Modern family healthcare is under a lot of pressure, from insecurity when it comes to diagnosis and prescription behaviour, to delivering quality assistance while balancing a large number of patients, There is need for reform – but before reform, there must be a vision. Not only for daily healthcare, but also for education – because in education lays the roots for social change. By means of real patient testimonies and examples of daily consultations, this book focuses on family medicine. It pays special attention to the practical side of social determinants, diagnostics and therapy, and surrounding factors. Family Medicine and Primary Care emphasises the importance of qualitative work by general practitioners, correct education, and informed policies. It is a practical guide for high-level family medicine, with input from international experts.
Gin & tonic, the drink of the eighties, is more fashionable than ever before. Bars, clubs, gin menus in restaurants – gin is everywhere.
This beautifully compiled book is an essential guide for gin lovers in search of their own original take on this wonderfully complex drink. Richly illustrated, it covers the history of gin, the gin families with their distinct characteristics and distilled flavours, and the exciting, more recent developments in the marketing, the bottling and packaging of gin which is increasingly quirky, artistic and original. There is an overview of some of the smartest places to drink and discover a world of gin; hip and very cool.
Beyond ‘ice and a slice’, how do you put together the perfect gin and tonic, from the amazing array of new infusions? What are the flavours and textures in food that best accompany this very particular drink? With foodpairing ideas and recipes to create at home… find your favourite glass, crack the ice and indulge!
The perfect accompaniment to the booming “ginterest,” this new edition includes a section on foodpairing (with new recipes!) with gin, and an overview of the most famous gin bars across the globe.
During her studies, Julie Van den Kerchove completely changed her eating habits and has only used natural ingredients since. In doing so, she managed to put a stop to her health problems. In her second book, she again cooks delicious meals that don’t contain any gluten, dairy or meat. In addition, she only uses natural sugars. She does that in the most practical way possible, which makes this book a great fit for those who want to cook healthy in less than 30 minutes. See Julie in action on her own YouTube-channel, which includes many how-to videos in English: www.youtube.com/user/julieslifestyle also available: Vegan & Raw: Energizing Recipes ISBN 9789401434720
The current social and economic situation in Flanders has shown that European decisions definitely do have a national and regional impact. Flemish policymakers, too, are compelled to pay heed to Europe, as the latter’s decisions are becoming increasingly reflected in domestic policymaking and vice-versa. Against the background of the Pact 2020 and Flanders in Action, the Europe 2020 strategy and its industrial dimension have been translated into a regional long-term strategy and put into practice, even before the European programme was given the EU’s rubber stamp. As an innovative and open economy, part of Europe’s logistical hub, Flanders can lead the way in boosting Europe’s innovative, integrated industrial policy, while raising the region’s profile in the European and international forum. Industry and Innovation in Europe offers an extensive and insightful analysis of how the Flemish and European industrial policies add to each other and back each other up. Apart from policy statements from the European Commissioner for Industry and Entrepreneurship, Antonio Tajani, and the Flemish Minister-President, Kris Peeters, and a report on round table talks involving a few Flemish captains of industry, Industry and Innovation in Europe also features the positions, initiatives and projects being promoted in this area by key Flemish stakeholders/Vleva members, such as representatives of employers, the farm sector, education and research institutes, the provinces, cities and municipalities. Industry and Innovation in Europe is the second in a series of Vleva journals. The Liaison Agency Flanders-Europe (Vleva) is keen for the journals to raise the profile of key European themes and spread the word more about the related positions of Flemish civil society and the authorities.
Beauty and drama come together in a true and compelling story set in the colourful, turbulent world of late-15th-century Florence. The talented son of a successful banker and the beautiful daughter of an influential patrician: their marriage seemed made in heaven, but they were both to meet untimely and tragic ends. This book tells the story of two forgotten protagonists of the Florentine Renaissance: Lorenzo Tornabuoni (1468-97) and his wife, Giovanna degli Albizzi (1468-88). Unpublished documents from family archives allow us to glimpse their daily lives, while poems and works of art offer insight into their notions of love, marriage, birth, death and hopes of eternal life. The contradictions of Italian Renaissance culture clearly emerge, such as the tendency to combine a highly principled intellectual life and aesthetic refinement with self-glorification and political ruthlessness. The author shows how life and art were completely interwoven in this period, and explains the significance of works of art by the likes of Botticelli and Ghirlandaio and their place in the lives of Lorenzo and Giovanna. Contents:
Preface; 1. Two Households; 2. The Wedding; 3. Wisdom and Beauty; 4. Lorenzo’s Beautiful Chamber; 5. The Vicissitudes of Fortune; 6. Hope of Eternal Life; 7. Years of Turmoil; 8. The Final Act; Epilogue; Acknowledgements; Notes; Sources and Bibliography.
