1969 by Wachsmann at the University of Southern California in Los Angeles that anticipated the robotic assembly of building components. Moreover, it explores Wachsmann’s ‘Packaged House System’ and his designs for relocatable hangars for the US Air Force. The book features these through concise texts and rich illustrated material, the majority of which are published here for the first time. Fabio Gramazio, Matthias Kohler, and Hannes Mayer (Gramazio Kohler Research, ETH Zurich) revisit Wachsmann’s ideas from a contemporary perspective where robotic building processes become increasingly common. An essay by neuroscientist Andreas Burkhalter looks at the phenomenon of knotted joints in the context of similar structures in the human brain. Architectural historian Marko Pogacnik highlights the significance of Wachsmann’s lectures at the Salzburg Summer Academy in the late 1950s. Published to accompany the 16th International Architecture Exhibition of the Venice Biennale, 26 May – 25 November 2018.

Since the practical invention of photography in the 1840s, Scotland has been at the centre of the history and development of the medium. The Scottish National Portrait Gallery – which houses the Scottish National Photography Collection – and the Scottish National Gallery of Modern Art, hold outstanding collections of photographic art spanning three centuries. Included are figures such as D.O. Hill and Robert Adamson, Julia Margaret Cameron, Thomas Annan, Alfred Stieglitz, Robert Capa, Bill Brandt, Annie Leibovitz and Andreas Gursky. This book offers a detailed guide to the collections as well as an accessible and informative introduction to photography. This revised edition includes recently commissioned photography and significant new acquisitions, with works by Diane Arbus, Cindy Sherman and Robert Mapplethorpe.

Somewhere in Europe—we don’t know where—around 1700. An artist is staring at something on the floor next to her worktable. It’s just a log from the woodpile, stood on end. The soft, damp bark; the gently raised growth rings; the dark radial cracks—nothing could be more ordinary. But as the artist looks, and looks, colours begin to appear—shapes—even figures. She turns to a sheet of paper and begins to paint. Today this anonymous artist’s masterpiece is preserved in the University of Glasgow Library. It is a manuscript in a plain brown binding, whose entire contents, beyond a cryptic title page, are 52 small, round watercolour paintings based on the visions she saw in the ends of firewood logs. This book reproduces the entire sequence of paintings in full colour, together with a meditative commentary by the art historian James Elkins. Sometimes, he writes, we can glimpse the artist’s sources—Baroque religious art, genre painting, mythology, alchemical manuscripts, emblem books, optical effects. But always she distorts her images, mixes them together, leaves them incomplete—always she rejects familiar stories and clear-cut meanings. In this daring refusal to make sense, Elkins sees an uncannily modern attitude of doubt and scepticism; he draws a portrait of the artist as an irremediably lonely, amazingly independent soul, inhabiting a distinct historical moment between the faded Renaissance and the overconfident Enlightenment. What Heaven Looks Like is a rare event: an encounter between a truly perceptive historian of images, and a master conjurer of them.

Whisky is a story. Whisky is many stories. This book brings together the most surprising anecdotes from the world of whisky and is therefore the perfect addition to other books on distilling, tasting and travelling. Enjoy heart-warming tales about secret recipes, haunted castles, hidden distilleries, generous drunks and the first whisky tourist, and discover aspects about whisky that you’ll never find in any other book. For almost 40 years, whisky enthusiast Fernand Dacquin has been travelling through this wonderful world of whisky, in search of the most striking stories and images. Now he turns those experiences into 111 stories, in his own tongue-in-cheek style. The result is a wonderfully unusual book, published in a practical format that leaves one hand free for a good glass of whisky.

