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Gary Hill is one of the most important contemporary artists investigating the relationships between words and electronic images. His inquiries into linguistics and consciousness offer resonant philosophical and poetic insights as he explores the formal conjunctions of electronic visual and audio elements within the body and the self. With experimental rigor, conceptual precision and imaginative leaps of discovery, Hill’s work in video is about, and is, a new form of writing.

In this book, George Quasha and Charles Stein, who met Gary Hill on mid-1970s, analyse the whole career of the artist paying special attention to the single-channel video work, where he explored the intertextuality of image, synthesised imagery and post-minimal political statements. Almost a complete monograph of work with a comprenhesive chronology of works and production details, the book includes a selection of the artist’s key writings.

Pioneering Edinburgh photographers David Octavius Hill (1802-1870) and Robert Adamson (1821-1848) together formed one of the most famous partnerships in the history of photography. Producing highly skilled photographs just four years after the new medium was announced to the world in 1839, their images of people, buildings and scenes in and around Edinburgh offer a fascinating glimpse into 1840s Scotland. Their much-loved prints of the Newhaven fisherfolk are among the first images of social documentary photography. In the space of four and a half years Hill and Adamson produced several thousand prints encompassing landscapes, architectural views, tableaux vivants from Scottish literature and an impressive suite of portraits featuring key members of Edinburgh society. Anne M. Lyden, International Photography Curator at the National Galleries of Scotland, discusses the dynamic dispute that brought these two men together and reveals their perfect chemistry as the first professional partnership in Scottish photography. Illustrated with around 100 masterpieces from the Galleries’ unique, vast collection of the duo’s groundbreaking work.

Growing up, almost every kid dreams of finding buried treasure. That dream slowly fades with age as they realise that Blackbeard never visited their backyard. For some, the search for treasure continues in their adult lives in other ways. Metal detectors and shovels may be replaced with online searches and library visits, but the thrill of the hunt is still alive, ever driving the quest forward.

Lost Danish Treasure tells the tale of two stories: 1) the history of Finn Juhl’s iconic Chieftain Chair and a long-forgotten painting that preceded it, and 2) the individual connections to this design by a small group of collector researchers. Although starting in different eras and timelines, the two accounts start to intertwine over the course of the book, with the research efforts of today helping to unravel the mysteries of the past. As each chapter unfolds, more and more clues are revealed that slowly weave the storylines closer together— until the summer of 2021, when both accounts collided after Lot 242 popped up in an auction house in Chicago. The result of the subsequent analysis sheds new light about the origins and identity of the very first Chieftain Chair.

The Meadows Museum at Southern Methodist University is honoured to offer viewers in the United States their first opportunity to contemplate masterpieces from the leading historic private art collection in Spain. The treasures of the Alba family represent more than five hundred years of patronage and collecting of European art of the highest quality and importance. One hundred thirty-eight exemplary objects from these vast holdings will be presented in Dallas and then travel to the Frist Center for the Visual Arts in Nashville. Coinciding with the Meadows Museum s golden anniversary, the exhibition Treasures from the House of Alba: 500 Years of Art and Collecting and this companion publication trace the history of the Alba family from the fifteenth century through the present day through the works they collected. The book explores the family’s wealth of paintings, sculptures, furniture, tapestries, and other objects, as well as the Alba archives and library. The stature of the painting collection is clear from the artists represented in the exhibition, among them Fra Angelico, Titian, Rubens, Mengs, Goya, Ingres, Sorolla, and Renoir. The relationship of the Alba legacy to America is highlighted in decorative objects and in a selection of documents from the Alba library related to Columbus and his voyages. The ten essays in this publication shed light on the dynasty’s particular interest in collecting tapestries; its patronage of writers such as Garcilaso de la Vega; the influence of Eugenia de Montijo, empress of France, who was directly related to the Alba family; the pivotal roles of the Seventeenth Duke of Alba and his daughter, the Eighteenth Duchess, in the twentieth century, both of them keenly engaged with the art of their time; and the three palaces Liria, Monterrey, and Las Dueñas that house much of the collection today. Finally, there is one essay covering the biographical life of the Albas as well as an article that discusses their artistic legacy. As a result, the book provides an in-depth study of the rich life and cultural achievements of this legendary dynasty that still lives strong today.

Lost Futures looks in detail at the wide range of buildings constructed in Britain between 1945 and 1979. Although their bold architectural aspirations reflected the forward-looking social ethos of the postwar era, many have since been either demolished or altered beyond recognition.

Photographs taken at the time of their completion are accompanied by expertly researched captions that examine the buildings’ design, creation, the ideals they embodied and the reasons for their eventual destruction. Lost Futures covers many building types, from housing to factories, commercial spaces and power stations, and presents the work of both iconic and lesser-known architects. The author charts the complex reasons that led to the loss of these projects’ ambitious futures, and assesses whether some might one day be recaptured.

