The Ashmolean Museum holds a world-class collection of over 200 prints made by Rembrandt Harmensz van Rijn (1606-1669). Widely hailed as the greatest painter of the Dutch Golden Age, Rembrandt was also one of the most innovative and experimental printmakers of the seventeenth century. Rembrandt was extraordinary in creating prints not merely as multiples to be distributed but also as artistic expressions by using the etching printmaking technique for the sketchy compositions so typical of him. Almost drawing-like in appearance, these images were created by combining spontaneous lines with his remarkable sense for detail.

Rembrandt was a keen observer and this clearly shows in his choice of subjects for his etchings: intense self-portraits with their penetrating gaze; atmospheric views of the Dutch countryside; lifelike beggars seen in the streets of his native Leiden; intimate family portraits as well as portrayals of his wealthy friends in Amsterdam; and biblical stories illustrated with numerous figures. This book presents Rembrandt as an unrivalled storyteller through a selection of over 70 prints from the Ashmolean collection through a variety of subjects ranging from 1630 until the late 1650s.

New York City’s borough of the Bronx draws millions of people annually to visit the largest zoological park in the United States, or to catch a baseball game at Yankee Stadium. Beyond the animal cages (and batting cages) is a section of the city filled with art, food, music, and unusual sites that can only be found in one place: Da Bronx. The Bronx offers some of the most amazing experiences for visitors to New York City because it is so unexplored. You can take a canoe down a river, or take a course in pole dancing school. The Bronx has a rich history, which includes the American Revolution, that has given way to today’s rebels in street fashion. Sit down and feast on dishes from Ghana and Italy. Learn to roll cigars. Pay homage to the founders of rap music and hip hop culture. And explore quiet cemeteries’ stunning architecture. The borough is home the largest park in New York City, waterfront vistas that are unparalleled, and access to riverfronts and bays. Whether you are a first time visitor, longtime resident, or a native, you will find 111 hidden gems in the Bronx. The most unexplored borough of New York City is yours to discover with 111 Places in the Bronx That You Must Not Miss.

The arts of southeast Africa embrace astounding diversity and limitless inventiveness in materials, forms, and styles. Small and portable in nature – snuff containers, pipes, headrests, staffs, clubs, beer vessels, beaded garments – they were created by semi-nomadic pastoral peoples and primarly intended for daily use. Whether figurative or abstract, carved out of wood, ivory, or horn, or made of cloth, glass beads, or clay, most of these works were much more than exquisitely designed functional objects. Some signalled status, gender, or age; others served as symbolic intermediaries between the world of humans and the realm of the ancestors.

The first book to examine the rich jewellery traditions of the Batak people in Indonesia is a gorgeous tribute to a vanishing way of life. Batak jewellery is characterised by a wide variety of materials and forms, and has many functions: Jewels can be status symbols, badges of rank, attributes of membership of a certain age group, amulets and talismans, or simply ornaments. Men, women, small children, and even babies were once adorned with gold, silver, brass, bronze, or the gold-and-copper alloy known as suasa. Today, the Batak wear traditional jewellery only for celebrations like weddings, and these stunning works are rapidly disappearing, being melted down or sold.

Accompanying a major exhibition at the National Gallery of Canada, this catalogue presents a broad selection of nineteenth-century and early twentieth-century French and Danish art from the celebrated Ordrupgaard museum near Copenhagen. Assembled for the most part between 1892 and 1931 by the Danish insurance magnate Wilhelm Hansen (1868-1936), the Ordrupgaard collection offers a spectacular overview of French painting from Eugène Delacroix through to Paul Cézanne, as well as magnificent examples from the Danish Golden Age.

Fully illustrated and including an essay by Dr. Paul Lang, Deputy Director and Chief Curator of the National Gallery of Canada, the catalogue provides the opportunity to experience the highlights of the Ordrupgaard collection. It includes remarkable groupings of works that reflect various stages in the careers of painters such as Jean-Baptiste-Camille Corot, Gustave Courbet, Camille Pissarro, Claude Monet, Alfred Sisley, Paul Gauguin, C.W. Eckersberg, and Vilhelm Hammershøi. While French Impressionist and Danish works are a focus, other-often contradictory-art movements of nineteenth-century France, including the Barbizon school and Realism, are also well represented.

Text in English and French.

