The work of Dries Verhoeven (*1976) blurs the boundaries between installation art and performance. He creates unsettling and ambiguous situations in public spaces, art institutions, and theatres, which disrupt the given relationships between spectators and performers. In Doubt, his first monograph contextualises his latest creations among earlier works. This book includes essays by author Christiaan Weijts, theatre and performance scholar Maaike Bleeker, as well as critic Evelyne Coussens, illuminating Verhoeven’s witty sidestepping of the conventions of the various disciplines.
Text in English and Dutch.
‘SONG’, a legendary fashion, art, and interiors concept store in Vienna was founded in the 1990s by Myung-il Song. As an early outpost of edgy design and emerging artists, it quickly became the city’s most popular platform for avant-garde fashion. This book presents a retrospective of the ‘SONG’ fashion archives, with clothing by Dirk Van Saene, Martin Margiela, Walter Van Beirendonck, Dries Van Noten, Bernhard Willhelm, Stephen Jones, Kei Ninomiya, Paul Harnden Shoemakers, and Balenciaga. These unique and timeless pieces in Myung-il Song’s personal collection have been re-photographed and are published here together for the first time
Drawing on more than 40 years of work, Walter Van Beirendonck selected over 500 iconic fashion drawings that have rarely, if ever, been seen before. Draw the World Awake is a wild ride through Van Beirendonck’s imaginative evolution, showcasing his bold and boundary-pushing style like never before. Whether you’re a fashion fanatic or just love a good visual feast, this collectible book offers a vibrant glimpse into the mind of a true mastermind in fashion design.
This XL volume features three interchangeable covers and showcases the full range of Van Beirendonck’s oeuvre in drawings, from his Sado collection in 1982 and the outfits he designed for U2’s Popmart tour in 1997, to his Hand on Heart collection of Fall 2011 until today. The book reveals his wide range of inspirations, which include technology, art, pop culture and ethnography. Walter Van Beirendonck studied at the Royal Academy of Fine Arts in Antwerp. He broke through at the British Designer Show in London in 1987, together with ‘The Antwerp Six’: Dirk Bikkembergs, Ann Demeulemeester, Dries Van Noten, Dirk Van Saene and Marina Yee.
Introducing Karel Fonteyne, one of Belgium’s foremost contemporary and fashion photographers. Since 1968 the artist has created an extensive oeuvre that has its place in the history of photography. His timeless visual storytelling relates to nature, darkness and loneliness, the inner world, and esotericism, while touching uncovered dimensions. For more than 15 years Fonteyne was active as a fashion photographer, breaking boundaries by introducing his narrative approach as a contemporary artist in the traditional fashion world. He had early collaborations with Martin Margiela, Dries Van Noten, Walter Van Beirendonck and Dirk Bikkembergs, and internationally he collaborated with Vogue, Interview, Bazaar, Marie-Claire and Brutus Magazine in Japan.
Text in English and French.
A captivating journey through the collages of the legendary Antwerp-Six fashion designer, Walter Van Beirendonck. Dive into a selection of original and inspiring collages, tracing Van Beirendonck’s creative journey from his early days at the Antwerp Fashion Academy right up to the present. Cut the World Awake is a wild ride through Van Beirendonck’s imaginative evolution, showcasing his bold and boundary-pushing style like never before. Whether you’re a fashion fanatic or just love a good visual feast, this collection offers a vibrant glimpse into the mind of a true mastermind in fashion design.
First publication about the widely discussed films of Rinus Van de Velde
Rinus Van de Velde (b. 1983) is one of the most talked-about contemporary artists. Since 2019, this artistic all-rounder has added the medium of film to his wide-ranging oeuvre of drawings, installations and ceramics. This publication provides insight into how his amazing films and the beautiful handmade sets are created.
In The Villagers the viewer enters Van de Velde’s world. An important role is played by the 17 life-size cardboard sets on which he worked for two years. Narrative evolved into a more abstract form of expression in La Ruta Natural. For this second film, which follows a surreal road trip, Van de Velde had a mask made resembling his face. His most recent film, A Life in a Day, is introspective and shows the inner workings of the artist. The result is an intimate and pure voyage of discovery in which Van de Velde analyses himself from a distance. Through impersonations, constructed lies, and appropriations, he comes closer to uncovering the truth about his own identity and artistry.
Numerous stills, drawings, sculptures, props, studio and exhibition views bring Van de Velde’s films to life in this impressive book, for which author Timon Karl Kaleyta wrote the texts.
Films will be published together with a vinyl pressing of Joachim Badenhorst’s films’ soundtracks.
Text in English, French and Dutch.
