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In The 500 Hidden Secrets of Stockholm Antonia af Petersens shares 500 must-visit places in her hometown, as well as good-to-know facts. The aim of this book is to get you started on discovering the best of Stockholm behind its idyllic, water-surrounded façade. Overrated tourist fodders have been left out in favour of tucked-away finds that will surprise both foreign visitors and savvy residents. Expect to discover quirky details and interesting facts about famous places and timeless favourites to learn about the secret gems where you can imbibe the genuine atmosphere of Stockholm.

Also available: The 500 Hidden Secrets of Berlin, The 500 Hidden Secrets of Copenhagen, The 500 Hidden Secrets of Brussels, The 500 Hidden Secrets of Paris, The 500 Hidden Secrets of Amsterdam, and many more. Discover the series at the500hiddensecrets.com

In 2015, David Pollock began a series of drawings on his sketchbooks and photographs from 30 years of travelling. This book includes these studio paintings, as well as images from the sketchbooks, depicting people and places in the Balkans, Botswana, Ecuador, France, Guatemala, India, Indonesia, Malaysia, Myanmar, Laos, Peru, Italy, Scotland, Sri Lanka, Thailand and Vietnam.

Michael Gericke is one of the most influential graphic designers in the world today. This much anticipated monograph covers four decades of work by the acclaimed graphic designer and Pentagram partner. Lavishly illustrated throughout at close to 500 pages, the book is driven by a celebration of places, telling stories, and making images and symbols – predominantly through Gericke’s work with projects for buildings, civic moments, exhibitions and visual identities, including for posters, magazines, New York’s AIA chapter (America’s largest) and the Center for Architecture that, through graphics and images, continues to portray the spirit of architecture and design in New York City today. Prefaced by the prize-winning architect Moshe Safdie, with commentary by Pulitzer Prize-winning architectural critic and educator Paul Goldberger, this encyclopaedic compilation is a must for all collectors and aficionados of contemporary design, branding, and visual identity.

If you’re lucky enough to have lived near a mountain, you know its magnetic energy and how its profile becomes a familiar part of your daily back drop – one that transmits peace as you go about your busy day. There are peaks of disarming beauty in this world; ones that will take your breath away for their aesthetic alone, but also for their story, their history, and their spirituality. These are those stories; these are those wonderful peaks.

Mountain peaks included: DENALI, Alaska, USA; MAUNA LOA, Hawaii, USA; HALF DOME, California, USA; RORAIMA, Venezuela/Brazil/Guyana; ALPAMAYO, Peru; HUAYNA PICCHU, Peru; LICANCABUR, Chile/Bolivia; CERRO TORRE, Argentina/Chile; KIRKJUFELL, Iceland; MONT BLANC, France/Italy; MATTERHORN, Italy/Switzerland; THE CIME DI LAVAREDO, Italy; KILIMANJARO, Tanzania; TABLE MOUNTAIN, South Africa; ARARAT, Turkey; DAMĀVAND, Iran; NANGA PARBAT, Pakistan; LAILA PEAK, Pakistan; K2, Pakistan/China; KAILASH, China; EVEREST, Nepal/China; AMA DABLAM, Nepal; FUJI, Japan; ULURU, Australia.

“If you really want to get under the skin of a city, the 500 Hidden Secrets series, which covers a number of cities from Havana to Ghent, all written by people who know the cities inside out, is ideal. It’s an innovative and refreshing take on the traditional travel guide.”The Independent

For tourists who want to avoid the well-known tourist spots and discover the locals’ favourite addresses, and for residents who want to get to know their city even better. Written by born and bred Amsterdammers, the book includes lists such as the 5 best secondhand markets, the 5 most inspiring museums and the 5 best places to listen to live music, with a total 500 addresses and facts that few people know. Includes extensive maps and a comprehensive index. 

In the 1970s many thousands of young persons travelled from Europe to Asia on the Hippie Trail in search of adventure, spiritual enlightenment, and personal discovery. Their sprawling, free-wheeling escapades changed their lives and the places they visited. While the overland route between Amsterdam and Kathmandu no longer exists, its stopovers in India — Pushkar, Rishikesh, Hampi, Goa, and the Pushkar Valley — continue to attract counterculture travelers from throughout the world. And just as the visitors have absorbed experiences and material culture, even spiritual wisdom, from their Indian hosts, so, too, have local residents learned a thing or two from their hippie guests. During the past half century, an intense cultural intermingling has taken place in these distant locales, where lifeways, architectures, and philosophies are exchanged as freely as costumes, music, and hairstyles. This photographic book, the first of its kind, vividly captures the beguiling love affair between East and West in its portrayal of modern-day India and the free-spirited people who travel or reside there — Westerners and Indians, alike. Acclaimed essayist and travel writer Pico Iyer wrote the book foreword entitled “The Long Strange Trip.”