Published to accompany an exhibition at Palazzo Strozzi in Florence, this catalogue presents a broad selection of works by Picasso, the great master of modern art, in an effort to stimulate a reflection on his influence and interaction with such leading Spanish artists as Joan Miró, Salvador Dalí, Juan Gris, María Blanchard and Julio González: art reflecting on art and on the relationship between the real and the surreal, the artist’s heartfelt involvement in the tragedy of unfolding history, the emergence of the monster with a human face, and the metaphor of erotic desire as a primary source of inspiration for the artist’s creativity and world vision. Picasso and Spanish Modernity showcases works by Picasso and other artists, ranging from painting to sculpture, drawing, engraving from the collection of the Museo Nacional Centro de Arte Reina Sofía in Madrid. The works of art include such celebrated masterpieces as the Portrait of Dora Maar, Horse’s Head and The Painter and the Model by Picasso, Siurana, the Path by Miró, along with Picasso’s drawings, engravings and preparatory paintings for his huge masterpiece Guernica.. Included are the biographies of all the artists featured: Pablo Picasso; Aurelio Arteta; Rafael Barradas; María Blanchard; Francisco Bores; Eduardo Chillida; Martín Chirino; Pancho Cossío; Leandre Cristòfol; Salvador Dalí; Óscar Domínguez; Equipo 57; Ángel Ferrant; Pablo Gargallo; Julio González; Juan Gris; José Guerrero; Antonio López; Maruja Mallo; Manuel Millares; Joan Miró; Manuel Ángeles Ortiz; Jorge Oteiza; Pablo Palazuelo; Benjamín Palencia; Alfonso Ponce de León; Alberto Sánchez; Antonio Saura; José Gutiérrez Solana; Joaquim Sunyer; Antoni Tàpies; Josep de Togores; Joaquín Torres-García; José Val del Omar; Daniel Vázquez Díaz; Esteban Vicente.
Benjamin West’s The Death of a Stag, a tour de force of pictorial theatre and his own unique Scottish masterpiece, has been the focus of high drama for over two centuries. Painted for the Clan Mackenzie in 1786, the gigantic canvas, measuring twelve by seventeen feet, is still the largest in the collection of the National Galleries of Scotland. The painting almost left these shores for America, but after a successful campaign, it was purchased in 1987. In 2004, the work was conserved in situ in the National Gallery of Scotland and this book tells the story of the picture, both in terms of its history and the conservation process.
Known today for his atmospheric views of the river Oise, Charles François Daubigny was a pioneer of modern landscape painting and an important precursor of French Impressionism. Although commercially highly successful he was often criticised for his broad, sketch-like handling and unembellished view of nature, and was dubbed the leader of ‘the school of the impression’. As a result he drew the attention of the next generation of artists, among them Claude Monet and Vincent van Gogh, who were inspired by Daubigny’s frank naturalism, bold compositions and technical innovations. Theirs was an artistic dialogue which spanned thirty years, from the early 1860s to the end of Van Gogh’s short life.
This book brings together works from one of the most important private collections of modern and contemporary art, the D. Daskalopoulos Collection with key pieces from the Scottish National Gallery of Modern Art. Providing a new context for both collections, it specifically focuses on the theme of the body, investigating the many and varied approaches that artists have taken across several decades when dealing with this most fundamental of subjects. Highlighting the work of artists such as Marcel Duchamp, Pablo Picasso, Louise Bourgeois, Joseph Beuys, Robert Gober, Matthew Barney, Marina Abramovic and Sarah Lucas, the publication documents the confrontations and dialogues staged between the two collections, and provides a rich insight into one of the most compelling and provocative themes in twentieth- and twenty-first century visual art.