This illustrated book shows an adventurous photo journey across Europe to the remotest regions of the USA, because no way is too far or too daring to reach the ‘lost cars’ in forgotten places.

The nostalgic subjects of the photo artist Dieter Klein are legends and outsiders: Porsche and Cadillac, VW Beetle and Citroen DS. On inconspicuous backyards, in old barns and dense forests, they beautifully show the charm of decay as well as the power of nature and inspire us to think up fantastic stories about the history of objects.

Text in English and German.

In 1739, Qaraar Ali, a young craftsman from Delhi witnesses the destruction of his world as he has known it. His wondrous city where he found love, spirituality, the friendship of poets and philosophers becomes a desolate, scorching hell. From the embers of his past, a journey begins; one which takes him into the depths of Sufi philosophy. Traversing spectacular landscapes of a fading Mughal Empire, a turbulent Central Asia and Persia, a culturally retreating Ottoman Empire and declining Spanish influence, Qaraar Ali finds hope in the sacred geometry of the Sufis through which he attempts at rebuilding his life and rediscovering love. A deeply passionate love story imbued with spirituality, acceptance, compassion and redemption, The Lost Fragrance of Infinity gives a much-deserved voice to Sufism and its contributions to humanity, art, mathematics, mysticism and science.

Archer M. Huntington (1870-1955), son of one of the wealthiest men in America, decided that his passion for Spain had to be reflected by creating a museum and a library that would make his knowledge of Spanish art and culture available to his compatriots and that is how he founded in 1904 The Hispanic Society of America in New York.

A section of more than two hundred of these treasures is being presented at important museums, such as the Museo del Prado (Madrid), el Palacio de Bellas Artes (Mexico City), and the Albuquerque, Cincinnati and Houston museums in the United States. This volume gathers the content of this great exhibition including a detailed file of each piece and an introductory essay telling the story of the Hispanic Society’s creation and the scope of its collections.

In a 2021 study, McKinsey describes Certified Pre-Owned (CPO) within the watch market as ‘the industry’s fastest-growing segment’. The trade in pre-owned watches is expected to overtake that in new watches by the middle of the decade. ‘Certified Pre-Owned’ is thus a booming trend. Pre-owned watches are becoming increasingly popular for various reasons: CPO makes classic watches and exclusive rarities accessible to connoisseurs, but also to new customers. Since the fine pieces are authenticated by experts, the market offers security. Above all, however, the CPO business enables an emotional approach: buyers get watches with a history that they can perpetuate themselves and then pass on to the next generation. Dive into the fascinating world of watches and watch collecting with Timeless Treasures.

Does a good watch really have to be expensive? What factors determine the condition of a watch? What should I look for when buying? Are CPO watches a good investment? These and many other questions are answered here by leading experts in the field.

But you will not only find useful information for building your own high-quality collection. You will feel the passion for elegant timepieces on every page of this book. Discover first-class photographs of classic and current watch models from the major brands, of celebrities professing their passion for this accessory, or of legendary film scenes in which special watch models play supporting and leading roles.

The reading is rounded off with a ‘style guide’, which offers watch lovers inspiration on how to perfectly stage their favourite pieces in every situation or also answers the question: What type of watch am I?

The result is an emotional all-round portrait of the impressive world of CPO watches, perfectly attuned to an ever larger and more diverse fan community. It’s time to let a little luxury into your life with this book!

Text in English and German.

Lost Worlds: Ruins of the Americas is a unique visual exploration that vividly captures the haunting mystery and visual poetry of historic ruins throughout the Americas. This extraordinary collection perfectly portrays the architectural, geographic and historical significance of ruins that are considered world wonders and also little known gems. Included are monumental temples of Mexico’s Mayan civilization, a Colonial era palace on the island of Haiti, earthquake-ravaged cathedrals in Guatemala, and astonishing Incan citadels in Peru’s Sacred Valley – culminating with the breathtaking beauty of Machu Picchu.

This unprecedented publication transports the reader on a journey to ancient temples, abandoned palaces and lofty citadels. Evocative and enlightening, Lost Worlds will stir the imagination of those with a passion for photography, travel, history, architecture, and archaeology. Shot in infra red format on a specially adapted digital camera, these images expose crumbling, overgrown walls, broken columns, and cracked arches in ways most readers have never seen. They will offer readers a new way of viewing the landscape as well as an enhanced vision of the collective identity of the Americas. Includes a foreword by noted travel writer Pico Iyer and text by Arthur Drooker explaining each site’s rise, fall and lasting significance. Published to accompany a travelling exhibition in the USA opening at the Art Museum of the Americas in Washington, DC., and touring a further seven venues.

