You searched for constable and brighton - Page 4 of 8

Pioneering Edinburgh photographers David Octavius Hill (1802-1870) and Robert Adamson (1821-1848) together formed one of the most famous partnerships in the history of photography. Producing highly skilled photographs just four years after the new medium was announced to the world in 1839, their images of people, buildings and scenes in and around Edinburgh offer a fascinating glimpse into 1840s Scotland. Their much-loved prints of the Newhaven fisherfolk are among the first images of social documentary photography. In the space of four and a half years Hill and Adamson produced several thousand prints encompassing landscapes, architectural views, tableaux vivants from Scottish literature and an impressive suite of portraits featuring key members of Edinburgh society. Anne M. Lyden, International Photography Curator at the National Galleries of Scotland, discusses the dynamic dispute that brought these two men together and reveals their perfect chemistry as the first professional partnership in Scottish photography. Illustrated with around 100 masterpieces from the Galleries’ unique, vast collection of the duo’s groundbreaking work.

“Seldom does a collection of art history essays leave readers yearning for a second volume…”—Barbara Wisch, Renaissance Quarterly
Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.

Angry, outrageous, defiant, and courageous are some of the words that describe the American Abstract Expressionist artist Lee Krasner (1908-1984) – the subject of this very personal memoir inspired by Ruth Appelhof’s 1974 summer with her in East Hampton, Long Island. Best remembered by many as Jackson Pollock’s widow, she is regarded more by ‘art-world insiders’ as the producer of a major body of work that influenced the evolution of contemporary art – in particular, that made by women in the 20th and 21st centuries. As a scholar and a friend, Appelhof re-examines Krasner’s contributions in light of the intellectual and emotional experiences that she so candidly shared with her in weeks of interviews. In addition, Appelhof explores Lee Krasner’s relationships with others – friends, art-world luminaries, artists, and other ‘summer sitters’ allowed into her private sanctuary – through interviews. Those recollections will offer a window into the artist’s intense and idiosyncratic personal life as well as into her contributions through the groundbreaking work she produced over the course of more than six decades.

Contents: Prefaces by Helen Harrison, Director of the Pollock-Krasner House and Study Center, and Barbara Rose, Art Historian and Critic; Chapter 1: Driving Ms. Krasner; Chapter 2: The Tapes: Fact or Fiction; Chapter 3: Cards on the Table; Chapter 4: Swing of the Pendulum; Chapter 5: Summer Sitters; Chapter 6: In Spite of Herself.

Published to accompany the Lee Krasner Retrospective at the Barbican Art Gallery, London, fromThursday 30 May-Sunday 1 September 2019, and at Schirn Kunsthalle, Frankfurt, from Thursday 10 October 2019-Sunday 12 January 2020, and at Zentrum Paul Klee, Bern, from Friday 7 February-Sunday 10 May 2020, and at the Guggenheim Bilbao, from Friday 29 May-Sunday 6 September 2020.

500 years ago in Venice, the first ghetto was born. It was the first of many ‘Jewish enclosures’ ordained by political powers, such as the Venetian senate. A place to confine, it soon became an important cosmopolitan and commercial centre of the Republic. The architectural structure of its housing, which became extraordinarily high to accommodate the increasing number of inhabitants, is strictly interlaced with Venetian history, economy and culture. As one of the main Jewish centres in Italy and the Mediterranean, Venice played a crucial role in the Jewish world. The Venetian word ‘geto’ (from ‘gettare’, to throw away) originated from the sector of Venice where scrap metal accumulated from foundries. This was the area assigned to the Jews. Thus the word, over the course of time, has become a synonym for segregation. “Venice, the Jews, and Europe” exhibition runs in Venice until November 13 2016. Dontatella Calabi will be promoting his book at the ‘Beyond the Ghetto’ symposium in New York, hosted by the Center for Jewish History, on 18-19 September 2016.

Hargreaves Associates has been on the forefront of landscape architectural practice since its founding in 1983, creating a narrative approach to place making that layers history, ecology, and environmental phenomena. This book, featuring the built work of Hargreaves Associates explores how they create meaning through dynamic, interactive, and exultant landscape. Whether reductive or rich, highly programmed or passive, culturally interpretive or teeming with the phenomena of nature’s own systems, the built landscapes of Hargreaves Associates in this volume seek the power of connection to our day-to-day lives.

The third publication to come out of the renowned firm, Ronald Lu & Partners celebrates the breadth and creativity of their work in honour of their 35th anniversary. Rather than a retrospective since day one, the book illustrates both their recent works and the people that make RLP what it is today. The book shares their projects, the stories of the people that work there and the changes they have experienced over the past ten years. With raw and un-edited interviews from members of the firm, the book explores a fresh take on what it is like to be a practicing architect in today’s world.