“Dive into the ‘not-so-usual’ world of Iris van Herpen and her 16-Year Evolution! ‘Sculpting The Senses’ isn’t just a display of her iconic designs; it’s a captivating exploration of her visionary fashion revolution.” — Buro 24/7 Middle East
“Fashion is an instrument for change, to shift us emotionally. Through biomimicry I look at the forces behind the forms in nature, these patterns and natural cycles are my guide to explore new forms of femininity for a more conscious and sustainable fashion for the future.” – Iris van Herpen
Sculpting the Senses offers an overview of Iris van Herpen’s work over the past 16 years. It not only shows the most iconic designs, but also explores her forward-looking vision of fashion on a deeper level. On the basis of 100 dresses, it becomes clear how much the designer challenges our vision of “Haute Couture”. Sculpting the Senses immerses you in Van Herpen’s sensory universe and unites fashion, contemporary art, design and science on the basis of nine themes that together form the essence of Van Herpen’s work.
The Van Gogh Museum invited the celebrated Chinese artist Zeng Fanzhi to present recent work inspired by Vincent van Gogh. Although the two artists differ greatly in historical period and place of origin, their art is very similar in substance. This similarity is apparent in the themes that Van Gogh and Zeng both perpetually explore, such as style, identity and personality, and the question of self-control and the outside world’s degree of control over the individual. It is evident too in their powerful, searing paintings. Van Gogh’s original paintings became famous partly for their vigorous, seemingly inimitable brushwork – the painter’s individual ‘handwriting’. Zeng has responded to this same brushwork with handwriting from a very different cultural tradition, namely that of Chinese calligraphy. He has done so at a time when Van Gogh has become immensely popular in countries like China and Japan. The result is a Van Gogh seen through Chinese eyes, in a way Vincent himself could never have imagined. Zeng takes meanings from the past and re-uses them, over and over again, to generate valuable new meanings. This book focuses on Zeng’s recent work, inspired by Van Gogh’s iconic self-portraits, and explores the position and importance of the self-portrait within his oeuvre. Text in English and Chinese.
“With this collection, I attempt to clarify that these are not only textile designs. There is a lot more to it than that: making links to developments in the fields of art, culture and politics is only logical and at least as important. My collection seeks above all to stimulate curiosity when reading (or learning to read) images.” – Marc Van Hoe
The Van Hoe Collection – Grammar of Textiles presents The Van Hoe Collection which mainly consists of textile designs, in part weaves and a number of rare books from the period from 1830 to 1990: a period of great artistic and aesthetic changes. Including essays by Mireille Houtzager – Dutch Textile & Costume historian and Johan Valcke, Hoanry Director, Design Flanders, and others.
Text in English and Dutch.
Graphic artist, painter, sculptor, designer of wall textiles,… the artistic achievements of Herman van Nazareth, alias of Herman van Aerden, are manifold. Van Nazareth’s abstract-expressionist imagery is unpretentious, rough and powerful, faceless but with a distinct voice. His pictorial and sculptural language is restrained and universal and goes back to the basic shapes, sometimes hinting at ethnic art. It is especially his works from the South-African era that are a testimony of the artist’s personal sentiments and engagement in the social and political debate of the time. He sculpts anonymous witnesses, suffering people, numbed and powerless in a society ruled by aggression and exclusion. His pictorial work taps into the same vein, but in his paintings of people with mask like expressions and abstract landscapes, his use of colour is more exuberant, sometimes strangely bizarre. Herman van Nazareth’s work is internationally acclaimed and for the first time his extraordinary output has been collected in a comprehensive catalogue.
Today, Dom Hans van der Laan (1904–91) is something of a cult figure of European post-World War II architecture. The Dutch Benedictine monk and architect dedicated his life to the search for fundamental principles of architecture, and his thoughts on numerical relationships and dimensional systems were highly influential in mid-20th-century architectural theory.
A House to Live With is the first book to comprehensively explore van der Laan’s residential buildings. Sixteen of them, built between 1966 and 1985, are featured in full detail through photographs and plans newly produced for this book, and analysed with regard to their compositional and design principles. Essays examine the mathematical relationships of numbers and volumes that are fundamental to van der Laan’s designs, alongside discussion of how he was influenced by ancient Roman architecture. Light is shed also on the interplay of house and garden and house and patio, and the positioning of the one large table in the house, which to van der Laan was of key significance.
Thoroughly researched and highly readable, this volume introduces Hans van der Laan’s architectural ideas and housing designs in full, thus forming a rich and useful source for contemporary architects.
The New 100 Houses x 100 Architects is a celebration of diversity. Satisfying our natural and abiding curiosity about how other people live, and our endless quest to improve our own homes, this superb volume showcases architectural trends, provides insight into vernacular residential architecture, and is a rich source of ideas for every house designer- professional or armchair. Many of the houses portrayed in this book turn conventional notions of appearance and design upside down in their quest for perfection, while many reflect the emerging trend toward sustainable design while proving energy efficiency and style are not mutually exclusive concepts.