Established by an act of Congress in 1989, the Smithsonian’s National Museum of the American Indian (NMAI) is dedicated to the preservation, study, and exhibition of the life, languages, literature, history, and the arts of Native Americans. The museum’s collections span more than 10,000 years and – as this lavishly illustrated miniature volume demonstrates – include a multitude of fascinating objects, from ancient clay figurines to contemporary Indian paintings, from all over the Americas.

The works in this book have been selected because of their historical value, uniqueness, character and state of preservation. The result is 100 treasures that reflect the diversity of Brussels’ museums, and the permanent collections that reside within them. For each of the 100 artworks the authors give a description, a context and an anecdote. Themes range widely, from modern and contemporary art, ancient art, history and archeaology, to science, nature, and architecture. This book is a multifaceted aesthetic and scientific experience, and contains something everyone will enjoy.

Hereto unknown statues of great significance to the art world will be revealed in this publication, their aesthetic features thoroughly analysed. Quite exceptionally, Treasures of Stone Uncovered also encompasses a full chapter explaining the scientific methodology that was employed to authenticate the objects. The goal of this publication is, on the one hand, to let the artworks capture the gaze of the reader with their splendour and refinement, and on the other, to increase the knowledge and understanding of the underexposed Buddhist art of the Northern Qi. Text in English and Chinese.

When it opened on November 19, 1819, The Museo del Prado, in Madrid, consisted entirely of works from the Spanish royal collections. Numerous treasures have been added since opening day, but the unique strengths of the Prado’s collection can still be traced to that original core of remarkable works – many acquired or commissioned from the artists themselves during the 16th, 17th, and 18th centuries.

The Prado is internationally renowned for its unsurpassed collection of masterpieces by Diego Velázquez, Francisco de Goya, Hieronymus Bosch, El Greco, and Peter Paul Rubens. As this richly illustrated little volume makes clear, it also possesses a brilliant collection of paintings and drawings by other artists throughout Europe as well as fascinating decorative arts and notable sculptures.

Take a spectacular armchair voyage to one of earth’s most magnificent and ancient sites: Egypt’s Valley of the Kings. This exquisitely produced guide is lavishly illustrated with more than 800 pictures (including archeological reconstruction drawings); six gatefolds; and the finest paper. Conducted by a team of world-acknowledged experts who provide the most up-to-date information, this virtual guidebook to Egypt’s greatest treasures is the perfect mix of artistic brilliance and scholarly research. The Valley of the Kings and the tombs of the nobles are, with the pyramids of Giza, among the world’s best-known sites. Yet a significant portion of this remarkable place remains unseen by most who visit – but this illuminating and spectacularly produced volume fully maps both the artistic and the architectural features of the tombs. Renowned photographer Araldo De Luca was granted full access to these ancient wonders, and he provides unrivalled colour images of the funerary temples and private necropolises. An exploration of their structures and embellishments features plans, photos, drawings of motifs, and hieroglyphs. To complete the presentation: walking itineraries in the Theban mountains are shown from many unusual vantage points, making this book a visual treat, and an extraordinary adventure, for real and armchair travellers alike.

The hidden art of London is for the ever-curious roamer of both the back streets and the familiar places you never quite see – churches, gardens, graveyards, pubs. What little garden finds the poet John Keats sitting in the corner of a bench? Which abandoned building tells the story of a great Roman Road?
There are always marvels hidden in plain view – the back corner of a museum containing great sculptures by Rodin or the naked, street-corner golden boy, who marks where the Great Fire of London finally petered out. A famous literary cat or a painting by Hogarth on the bend of a stairs in an ancient hospital.
This guidebook takes you exploring London beyond its most famous sights to find the art we have never quite noticed before: the hidden statues, paintings, and murals that have escaped from the official museums, and often live unnoticed lives in tucked away places.

The Wellby Bequest, received by the Ashmolean Museum in 2013, consists of some 500 precious and exotic objects, mainly from Continental Europe, from the late medieval to the rococo, and is the most remarkable accession of this kind of material to any museum in the UK since the bequest of Ferdinand de Rothschild to the British Museum in 1898 (the Waddesdon Bequest). The collection was assembled by three generations of the Wellby family with an intention that it should reflect the great princely treasure chambers (Kunstkammer) preserved in Dresden, Vienna, Innsbruck, and elsewhere. Many of these objects have never been previously published. This beautiful and accessible book introduces over sixty of the prime pieces from this astonishing addition to the Ashmolean, presenting material of the type incomparably superior to anything in other UK museums outside London. Both authors are specialists in European decorative arts of the Renaissance and later periods.

