“…packed with superb colour photographs… This book is a wonderful companion to cathedral-crawling, not least in helping the crawlers work out what is, and what isn’t, worth seeing” – Simon Heffer, Telegraph“

A beautifully illustrated guide” — Premier Christianity

“[The] thrilling tale of the medium’s continuity… is set forth by Janet Gough, the erstwhile director of Cathedrals and Church buildings at the C of E, in her latest book, Divine Light” — World of Interiors

“I would recommend that you visit some of these cathedrals, book in hand.” — The Methodist Recorder

The stained-glass windows of England’s cathedrals illuminate interior spaces, communicate religious and other messages, and – perhaps – offer us a glimpse of heaven. This book tells the remarkable story of these much-loved works of art.

Divine Light features glass from every Church of England cathedral. It spans 900 years, beginning with the windows installed at Canterbury Cathedral following the murder of Thomas Becket in 1170 and representing every subsequent century in the history of English stained glass. Divine Light encompasses the Middle Ages, the Reformation, the hugely productive ‘long 19th century’, the Pre-Raphaelites, the Arts and Crafts movement, the creative commissions of the 20th century, and the innovative glass being commissioned by cathedrals today.

The book establishes the connections between the artistic beauty of stained glass, its effectiveness as a narrative medium, and the various technical developments that have shaped the work of practitioners over the centuries. The refraction of light through coloured glass emerges as an early form of mass communications that retains its power to move and inspire today.  

Parisian churches are revered around the globe. Their stunning stained-glass windows and intricate Gothic architecture are accomplishments of unrivalled elegance. Churches of Paris gathers 37 of the finest in the City of Light, spanning the 12th to the 19th centuries. Each entry is embellished with beautiful colour photography and behind-the-scenes historical commentary. 

Offering insight into the buildings’ construction and genesis, this book narrates how each church was shaped by war, revolution and time. With information on restoration and preservation, this is an invaluable guide for Francophiles and curious armchair travellers alike. 

Featured churches include: Basilique du Sacré-Coeur de Montmartre, Basilique Sainte-Clotilde, Basilique Cathédrale de Saint-Denis, Notre-Dame Cathedral, La Chapelle de l’Epiphanie des Missions Etrangères et la Salle des Martyrs, La Chapelle Notre-Dame de la Médaille Miraculeuse, La Chapelle Saint-Vincent-de-Paul, La Madeleine, Notre-Dame-de-Lorette, Notre-Dame-des-Blancs-Manteaux, Notre-Dame-des-Victoires, Cathedral Saint-Alexandre-Nevsky, Saint-Augustin, La Sainte-Chapelle, Sainte-Élisabeth-de-Hongrie, Sainte-Marguerite, Saint-Étienne-du-Mont, La Sainte-Trinité, Saint-Eugène-Sainte-Cécile, Saint-Eustache, Saint-François-Xavier, Saint-Germain-des-Prés, Saint-Germain l’Auxerrois, Saint-Gervais-Saint-Protais, Saint-Jacques-du-Haut-Pas, Saint-Joseph-des-Carmes, Saint-Julien-le-Pauvre, Saint-Louis-en-l’Île, Saint-Merry, Saint-Paul-Saint-Louis, Saint-Pierre de Montmartre, Saint-Roch, Saint-Séverin, Saint-Sulpice, Saint-Thomas-d’Aquin, Saint-Vincent-de-Paul, The American Cathedral in Paris

“Seldom does a collection of art history essays leave readers yearning for a second volume…”—Barbara Wisch, Renaissance Quarterly
Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.