Brittany is wild and full of culinary passion – where the salt of the Atlantic meets the warmth of Breton hospitality. A Taste of Brittany invites you to experience this region at its most authentic: restaurants, bistros and crêperies open their doors and share their best recipes as well as their very own insider tips. From hand-rolled galettes and freshly caught langoustines to cider chicken with a modern twist, this book brings together the full breadth of Breton cuisine with stories about people, places and rituals. Atmospheric photography and vivid writing make it the ultimate culinary travel companion for lovers of France – and for all those who are about to fall for it.

Where are the best places in Copenhagen to experience New Nordic cuisine? What are the best places to shop for Scandinavian furniture, fashion, and design? What are the best spots for natural wine? Where can you find the best nature trails and waterfront walks? Where are the city’s small, independent cinemas? Which museums are best to visit on a rainy Danish day? What is smørrebrød and where can I try it? What is Copenhagen’s best artisanal coffee? The 500 Hidden Secrets of Copenhagen reveals the answers to these (and many other) questions. Discover a diverse range of under-the-radar, yet outstanding addresses that will allow you to explore the best of the city away from the typical tourist crowds. This is a book for visitors who want to avoid the usual tourist spots and for residents who are keen to track down the city’s best-kept secrets.
Also available: The 500 Hidden Secrets of Stockholm, The 500 Hidden Secrets of Hamburg, The 500 Hidden Secrets of Munich, The 500 Hidden Secrets of New York, The 500 Hidden Secrets of Berlin, The 500 Hidden Secrets of London and many more. Discover the series at the500hiddensecrets.com

Our Voices II: The DE-colonial Project will showcase decolonising projects which work to de-stable and disquiet colonial built environments. The land, towns, and cities on which we live have always been Indigenous places yet, for the most part our Indigenous value sets and identities have been disregarded or appropriated. Indigenous people continue to be gentrified out of the places to which they belong and neo-liberal systems work to continuously subjugate Indigenous involvement in decision-making processes in subtle, but potent ways. However, we are not, and have never been cultural dopes. Rather, we have, and continue to subvert the colonial value sets that overlay our places in important ways.

These pages tell the story without words of a journey through Spain in which the author, the photographer Fernando Manso, visited unknown and hidden corners and captured them on the plates of his large-format camera. From the remotest parts of Galicia to those of Almería, he passed through coasts, deserts and mountains, stopping at old churches, ghostly castles or majestic cathedrals, in forests and gorges, at natural pools and salt mines, and at cemeteries, Arab baths and hermitages carved out of the rock.

Fernando has made the light of these places into the leading figure of his journey. His is a different light, as he has relinquished blue skies and brilliant sunshine, often the stuff of clichés, to make way for visions of places that appear to us with such intimate truth that even if we know them, we can barely recognise them. This is thanks to his technique, his art and the patience with which he waits for the light.

Fernando’s luxury is being able to use all the time in the world to draw us into an artistic heritage that is sometimes secret and hard to reach, and which the viewer has to know how to see. He reveals these places, often in danger of disappearing, after detailed investigation. Both architecture and landscape – for he knows that natural scenery is also a major patrimony that has to be affectionately preserved and protected from speculation – belong to all of us, and we are responsible for their care. We must be aware of this.

The result of that trip is this publication, with beautiful images in reproductions of exceptional quality that present us with a vision of Spain in a different light.

For more than 20 years, photographic artist Tobias Madörin has been working on his series Topos. Metropolises like Barcelona and São Paulo, a Swiss mountain resort like Grindelwald, or foreign countries like Uganda, Indonesia and Japan: with his large scale images he explores dwellings and landscapes. Madörin creates tableaux, similar to 19th-century painters. His particular interests are places where people gather, places on the outskirts of cities along arterial roads, waste disposal sites, or areas changed and scarred by agriculture and mining. He understands such places as products of human visions and ideals, but also as result of exploitation and greed, as sites of fight for survival. Tobias Madörin – Topos is the first monographic book on Madörin’s work, presenting his most important pictures from twenty years. An essay by the journalist and art critic Nadine Olonetzky comments Madörin’s oeuvre and puts it in context of contemporary photography and the history of representing landscapes and cities. Text in English & German.

