More than a book of recipes, this cookbook explores Lee Miller’s life through the influence of food and how it ascends to becoming the creative vehicle that she eventually swaps her camera for and uses to build bridges, heal old wounds, and to empower other women. A woman of many lives and mistress of her own re-invention Lee Miller, model, surrealist and fashion photographer, war correspondent and gourmet cook does everything wholeheartedly and with an imaginative flair. Much has been written about the varied forms of her creativity but Lee Miller’s achievement as a gourmet chef is usually left to being an endnote. Her granddaughter Ami Bouhassane sees this part of her life as Miller’s longest battle and most extraordinary personal accomplishment in every sense. Contains over a hundred of Lee Miller’s recipes as well as images by her and others in both colour and black and white.
This beautiful book of her wartime fashion work addresses Lee Miller’s contribution to the fashion industry in these years and her significant service to the survival of British Vogue magazine.
Audrey Withers, Lee Miller’s editor at British Vogue, in 1941 wrote ‘she [Lee Miller] has borne the whole weight of our studio production through the most difficult period in Brogue’s [British Vogue’s] history’.
Containing over 130 images, with the majority printed full page this book also contains accompanying text by Ami Bouhassane, Lee Miller’s granddaughter and Co-Director of the Lee Miller Archives, who provides insights into Lee Miller’s work process. In two additional essays, fashion historian Amber Butchart writes on the fashion of the period and Robin Muir, contributing editor to British Vogue, discusses Lee Miller’s work for Vogue.
“Penrose” wrote Andre Breton “est Surrealiste dans l’amitie” and ‘The Friendly Surrealist’ is an apt description for the man who more than any other nurtured friendships and connections which introduced European Surrealism to the British art world. Roland Penrose embraced the fantasies and rebellions of the Surrealist movement through his friendships with artists such as Picasso, Man Ray, Miro, Ernst and Tàpies. His own works, which often reveal the true emotions behind his relationships with his wives, Valentine Boue and Lee Miller, constitute an important contribution to British Surrealist art.
Painter Roland Penrose and photographer Lee Miller’s move to Farleys in Sussex, UK, was not to settle down but to create, entertain, and inspire. In this publication, their son Antony Penrose, recalls the 1950’s with a fascinating insight into his parents’ lives, as they transformed Farleys from a traditional farmhouse into a hub of art. Farleys with unexpected decoration and surreal living had a wealth of 20th century artists visiting the home. The book is designed to reflect the colours and designs from the colour on the walls to the textiles of the furnishings.
Surrealist before she knew of the movement Lee Miller was ‘caustically brilliant, yet totally loyal, unpretentious, human and intolerant of sham. She was a consummate artist and a consummate clown; at once an upstate New York hick and cosmopolitan grande dame; a cold, soignée fashion model and a hoyden… She was a mechanical ‘tinker’, in the sense that her friend [the artist] Alexander Calder once called himself ‘just a tinker’. She was the nearest thing I knew to a mid-20th century renaissance woman’ described David E. Scherman, LIFE photographer and her very close friend.
Lee Miller was one of the most original photographic artists of the 20th century, her Surrealist eye informed everything she did. Her work presents the world in a way that encourages us to view it in a different manner.
The highly anticipated successor to Rural Retreats (2022) and Countryside Living (2019), showcasing 36 exceptional country houses in idyllic settings around the world. Like the volumes that came before it, Country Retreats builds on a tradition of honouring architectural excellence, regional heritage, and the subtle interplay between place and design. Here, the countryside is not merely a backdrop, it is a living partner in the narrative of each home. From the windswept hills of Hertfordshire to the snow-dusted peaks of Niseko, from the sunlit ranches of Texas to the serene waters of Lake Martin, every project presented here tells its own story. The Junegrass House channels a modern vision of the American heartland; the Georgian Country House Restoration revives the grace of a bygone era; the Aranya Sanya Mountain-View Residence marries contemporary geometry with sweeping natural vistas.