Anthony Blunt’s Guide to Baroque Rome, the fruit of a lifetime’s work, was a pathbreaking book when it was originally published, and was called ‘the greatest architectural guidebook ever written’. Each of the over 300 entries discusses in detail the history of the church, its design and construction, as well as its significant features and decoration (including paintings). Much new information has been amassed since the original edition appeared and in this revised edition care has been taken to make this material as accessible as possible, whether it is an appraisal of the patronage history of a particular chapel, a new attribution, or the full significance of a fresco cycle. Full references and indexes are provided in a clearer format than hitherto. Dr Michael Erwee worked on this new edition for 15 years. Editorial support was provided by Lisa Adams, Sebastian Wormell and Dany McNutt of the Courtauld Institute.

Explore England as you never have before, in this captivating travel book. From bustling London to the picturesque villages of the Cotswolds, experience charming streets, medieval towns, and authentic fishing villages.
Explore the locals’ favourite spots, from cosy pubs and traditional tea houses to charming bookstores and hidden gem shops. Our enchanting photos capture the authentic atmosphere of Good Old England and will surely captivate you. Dive into the old English hospitality and atmosphere and let yourself be seduced by England in all its beauty!

St Mark’s Church in Björkhagen, one of Stockholm’s southern districts, is one of Sigurd Lewerentz’s (1885-1975) key designs. But unlike Lewerentz’s other famous church, St Peter’s in Klippan, no book has been published to date that constitutes a fitting tribute to this masterpiece of brick brutalism.

This opulent new building monograph now fills this gap. Some 300 new colour photographs and especially drawn explanatory plans, alongside essays by distinguished authorities on Lewerentz’s architecture, turn this book into a visual feast. It demonstrates the exquisitely atmospheric St Mark’s Church both as a standalone object and in the context of its surrounding urban landscape. Moreover, it picks out many details, such as the floor coverings, furnishings, lamps, banisters, the altar, and other liturgical features. The essays explore aspects of materiality and topics such as the church’s special acoustics and atmosphere in an attempt to reveal the secret of Sigurd Lewerentz’s church designs.

“… This book attempts to be authoritative yet accessible in exploring places of pain and shame.” — NL Magazine 

Our significant dead and mortality moments are remembered at dark tourism sites, where complex issues of politics, history and ethics are exposed. This first-ever travel guide to dark tourism in England offers a thought-provoking compendium of difficult heritage.

We remember the dead or acts of suffering through ‘heritage that hurts’. This book explores infamous acts as well as obscure dark tourism sites lost to memory. Each site is challenged by its history and its political discourse and questions are raised as to how we remember our tragic past.

Each site also has ethical issues that need to be addressed and confronted and visiting these sites are often fraught with moral dilemmas. 111 Dark Places in England That You Shouldn’t Miss will help shine light on dark tourism and inherent complex issues associated with commemorating our dead. Dark tourism is politically vulnerable and ethically laden with moral commentary. This book attempts to be authoritative yet accessible in exploring sites of pain and shame.

When the survival of the Catholic Church was threatened during the Republic and Catholic shelter churches were not allowed to be recognisable from the street, what was not allowed to be shown on the outside was compensated for on the inside. In the 17th century, the robes became gold, silver and silk expressions of silent resistance, but also of a feminist agenda of the makers. Behind closed doors, everything was literally and figuratively pulled out to propagate the Catholic faith. Worn ball gowns with colourful flowered French, English and Chinese fashion fabrics were donated to the church by rich, pious women so that beautiful and special church vestments could be made from them. So it could easily happen that a priest in a pink robe with flowers stood at the altar.

“…the panorama of a self-forgotten milieu.”  — Monopol
“Toffs behaving badly: 1980s high society in photos.” — The Times

“The pictorial equivalents of Evelyn Waugh’s sentences.” — The New Yorker

“Modest though he is, Dafydd’s photographs will endure for having perfectly captured a society on the brink of decline. Unmissable listening.” — Country & Townhouse podcast

“Wonderfully ironic, every point in the picture ignites and knows how to entertain very well.” — Lovely Books

“Dafydd catches those moments of genuine exhilaration, wealth and youth.” — The Hollywood Reporter

“I wondered if the party guests I’d photographed were just re-enacting a nostalgic fantasy, an imaginary version of England that already no longer existed.” – Dafydd Jones

Throughout the 1980s, award-winning photographer Dafydd Jones was granted access to some of England’s most exclusive upper-class events. Now, the author of Oxford: The Last Hurrah presents this irreverent and intimate portrait of birthday parties and charity balls, Eton picnics and private school celebrations.