Iñaki Ábalos and Juan Herreros established their studio in Madrid in 1984 and working together until 2006, when the firm was dissolved. They mainly realised projects in Spain. Both architects are still active internationally, Iñaki Ábalos with Ábalos+Sentkiewicz, based in Madrid and Cambridge (MA), Juan Herreros with Estudio Herreros in Madrid. The archive of Ábalos & Herreros was donated to the Canadian Center for Architecture (CCA) in Montreal in 2012. It comprises some 250 projects dating from 1985-2008: sketches and drawings, collages, related text documents, slides and models.

This new book presents three contemporary encounters with the Ábalos & Herreros archive at CCA. The architects OFFICE Kersten Geers David Van Severen, Juan José Castellón and SO – IL conducted research into the archive and developed specific readings of the material. The book reframes these research projects, showing archival material in its current state and re-interpreting it. The essays offer more background to the research and also give voice to Iñaki Ábalos and Juan Herreros themselves. Richly illustrated, the book reveals as much about the interests of a new generation of architects as about the work of Ábalos & Herreros.

Text in Spanish.

Revised, updated, and expanded by nearly 100 projects, this new edition of the catalogue for the “a_show,” Architekturzentrum Wien’s (Az W) permanent exhibition on Austrian architecture of the 20th and 21st century, has become a stand-alone reference book. Its scope extends beyond the themes of the exhibition. Apart from condensing the current discourse on Austrian architecture of the last 150 years, it also documents relevance and singularity of the Az W collection.

Featuring more than 2,300 images and plans, accompanied by explanatory texts structured chronologically as well as thematically the book points out both historical connections and contemporary tendencies. Paired with a timeline, and also offering an overview of all relevant media since 1836, brief biographies, and an index, this is the authoritative survey of modern and contemporary Austrian architecture.

Chandigarh Casablanca: How Architects, Experts, Politicians, International Agencies, and Citizens Negotiate Modern Planning documents two different but complementary urban realities that have played a fundamental role in the imagination, the definition, and the redefinition of the 20th-century modern city. Chandigarh built by Le Corbusier, Pierre Jeanneret, Maxwell Fry and Jane B. Drew together with Indian architects and Casablanca, designed by Michel Ecochard and young Moroccan and French architects, share the foundation in a European-American understanding of avant-garde architecture and urbanism. Yet life and further development of both places have been decisively influenced by their own respective culture. This new book decenters the dominant European-American view and contributes to a new geography of the modern city. The contemporary gaze shifts from the symbolic use of architecture to construct monumental masterpieces to the formation of public space, housing, and social facilities. Comprehensive essays by Maristella Casciato and Tom Avermaete are complemented by a wealth of photographs, plans, documents and other illustrations. The book also features photo-essays by French-Moroccan artist Yto Barrada and Japanese photographer Takashi Homma, counteracting the reading of the two cities as ‘exported urbanism’ . Text in French.

For his entire professional life, British architect Cedric Price (1934-2003) reflected on the mechanisation of society and its effect on people’s lives. In the 1960s and 1970s Price searched for a new language in modern architecture. His multifaceted, interdisciplinary approach and his sense of humour and self-irony, also with regard to his own profession, lead him into the fields of art and of social and natural sciences.

Tanja Herdt’s new book on the work and life of Cedric Price for the first time offers a comprehensive demonstration of his architectural concepts and social visions. Herdt focuses on his view of the city as a socio-technical system, the influence of product and everyday culture on architecture, and the role of science and technology in architectural design. Based on extensive research and drawing from rich and largely unpublished material, she features some of Price’s well-known projects, such as Fun Palace (1961) or Potteries Thinkbelt (1964), in context with her new findings. Herdt’s thorough analysis of his lesser-known works from the 1970s, including McAppy (1973-1975) and The Generator (1976), also questions the common perception of Cedric Price as an “anti-architect”.

Following the liberation and subsequent occupation of Austria at the end of World War II in spring 1945 by the victorious powers Britain, France, the United States, and the Soviet Union, Vienna soon became a central stage for the quickly emerging Cold War. The struggle of differing political systems was also carried out in the field of architecture. Cold War and Architecture sheds new light on the building activity in postwar Austria and its main protagonists. For the first time, this book explores the lines of architectural debates of the time in the context of the global political and cultural conflict of East vs. West. With its transnational perspective, it changes our view of architectural history and postwar society.