The 100 houses featured, (designed by 100 different architects) range from deceptively simple to over-the-top gorgeous. Among the awe-inspiring projects in this book are contemporary houses slotted into traditional settings, such as a modern project on a cobbled street in Ljubljana, Slovenia; a utilitarian structure nestled in a vineyard in pastoral New Zealand; a concrete polyhedron incised into a minuscule spot in the Tokyo metropolis; and a house on the Indian Ocean in Mozambique, whose colours contrast against the azure blues of sea and sky. Also available: 100 of the World’s Best Houses ISBN: 9781864704358, Another 100 of the World’s Best Houses ISBN: 9781864704501
“…enriched not only by an introduction by the fashion author Anders Christian Madsen, but also by countless anecdotes and stories from friends, artists and collaborators who contributed to the achievement of Van Assche’s great successes.” — GQ Italia
“Squeezing two small decades worth of era-defining elegance into one book is no small feat. Just ask Kris Van Assche, who has spent the past year scrupulously archiving his life’s work.” — i-D
“Fashion is my life. I see many ways to return”, the Belgian creative, former head of Dior homme and Berluti, tells MFF. Who this evening in Paris presents the volume 55 collections, which retraces almost 20 years of his career” — Milano Finaza & M le Monde
“How Kris van Assche helped invent the modern man.” — The Face Press
Embracing 20 years in fashion as a designer and Creative Director at Dior Homme, Berluti and his namesake label, Kris Van Assche reflects on his output: 55 collections, manifold collaborations with renowned artists and a constant oeuvre that conveys his identity. Designed by the illustrious art directors M/M (Paris), Kris Van Assche: 55 Collections is a visual compendium, gathered in a complete chronology.
From the fringes of society to the envy-inducing images on social media, how and why has vanlife become more popular than ever before? What does this tell us about our love of travel and our ideas of home? And how do camper vans address issues of minimalism, freedom and sustainability? The creators of The Rolling Home journal bring you a timely, attractively priced paperback re-issue of The Complete Vanlife Book, with essays, interviews, illustrations, and photographs that tell you everything you need to know about vanlife culture. On a practical level, the authors impart the basics of compact interior design and van conversions, along with inspiring personal accounts of living and travelling by van.
The garden of the Rubens House is a hidden gem in the heart of Antwerp. This is the place where the world-famous artist lived with his family and entourage and could relax. The garden has been reconstructed and, thanks to advice from fashion designer Dries Van Noten, provides year-round colour, season after season. The design hearkens back to plant species from Rubens’ time, including columbine, marigolds and citrus plants.
This book presents the results of years of archive research that went into the reconstruction of The Rubens Garden, describes the historical context and provides an overview of the main flowers and plants and their story. With beautiful details from floral still lifes and other works of Rubens and his contemporaries, this richly illustrated book reveals the beauty of the unique garden of the Rubens House in Antwerp. In addition, it offers a glimpse of little-known historical material about this magical garden and city gardens in Antwerp in the time of Rubens.
The new scholarly series Van Gogh Studies offers an international platform for research into nineteenth century, West European art history. The contributions focus on Vincent van Gogh and his contemporaries and are written by internationally acclaimed scholars and provide a richly variegated impression of this area of study. The first issue reveals the diversity of the Eminence grise series. Robert Herbert presents a major study about decorative arts; the nineteenth century French art market and the Salon system is the centrepiece of Robert Jensen and David Galenson’s contribution, while Elise Eckermann, June Hargrove and Caroline Boyle-Turner provide remarkable monographs about Gauguin as a painter and sculptor. Joan Greer elucidates in great detail on the publication of Van Gogh’s letters in the Flemish journal Van Nu en Straks (Today and Tomorrow) in 1893,while Louis van Tilborgh researches and dates Van Gogh’s stay in French painter Fernand Cormon’s studio.
Vincent van Gogh’s short, passionate life was driven by an almost unimaginable creative energy that eventually overwhelmed him. The outlines of his story – the early strivings in Holland and Paris, the revelatory impact of the move to Provence, the attacks of madness that led ineluctably to his suicide – are almost as familiar as the paintings. Yet it is more than possible that neither the paintings nor Van Gogh’s story would have survived at all if it had not been for his remarkable sister-in-law, Jo van Gogh-Bonger. After Vincent’s death and that of her husband, his brother Theo, Jo devoted her life to preserving and exhibiting the paintings, and editing the letters. It is in her short and unaccountably neglected biography that we can come closest to Vincent the man.