The first biography of Ralph Dutton, collector, connoisseur, writer, philanthropist, who created one of the National Trust’s most popular houses and gardens, Hinton Ampner.
“Ralph Dutton grows on you as John Holden engagingly unpeels the layers of this complicated traveller, connoisseur, philanthropist and friend.” – Dame Rosalind Savill, former Director of the Wallace Collection
“Ralph Dutton is someone most of us have never heard of, yet he created a place of exceptional grace and beauty in Hinton Ampner. John Holden unravels the mystery of the man for us, and gives us a compelling account of why and how it all happened. It’s an enchanting read.” – Lord Smith of Finsbury, Master of Pembroke College, Cambridge and Chairman of The Art Fund
“This is a real discovery. The story of a modest gentleman who nonetheless played an important role in 20th-century English culture. He put his life into his house, and his house into his life. Both are an engaging case study in heritage history.” – Professor Robert Hewison, Cultural Historian
Wild Comfort: Contemporary Homes in the Wilderness showcases thirty exceptional residences in some of the world’s most breathtaking and unspoiled natural landscapes. Designed by leading architects, the houses range from minimalist cabins to luxury residences, each offering a place of refuge within the vast wilderness. Perched on rocky archipelagos, enshrouded in dense forests, and nestled in sun-scorched deserts, these homes are exposed to the elements. Yet each is sensitively designed to blend with the environment and withstand their unique conditions. Their warm and inviting interiors offer comfort and protection while immersing residents in the surrounding wonders. Wild Comfort celebrates architecture in harmony with nature. By fostering a dialogue between the tamed and untamed, between comfort and wilderness, it illuminates how thoughtful design can empower us to engage more deeply with the natural world.
Pests can be damaging, annoying or even dangerous, causing untold damage to treasured possessions and even the structure of buildings themselves. This English Heritage guide focuses on these destructive pests and includes:
– Clear photography to aid identification of pest species
– Practical pest management strategies
– A cutaway drawing of an infested house to locate pest trouble spots
– Information about new pest species found in the UK
– Case studies from various English Heritage properties
– An action checklist
Written by leading heritage experts in clear, accessible language with helpful illustrations, this book provides a concise but comprehensive guide to the key pest species that commonly cause damage when they infest houses and collections. It provides solutions for dealing with them and – crucially – shows you how to stop the pests returning.
The handbook includes: clothes and house moths, carpet beetles, wood-boring insects, other damp-loving pests, detritus feeders and scavengers, new and other invertebrate invaders, flies, rodents and birds.
“I thoroughly enjoyed reading it and I cannot wait to visit Upton Grey to see the garden for myself.” Garden Design Journal
Gertrude Jekyll was perhaps the most important British garden designer of the 20th century. She famously argued that gardening ought to be considered a Fine Art, highlighting that it becomes a point of honour to be always striving for the best. This volume examines Jekyll’s work at Manor House, Upton Grey in Hampshire, offering an insight into her eclectic, imaginative, and inspiring art. Designed between 1908 and 1909, and once maintained by as many as nine gardeners, the garden fell into disrepair by the second half of the twentieth century, before a full and accurate restoration was carried out in the early 1980s.
Gertrude Jekyll: Her Art Restored at Upton Grey presents a visual record of the garden’s plants and layout, with original plans and photographs, as well as beautiful images of the garden taken since its restoration. There is also a fascinating chapter about Miss Jekyll’s discovery, admiration and use of Mediterranean plants. The book succeeds in illustrating exactly why Jekyll was so admired in her lifetime and why she continues to inspire and influence gardeners today.