With vivid memories of his first visit to the Scottish National Gallery in the 1970s and his initial encounter with Hugo van der Goes’ The Trinity Altarpiece, Rembrandt’s A Woman in Bed, Velázquez’s An Old Woman Cooking Eggs and Degas’ Diego Martelli, Robert Storr discusses the shifting balance of museum collections from historically ‘certified’ classics to art whose status and significance remains in active contention and from singular ‘treasures’ to ensembles that speak to the larger scope of an artist’s endeavour. Also available: Unfinished Paintings: Narratives of the Non-Finito Watson Gordon Lecture 2014 ISBN 9781906270919 ‘The Hardest Kind of Archetype’: Reflections on Roy Lichtenstein The Watson Gordon Lecture 2010 ISBN 9781906270384 Picasso’s ‘Toys for Adults’ Cubism as Surrealism: The Watson Gordon Lecture 2008 ISBN 9781906270261 Sound, Silence, and Modernity in Dutch Pictures of Manners The Watson Gordon Lecture 2007 ISBN 9781906270254 Roger Fry’s Journey From the Primitives to the Post-Impressionists: Watson Gordon Lecture 2006 ISBN 9781906270117
In the last twenty-five years contemporary art in Scotland has grown from a tiny and tightly knit scene to a globally recognised centre of artistic innovation and experiment. Generation Reader provides the first collection of key documents from the period including essays, interviews, critical writing and artists’ own texts. This publication will fill a significant gap in the scholarship of the period and provide a resource for the future, an illustrated guide to the ideas, events and debates that shaped a generation. The selected archive texts from the period will sit alongside some newly-commissioned writing which includes essays by the novelist Louise Welch and by Nicola White, Dr Sarah Lowndes, Francis McKee, Professor Andrew Patrizio and Julianna Engberg. GENERATION is a landmark series of exhibitions tracing the remarkable development of contemporary art in Scotland over the last twenty-five years. It is an ambitious and extensive programme of works of art by more than 100 artists at over 60 galleries, exhibition spaces and venues the length and breadth of Scotland between March and November 2014.
The Darnley jewel, a masterpiece of the goldsmith’s art on display at Edinburgh’s Holyrood Palace, has been deemed a love token, but has also been labelled an emblem of political ambition. Taking the shape of a heart, the jewel was produced at a moment (1565-75) when such objects worn by courtiers were a primary means of asserting status and proclaiming allegiances. With a deep medieval history – originally the fleshly power centre of the human body, the seat of the soul, and place of memory and emotion – the heart has many aspects to offer. This book shows how the understanding of the heart changed during the Middle Ages, from spiritual locus of the body, to source of devotion to country, and finally, to the font of love and sentimentality.
Pioneering Edinburgh photographers David Octavius Hill (1802-1870) and Robert Adamson (1821-1848) together formed one of the most famous partnerships in the history of photography. Producing highly skilled photographs just four years after the new medium was announced to the world in 1839, their images of people, buildings and scenes in and around Edinburgh offer a fascinating glimpse into 1840s Scotland. Their much-loved prints of the Newhaven fisherfolk are among the first images of social documentary photography. In the space of four and a half years Hill and Adamson produced several thousand prints encompassing landscapes, architectural views, tableaux vivants from Scottish literature and an impressive suite of portraits featuring key members of Edinburgh society. Anne M. Lyden, International Photography Curator at the National Galleries of Scotland, discusses the dynamic dispute that brought these two men together and reveals their perfect chemistry as the first professional partnership in Scottish photography. Illustrated with around 100 masterpieces from the Galleries’ unique, vast collection of the duo’s groundbreaking work.
The ‘Two Roberts’: Robert Colquhoun (1914-1962) and Robert MacBryde (1913-1966), were two of the most important and celebrated Scottish artists of the twentieth century. Colquhoun studied at Glasgow School of Art where he met Robert MacBryde. The two became lovers. They were part of a celebrated Soho group that included Francis Bacon and Lucian Freud. Their post-cubist work – much influenced by Picasso – became enormously successful. In the 1950s they established worldwide reputations. Colquhoun’s drinking and temperament caught up with him and he died almost penniless in 1962. MacBryde was killed in a car accident four years later. This catalogue with over 90 illustrations accompanies the only show to ever exhibit both artists together. The authors refer to previously unpublished letters and explore the ‘Two Roberts’ individual art practice as well as works the two executed together.
Edited by Carl Brandon Strehlke and Machtelt Brüggen Israëls, The Bernard and Mary Berenson Collection of European Paintings at I Tatti surveys the 149 works assembled by the Berensons for their home in Florence from the late 1890s through the first decades of the twentieth century at the time that they were making their mark on the world as connoisseurs. The catalogue presents a privileged window on the Berensons’ intellectual interests through the objects they owned. The entries, written by an international team of art historians, take full advantage of the extensive correspondence from the Berensons’ friends, family, and colleagues at I Tatti as well as the couple’s diaries and notations on the backs of their vast gathering of photographs. All the entries are lavishly illustrated with full scholarly and technical accountings of the objects. There are also 17 illustrated reconstructions of the original contexts of panel paintings. The catalogue includes essays on the progress of the Berensons’ collecting, their love for Siena, the Sienese forger Icilio Federico Joni, the critic Roger Fry, and René Piot’s murals at I Tatti, as well as a listing of 94 pictures that were once at I Tatti including donations made to museums in Europe and America.
