The stomach is not only the way to the heart. In a humorous way, the cookbook by Gabriele Edlbauer and Julia S. Goodman, two artists living and working in Vienna, addresses complex feelings and hard truths through chicken recipes. Similar to Engagement Chicken, published by US cookbook author Ina Garten, the 18 recipes in If You Can’t Say It with Words, Say It with Chicken are designed to help readers communicate emotionally difficult announcements.

In developing the book, the authors were inspired by their very different cultural backgrounds. Julia Goodman’s ancestors were mostly Eastern European Jews who emigrated to the USA at the beginning of the 20th century. Gabriele Edlbauer on the other hand grew up on an organic farm in the predominantly Catholic Mühlviertel region of Upper Austria. The artists worked together to create not only the recipes, but also the props, sculptures, and tableware. In order to highlight the emotions associated with these dishes, the meals were staged in various culinary locations, some of them very unconventional: for example, in a sterile doctor’s surgery in Vienna or in a friend’s dimly lit bathroom.

The result is a book filled with emotional recipes. Accompanied by creative serving suggestions, it invites you to express yourself through chicken!

This major retrospective catalogue accompanies the first institutional exhibition focusing on the visual works of art by Stanley Donwood and Thom Yorke. The majority of the paintings, drawings and digital works were specifically made for Yorke’s internationally celebrated band Radiohead, formed in Oxford in 1985. The book is beautifully designed in the same size as a record cover and features iconic artworks from the 1980s until today, relating to Radiohead albums, their covers and promotional band images, as well as sketchbooks and rare materials from their archives that have never before been published. It offers fresh views on the art of album covers, exploring the complex relationship between visual art and music.

Radiohead was formed in Abingdon, Oxfordshire, in 1985. The collaboration with the artist Stanley Donwood began in 1994 when the band was developing their second album, The Bends, which was released on 13th March, 1995. 2025 is therefore the 40-year anniversary of the band and the 30-year anniversary of the release of The Bends. The catalogue’s focus is upon the art produced by both Stanley Donwood and the band’s lead vocalist, Thom Yorke presented chronologically. Radiohead’s popularity has never waned and they have a strong core following and new fans (many of who are the children of ‘original’ fans).

The high-quality reproductions are complemented by exclusive interviews with the artists, and essays by Alex Farquharson, Nico Kos Earle, Benjamin Myers, James Putnam and Jennifer Ramkalawon.

A major retrospective is held at the Ashmolean Museum from August 2025 to January 2026.

For many years the artist Rachel Lee Hovnanian has been analysing the drifts of our hyper-technological and hyper-connected society. She presented at the 59th Venice Biennale, Angels Listening, an interactive exhibition featuring seven large-scale bronze angels staged around a silver confessional box, each figure rendered in silence with its mouth “taped” shut.

Viewers were invited to participate by relinquishing their innermost thoughts, whether repressed due to fear of judgement or sheer inability, by writing them onto pieces of ribbon, placing these ribbons into The Cathartic Box, and ringing the awakening bell, a symbol of the role of the angels as mute listeners.

At the end of each day all of the new messages were compiled onto prayer-like mats and dispersed throughout the exterior gardens for future visitors to encounter and share as a collective stream-of-consciousness.

This book shares those messages. In listening to these stories, perhaps it is people who become the angels listening.

In her practice, Rajkamal Kahlon recuperates drawing and painting as sights of aesthetic and political resistance. Submitting the lingering spectre of colonialism in historical and contemporary archives to a transformative process of deconstruction and intervention, the artist proposes painting as a strategy of radical care. Her sensual, humorous, formally rigorous artworks address the reclamation of humanity for racialised, gendered and indigenous communities that have been distorted, erased or maligned, thus allowing for their rehabilitation.

This catalogue documents a selection of works from over 20 years of Kahlon’s practice. In addition to comprehensive visual material, the publication features three new essays as well as an extensive interview with the artist. 