Contents: Introduction Chapter 1: The Garden from 1902 to the Start of its Restoration in 1984 Chapter 2: The Rose Garden Chapter 3: The Dry-Stone Walls Chapter 4: The Main Herbaceous Borders Chapter 5: The Pergola, the Rose Arbour and Surrounding Garden Chapter 6: Miss Gertrude Jekyll’s Mediterranean travels and plant discoveries and their use at Upton Grey Chapter 7: The Wild Garden Chapter 8: The Art Completed Also available: The English Garden Through the Twentieth Century ISBN: 9781870673297
A ‘vessel for living’ – such were the words Glenn Adamson used to describe this remarkable residence. Richard Meier designed the Grotta home to house Sandra and Louis Grotta’s collection of contemporary studio jewellery and significant works in wood, ceramic and fibre. The building was conceived around the collection, framing the objects within the open architecture, which comprises an equal blend of glass and concrete. Nature, visible from many vantage points, plays an essential supporting role. The Grotta Home by Richard Meier: A Marriage of Architecture and Craft is rich in photographs of the collection and provides impressive insights into this exceptionally personal project. The accompanying essays afford the reader a greater sense of how the Grottas have not simply acquired art, but have immersed themselves in it.
This publication, accompanying the 17th Silver Triennial, presents the current world of international silversmithing and metal design. A rich repertoire of handcrafted everyday objects illustrates current worldwide approaches that have emerged over the last two years: from coffee and tea pots, via large and small bowls, to candlesticks, vases, salt and pepper casters, cutlery or small table accessories.
Every three years renowned designers and emerging young artists from the world of silversmithing participate in the competition. A top-class jury: Dr. Barbara Grotkamp-Schepers, Klingenmuseum Solingen (DE); David Huycke, metal artist and professor in Hasselt (BE); Rosemarie Jäger, Galerie im Kelterhaus Hochheim (DE) selects the best of the best.
The competition has been held since 1965 to promote international contemporary silversmithing. It is a joint project by the Gesellschaft für Goldschmiedekunst e.V. [Association for Goldsmiths Art] and the Deutsches Goldschmiedehaus Hanau [German Goldsmiths House], and is one of the most significant events of its kind world-wide.
Text in English & German.
The exhibition that this book accompanied, took place in April 2012, bringing together two hundred and fifty bound volumes selected from Spain’s National Heritage collections, making up an exceptional and unrepeatable exhibition of these astonishing works of art. These are works that were created for the monarch’s own use, beginning in the days of Charles V and Philip II, offering us a marvellous insight into the Royal Libraries of the House of Hapsburg and the House of Bourbon. We also come across items from a number of extraordinary complete collections that were treasured by conspicuous patrons and ending up by enriching the King’s library, thus endowing the Crown with the enormous intellectual prestige enjoyed by their owners for having gathered together such works. Contents: La encuadernación, lenguaje artístico – Víctor Nieto Alcalde Lo humilde entre lo egregio – Carlos Clavería Claves evolutivas de la encuadernación heráldica de Patrimonio Nacional Valentín – Moreno Gallego Libros para leer. Encuadernaciones comerciales en pergamino y papel en la época de la imprenta manual – Nicholas Pickwoad Diego Hurtado de Mendoza – Anthony Hobson Tres aspectos de la encuadernación francesa en las colecciones patrimoniales – Isabelle De Conihout and Pascal Ract-Madoux Encuadernaciones bodonianas – Pedro Cátedra Eadem sed aliter: uniformidad y singularidad en la encuadernación de Cámara – María Luisa López-Vidriero De la industria al arte. Dos cambios de siglo en la encuadernación de la Real Biblioteca – Dolores Baldó Bibliografía temática de la encuadernación en España (siglos xix-xxi): historiografía de sus estudios contemporáneos Concha Lois Text in English.
Artists of The Spanish Golden Age such as Murillo, Zurbarán and Velázquez were the key to instigating a truly passionate appreciation of Spanish art among the great collectors at the end of the Modern Age, as well as the public institutions or other institutions that sprang from private initiative after the Industrial Revolution.