Contents:
Preface Lino Pertile; Acknowledgments – Carl Brandon Strehlke and Machtelt Israëls; Note to the Use of the Catalogue; Abbreviations; Glossary of People in the Berenson Circle Mentioned in the Text; Section I: Introductory Essays and Entries 0 to 111; Essay I: “Bernard and Mary Collect: Pictures Come to I Tatti” – Carl Brandon Strehlke; Essay II: “The Berensons and Siena” (working title) – Machtelt Israëls; Essay III: “Passions Intertwined: Art and Photography at I Tatti” – Giovanni Pagliarulo; Entries: Paintings from the 14th to 18th century – Plates 0 to 111; Section II: Fakes; Essay IV: The Berensons and the Sienese Forger Federico Ioni – Gianni Mazzoni; Entries: Fakes – Plates 112 to 116; Section III: Roger Fry; Essay V: “Roger Fry and Bernard Berenson” – Caroline Elam; Entry: Fry – Plate 117; Section IV: René Piot; Essay VI: “A Failure: René Piot and the Berensons” – Claudio Pizzorusso; Entries: Piot – Plates 118 to 131; Section V: The Berensons, Family and Friends; Entries: Portraits – Plates 132 to 138; Entries: Miscellanea – Plates 139 to 148; Appendix: Paintings Formerly Owned by the Berensons – Carl Brandon Strehlke and Machtelt Israëls; Bibliography; Photo Credits; Index.
“Seldom does a collection of art history essays leave readers yearning for a second volume…”—Barbara Wisch, Renaissance Quarterly
Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.
Angry, outrageous, defiant, and courageous are some of the words that describe the American Abstract Expressionist artist Lee Krasner (1908-1984) – the subject of this very personal memoir inspired by Ruth Appelhof’s 1974 summer with her in East Hampton, Long Island. Best remembered by many as Jackson Pollock’s widow, she is regarded more by ‘art-world insiders’ as the producer of a major body of work that influenced the evolution of contemporary art – in particular, that made by women in the 20th and 21st centuries. As a scholar and a friend, Appelhof re-examines Krasner’s contributions in light of the intellectual and emotional experiences that she so candidly shared with her in weeks of interviews. In addition, Appelhof explores Lee Krasner’s relationships with others – friends, art-world luminaries, artists, and other ‘summer sitters’ allowed into her private sanctuary – through interviews. Those recollections will offer a window into the artist’s intense and idiosyncratic personal life as well as into her contributions through the groundbreaking work she produced over the course of more than six decades.
Contents: Prefaces by Helen Harrison, Director of the Pollock-Krasner House and Study Center, and Barbara Rose, Art Historian and Critic; Chapter 1: Driving Ms. Krasner; Chapter 2: The Tapes: Fact or Fiction; Chapter 3: Cards on the Table; Chapter 4: Swing of the Pendulum; Chapter 5: Summer Sitters; Chapter 6: In Spite of Herself.
Published to accompany the Lee Krasner Retrospective at the Barbican Art Gallery, London, fromThursday 30 May-Sunday 1 September 2019, and at Schirn Kunsthalle, Frankfurt, from Thursday 10 October 2019-Sunday 12 January 2020, and at Zentrum Paul Klee, Bern, from Friday 7 February-Sunday 10 May 2020, and at the Guggenheim Bilbao, from Friday 29 May-Sunday 6 September 2020.
500 years ago in Venice, the first ghetto was born. It was the first of many ‘Jewish enclosures’ ordained by political powers, such as the Venetian senate. A place to confine, it soon became an important cosmopolitan and commercial centre of the Republic. The architectural structure of its housing, which became extraordinarily high to accommodate the increasing number of inhabitants, is strictly interlaced with Venetian history, economy and culture. As one of the main Jewish centres in Italy and the Mediterranean, Venice played a crucial role in the Jewish world. The Venetian word ‘geto’ (from ‘gettare’, to throw away) originated from the sector of Venice where scrap metal accumulated from foundries. This was the area assigned to the Jews. Thus the word, over the course of time, has become a synonym for segregation. “Venice, the Jews, and Europe” exhibition runs in Venice until November 13 2016. Dontatella Calabi will be promoting his book at the ‘Beyond the Ghetto’ symposium in New York, hosted by the Center for Jewish History, on 18-19 September 2016.