Published to coincide with the opening of the new Wellby Bequest Gallery in the Ashmolean Museum September 2015

Contents: Preface and Acknowledgements; Introduction to the Michael Wellby Bequest (by Timothy Wilson); Introductory essay on the Kunstkammer tradition (by Matthew Winterbottom); 50 catalogue entries on highlights of the Wellby Collection; Glossary, Bibliography; Index

Accompanying a major exhibition at the National Gallery of Canada, this catalogue presents a broad selection of nineteenth-century and early twentieth-century French and Danish art from the celebrated Ordrupgaard museum near Copenhagen. Assembled for the most part between 1892 and 1931 by the Danish insurance magnate Wilhelm Hansen (1868-1936), the Ordrupgaard collection offers a spectacular overview of French painting from Eugène Delacroix through to Paul Cézanne, as well as magnificent examples from the Danish Golden Age.

Fully illustrated and including an essay by Dr. Paul Lang, Deputy Director and Chief Curator of the National Gallery of Canada, the catalogue provides the opportunity to experience the highlights of the Ordrupgaard collection. It includes remarkable groupings of works that reflect various stages in the careers of painters such as Jean-Baptiste-Camille Corot, Gustave Courbet, Camille Pissarro, Claude Monet, Alfred Sisley, Paul Gauguin, C.W. Eckersberg, and Vilhelm Hammershøi. While French Impressionist and Danish works are a focus, other-often contradictory-art movements of nineteenth-century France, including the Barbizon school and Realism, are also well represented.

Text in English and French.

The Art Institute of Chicago houses some of the most celebrated paintings from the 19th century to the present. Included in this collection are numerous masterpieces of realism, Impressionism, Post-Impressionism, Surrealism, Cubism, Abstract Expressionism, and contemporary art. Today a number of these paintings are revered as icons of modern culture, emblems of the inspired experimentation that has taken place on both sides of the Atlantic, and around the world. For the last century, the Art Institute has supported the achievements of the most distinguished artists from Europe and America, acquiring and exhibiting now-beloved works of Edgar Degas, Henri Matisse, Georgia O’Keeffe, Jackson Pollock, and others.

This folio is presented as both an introduction to this collection and as a survey of the styles, subjects, and themes of Western art of the last two centuries, from the linear classicism of Jean-Auguste-Dominique Ingres through the optical studies of Claude Monet and the Impressionists; from the lyrical, colourful abstractions of Vasily Kandinsky to the fractured picture planes of Pablo Picasso and the Cubists; from the enigmatic compositions of Salvador Dali and the Surrealists to the media-appropriated Pop-art portraits of Andy Warhol. These magnificent paintings eloquently narrate the discussions of the nature of art, quality, innovation, style, and form that have defined the modern era in art history.

As one of the Tiny Folio Great Museum series, this book is designed as a tour of the National Gallery’s collection of Impressionist and post-Impressionist paintings, drawings, prints and sculpture. Visitors to the National Gallery in Washington usually make straight for the rooms holding the museum’s works by the greatest Impressionist artists, including Degas, Renoir, Van Gogh, Gauguin, Cezanne and many others. This miniature compendium includes all the favourites, along with many less-familiar works photographed especially for this volume.

Located in the heart of King’s County, the Brooklyn Museum is an anchor of New York City and a world class institution. The museum’s 560,000-square foot building is a Beaux Arts masterpiece, housing over one-and-a-half million works of art, from ancient Assyrian reliefs to striking period homes and Old Master paintings, as well as works by the top contemporary artists of today. This handsome little book illustrates a curated selection of these pieces, including highlights of the museum’s renowned ancient Egyptian collection, its expansive holdings in American art, and its unrivaled selection of contemporary feminist art, including Judy Chicago’s Dinner Party.

The perfect souvenir from the museum’s shop, or for any visitor to the borough, this Tiny Folio features spectacular photography throughout, as well as a special selection of images highlighting Brooklyn’s rich artistic history.

Innovation, exclusivity, and elegance define Patek Philippe, a family-owned company with a single and passionate calling: to perfect the watch. These lavishly illustrated books present some of the most important timepieces from the more than 3,000 watches exhibited at the Patek Philippe Museum in Geneva. These precious timepieces have been passionately assembled over more than 40 years by Philippe Stern, Honorary President of the company, and include some of the most valuable pieces in watchmaking history. The books allow you to take the Patek Philippe Museum’s exhibition home with you, or, alternatively, to get a preview of its treasures before you visit.

From the collection of historic watches featuring the first portable timepieces dating back to the 16th century to innovative milestones in Patek Philippe’s portfolio since its founding in 1839, each watch is reproduced with such beauty and precision that you can almost hear it ticking. With expert curatorial insight and context from Peter Friess, Conservateur of the Patek Philippe Museum, these intricate mechanisms are not only presented for themselves; they also offer a unique perspective into the cultural history of the last 500 years. True to the trust and excellence of the Patek Philippe brand, the presentation, the extraordinary book design by Birgit Binner, and content of these sumptuous publications meet the highest professional standards. They are the perfect books for the “perfect watch.”