“As enterprises embrace AI and automation, three challenges emerge: empowering employees as roles shift, enabling continuous reskilling without disruption, and creating real synergy between AI and human talent. Drawing from real-world transformation programs, this book offers a practical playbook to address these shifts – not with theory, but with actionable strategies, proven tools, and human-centric design. The new AI era demands more than technology; it demands a reimagined employee experience that fuels performance, personalizes learning, and strengthens coaching. When done right, this isn’t just adaptation. It’s transformation, helping people stay relevant, resilient, and ready for what’s next.” — Gal Rimon, Founder and CEO, Centrical

“With clarity and structure, this book turns the overwhelming topic of AI into the confidence leaders need to simply get started.” — Eline Lostrie, Co-CEO, nexxworks

AI Will Replace You shows how organisations can let go of their fear of AI and instead embrace this technology as a lever for growth. Using the practical and accessible AI Navigator framework, you’ll discover how to effectively embed AI into your strategy, get your employees on board, and prepare your organisation to become an AI leader.

In interior design, colour is one of the most potent instruments to create mood and personality. Whether the palette aims at quiet harmony or full-blown colour contrast, a colourful home is always fun, uplifting and welcoming. Interior photographer Helenio Barbetta shows us the way, with 20 homes that stand out thanks to their purposeful use of colour. Author Kurt G. Stapelfeldt investigates how these interiors are shaped by their hues, and how colour choices reflect the personality of the inhabitants.  When used thoughtfully, colour transforms any space into a personal sanctum. From floor-to-ceiling colour to small bursts of colour, from dark classic blue to bright citrus yellow: All You Need is Colour shows the many ways in which we can use colour to liven up our living quarters.  

I’ll Remember You by the Swedish photographer Jonas Dahlström is a poignant portrait of his father, who suffers from Alzheimerʼs. During his visits, Dahlström uses his fatherʼs camera to capture and preserve their moments together. Their shared passion for photography serves as a way of evoking the memories that remain—a link between the past and the present, between father and son. As his father sinks deeper into dementia, photography increasingly becomes a tool to help the author cope with the painful experience of witnessing his fatherʼs gradual decline. Through the camera lens, he confronts his fear of growing old and the eventual loss of his own memories.

Jonas Dahlström’s first book 07:27:47 was published by Kerber Verlag in 2020. It has won numerous international prizes and awards. Since then, he has been working on I’ll Remember You.

In Are You not Entertained?, Luxembourg-born photographer Joseph Tomassini (b.1963) explores the fragility of our current existence. Among the tangled undergrowth of promise and emptiness, and the search for meaning and existential disquiet, he distills a space for openness and reflection from photography and language. His images are not snapshots for the information flood that characterises the digital age, but rather peaceful fragments that invite the viewer to pause. These images are juxtaposed with texts based on press headlines that have been transformed into lyrical form with the help of AI. The resulting story emerges in an intimate way while addressing universal conflict issues. Between the crises of the Anthropocene age and the overabundance of information, despite all the doubts, flashes of love, hope, and tenderness are revealed again and again.

You Should Consider… brings together texts by American architecture critic Richard Ingersoll (1949–2021) from five decades, published in magazines such as Domus, Arquitectura Viva, and Lotus: critiques of key buildings and personalities, and reflections on topics and trends in architecture since the 1970s. The collection also offers a selection of his compelling editorials in the groundbreaking magazine Design Book Review, which he directed as editor-in-chief in the period 1983–98. Contributions by architectural historian Kenneth Frampton and architects John A. Loomis and Luis Fernández-Galliano place Ingersoll’s work in historical context.

Ingersoll was one of the most eloquent and astute architectural critics of his generation. Although born and educated in California, and heavily influenced by Spiro Kostof, his mentor at the University of California, Berkeley, Ingersoll’s intellectual, cultural, and architectural outlook is essentially European, and more especially Italian, where he spent most of his working life. This European sensibility is expressed in many of the texts in this collection, in which he persistently writes about the need for diversity and equality, as well as a more sympathetic approach to the environment—decades before others realised the importance of these causes. Intelligence and clarity, astute analysis, vivid imagery and conciseness, as well as a subtle sense of humour, characterise Ingersoll’s captivating prose.