We build fountains — those vibrant symbols of life and physical embodiments of beauty — to mark and celebrate our favoured places. This act is an honour to all, and like listening to music, it is understood on an intuitive level. We also build fountains to commemorate life. Water is the basis for, and the symbol of, life. Many fountains are articulated to recognise some person, institution, or idea. Those particular recognitions are fused with water’s deeper symbolism to convey everlastingness to the identities being celebrated.

Fountain Safari places on the shelf a sharply focused, comprehensive, useful, entertaining, and hopefully lasting survey aimed to provide a panoramic portrait of the fountain class of artistic endeavour. The material attends especially to the aesthetics of water expression by examining numerous esteemed examples. In the process, a sketch is roughed out of the evolution of fountains over some two millennia and across several cultures. Ultimately, the work attempts to deepen the understanding and appreciation of water features by identifying and clarifying their most essential aesthetic qualities.

Fountain Safari is written for design professionals, architects, landscape architects, urban designers, planners, students of the arts or the built environment—and everyone else interested in the engaging, one-of-a-kind subject of fountains.

In this ode to the charms of Paris and Parisian style, Belgian photographer Henk van Cauwenbergh captures the essence of the city’s most iconic venues and its perennially chic denizens. He seeks out the culinary hotspots of Paris and turns his camera on the places to see and be seen. Inspired by the microcosm of Saint-Germain, his Paris is imbued with the spirit of the places where people gather: the casual efficiency of waiters at Les Deux Magots and the Café de Flore, the boisterous atmosphere of Brasserie Lipp. Long influenced by urban and innate style of Serge Gainsbourg, Charles Aznavour, Catherine Deneuve, and Jeanne Moreau, van Cauwenbergh’s Paris is one of seduction and nonchalance, of beautiful women, and the heady emotions of first love.

For decades municipalities in Lower Austria have cooperated with the provincial government to provide families with – mostly free – kindergarten places near their homes. In December 2007 regulations came into force that allow children from the age of two-and-a-half to enter kindergarten, as opposed to the age of three previously. This led to the creation of additional kindergarten places.
From 2008 and almost concurrently, more than three hundred municipalities set out to implement this expansion programme. Within three years 667 additional classes were created and some 65% of the infrastructure of Lower Austrian public kindergartens renovated. This enormous number of architectural impulses has literally reformed the kindergarten scene in Lower Austria like nothing that went before. A unique architectural, logistic and economic achievement and an infrastructure project without parallel anywhere in the world.

The Eiffel Tower in China? Sebastian Acker: Traces of Other Places unites photos, film stills, and notes from an often surreal-looking journey undertaken by the Berlin-based artist Sebastian Acker (*1981) and his collaborator, Phil Thompson, through China’s copy-laden landscape, where not only have they erected sections of European cities, but also built a replica of an entire Austrian village. Simultaneously contemporary and anachronistic, the pictures in the book resist simple definitions of authenticity and imitation, not only by examining the theme of the reality experienced in the replicas, but also by shedding light on the tourism industry’s performative promotion of the European originals.

Text in English and German.

New places, new faces who make the best of Marrakech: from the Palais Rhoul to the princely refuges, Moroccan gastronomy, parties in the desert, and the emblematic treasures that define the magic of the red city. Also admire the Palace of Adriana Karembeu and the princely riads hidden in the medina, true jewels of elegance and mystery. As for flavours, let yourself be seduced by the Moroccan cuisine of chef Moha Fedal.

Admire the hobby horses at Sahbi Sahbi. Live unique experiences: hot air balloon flight at sunrise or magical parties under the stars in the Agafay desert. This book reveals the new places and emblematic figures of Marrakech, such as Don Diego and his festive evenings.

Relive the splendour of the legendary Palais Rhoul Marrakech, a timeless institution where magic and a change of scenery meet. A tribute to the Marrakech art of living, between tradition and modernity, which makes this city an iconic destination. Best of Marrakech is an invitation to explore a city in perpetual reinvention, where each corner reveals a unique story and emotion.

Text in English and French.

This book is about architecture, but not about formal architectural images. It is about the people who inhabit and use buildings and places. It is about the people who have made and will make buildings and places. It is a book about subjects and themes that directly impact the lives of the people who will utilize these efforts.