During the ten-year occupation period, Austria experienced a transition from authoritarian government to democratic consumer society. Each of the four Allied powers established its own extensive cultural program. Architectural exhibitions became important instruments of such educational schemes with the objective of a new social order. British, American, French, and Soviet cultural policies served as catalysts for ideological convictions.

Founded in 2007, G8A Architects gained rapid renown for its projects in Switzerland. Drawn to new opportunities in Southeast Asia, founding partners Manuel Der Hagopian and Grégoire Du Pasquier soon expanded the firm’s operations to include an office in Vietnam’s capital city, Hanoi, where they now attract a range of commissions in a completely new environment. In 2010, upon winning the commission for a major public housing development in Singapore that set them amongst a new generation of designers for residential projects in the region, they also opened a branch in the booming city-state. The first book to document G8A Architects’ achievements to date, Contrast and Cohesion reflects the firm’s work in these starkly contrasting parts of the world. Featuring twenty-seven of the firm’s projects through drawings, photographs, plans, and descriptive texts, the book also brings together essays that expand on the different concerns and challenges that accompany the creation of architecture in Central Europe and Southeast Asia. Climatically, culturally, and economically, the rapidly growing cities of Southeast Asia are a world away, but Der Hagopian and Du Pasquier pursue a strategy of cohesion, which seeks to resolve the contrasts between East and West with resulting benefits for both.

Romeo and Julia, two residential high-rises in Stuttgart, built 1954-59 and designed by Hans Scharoun (1893-1972), constitute the most original and far-reaching of the various attempts to re-design the entire ‘process of living’ that this extraordinary protagonist of Germany’s modern architecture undertook. Over decades, Scharoun had woven an extensive network of research and knowledge systems as a basis for his floor-plan designs. His unpublished writings and, even more importantly, his lectures from between 1947 and 1958 reveal the countless threads of research and discourse, which his work in residential architecture referenced and absorbed. They highlight the sometimes contradictory, yet constant renewal and consolidation of his knowledge in the field of housing.

This new book, based on extensive research in collaboration with Berlin’s Akademie der Künste, demonstrates how closely interlocked Romeo and Julia are with their architect’s immense engagement with the topic of housing. Drawing on previously unpublished archive material held at the Akademie der Künste, the authors for the first time allow the reader an insight into Scharoun’s design process. Alongside reproductions of original plans and drawings, the book features excerpts from Scharoun’s unpublished text fragments. New images by Swiss architectural photographer Georg Aerni, illustrating the two towers’ highly expressive appearance, round out this volume.

This book sheds new light on the work of German-born modernist architect Konrad Wachsmann (1901-1980) and his legendary knotted joints. It is based on years of research on Wachsmann’s work by Swiss architect Christian Sumi. At the core of this book is Wachsmann’s dynamic ‘Grapevine Structure’, a universal construction element developed with students in the early 1950s at the Chicago Institute of Design. The book also investigates the ‘Local Orientation Manipulator’ (LOM), an apparatus developed in 1969 by Wachsmann at the University of Southern California in Los Angeles that anticipated the robotic assembly of building components. Moreover, it explores Wachsmann’s ‘Packaged House System’ and his designs for relocatable hangars for the US Air Force. The book features these through concise texts and rich illustrated material, the majority of which are published here for the first time. Fabio Gramazio, Matthias Kohler, and Hannes Mayer (Gramazio Kohler Research, ETH Zurich) revisit Wachsmann’s ideas from a contemporary perspective where robotic building processes become increasingly common. An essay by neuroscientist Andreas Burkhalter looks at the phenomenon of knotted joints in the context of similar structures in the human brain. Architectural historian Marko Pogacnik highlights the significance of Wachsmann’s lectures at the Salzburg Summer Academy in the late 1950s. Published to accompany the 16th International Architecture Exhibition of the Venice Biennale, 26 May – 25 November 2018.

Louis I. Kahn is unarguably one of the most eminent and influential figures of 20th-century architecture. He is known as the poet and philosopher among the great modern architects. On 12 February 1969, Kahn gave a lecture at the Swiss Federal Institute of Technology Zurich (ETH Zurich), entitled Silence and Light. This fundamental text reveals Kahn’s spiritual understanding of architecture and his creative thinking. Kahn’s idea of architecture goes far beyond the mere building. He understands architecture as a concept comprising the entire environment of mankind. With this he anticipated more than forty years ago what is branded “sustainability in architecture” today. Louis I. Kahn – Silence and Light makes this text available again in its original version, for the first time ever also in Kahn’s own voice on audio-CD. The book includes a full-length transcript of the Zürich lecture in original English and translations into French, German, Italian, and Spanish. Kahn’s sketches drawn while speaking and number of previously unpublished images of the architect lecturing complement the text.