This book is a compilation of four decades of pictures taken in places familiar and remote. It is entirely of the film era and ends with the 20th century. In Jeffrey Heller’s 20s and 30s, he had two professions—he was working as an architect as well as a professional photographer, burning the candle at both ends. He had briefly studied with Ansel Adams and for a year with Minor White. In his mid-30s, he realised that he could not continue both professions and decided to make architecture his primary calling and photography his artistic outlet. This freed Heller to photograph as he wished, and he took his cameras with him wherever he went, whether the travel was vacation or business he would make time to photograph. Heller always used professional equipment and took his photography as seriously as his architecture. Heller worked with his wife, a photographer and artist herself, and went through probably 2000 images to select the ones for this book. The book is from a wide range of places, but the emphasis is on the image and not the place. The photographs are an impression in time and character and visual content. 

More than other painters, the Impressionists wanted to shake off the dust of the studio, and swarmed the noisy streets of Paris, filling the cafés and living in garrets and humble little dwellings on the hill of Montmartre, which still seemed like the countryside at the time, its slopes covered with vineyards and vegetable gardens. Nor did they limit themselves to the city, planting their easels in the clearings of the forest of Fontainebleau, on the coast of Normandy, in the rustic villages in the Oise Valley and in Bougival and Argenteuil on the banks of the Seine. Like their Naturalist friends Zola and Maupassant, they liked to mix with the locals so they could experience the places directly, painting everywhere, even on a boat, like the one where Monet had his floating studio.

Have you ever seen a place that leaves you breathless… and with a million questions?! Well, check these out! Fifty of the world’s most mysterious places – those made by man and those gifted by nature. Places that stimulate curiosity and everyone’s truly innate desire to learn and know more!

Locations included: Stonehenge (Great Britain); Loch Ness (Great Britain); Fingal’s Cave (Great Britain); San Juan de Gaztelugatxe (Spain); Quinta da Regaleira (Portugal); Alchemical Caves (Italy); Gardens of Bomarzo (Italy); Carnac Stones (France); Paris Catacombs (France); Devil’s Bridge (Germany); Black Forest (Germany); Crooked Forest (Poland); Hessdalen Lights and Aurora Borealis (Scandinavia); Hoia Baciu Forest (Romania);
Krudum Hill (Czech Republic); Buda Castle Labyrinth (Hungary); Dargavs (Russia); Mammoth Bone Buildings (Ukraine and Russia); Tunnel of Love (Ukraine); Pamukkale Thermal Pools (Turkey); Giza Necropolis (Egypt); Eye of the Sahara (Mauritania); Fairy Circles (Namibia); Gates of Hell (Turkmenistan); Vaitheeswaran Koil (India); North Sentinel Island (India); Heizhugou Forest (China); Terracotta Army (China); Genghis Khan’s Grave (Mongolia); Mysterious Road (South Korea); Ise Shrine (Japan); Plain of Jars (Laos); Marine Bioluminescence (Maldives); Slope Point (New Zealand); Devil’s Sea (Pacific Ocean); Mariana Trench (Pacific Ocean); Abraham Lake (Canada); Bermuda Triangle (Atlantic Ocean); Area 51 (USA); Sailing Stones at Racetrack Playa (USA); Naica Mine (Mexico); Island of the Dead Dolls (Mexico); Snake Island (Brazil); Enchanted Well (Brazil); Catatumbo Lightning (Venezuela); Uyuni Salt Flat (Bolivia); El Ojo, the Rotating Island (Argentina); Nazca Lines (Peru); Machu Picchu (Peru); Easter Island (Chile).

Ages 8 plus.

Shaped Places of Carroll County New Hampshire expands upon an award-winning speculative urban design project by the architecture and design practice EXTENTS, led by McLain Clutter and Cyrus Peñarroyo. The project investigates the complex reciprocity between who we are and the shape of where we live; between identities and the built environments that support them. In doing so, Shaped Places creates a dialogue between seemingly disparate discourses spanning from critical geography, to formalist art criticism, to the urbanisation strategies of the early 20th century Russian avant garde. The role of the rural-urban divide in affirming the divided political landscape in the United States is a central theme in the work. The project culminates in the design of three linear cities in Carroll County, New Hampshire. In each speculative urban design proposal, rural and urban patterns of development and divergent lifestyles are combined in urban design proposals intended to produce a functional body politic from a sharply divided population.