All these issues open the door to the systematic investigation of the question of value, of what works and what does not, of what is good and bad. Inside the academy, it questions the accepted dogma of subjectivity and neutrality in traditional teaching, particularly as it applies to subjects of taste and perception in architecture. Outside the academy, it requires a willingness to engage with the community in ways much different from traditional detached observation and recordation. The result is a much different and much more sensitive relationship between architects and their clients, teachers and their students, and even between students and their peers.

Effectively, it points to the need of a seminal change in the way we look at the production of architecture as a whole today. Nothing is lost: not beauty, not individuality, nor the eagerness to experiment with form. The wonder of it all is that there is everything to gain.

A new title in the Design series and an excellent introduction to the life and work of this versatile Russian artist. Alexander Mikhailovich Rodchenko (1891-1953) was a central figure in the Russian Constructivist art movement; a radical activist, a pioneer of photomontage, a theorist, and a teacher. He was an active force in the organization of the first museums of modern art that arose in Russia in the first years after the Russian Revolution of 1917. Attending art school in 1914 in Kazan was to be a defining influence: that year Russian Futurists performed in the town, and Rodchenko saw their leading figures in action. It transformed his vision and he was still working with Futurist artists and their ideas twenty-five years later. And it was at art school where Rodchenko first met the artist Varvara Stepanova, with whom he collaborated extensively, and who would become his life-long partner. Central in the re-examination of art and its place in society after the Revolution, and in the search for a new culture without the class implications of the past, Rodchenko’s radical approach proposed a new understanding of a constructed, rather than a tastefully composed, culture. This concise, comprehensive and informative work focuses largely on Rodchenko’s graphic work in the form of book jackets, posters and advertising. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: “A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb.”
Also available: Claud Lovat Fraser ISBN: 9781851496631, GPO ISBN: 9781851495962, Peter Blake ISBN: 9781851496181, FHK Henrion ISBN: 9781851496327, David Gentleman ISBN: 9781851495955, David Mellor ISBN: 9781851496037, E.McKnight Kauffer ISBN: 9781851495207, Edward Bawden and Eric Ravilious ISBN: 9781851495009, El Lissitzky ISBN: 9781851496198, Festival of Britain 1951 ISBN: 9781851495337, Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719, Jan Le Witt and George Him ISBN: 9781851495665, Paul Nash and John Nash ISBN: 9781851495191, and Abram Games ISBN: 9781851496778.

Terry O’Neill (1938-2019) was one of the world’s most celebrated and collected photographers, with work displayed and exhibited at first-class museums and fine-art galleries worldwide. His iconic images of Frank Sinatra, The Beatles, Brigitte Bardot, Faye Dunaway, and David Bowie – to name but a few – are instantly recognisable across the globe.

Now, for the first time, O’Neill selects a range of images from his extensive archive of “vintage prints”, which will surprise and delight collectors and photography lovers alike. Long before the age of digital, photographers would send physical prints to the papers and magazines. These prints were passed around, handled by many, stamped on the back, and often times captioned. After use, the prints were either filed away, thrown out or – for the lucky few – sent back to the photographer or their photo agencies.

At the dawn of the 1960s, when O’Neill’s career began, physical prints were the norm. Terry kept as many as he could that were sent back to him. “I just kept everything,” he says. “I don’t know why. Back then, there wasn’t really a reason to keep them. Photos were used straight away and then I just moved on to the next assignment. No one was thinking these would be worth anything down the line, let alone fifty years later.”

This book collects hundreds of these rare images, a true must for Terry’s fans and photography collectors.

Terry O’Neill is one of the greatest living photographers today, with work displayed and exhibited at first-class museums and fine-art galleries worldwide. His iconic images of Frank Sinatra, The Beatles, Brigitte Bardot, Faye Dunaway, and David Bowie – to name but a few – are instantly recognisable across the globe. Now, for the first time, O’Neill selects a range of images from his extensive archive of “vintage prints”, which will surprise and delight collectors and photography lovers alike.
Long before the age of digital, photographers would send physical prints to the papers and magazines. These prints were passed around, handled by many, stamped on the back, and often times captioned. After use, the prints were either filed away, thrown out or – for the lucky few – sent back to the photographer or their photo agencies.
At the dawn of the 1960s, when O’Neill’s career began, physical prints were the norm. Terry kept as many as he could that were sent back to him. “I just kept everything,” he says. “I don’t know why. Back then, there wasn’t really a reason to keep them. Photos were used straight away and then I just moved on to the next assignment. No one was thinking these would be worth anything down the line, let alone fifty years later.”
This book collects hundreds of these rare images, a true must for Terry’s fans and photography collectors.