There are notable sets of works created by Spanish artists in the United Kingdom, from the Osonas to Joan Miró, such as the ones conserved in Apsley House, Pollok House and the Dulwich Picture Gallery. The collections owned by public institutions also include a significant number of masterpieces of Spanish art, including the National Gallery of London and the National Gallery of Scotland in Edinburgh. Other public and private collections, such as the Wallace Collection, the Duke of Stafford Collection, the Fitzwilliam Museum and Bowes Museum, also contain masterpieces.
Spanish-born photographer Fadia Ahma (b.1975) lives and works in Lebanon. Her poetic series of photographs of Beirut eloquently captures the street life of that resilient city; merchants on street corners, grocers, fishermen, bathers, street artists, collapsed buildings, new construction. She presents fragments of life through fragments of the city itself. This is the first monograph of her vibrant and intuitive work on the people and places of Beirut.
She has been crisscrossing her city with a camera since 2003. District after district, house after house, she explores the complexity and humanity of Beirut and the Lebanese people. “I decided,” she explains, “to follow an itinerary, which is always the same, so that I wouldn’t disperse myself. It is my constancy that allows me to discover, to meld with this city.” Fadia Ahmad’s imagines her photographs as paintings, which mirror Beirut and capture the poetry of place and people which are nestled in the slightest details.
Text in English and French.
Rubens’ Antwerp: A Guide highlights the life and work of Peter Paul Rubens (1577-1640) in a comprehensive and accessible way. The Antwerp museums and churches contain about a hundred paintings, drawings, designs and sketches by Rubens. A large part of those are public. Antwerp is the only city in the world that is so deeply rooted with Peter Paul Rubens and his baroque heritage. Rubens’ Antwerp: A Guide allows you to experience Rubens and the Baroque in an intense way. This multifaceted acquaintance with Rubens goes hand in hand with a dive into the glorious past of the vibrant city of culture, where the master’s life largely took place. A mapped walk takes you to the various places in Antwerp where Rubens’ work can be seen. You can visit his house with the studio, where so many masterpieces came about. You also visit the homes of his friends Balthasar Moretus and Nicolaas Rockox, and you can admire paintings of him in the historic churches in the rooms for which they were made. 2018 is the official Rubens’ year.
Angry, outrageous, defiant, and courageous are some of the words that describe the American Abstract Expressionist artist Lee Krasner (1908-1984) – the subject of this very personal memoir inspired by Ruth Appelhof’s 1974 summer with her in East Hampton, Long Island. Best remembered by many as Jackson Pollock’s widow, she is regarded more by ‘art-world insiders’ as the producer of a major body of work that influenced the evolution of contemporary art – in particular, that made by women in the 20th and 21st centuries. As a scholar and a friend, Appelhof re-examines Krasner’s contributions in light of the intellectual and emotional experiences that she so candidly shared with her in weeks of interviews. In addition, Appelhof explores Lee Krasner’s relationships with others – friends, art-world luminaries, artists, and other ‘summer sitters’ allowed into her private sanctuary – through interviews. Those recollections will offer a window into the artist’s intense and idiosyncratic personal life as well as into her contributions through the groundbreaking work she produced over the course of more than six decades.
Contents: Prefaces by Helen Harrison, Director of the Pollock-Krasner House and Study Center, and Barbara Rose, Art Historian and Critic; Chapter 1: Driving Ms. Krasner; Chapter 2: The Tapes: Fact or Fiction; Chapter 3: Cards on the Table; Chapter 4: Swing of the Pendulum; Chapter 5: Summer Sitters; Chapter 6: In Spite of Herself.
Published to accompany the Lee Krasner Retrospective at the Barbican Art Gallery, London, fromThursday 30 May-Sunday 1 September 2019, and at Schirn Kunsthalle, Frankfurt, from Thursday 10 October 2019-Sunday 12 January 2020, and at Zentrum Paul Klee, Bern, from Friday 7 February-Sunday 10 May 2020, and at the Guggenheim Bilbao, from Friday 29 May-Sunday 6 September 2020.