This book is the first important monograph dedicated to the work of Pablo Reinoso, a Franco-Argentinian artist and designer, a curious and largely self-taught jack of all trades. Technically a sculptor, but actually an artist through and through, Pablo Reinoso has been exploring multifarious artistic avenues from an early age. Part-French, through his mother, he left his native Argentina in 1978 and settled in Paris, where he worked on his art. He produces his works in series – Articulations (1970-80), Water Landscapes (1981-86), The Discovery of America (1986-89), Breathing Sculptures (1995-2002) – which he chops up and rummages through as he explores new worlds and different materials, translating the permanent work in progress which is his way of thinking. An increasing maturity is evident in Ashes to Ashes (2002), a work in which he twists and splits wooden boards in an attempt to rid them of their function. Continuing in the same vein, but having in the meantime held important positions as an artistic director and designer in large companies, Reinoso began a new series in 2004 highlighting an icon of industrial design, the Thonet chair. He then turned his attention to the seemingly anonymous public benches found in all cultures throughout the world – objects that for this very reason are timeless and beyond fashion. The results are his so-called Spaghetti Benches (begun in 2006), which have multiplied and found their place in the most unlikely corners. In his very latest series, Scribbling Benches (started in 2009), Reinoso no longer takes an anonymous bench, nor an iconic chair, as his point of departure, but a steel girder. The work plays on the unexpectedness of a solid, heavy object, a key structural component in architecture, that is made to twist like a piece of wire and turn into a bench suggesting airy, transparent, contemplative spaces.

In My Way: From the Gutters to the Stars, Berlin-based Tim Raue traces his journey from street kid to two-star Michelin chef and owner of the eponymous restaurant ranked #34 on the list of the World’s 50 Best Restaurants. Head chef at one of Berlin’s best restaurants at the age of twenty-three, Raue earned the accolade Highest Climber of the Year in 1998, and, in 2007, was named Chef of the Year by Gault Millau. He earned his Michelin stars only two years after opening Restaurant Tim Raue in 2010. Raue illustrates his story with dozens of family photos, and with stunning images of Berlin, Singapore – the source of his culinary inspiration – and his extraordinary Asian-influenced dishes. His food is admired by New York Times food critic, Frank Rich, as well as Corey Lee, the three-star Michelin chef and owner of acclaimed restaurant Benu – who has incorporated one of Raue’s recipes into his own repertoire. In addition to 70 recipes from Raue’s kitchen, My Way includes 45 recipes for gourmet essentials such as broths, sauces and infusions. Taken together, Raue’s story, his food, and these brilliant colour images make My Way a journey worth following. Contents: Finding yourself Creating yourself Recipes In My Way will be launched with a press conference on 28th February in New York 12:30am.

Before finding a place as a celebrated author and household name, Charles Dickens was the beleaguered son of a perpetually impoverished family, proving a failure at everything from court reporting to pot polishing. This story, adapted from his cherished works of fiction, imagines his life at this young age. In the entries of Charles Dickens: His Journal, we meet a floundering Dickens just as he throws up his hands, withdraws his paltry savings, and sets out for Canterbury like the pilgrims of old. He places himself in the hands of the world, depending in part on the strength of his last shillings, in part on his own quick wits, but most of all upon the patchy hospitality of unforgettable characters he meets along the way. Can we believe what we read? According to Dickens, all of his tales are true reflections of life – fragmentary and highly improbable. For readers unfamiliar with the author’s work, this is a remarkable introduction to Dickens’ brilliant humour and to his indelible characters, who come to life as soon as we read their names. For Dickens enthusiasts, this is a smart, exhilarating romp through the pages of a timeless writer, celebrating caricatures and scenes too often overlooked.

This book presents a personal collection of ancestor sculpture and protective deities, following the ancient migratory and trade routes of the Austronesian, Southeast Asian Bronze Age, and Hindu-Buddhist peoples. The author, Thomas Murray, has spent a lifetime studying this art through his endeavours as a peripatetic dealer, collector, and field researcher. The objects illustrated come from a swath of widely varied cultures from Nepal eastward to Hawaii, with the overwhelming majority from Indonesia and Southeast Asia. Murray’s eye is highly informed and based on an unusually large sampling of objects to which his experience and research have exposed him. The artworks documented represent some of the top examples he has acquired and retained over the course of a long career. They are characterised by sculptural balance and a harmony of line, as well as a rare quality of expressiveness. Each ranks high in terms of aesthetics and desirability within its own particular style as perceived by the art market and by other western aficionados.

We are living in an age of accelerated change. The internet has washed away all limitations on time and space. Entrepreneurship has been democratised, and economies have globalised. Innovation has rendered entire sectors irrelevant in the blink of an eye. This is the reality any manager has to take into account in order to keep his company viable. Disruption@WORK taps into the roots of disruptive change, and offers a guide in recognising disruption, defining the ways in which it has already had an effect, and what awaits us in tomorrow’s board rooms. In doing this, Disruption@WORK provides a view on the factors we have to deal with in bridging the gap between the individual, his work and corporate strategy, in order to face the future of our companies.