Text in English, French, German, Italian and Spanish.

Aldo Rossi (1931-97) is a key figure in 20th-century architecture. Discarding utopian pretences, his work claimed the autonomy of architecture with formal restraint, and remains highly influential both in theory and practice until the present day. In this new book, Diogo Seixas Lopes looks at Rossi’s work through the lens of a term often used to describe the great architect’s work: melancholy. While the influence of melancholy on literature and visual arts has been debated extensively, its presence in architecture has been largely overlooked. By exploring Rossi’s entire career, Lopes traces out the oscillation between enthusiasm and disenchantment that marks Rossi’s oeuvre. Through a close exploration of one of his landmark works, the Cemetery of San Cataldo in Modena, Lopes shows how this brilliant, innovative architect reinterpreted a typology of the past to help us come to terms with representations of death and the melancholy that inevitably accompanies it. Beautifully illustrated and drawing on rich archival sources, Melancholy and Architecture both illuminates the work of the 20th century’s most interesting architects and offers a new perspective on the long cultural history of melancholy.

Learning to construct is the objective of the architecture student, who seeks to bring sketches, sophisticated visualisations, material and component choices, and detailed plans and diagrams together in a single grand composition. Plans & Images offers insight into how architects are trained by examining the teaching and research approach of the Laboratory of Elementary Architecture and Studies of Types EAST (Laboratory EAST), a satellite studio of the EPFL School of Architecture in Lausanne. Going beyond the traditional notion of functionally determined typologies, Laboratory EAST is concerned more broadly with the principles of typology in architecture. Richly illustrated with drawings and plans by Laboratory EAST’s students, the book also includes essays by faculty and other experts, and an interview with the renowned Spanish architect Rafael Moneo, who discusses the research topics pursued at Laboratory EAST. Four photo essays by Swiss photographer Joël Tettamanti round out the book.

Coinciding with the 50th anniversary of his death (August 27, 2015), one of Le Corbusier’s most significant books becomes available again in English. The “Precisions”, as the book is commonly known, emerged from a spontaneous and exuberant series of 10 lectures Le Corbusier gave in Buenos Aires in 1929, reflecting a new maturity in his thinking. They contain some of his most compelling aphorisms, covering technique as the basis of architecture, the human scale in design, furniture, the private house, apartments and office buildings, the city, the League of Nations competition, teaching architecture.

As he spoke, Le Corbusier improvised colour drawings on large sheets of paper. The drawings and lectures are unique in their eloquent and concise summary of his philosophy of architecture and urban design, stating the principles that informed his work from the 1920s on.

This new edition for the first time features all of Le Corbusier’s drawings in colour. A new essay by British scholar Tim Benton, written for this new edition, contextualises the “Precisions” within Le Corbusier’s oeuvre and comments on their lasting significance.

Water and Asphalt proposes a project of extended requalification for the territories of settlement dispersion and diffusion; a project on a territorial scale and imagined in a context of economic, social, and environmental crisis. To indicate its principal characteristics, the research study uses the term Project of Isotropy. The metropolitan area of Venice, criss-crossed by dense networks of roads and waterways, is the test case for imagining the concept.

The Project of Isotropy is the acknowledgement of a territorial specificity, a scenario to be investigated in its manifold consequences, and a design hypothesis that can be concretely devised in terms of intervention regarding the water system, roads and public transport, alternative mobility, forms of diffused welfare, innovative agriculture, and the decentralised production of energy. The hypothesis is that new conditions now exist for re-devising the isotropic space in the Metropolitan area of Venice.

Vincent Mangeat became internationally renowned in1988 following the construction of his building for the Cantonal High School in Nyon. Influenced by his work experience in Paris, training under Jean Prouvé and a spell as Assistant to Hans Brechbühler and Pierre Foretay at the EPF Lausanne, Mangeat s work bridges the gap between two architectural eras, namely the Tessin Tendenza of the ’70s and ’90s architectural styles with their exponents in the German-speaking region of Switzerland. But his work has always remained independent and rooted in western Switzerland. From his first residential building in Evolène (1969) to his current projects, including a house for writers at the foot of the Jura mountains, his wealth of architectural achievements form a important a part of his life and work as his permanent, valuable teaching activity.

Text in English, French and German.

Pablo Picasso’s artistic output is astonishing in its ambition and variety. This handsome new publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper.

He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional ‘constructions’, made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d’Avignon (1907) and Guernica (1937).

With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso’s genius seized the potential of paper at different stages throughout his career.

Rabbit Cloud and the Rainmakers is an endearing folktale brought to life in the 21st century. An engaging quest on one level, it introduces themes of social responsibility and environmental issues.