Chapter 1: Urban Play: A Project from Start to Finish: What does a landscape architect do exactly? Here, we peel back the finished project, which has won several design awards, to show the major steps in the making of the garden. We start with the clients wishes for an outside play area for their young twin girls that will be visually pleasing when viewed from the living rooms several stories above. And the condition of the site: an odd-shaped and impossibly steep and tilted small plot covered in brambles. We present a ‘before’ picture, early drawings, problem solving, the gradual articulation of the design, how the Blasens work together, choice of fabrication materials, planting design, the construction period, and the final finished garden and how it is used. Illustrations throughout.
Chapter 2: Gardens: From the Mountains to the Shore: This photographic presentation of a dozen gardens is the bulk of the book. Some projects are covered in 2 spreads; others in 3 spreads, one in 5 spreads. The gardens range from a city courtyard to a beach garden, to an 22-acre estate with a California wildflower meadow, and an extensive green roof on a Herzog & de Meuron designed house that s set into a natural hillside. Some have been published in top design magazines; a few particularly exciting new large projects are now being published for the first time. Each project is introduced with a) descriptions of the garden and how the clients use it and b) a paragraph about the planting design and key plants.
Chapter 3: Lexicon: The Blasens Aesthetic: This chapter-an alphabetical list of terms/phrases that appear often in the Blasens conversations about their work investigates the Blasens aesthetic. We hear what they most deeply care about, often in their own words: for example, seamlessness of design, color, geography, lightness, plants that thrive where they are, rhythmic sequencing of experiences in a garden, retaining what already is. And also their influences in the art, design, and architecture worlds, and what’s catching their attention right now. This collage of fragments builds a fascinating picture of their sensibilities, and how they earned the title of the new tastemakers in House and Garden magazine. Small photographs, for many entries, give examples.
Following on from the 2017 House 1 project, a public architectural intervention in Zurich, ALICE’s teaching programme and the All About Space series enter the realm of urban and suburban space. The series’ latest volume Beyond the Object: The Imagination of Space proposes an alternative idea and cultural history of architecture that is derived from the notion of spatial design rather than that of technical objects and constructions. Thus current topics like urban planning, the correlation of public and private spaces, social and economic development are wrapped up into more general questions: What are our common and scientific understandings of space and spatial correlations and how can they apply to contemporary architectural practice and education? The underlying narrative of Beyond the Object: The Imagination of Space is loosely tied to the exemplary urban context of Zurich. Yet it addresses the topic with decidedly global scope. And like the previous books The Invention of Space and House 1 Catalogue, the new volume combines fact with fiction to broaden the view upon future scenarios.
Between 1924 and 1936, Austrian-born architect Josef Frank built five holiday homes on the Falsterbo Peninsula in southern Sweden. Conceived as summer houses for friends and relatives of Frank’s Swedish wife, the Falsterbo Villas constitute a key part of Frank’s architectural work and demonstrate the principles at the core of his housing designs. In 2016, Villa Carlsten, the smallest of the Falsterbo houses, underwent an extensive restoration.
Published on the occasion of its completion, Josef Frank: Villa Carlsten is the first book to comprehensively document the building. As with all of Frank’s housing designs, Villa Carlsten sees the architect paying special attention to the connection between interior and exterior, to the availability of daylight, and to inhabitants’ movements through the building. A particular part of Villa Carlsten’s charm is its scale, as everything is of slightly smaller dimensions than one would expect. Despite its intricate layout, however, Villa Carlsten is also one of Frank’s most accessible homes, and the design is full of wit, combining comfort with modern refinement.
Beautifully designed with seventy-five full-colour photographs by Mikael Olsson, who adeptly highlights the home’s qualities and relationship with its surroundings, the book also includes an essay by Mikael Bergquist, who realised the renovation and places Villa Carlsten in context with the other Falsterbo Villas and Frank’s broader work.
Luca Selva graduated in architecture from ETH Zurich, where he also worked as a research and teaching assistant before establishing his own studio in Basel in 1991. Single family houses have been among Selva’s chief interests from the beginning as means for research on questions of space, typology, design, and architectural phenomenology in general. Specific topics and problems are investigated for the first time with this type of building, and solutions found are picked-up again and developed further in other projects of varied kind and dimension.