With the crack of a hunting rifle and a spray of champagne, these photos give an almost cinematic account of high-society England at its most riotous and its most vulnerable. Against the backdrop of Thatcher’s Britain, globalisation, the Falklands War, rising stocks and dwindling inherited fortunes, Jones reveals the inner lives of the established elite as they party long into the night-time of their fading world.

Praise for Oxford: The Last Hurrah

‘Sublime vintage photographs…’ – Hermione Eyre, The Telegraph

‘In The Last Hurrah…we see familiar faces from British high society poised on the brink of adulthood.’ – Eve Watling, Independent

This alternative guidebook is travel writer Ellie Walker-Arnott’s personal ode to her stunning and always intriguing home country. She takes you off the beaten track to hundreds of curious and unexpected places and reveals hidden places that tell an interesting story and will make you marvel. The book covers an eclectic range of alluring themes such as seaside secrets, historic spas, modernist architecture, adrenaline adventures, chocolate-box villages, sleepovers in incredible buildings and many more.

The Iron Bridge was opened to traffic in 1781, and, in 1986, the structure was designated a UNESCO World Heritage Site. An expert survey conducted in 2000 and in-depth research on materials, surfaces, and construction techniques resulted in a detailed conservation plan, which was successfully carried out in the following years.

Text in English and German.

Leiko Ikemura’s (*1951) exhibition project In Praise of Light at St. Matthew’s Church in Berlin was created at the start of the COVID-19 pandemic. A space of light and colour, specific to the time and yet timeless, began a dialogue with the church: paintings on glass and canvas, sculptures, and a light installation that filled the apse of the church transformed the church, designed by Friedrich Stüler, into an open, interior space of protection and light, creating a vivid locale for debate and conversation, ad hoc concerts, worship services, and performances. The conversations published in the book reflect the dialogic creation of the exhibition and document the artistic resonance of the show, which was curated by Hannes Langbein and Alexander Ochs.

Text in English and German.

The Tracy diary offers us the unique opportunity to accompany 27 nineteenth century travellers on an adventure of a lifetime, exploring Mount Desert Island, Maine, in August of 1855. This first group of summer visitors was a distinguished company and hailed primarily from New York, Hartford and Boston.

In addition to Charles Tracy, a prominent New York lawyer, whose descendants through his son, Charles, daughter, Francis, and son-in-law, J. Pierpont Morgan, continue to summer on the island. The travelling party also included Frederic Edwin Church, a leading Hudson River School artist, and his friend, Theodore Winthrop, who died gallantly in the opening battle of the Civil War and then became posthumously famous as a novelist.

After more than 170 years, Church’s playful sketches have been reunited with the first-hand account penned by Tracy, whose words strike a familiar chord in the memory of all who return again and again to the beauty and variety of Mount Desert Island.

For the past 15 years, Michael L. Horowitz has been photographing the interiors of Manhattan’s historic churches and synagogues. Though their exteriors are often unassuming and overlooked by passers-by, their interiors are spectacular, uplifting worshippers and architectural devotees alike. In this book, Horowitz takes us from Lower to Upper Manhattan, from the colourful wall paintings of Bialystocker Synagogue, to the jewel-like stained glass windows of Saint Patrick’s Cathedral, to the awe-inspiring wooden ceiling of the Holy Name of Jesus and Saint Gregory the Great Parish. A lively and informative text by Elizabeth Anne Hartman tells the stories behind each of the 65 houses of worship featured. These sacred edifices reflect the hopes and aspirations of the many different communities that helped build the metropolis, expressed in numerous architectural and artistic styles. And many of these interiors bear the imprint of notable personalities in Big Apple history, from Clement Moore of The Night before Christmas to pioneering Black philanthropist Pierre Toussaint. This handsome volume, nourishing to the eyes and soul, offers a new perspective on the city to New York residents and visitors alike.