In its considered response to the globalisation of culture, HCMA has consistently achieved an architecture that is expressive of time and place, and uniquely interprets Canadian values of openness and inclusivity. The firm’s concentration on civic buildings denotes a deeply-rooted concern for community, and recognition that in contemporary pluralistic society’s schools, libraries and community centres are both symbolically and literally, the meeting places for all sectors of our communities regardless of demography, faith or ethnicity. What distinguishes HCMA’s design approach is its conceptual shift from the traditional departure points of form or function, to a more organic and humanist approach by which inhabitation of the building and its surroundings mediate the interface between these two opposing forces. While function implies an empirical definition of purpose, and form a pre-occupation with sculptural abstraction, inhabitation connotes an understanding that buildings should embrace the richness and diversity with which our lives unfold. Places: Public Architecture explores a selection of key projects by HCMA which offer insight into the firm’s specific approach to community building through public architecture. Featured projects many of which have been challenged by contemporary advancements in technology, include schools, libraries, fire halls, childcare centres, and more. Through the practice of architecture HCMA asks what is the future of the library, of education, and of public space in an increasingly online age? The book features critical text by accomplished writer Jim Taggart, professional photography, lucid architectural drawings, and details, as well as a look at the firm’s design process of iterative modelling/diagramming and research on contemporary topics.

Travel with nature and wildlife photographer Wouter Pattyn to explore 12 of the most beautiful nature reserves on the European continent. Along with photographs of stunning landscapes, Wild Places of Europe is a sourcebook of information for the adventurous traveller, including practical tips for booking your visit and taking the best photographs. Immerse yourself in these wonderful places and perhaps make plans to go to one yourself.

From Peter Pan’s Neverland to Alice’s Wonderland. From the Wizard’s Oz to King Author’s Camelot. Finally, an atlas where children can dive-in and explore all of their favorite imaginary worlds. The Atlas of the Imaginary Places includes 80 pages with captivating illustrations of over 10 fictional lands, accompanied by an experienced and charming guide highlighting the main sights and facts about each. Not to be missed: a final and original map! Ages 7 +

The continuation of a well-loved Top Ten series for kids! In Most Dangerous Places on Earth learn about the striking red, soda lake that sits below an active volcano in Tanzania! Discover Komodo Island, the Steamboat Geyser in Yellowstone National Park and the shipwrecks on Skeleton Coast.

This series encourages kids’ innate sense of curiosity and gets them excited to learn, starting with the world around them!

Age: 6+

“If you really want to get under the skin of a city, the 500 Hidden Secrets series, which covers a number of cities from Havana to Ghent, all written by people who know the cities inside out, is ideal. It’s an innovative and refreshing take on the traditional travel guide.”- The Independent
The 500 Hidden Secrets of Brussels is a guide to the Brussels that no one knows. It takes you to undiscovered art museums, forgotten squares and secret shops. The book doesn’t mention everything there is to see. There are already more than enough guides that cover the familiar tourist places. This book goes one step further and lists the places the author would recommend to friends if they asked him where to go in Brussels. Here you will find the 5 best places to eat frites, the 5 small museums that no one should miss and the 5 best record shops in town. The aim is to take the reader to the unexpected places that give the city its charm, like the restaurant on the top floor of the national library, or the metro station that is decorated with 140 characters from Tintin albums, or the art cinema that seats just 20 people. You do not have to do everything listed in the book, but you are urged at the very least to drink a Gueuze beer in one of the 5 best Brussels bars, eat at one of the 5 best fish restaurants, and visit one of the 5 best independent cinemas. If you do, you will begin to discover a city that no one else knows.
The 500 Hidden Secrets of Brussels offers a practical guide to Brussels’ finest places, and Derek Blyth covers all bases to ensure no visitor to the city is ever anything short of captivated. Packed with accessible, easy-to-read information summarised in handy lists, maps, itineraries, sections on food & drink, accommodation, green spaces, museums, galleries and shops; this guide is an essential resource for the inquisitive traveller.

mae Architects is an ambitious design led practice delivering high quality architecture, landscape and urban design. Established in 2001 and based in London, they have designed award-winning projects, mainly in the UK but also for in Copenhagen and Oslo, receiving extensive publicity and recognition. Places for Strangers illustrates a set of negotiated principles and creative attitudes that encompass mae Architects project portfolio, establishing their design work as exciting and innovative. This volume is a contemporary examination of the creative process; it is part manifesto, part manual and comprises texts written for newspapers and architectural journals facilitate discussion by illustrating the socio-political, ethical and formal concerns that need to be considered in architectural production today. Several of the firms’s projects are used to illustrate ‘key’ concepts and ideas that run as a continuous thread throughout.