In 1908 Peter Behrens recruited the young Walter Gropius in his architect’s office – but threw him out again in 1910. Gestalt und Hinterhalt [Form and Attack]
places a tongue-in-cheek focus on relationships among artists that revolved around the Bauhaus and Darmstadt’s artists’ colony Mathildenhöhe, Germany. We gain insights into the numerous love affairs of Alma Mahler, and follow Herbert Bayer, who set off from Darmstadt to Weimar, and soon toppled Walter Gropius’s second marriage.

This book narrates the story of Bauhaus in a way never told before – through not only the successes and talents of those involved, but also through their failures and failings.

Text in German.

As elsewhere in the world, mountains have been instrumental in defining identities in Switzerland. The theme has not ceased to fascinate artists and mountain landscapes have attracted photographers since the earliest days of the new art, when masterful work was produced during the last decades of the nineteenth century. Today mountain chains are seen differently, recognised as having an unsettling fragility in the face of their occupation by human beings. What remains of the myths linked to mountains? Are mountains still a source of inspiration for today’s artists? How do perceptions of them shift as their populations disappear, and references are increasingly centred on an urban existence? High Altitude provides some of the answers to these questions. This book has been conceived as a companion to the Swiss photography festival, Alt. +1000, held in Rossinière, a well-known village in the foothills of the Alps. High Altitude features works of contemporary photographers who record mountains in their various and multiple states: spectacular, sublime, domesticated, constructed (even artificial!) and frightening. Young artists from around the world, many of whom live far from a mountainous environment, celebrate and challenge deeply-rooted myths, and each in his own way tries to interpret this elusive landscape. The famous landscape photographer Olaf Otto Becker (Germany 1959), renowned for his views of Greenland, has been invited to make a portrait of a natural park situated close to the festival. He was chosen for the breathtaking beauty of his work, a beauty that nonetheless reminds us that nature is being radically modified by climate change. Unspoiled nature versus mountains altered by man is the theme interpreted by talented artists, whose visions are far removed from those of tourist postcards. Text in English and French.

EUROPAN is an initiative that puts on competitions for young architects. Founded in 1989 and supported by 13 countries in the EU, it runs a competition every two years for innovative and experimental models in urban development. The 2017 and 2019 EUROPAN competitions focused on the topic Productive Cities. The 2019 edition involved more than 900 planning teams from all over Europe, who prepared proposals for 47 towns.

This book features the 12 winning submissions to the 2019 Productive Cities 2 competition for the Austrian cities Graz, Innsbruck, Villach, Weiz, and Vienna. They are presented in great detail through photos, drawings and visualisations, along with commenting texts. The projects focus on architectural and urban-planning interventions and processes. They offer innovative concepts for the use of public space as well as holistic solutions for sustainable construction and models for cross-functional use of space. The book is a rich source for trend-setting ideas about our future cities and the development of a new urban lifestyle.

The biblical metaphor of a “Land of Milk and Honey” has denoted for millennia a prophecy and promise for plenitude. This book, published in conjunction with the Israeli Pavilion at the 17th International Architecture Exhibition of the Venice Biennale, examines the reciprocal relations between humans, animals, and the environment within the context of modern Palestine-Israel, and demonstrates how this promise has become an action-plan over the course of the twentieth century.

Through this lens, Land. Milk. Honey investigates how colonialism, settlement, urbanisation, infrastructure, and mechanised agriculture radically reshaped the environment of the contested territory of Palestine-Israel, and altered human-animal relationships. It shows how the celebrated metamorphosis of the region into a prosperous agricultural landscape was entangled with irreparable damage to the local fauna and flora, as well as the disruption of human communities and ways of living. And it highlights the predicaments that both the environment and its inhabitants are facing after the territory has over a century been the test bed of modernist aspirations for plenitude.

The fundamental changes the region has gone through are portrayed through the stories of five local animals: cow, goat, honey-bee, water-buffalo, and bat. These case-studies and a zoo-centric analysis construct a spatial history of a place in five acts: Mechanization Territory, Cohabitation, Extinction and the Post-Human. A rich collection of literary excerpts, historical documents, archival photos, as well as short original vignettes brings about the story of this remarkable transfiguration and redesign.