“An interior is the natural projection of the soul.” – CoCo Chanel In the field of design, nothing stands still forever. Cycles come and go, reconfiguring the old to create the new. What was once hidden is now boldly displayed. The raw materials that comprise modern interiors have been given centre stage, handicraft is no longer considered ‘old-fashioned’, but has instead become a key instigator for design, and dark colours are back in vogue. Materials are allowed to have patina again, bearing the signs of their age and use. Industrial, rusted iron; brushed granite; untreated wood… It is all coming back! The retro revival promises to inject new energy into the design world, making pure beauty stand out. Design blogger Irene Schampaert guides you in discovering these exciting new trends.

In an ever-changing digital world, marketeers might feel like they are constantly chasing an evolution they can’t keep up with. And rightly so. Tesla cars can warn us of accidents before they have happened. Amazon has drone delivery up and running. Consumers are getting ready to embrace virtual reality, augmented reality and chatbots. Where do we go from here? To bridge the gap between the technology-addicted consumer and marketeers that are constantly chasing the facts, those marketeers can no longer rely on yesterday’s solutions. This book offers an aid to finding new ways out of the slump and in centralising innovation in every marketing plan. Reviewing success stories and best practices forms an added dimension to this approach: by figuring out which methods worked in the past, why and how they worked, we can set out for even greater results – even in the ever-changing digital age.

“This book is like a private exhibition.” Belgian Newspaper De Volkskrant on Masterpiece
2019, 450 years after the Old Master’s death, will be celebrated as the Year of Bruegel, culminating in the exhibition ‘The Age of Bruegel’ at The Royal Museum of Fine Arts (KMSKA), Antwerp. In the run up to the numerous exhibitions and festivities that are planned for next year, Lannoo Publishers releases this glossy guidebook. It contains images of the Old Master’s paintings showing astonishing detail. It contains expert commentary by Till-Holger Borchert, director of all Bruges-based museums. Text in English and Dutch. Also available in the series: Masterpiece: Peter Paul Rubens ISBN: 9789401441612 Masterpiece: Jan Van Eyck ISBN: 9789401441629

Pascale Naessens is a bestselling culinary author. With her books, she created a new vibe where people can enjoy food and lose weight at the same time. Her recipes are recommended by doctors and osteopaths and are the proof that tasty food can also be healthy. Natural Food That Makes You Happy presents delightful dishes that are easy to make and packed full of flavour; food that makes you happy, beautiful and energetic. This book is not a diet book, it is a way of living and thinking.

This is the first title in a new prestigious cultural tourism project by Lannoo Publishers. The Peter Paul Rubens Atlas illustrates the life of Rubens on a timeline: important dates and periods in the life of the Old Master are indicated and elaborated on in the main part of the book through text, images and maps. One of those maps could, for example, show Peter Paul Rubens’ stay in Italy or his diplomatic journeys, but it could also take the reader on a city walk through Antwerp, visiting places that are linked to Rubens and his work. The maps are designed to reflect the age in which the artist lived. More than striving for artistic comprehensiveness in terms of art history, these atlases are intended to reflect the context in which the artists lived, worked and flourished. Just think of the artistic exchange between Italy and Flanders, the influence of the Catholic Church and the religious strife of the time, the role of art promoters, etc. It goes without saying that the atlases are richly adorned with the work of the artists. The main goal of the three books that will make up the series is to encourage and help readers to further discover and interpret the Old Masters’ work and the locations in which they lived.

“The most important portraits to me are the ones of people who have enriched my own thinking or awareness. Areas of philosophy, religion, psychological perspectives, poetry, music, art history, women’s roles and the inner life are important issues for me – and all have been nurtured by these people whom I have met through portraiture.” – Victoria Crowe. Victoria Crowe is one of Britain’s most vital and original figurative painters. Here, Duncan Macmillan explores the exceptional skill of this remarkable artist’s portraits and Victoria Crowe, herself, contributes many insightful accounts of her own thoughts and perceptions as each work developed. This book also tells Crowe’s own story – both professional and personal – through her art. She has developed an approach to portraiture that seeks to do more than record the outward appearance of a person: she aims to represent something of the inner life. With 80 illustrations, the portraits include the artist’s family, composer Ronald Stevenson, pioneer medical scientist Dame Janet Vaughan, poet Kathleen Raine, actor Graham Crowden, psychiatrist Professor Sir Peter Higgs and many others.

Since 1972, the Drawings and Prints Department of the Louvre has published the reportoire of the Italian drawings held in its collections. This volume, the tenth in the series, is dedicated to the Bolognese and Emilian artists of the 17th century. Seicento is considered by all as the golden age of Bolognese painting, which not only enriched the city with many masterpieces but saw many of its main artists going to Rome, the capital of Baroque, to decorate its churches and palaces (from the Galleria Farnese by Annibale Carracci to the many domes frescoed by Lanfranco).