Dive into the world of fishing with the first coffee table book on the subject in the successful Ultimate Book series. This photo book not only presents the history and basic knowledge of fishing but also showcases the diverse equipment from rods to reels, hooks to baits. Learn about various techniques such as spin fishing, fly fishing, and float and bottom fishing, all illustrated with stunning photographs. Embark on a journey to the most popular target fish such as Atlantic Salmon, Brown Trout, Brook Trout, European Perch, Black Bass, Northern Pike, Musky, Carp (Mirror and Common), while being enchanted by dream destinations for anglers. Explore the pristine lakes and rivers that make every angler’s heart beat faster. Of course, the obligatory fisherman’s tales must not be missing, bringing to life stories of the biggest catches and unforgettable experiences by the water. Overall, this photo book is not just a book but a way of life that captures the passion and magic of fishing in every line. An absolute must-have and the ideal gift for all who are captivated by the fascinating world of fishing.

“David Mellor …was the outstanding British flatware designer of the last century and a remarkable man who … understood, and insisted upon, the essential relationship between making things and designing them” Stephen Bayley, The Guardian

“Britain’s most serious, modest and greatest post-war product designer” Sir Terence Conran David

Mellor: Design is an introduction to the designer, his works and his importance within the British design landscape, post 1950. The wider world knows him for his cutlery, which although exquisite and important, is the tip of the iceberg. To see Mellor as ‘just’ a cutlery designer is to miss his depth: his love of public projects, street furniture or Church commissions. But then to see Mellor as ‘just’ a designer is to miss his influence as a patron of architecture, or his passion for retailing and promoting British crafts. He may be the ‘King of cutlery’ but that is just the beginning.

David Mellor (1930-2009) began his career at the RCA, developing sophisticated yet simple aesthetics which he displayed through his silver smithing. His cutlery continued in the Sheffield tradition whilst using some technologically advanced manufacturing methods and radically modern designs. He also designed public street furniture in the 50s and 60s which pulled Britain’s streets into the modern era. During the late 1960s he opened a shop in Sloane Square, London. His work as a retailer helped introduce the highest professional design standards into our equipment for cooking with and eating with. It followed the trail led by Elizabeth David, introducing continental cuisine to the country, a development that today seems so natural. Beautifully and comprehensively illustrated, this book opens up the wonderful work of David Mellor to a wider audience.

The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: “A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb.”

Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

“I thoroughly enjoyed reading it and I cannot wait to visit Upton Grey to see the garden for myself.” Garden Design Journal

Gertrude Jekyll was perhaps the most important British garden designer of the 20th century. She famously argued that gardening ought to be considered a Fine Art, highlighting that it becomes a point of honour to be always striving for the best. This volume examines Jekyll’s work at Manor House, Upton Grey in Hampshire, offering an insight into her eclectic, imaginative, and inspiring art. Designed between 1908 and 1909, and once maintained by as many as nine gardeners, the garden fell into disrepair by the second half of the twentieth century, before a full and accurate restoration was carried out in the early 1980s.



Gertrude Jekyll: Her Art Restored at Upton Grey presents a visual record of the garden’s plants and layout, with original plans and photographs, as well as beautiful images of the garden taken since its restoration. There is also a fascinating chapter about Miss Jekyll’s discovery, admiration and use of Mediterranean plants. The book succeeds in illustrating exactly why Jekyll was so admired in her lifetime and why she continues to inspire and influence gardeners today.

Contents: Introduction Chapter 1: The Garden from 1902 to the Start of its Restoration in 1984 Chapter 2: The Rose Garden Chapter 3: The Dry-Stone Walls Chapter 4: The Main Herbaceous Borders Chapter 5: The Pergola, the Rose Arbour and Surrounding Garden Chapter 6: Miss Gertrude Jekyll’s Mediterranean travels and plant discoveries and their use at Upton Grey Chapter 7: The Wild Garden Chapter 8: The Art Completed Also available: The English Garden Through the Twentieth Century ISBN: 9781870673297

Julien Saudubray graduated in 2012 from the Ecole Nationale Supérieure des Beaux-Arts in Paris and since then has exhibited in Belgium, France, Italy and England.