An unprecedented history of Christian art—spanning two millennia—in the lands where the religion originally took root and spread.

This splendidly illustrated volume is the first to survey the artistic achievement of the Christian communities of the Near East, living in present-day Iraq, southern Turkey, Syria, Lebanon, Israel, Palestine, Jordan, and Egypt. Although these communities belong to diverse churches, they share elements of a common history: they date back to the earliest days of Christianity, they adopted the Arabic language in the ninth and tenth centuries while preserving their original language (Syrian, Greek, Coptic) in their liturgy, they had the status of dhimmis under the Arabs and the Ottomans, they have often served as intermediaries between East and West, and in recent years they have often faced destruction or exile.

Raphaëlle Ziadé, a noted authority in the field, brings together the holding of churches, monasteries, museums, and private collections, as well as the findings of archaeology, to present an artistic panorama stretching from the birth of Christianity to the end of the Ottoman empire. Her rigorously researched account—encompassing architecture, frescoes, mosaics, wood and ivory carvings, metalwork, illuminated manuscripts, icons, and textiles—breaks down denominational, political, and geographic barriers to reveal the civilisational dimension of Christian art in the Near East.

The Basilica of Santa Maria Maggiore is the only patriarchal basilica of the four in Rome to have retained its paleo-Christian structures. The Basilica dates back to 425 AD and in this elegant and triumphal photographic masterpiece accomplished at the height of today’s technology, we can admire in detail the grandeur of all its artistic details: the mosaics of the nave; the ceremonial arch dating to the pontificate of Pope Sixtus III (432-440 AD); those of the apse made at the behest of Pope Nicholas V (1288-1292); the Cosmatesque floor; the coffered ceiling designed by Giuliano da San Gallo; the Nativity scene by Arnolfo di Cambio; the High Altar by Ferdinando Fuga; the Borghese, Cesi, Sforza, and Sistine Chapels; and the Crucifix and St. Michael chapels by Luigi Valadier.

The Basilica is Pope Francis’ final resting place.

Tradition has it that the Virgin Mary herself inspired the choice of the Esquiline Hill for the church’s construction. Appearing in a dream to both the Patrician John, the landowner of the Esquiline Hill, and Pope Liberius, she asked that a church be built in her honour on a site she would miraculously indicate.

Text in English and Italian.

Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. 

Text in English and Italian.

Chetham’s Library is the oldest surviving public library in Britain. It was founded in 1653, under the will of Humphrey Chetham, a prosperous Manchester textile merchant, banker and landowner. His legacy also established a school for 40 poor boys (now a specialist music school) and provided for five chained libraries to be placed in local churches.

The Library, in Manchester, England, is housed in a beautiful sandstone building dating from 1421, which was constructed to accommodate the priests of Manchester’s Collegiate Church (now the Cathedral). It remains one of the most complete medieval building complexes to survive in the northwest of England. The building and the magnificent library interior create a unique atmosphere for both readers and visitors.

The Inside series focuses on the mission and organisation of an institution – the context in which it operates and the people who make it work. It tells the story of how an institution has evolved through its people, history, architecture, purpose and practice.

Using the formalist conventions of an ironic heritage, William Ludwig Lutgens attains the expression of something sincere. Like the philosophical idiot who did his utmost best to unlearn all the fallacies he was acquitted with since birth and now only knows he knows nothing, the artist made the world into his own theatre wherein he can stomp around like a bull in a china shop with the grace of a prima ballerina. Forcing a pathway to possible exits by presenting us with the alloy of his observations, imagination and scattershot references. Not merely asking questions, which seems to be the hype in contemporary art nowadays, he is unraveling the framework wherein these questions originate. The image deconstructed by the story of its creation, alternating between the power and impotence of the theatrical madness at the end of the world as we know it. William Ludwig Lutgens presents with his Comedy of Humours the dysfunctional family of man.