Since 1991 Luca Selva Architects have been realising a range of highly interesting projects, including semi-detached double-family homes, a house for an art collector, a house with artist’s studio, or a multi-generation home. The new book presents comprehensively and compares nine of these buildings. They are documented with images, floor and site plans, sections, and elevations. The essays look at the single family home as an architectural task and discuss questions of design in the context of historical and contemporary positions.
Text in English and German.
Nives Widauer: Villa Nix features a retrospective of Nives Widauer’s oeuvre of three decades. The book documents the the Vienna-based Swiss artist’s two-part exhibition at Centre Culturel Suisse in Paris and at Kunstmuseum Olten in summer and autumn 2020. The Paris show, titled Antichambre, was a prelude and subsequently integrated entirely into the larger presentation Villa Nix at Kunstmuseum Olten, the latter’s architecture allowing the actual experience of seven different rooms at Widauer’s imaginary house. As the title suggests, Widauer created for her art a home that is accessible for visitors, who can delve into and explore her imaginary mental spaces and her physical installations and works. Both the villa’s and the artist’s names are variations of the latin term for snow. The rooms at Villa Nix are intimate, historic and dense spaces in which she arranges a closely selected constellation of her work, thus creating resonating environments as an antichambre, an archive, a garden, or the unknown room. They work as mnemonic spaces and are at the same time rich in historic and cultural connotations while structuring the book like chapters. Introductory texts and conversations reflect the character of these spaces and the artworks they house. Text in English, French and German. Published to accompany an exhibition Nives Widauer: VILLA NIX, at the Kunstmuseum Olten, Switzerland between 21 September and 17 November 2019.
As the modern world changes and evolves, so does the modern lifestyle. Our levels of home comfort, desires, and overall life satisfactions are being defined in new ways, often contrasting with notions of the ‘traditional’ house design. We aim to live simpler lives yet somehow manage to have more material possessions than before; and we opt to reside in open-plan homes that provide a sense of freedom. All too often traditionally designed homes are no longer able to satisfy our contemporary living needs. The restoration of living spaces is usually to restore existing buildings that may have become impractical over time, if not outdated. These days, the challenge is how to adapt and transform these existing buildings to modern standards, all the while maintaining what may still be useful, special features or design characteristics, or what we like most about the space. This book showcases a selection of examples of how people from around the world have ingeniously refurbished an old house to meet their needs for a modern lifestyle. With vivid descriptions, detailed drawings and rich photography (including befores and afters), this book provides designers and architects, as well as owner-builders of old houses several excellent strategies on how to approach their restoration, and how to convey a modern life concept, revitalizing, and refreshing the houses for the next generation.
For many years, the artist Bernard Frize has lived in Paris in a bourgeois, typically French apartment with various fanciful elements. But now the Swiss architect Philipp von Matt has built a residence and studio for him right in Berlin’s rough city centre, which is the complete opposite of his other home: von Matt has created a cathedral made of exposed concrete, measuring some 600 square metres (approx. 6450 square feet). It is an austere, massive structure that has huge windows and overlooks smoking chimneys. The use of raw wood throughout the building contrasts with its bare walls. The staircase is designed as an extended living room and reception hall, and it connects the four floors spectacularly.
The exterior gives little hint of what to expect inside. Upon entering, one suddenly realises that the building gets narrower towards the rear and thus seems to be longer than it actually is. The straight lines of the walls, ceilings, and floors form acute angles, creating another dramatic spatial effect.
In addition, the materials are exceptional. The aim was to construct the house in the most environmentally friendly way possible. Clay was used to plaster the walls, the closet doors are made of wicker, and the ceramic tiles come from an old French wine basin.
This book, for the first time, provides a complete overview of the building, presenting a wealth of texts, layouts, models, and architectural photographs.
Text in English and German.