Life’s game is measured in episodes of awareness, i.e. self-awareness, an awareness of the way things work, or that things are not always what they seem. Systems dynamics are full of shocks to the system. Whether we are witnessing the physics of a rational system or the profundity of an irrational system, the shocks come with a sense of, ‘You mean you can do that?’ This book examines systems dynamics from the perspective of the author’s own triangulated model comprised of common environments (those shared environments at risk of over-use or degradation), the institutions we design to manage those commons, and the human behavior associated with our investment in the triad. The Feedbacks between the three comprise the Policy Arena for collective decision-making and form a backdrop for shaping personal actions. Beautifully illustrated with student case study research covering a range of topics from the past twelve years, the work is written for a wide audience including academics, researchers, designers, and the concerned citizen.
Hargreaves Associates has been on the forefront of landscape architectural practice since its founding in 1983, creating a narrative approach to place making that layers history, ecology, and environmental phenomena. This book, featuring the built work of Hargreaves Associates explores how they create meaning through dynamic, interactive, and exultant landscape. Whether reductive or rich, highly programmed or passive, culturally interpretive or teeming with the phenomena of nature’s own systems, the built landscapes of Hargreaves Associates in this volume seek the power of connection to our day-to-day lives.
The third publication to come out of the renowned firm, Ronald Lu & Partners celebrates the breadth and creativity of their work in honour of their 35th anniversary. Rather than a retrospective since day one, the book illustrates both their recent works and the people that make RLP what it is today. The book shares their projects, the stories of the people that work there and the changes they have experienced over the past ten years. With raw and un-edited interviews from members of the firm, the book explores a fresh take on what it is like to be a practicing architect in today’s world.
Widely known for his award-winning design work, the Los Angeles based architect Craig Hodgetts has distinguished himself as one of the key voices of his generation through trenchant commentary and visionary speculation on architecture and design. This volume gathers an array of theoretical polemics on buildings and cities, critical assessments of major projects and personalities, and other writings that showcase Hodgetts’ unique position as both a central figure in the discipline of architecture and a tireless advocate of technological opportunities developed at the fringes of the field. Contextualised with a critical introduction by historian Todd Gannon and illustrated with rare materials from Hodgetts’ archive, this collection cuts a revealing cross-section through a turbulent period during which architecture’s confidence in the Modernist project was shaken, its intellectual energies redirected, and its cultural agenda reimagined in the face of environmental challenges, technological opportunities, lingering disciplinary traditions, and revolutionary new ideas.
This book shifts the emphasis on how we choose to read Japanese architecture and urbanism: It focuses on phenomena and meanings rather than objects, and prioritizes intentions and legacies over the mechanics of design. It rereads Japanese architecture and urbanism as a creative cultural document of multiple traces. To accomplish this, the book captures the sheer breadth of the multifarious dimensions of the Japanese built environment. They traverse Japan’s rich, and tumultuous architectural and urban history, shaped by Shinto, Buddhism, wars, earthquakes, democracy, modernism, the economic bubble etc. and open a rich discussion on the entire panorama of how the Japanese built environment has come to be. The places discussed in this book go from the ancient Izumo shrine to the futurism of the Sendai Mediateque, and from the advent of Kyoto to the ongoing construction of the new island of Toyosu. The book also traces which cultural treads have endured over Japanese history, and which in turn have shifted, transformed, or vanished, and highlights the paradigmatic moments in Japanese architectural and urban history, for either their significant influences on the built environment, or their deep relevance to Japan’s future. Zen Spaces & Neon Places claims that the Japanese built environment we see today, despite all its seeming fragmentation and disjunction, is in fact a single unprecedented cultural continuum in which seemingly contradictory things and events seamlessly coexist.
Iñaki Ábalos and Juan Herreros established their studio in Madrid in 1984 and working together until 2006, when the firm was dissolved. They mainly realised projects in Spain. Both architects are still active internationally, Iñaki Ábalos with Ábalos+Sentkiewicz, based in Madrid and Cambridge (MA), Juan Herreros with Estudio Herreros in Madrid. The archive of Ábalos & Herreros was donated to the Canadian Center for Architecture (CCA) in Montreal in 2012. It comprises some 250 projects dating from 1985-2008: sketches and drawings, collages, related text documents, slides and models.
This new book presents three contemporary encounters with the Ábalos & Herreros archive at CCA. The architects OFFICE Kersten Geers David Van Severen, Juan José Castellón and SO – IL conducted research into the archive and developed specific readings of the material. The book reframes these research projects, showing archival material in its current state and re-interpreting it. The essays offer more background to the research and also give voice to Iñaki Ábalos and Juan Herreros themselves. Richly illustrated, the book reveals as much about the interests of a new generation of architects as about the work of Ábalos & Herreros.
Text in Spanish.