This young artist excels in experimenting. After a few detours, a synthesis of his painting has now developed into a practice that he calls mechanistic. Between abstract and figurative, he continues to work on images, constantly adding layers and colours while at the same time also removing them, with the subjective being reduced to a minimum. As he says: ‘With each brushstroke I hesitate between excitement and boredom as I observe myself while painting as an absurd machine programmed according to the Beckettian formula “To miss more, to miss better”.’

Together with gallery Waldburger Wouters, Uitgeverij Snoeck found the time for a first overview of his work in a book with a challenging design. An artist’s book, but not only. With texts by Louma Salamé, director of the Fondation Boghossian and by Claire Leblanc, director of the Elsene Museum.

Text in English and French.

From his childhood in Melbourne, David Neilson (b. 1946) has been motivated by his twin loves of mountaineering and photography. He has made multiple expeditions to southwest Tasmania, Patagonia, and Antarctica, and published critically acclaimed photo books about each of these places; he has also carried his camera into the Karakoram, and the Alps of Australia, New Zealand, and Europe. In this oversize volume, Neilson recounts his lifelong quest to capture the mountain light and encourage the preservation of wild places. His most spectacular images of jagged peaks, massive glaciers, and hardy wildlife are reproduced as duotones of the highest quality. A number of vertical double-page images even invite readers to turn the book sideways to immerse themselves in the mountain heights. Chasing the Mountain Light will delight all lovers of the outdoors.

“A collection of glamorous lodgings offering what Scarabeo Camp in Morocco calls “dusty luxury.” — Remodelista

“Celebrates the solitude of the desert and extraordinary places to stay.” — Wallpaper
The desert offers the great benefits of silence, slowness and space. These startling landscapes and awe-inspiring vistas can only be found in a few places in the world. Accompanied by stunning photography, this book bundles together 40 dreamy locations in one volume and shows the most luxurious and special overnight stays the desert has to offer. Get insider tips on travel to the Sahara in Morocco, the salt flats (Salar de Uyuni) in Bolivia or the Gobi Desert in Mongolia, among others.

What are the best burger joints in San Francisco? Which local craft breweries are worth visiting? Where should you go to find the coolest surf gear? The 500 Hidden Secrets of San Francisco is the perfect guide for anyone who’s keen to explore the city’s best-kept secrets. It guides the reader to the places not typically included in tourist guides. Like a secret fairy door in Golden Gate Park or the truly steepest hills in the city. At the same time, it also lists fantastic places frequented by San Francisco residents, like where to shop for local goods and antiques, or where to go for a fabulous brunch and the best craft cocktails in the city. Packed with hundreds of places to go, things to do, and good-to-know facts about the city, The 500 Hidden Secrets of San Francisco will help you make the most of your visit to one of the United States’ coolest towns.

Discover the series at the500hiddensecrets.com

“Changing the Commons reveals fresh thinking and a strong philosophical grounding in what makes a successful place; it is destined to be a seminal work on the art of placemaking.” — Emily H. Axelrod, Former Director at Rudy Bruner Award for Urban Excellence
“The design of the book and the inclusion of excellent photographs, maps, and landscape plans are all outstanding. It is a tribute to his work and a gift not only to his grandchildren, but to all of us who enjoy the ’Commons’.” — Joe McBride, Emeritus Professor of Landscape Architecture and Environmental Planning at the University of California at Berkeley
The intense social and environmental fervour that arose in the 1960s and 1970s in response to assaults on the planet’s life support systems, degradation of communities, and socio-economic inequality unleashed revolutionary change at all levels of society. Out of the turmoil of that era, community-based ecological design emerged as a powerful creative force for reshaping the commons, bringing people together, and forming ecologically sustainable relationships with the environment. The stories in this book reveal how the revolution has played out in reconceiving public places in the landscape of every-day life in northern California. The text focuses on the broad human, social, environmental, and cultural aspects of place-making to create liveable, inclusive, sustainable, and treasured spaces. The aesthetic experience of each place is revealed through photos, diagrams, sketches, and plans. Success stories like these offer hope, so sorely needed, for dealing with the seemingly insurmountable current assaults on earth’s life support systems.