“Inès van den Kieboom paints in a remarkably anticyclical manner. Through the calm, unassuming conviction with which she pursues her artistic goals, as well as through her archaic, supratemporal pictorial inventions, she shows the present what art really is – and what it has the potential to be.” — Markus Stegmann
Inès van den Kieboom (b. 1930 in Ostend; lives and works in Antwerp) has been painting since the 1960s, yet she only decided to exhibit her paintings in the last two years. Van den Kieboom mainly finds inspiration for her works in her everyday surroundings, but also in art history, popular culture and current affairs. She paints or draws her subjects through the filter of her memories or impressions, which she depicts figuratively, abstracted to their essence. Van den Kieboom’s self-assured, lively and energetic paintings offer new perspectives on the way we observe the world.
In collaboration with Tim Van Laere Gallery in Antwerp, where the artist’s retrospective runs from 23 March to 20 May 2023.
With text contributions by Petra Maclot and Markus Stegmann.
Text in English, French and Dutch.
This publication is dedicated to projects by Marie-José Van Hee – from small interventions and furniture to award-winning outdoor spaces. Nine key projects are examined in detail, while various essays and an interview provide a comprehensive overview of her work. Furthermore, three photographers present Van Hee’s architecture from their personal perspectives, while three clients report on their lives and their impressive houses. The publication is rounded off by a small selection of Van Hee’s “black drawings”, affording insight into contextual relationships between architecture and nature, as well as an updated project list.
New, revised edition of the volume published in Belgium in 2019.
Text in English and German.
This publication is dedicated to projects by Marie-José Van Hee – from small interventions and furniture to award-winning outdoor spaces. Nine key projects are examined in detail, while various essays and an interview provide a comprehensive overview of her work. Furthermore, three photographers present Van Hee’s architecture from their personal perspectives, while three clients report on their lives and their impressive houses. The publication is rounded off by a small selection of Van Hee’s “black drawings”, affording insight into contextual relationships between architecture and nature, as well as an updated project list.
New, revised edition of the volume published in Belgium in 2019.
Text in English and French.
Antwerp-based and internationally lauded hairdresser Pascal van Loenhout is back with a second monograph: UN/CUT. For this 185-plus-pager brimming with arresting images, Pascal van Loenhout created dozens of lobs, bobs, bangs and blunt cuts, leaving it all out there for everyone to see and draw inspiration from. Photographed by acclaimed fashion and music photographer Charlie De Keersmaecker, UN/CUT packs a punch as it seamlessly combines a distinctly recalcitrant mood with timeless but off-kilter beauty. Though capturing a specific moment in time, it’s set to continue to enthrall both hair aficionados as well as anyone with a penchant for art, fashion, minimalism or beauty in general for a long time to come. The book design as done by internationally revered graphic designer Paul Boudens. UN/CUT begins with an uncensored version of Pascal’s life story.
This book showcases some unusual costume designs from more than two centuries of European fashion history ranging from Neo-Classicism and Biedermeier to the late 20th century and including cutting-edge creations by European fashion designers as well as aspiring young stars on the fashion firmament. These fashion designs show how ideals of beauty change, often defined by prevailing fashions and shaping the female silhouette in spectacular ways. Focusing on the aspect of moulding femininity , texts and more than two hundred illustrations not only trace the basic lines on which fashion history has developed but shed a sharp light on the relationship between the female body and the dress clothing it.
Besides numerous historical costumes the book shows creations from fashion designers such as Azzedine Alaïa, Walter van Beirendonck, Comme des Garçons, Dior, Jean Paul Gaultier, Romeo Gigli, Eva Gronbach, Hermès, Ja! Jungs, Karl Lagerfeld für Chanel, Yves Saint Laurent, Moschino, Thierry Mugler, Dries van Noten, Paco Rabanne, Darja Richter, Strenesse Gabriele Strehle, A.F. Vandevorst, Vivienne Westwood, and others.
With an impressive career of over 40 years that has resulted in the installation of large-scale art projects in numerous public spaces, artist/sculptor Luk Van Soom needs no further introduction in Belgium and the Netherlands. This beautifully designed art book is a first retrospective on his life and career. In a series of discussions and interviews with the artist, author Johan Pas sheds some light on the influences, philosophy, thinking and themes that have been vital for Van Soom’s artistic development: the relation between life and passion, travel and art, etc. Together, these texts present a kaleidoscopic image of Luk Van Soom’s life and work that is just as multifaceted and compelling as his art. At the age of seventeen Van Soom took his first tentative steps as an artist. Now 40 years later, he has an impressive curriculum including many exhibitions, commissions and projects both in his home country and abroad. Moreover, he created more than 50 monumental works for the public space in Belgium and the Netherlands, among which some very well know sights, such as Walhalla (1993, Antwerp), The Man from Atlantis (2003, Brussels), The Wharfinger (2005, Zwolle) and Walking to Magdalena (2012, Ostend). Text in English and Dutch.