The volume includes close to 1000 drawings by artists such as Ludovico and Annibale Carracci, Bartolomeo Cesi, Bartolomeo Schedoni, Guido Reni, Giovanni Lanfranco, Elisabetta Sirani, Giuseppe Maria Crespi e Donato Creti and it traces the evolution of draughtmanship in Bologna and Emilia, from the Accademia degli Incamminati to the spreading of classicism and baroque.

Text in French.

Contents: Preface by Henri Loyrette (President of the Louvre); Introduction; The Teaching of the Carraccis; Contemporary Artists of the Carraccis; The Influcence of Bologna; Baroque and Classiscism in Bologna and Emilia; Bibliography; Tables of Concordance; List of the Artists; Index of the Collectors

Also available:
Battista Franco ISBN 9788889854457
Baccio Bandinelli ISBN 9788889854631

“The mention of Mongiardino still elicits instant reverence. With his alchemic blurring of eras, the sheer scope and commitment of his massive projects and insistence on valuing ambience above so-called authenticity, he attained mythic stature.” – The New York Times Style Magazine Roomscapes is not only a beautiful testament to Mongiardino’s imaginative creations, the magnificent rooms he re-shaped and decorated in ancient Italian and Parisian palaces, English houses, New York apartments, but it is an important text that analyses space, function, decoration and lighting of rooms. It is meant as a guide to conceive spaces that are inhabited through time and by time. Sketches, drawings, and models by Mongiardino, next to the images of the finished rooms, make the creative process clear and showcase his extraordinary ability and taste. Roomscapes was originally published in 1993 and has long been out of print. Contents: Preface by Giovanni Agosti; Introduction; Part one: The genesis of a room; Sketches; Chapter one: Space, measure, and models; Chapter two: The function of a room and its appearance; Chapter three: Decoration: ways to invent it, transform it, correct it; Chapter four: Decoration and the appeal of the exotic; Part two: Illusion: the eye deceived; Chapter five: Materials and the simulation of materials; Chapter two: The birth and development of perspective; Conclusion; Appendix: 16 unpublished sketches by Renzo Mongiardino.

Life’s game is measured in episodes of awareness, i.e. self-awareness, an awareness of the way things work, or that things are not always what they seem. Systems dynamics are full of shocks to the system. Whether we are witnessing the physics of a rational system or the profundity of an irrational system, the shocks come with a sense of, ‘You mean you can do that?’ This book examines systems dynamics from the perspective of the author’s own triangulated model comprised of common environments (those shared environments at risk of over-use or degradation), the institutions we design to manage those commons, and the human behavior associated with our investment in the triad. The Feedbacks between the three comprise the Policy Arena for collective decision-making and form a backdrop for shaping personal actions. Beautifully illustrated with student case study research covering a range of topics from the past twelve years, the work is written for a wide audience including academics, researchers, designers, and the concerned citizen.

Shim-Sutcliffe’s masterful work at Point William intertwines landscape and architecture with ancient rock and water reshaping and reimagining a site on the Canadian Shield over two decades. Found conditions and new buildings are interwoven and choreographed to create a rich spatial experience moving between inside and out. Kenneth Frampton provides an insightful introduction with selected images and his own sketches framing a way of seeing Point William for the reader. Michael Webb’s provocative interview with Brigitte Shim and Howard Sutcliffe describes their evolving vision for Point William and their two-decade journey towards its realisation. Acclaimed photographers Ed Burtynsky, James Dow and Scott Norsworthy contribute through their powerful images capturing the spirit of Point William through the seasons and over time.

More than half of America’s waterbodies are unsafe for swimming, fishing, and as sources of drinking. Why? Because of unsustainable city building and poor farming practice. Beyond water quality problems, dysfunctional streams cause flooding and erosion of property, leading to neighbourhood blights. Not only can this be reversed, but repair of degraded urban streams can be a powerful agent for reinventing the physical environments of post-industrial cities. This requires transdisciplinary collaboration between the fields of ecological engineering and urban design. The American city was uniquely premised on fusions of landscape and urbanism: a tradition with plenty of room for innovation. However, watershed plans remain data-and-policy-driven documents with a singular interest in repairing waterbodies. They have little to say about the city and urban design. Conversely, urban planning has not codified the value of healthy ecosystems within which cities are built. In this age of the Anthropocene, when most ecosystems are human-dominated, resilient urban design must account for biological processes. This book introduces watershed management into urban design with one simple demand: that every new development contribute to watershed stewardship, where infrastructure and building deliver ecological services in addition to urban services. The Conway Urban Watershed Framework Plan formulates a planning vocabulary for use among professionals and decision makers to engage this new design market.