Text in English and Dutch.

More than any other civilisation, China is renowned for its long tradition of ceramic production, from its terracotta and stoneware works in ancient times to the imperial porcelain manufactured at Jingdezhen from the end of the fourteenth century. These works have been admired and collected over centuries for their outstanding quality and refinement. Now two hundred masterpieces from prominent private collections around the world have been brought together for the first time in a new book. The Baur Collections in Geneva, formed between 1928 and 1951, and the Zhuyuetang Collection (the Bamboo and Moon Pavilion in Hong Kong), which has been building since the late 1980s, reveal the elegance and variety of imperial monochrome porcelain wares produced during the Ming (1368-1644) and Qing (1644-1911) dynasties, which followed on from the Tang (618-907) and Song (960-1279) periods. These restrained pieces – both profane and sacred – exemplify the values of simplicity and modesty espoused by classical Chinese texts. With chapters devoted to the historical, cultural and technical contexts in which these pieces were made, this book will be a key reference on Chinese monochrome ceramics for all lovers of the subject, as well as students, researchers and connoisseurs.

Text in English and French with Chinese summaries.

“A total delight, a brilliant vignette of 17th-century Rome, the Baroque and the Catholic church – warts and all – rolled into an erudite narrative…. with an ease of writing that is rare in art history.” – Simon Jenkins

By 1650, the spiritual and political power of the Catholic Church was shattered. Thanks to the twin blows of the Protestant Reformation and the Thirty Years War, Rome, celebrated both as the Eternal City and Caput Mundi (the head of the world) had lost its pre-eminent place in Europe. Then a new Pope, Alexander VII, fired with religious zeal, political guile and a mania for building, determined to restore the prestige of his church by making Rome the must-visit destination for Europe’s intellectual, political and cultural elite. To help him do so, he enlisted the talents of Gianlorenzo Bernini, already celebrated as the most important living artist: no mean feat in the age of Rubens, Rembrandt and Velazquez.

Together, Alexander VII and Bernini made the greatest artistic double act in history, inventing the concept of soft power and the bucket list destination. Bernini and Alexander’s creation of Baroque Rome as a city more beautiful and grander than since the days of the Emperor Augustus continues to delight and attract.

Jutting into the North Sea, Norfolk is one of England’s largest and most diverse counties. With no motorways and few large towns, its sense of remoteness is exactly what draws visitors and delights those who live here. Once the country’s most prosperous region, Norfolk is rich in history, reflected in its market towns, idyllic villages and a skyline of medieval church towers – the county has the greatest concentration of medieval churches in the world. Though it feels far from everywhere, Norfolk is surprisingly accessible, just a few hours from London or the Midlands. Predominantly rural, its landscapes are more varied than expected, from the sandy forests and heathlands of the Brecks to the wetlands of the Broads and the dunes and beaches of the North and East Coast. 111 Places in Norfolk That You Shouldn’t Miss uncovers ancient secrets and hidden stories, revealing places you might otherwise pass by.

The Basilica of Saint Mary Major is the only patriarchal basilica of the four in Rome to have retained its paleo-Christian structures and is the resting place of Pope Francis. This elegant guide showcases ultra-high gigapixel photography of the Basilica’s interior and traces its history from 425 AD and tradition has it that the Virgin Mary herself inspired the choice of the Esquiline Hill for the church’s construction. Appearing in a dream to both the Patrician John, the landowner of the Esquiline Hill, and Pope Liberius, she asked that a church be built in her honour on a site she would miraculously indicate. This is the essential and most innovative guide to this important pilgrimage and tourist site in Rome. 

Text in English and Italian.