Elizabeth Siddal is remembered as a Pre-Raphaelite supermodel and the muse and wife of Gabriel Rossetti. She is cast as a tragic heroine much like the Ophelia she modelled in the renowned Millais painting. But Elizabeth Siddal: Her Story overturns this myth. ‘Lizzie’ is presented as an aspirational and independent woman who knew what she wanted and was not afraid to let it be known.

With extraordinary stories, including previously undiscovered details of Siddal’s journeys across the UK and to the south of France, Jan Marsh reclaims Siddal’s narrative from the historical record. She brings new perspective to the post-natal, mental trauma Elizabeth suffered after a stillbirth. Furthermore, she casts new light on the renowned story of Siddal’s grave being exhumed for Rossetti’s poems.

Jan Marsh explores the finer, little known details of Siddal’s life, including her four months at art school in Sheffield, which Rossetti’s brother always denied. In addition to this, few will know how Siddal was often regarded as difficult and ungrateful.

Historical record tends to forget or misremember women, but with Elizabeth Siddal: Her Story, Jan Marsh forces us to take a closer look and see a very different picture. Siddal was not passive and lacking in agency, she was a woman with a strong mind, flourishing career and an admirable talent.

In 1994 painter John Hoyland made an unruly group of ceramic sculptures. Loaded with colour, humour and creatureliness, he dubbed them ‘these mad little hybrids’. They now appear remarkably contemporary, in sync with a broad range of recent and current sculpture. These Mad Hybrids: John Hoyland and Contemporary Sculpture presents the ceramics in dialogue with sculpture by Caroline Achaintre, Eric Bainbridge, Phyllida Barlow, Olivia Bax, Hew Locke, Anna Reading, Jessi Reaves, Andrew Sabin, John Summers and Chiffon Thomas.
Essays by co-curators Olivia Bax and Sam Cornish situate the ceramics within contemporary sculptural discourse and in relation to Hoyland’s deep personal engagement with sculpture. How and why could a sculpture be funny? How did sculpture help an abstract painter rethink his relationship with the High Modernist tradition and find a new relationship with the wider world? James Fisher considers hybridity in the guise of an imaginary dialogue with King Kong, while Hannah Hughes’s visual essay explores the Polaroid photographs that Hoyland employed to help move his dramatic and powerful imagery between two and three dimensions.

Published in association with Slimvolume.

Urban environments (including built, natural, and social environments) crucially impact children’s physical and psychological health, particularly in cities. Now children’s mentality and safety, and the freedom of travelling and playing have raised concerns in society. In this issue, trans-disciplinary discussions between scholars and practitioners in landscape architecture and environmental psychology, environmental behaviours, human engineering, public health, etc., as well as city managers, are encouraged to explore the ways to improve urban environments for children’s outdoor activities. With such a multi-disciplinary coverage, this issue aims to update landscape architects’ theoretical and methodological approaches to issues of children and urban environments, with a deeper understanding of their disciplinary competences, limitations, and challenges thus to find out their irreplaceable role in guaranteeing children’s well-beings.

During the 1890s and early 1900s Édouard Vuillard (1868–1940) produced a body of work that combines intimate subject matter with abstract form through the simplification of pictorial elements and observation of decorative fabrics and wallpapers. Through these devices he developed an art that is unashamedly decorative and yet always replete with subtle suggestions of deeper meanings. In balancing form and content, psychological drama and abstraction, his pictures are about as close to poetry as any artist’s, and all the more brilliant for their understatement and the near imperceptibility of their craft.

Illustrating many rarely seen paintings from private collections, this book offers a fresh look at the early career of this much-loved artist. Introduced by Chris Stephens, director of the Holburne Museum, and with an original essay by Belinda Thompson.