This alternative guidebook is travel writer Ellie Walker-Arnott’s personal ode to her stunning and always intriguing home country. She takes you off the beaten track to hundreds of curious and unexpected places and reveals hidden places that tell an interesting story and will make you marvel. The book covers an eclectic range of alluring themes such as seaside secrets, historic spas, modernist architecture, adrenaline adventures, chocolate-box villages, sleepovers in incredible buildings and many more.

Micronesia, Hawaii, Polynesia, Bora Bora, Seychelles, Maldives, Australia – where does the mind go when imagining such places. Drawn from the best travel blogs and Instagram images, this book brings together the most beautiful locations near, on, or under water. From eco resorts to remote, pristine islands; from sailing on ultra-blue oceans to diving in translucent waters; in aerial and underwater photography, the focus is on finding paradise. Whether thinking about a trip or longing for sun and sand, this book is where those daydreams begin.

The 500 Hidden Secrets of Seattle reveals 500 off-the-beaten-track places and interesting details for anyone who’s keen to explore Seattle’s best-kept secrets, e.g. 5 great places for seafood, 5 places to satisfy your sweet tooth, 5 great LGBTQ+ bars, the 5 best views in the city, 5 quirky buildings and structures, 5 swimming spots for hot days, 5 great birding spots… and much more.

This book does not view golf as a competition, but as a cultural phenomenon. Its focus is on the places, spaces, and structures that shape the game: landscapes with a distinct character, courses with architectural logic, and rituals that have evolved over decades. This book is intended for those who do not want to learn golf, but to understand it. In carefully curated chapters, the volume traces the game from its origins — at places such as the Old Course at St Andrews, Prestwick, and Royal Dornoch — to iconic courses like Augusta National and Pinehurst No. 2, and on to lesser-known favorites cherished by connoisseurs. The perspectives of golf professionals are complemented by insights into golf travel and places where the game can be experienced in a particularly distinctive way, as well as by chapters on etiquette and the unwritten rules that have always shaped golf.

“In this abridged extract from Don’t Be A Tourist In London, Vanessa Grall suggests a few places to start a conversation in London… and one place to go and listen.” — Londonist

“Discover the capital’s secret spots with Vanessa Grall’s new book.” — Country and Town House

“The cliché says that when one is tired of London, one is tired of life – but I think this book might help some to rediscover the joys of both… there’s probably enough here to keep you going for things to explore for the next decade.” — Amateur Photographer

“This book will encourage the wanderer within. It is a true traveller’s companion as much as a beautifully designed collectable for your bookshelf.” — Polo Lifestlye
Discover the secret recipe for becoming an artful traveller in a messy world.

Don’t be a Tourist in London offers an escape route from the typical tourist itinerary to the British capital, unlocking a vault of thoughtfully-curated itineraries, local secrets, insider advice and little-known urban anecdotes.

For the third instalment of the best-selling Don’t be a Tourist series, the author takes us to her hometown to rediscover the personal joy of travel, following our instincts – not the tour buses. Each episode’s journey has its own mood, inspired by different traveller mindsets shaped by life’s relatable challenges and familiar emotions like heartbreak, career hurdles or strong personality quirks.

This book will encourage the wanderer within. It is a true traveller’s companion as much as a beautifully-designed collectable for your bookshelf. Within the pages of this beautifully bound hardback, you will find…

Secret Restaurants; Time Capsule Pubs; Cosy Hideaways & Unique Date Ideas; Unexpected alternatives to major museums; Film-worthy Walks & Quaint neighbourhood Discoveries; Hip London Hangouts; Aladdin’s Caves & booklover Havens; Places to be creative; Obscure/ Underground Adventures; Places to entertain the kids (or the kid in you!); Budget-friendly life-savers; Endless good-to-know advice and fascinating anecdotes.