The novelist, poet and politician, Victor Hugo (1802–1885) was a towering figure in French 19th-century public life. The author of Les Misérables and The Hunchback of Notre Dame became a symbol of the French Republic’s ideals of equality and freedom during his long exile in the Channel Islands. His ink-and-wash visions of imaginary castles, monsters and seascapes may be less well known than his writings, but they inspired Romantic and Symbolist poets, and many artists, including the Surrealists; Vincent van Gogh compared them to ‘astonishing things’.
This handsome book – the catalogue of an exhibition organised by the Royal Academy of Arts in collaboration with Paris Musées – Maison de Victor Hugo and the Bibliothèque nationale de France – includes new texts by leading authorities on Hugo and reproductions of many of his finest works on paper, from early caricatures and travel drawings to dramatic landscapes and experiments in abstraction.
“This is not a book for those who are only interested in cars. It is a compelling, sometimes uncomfortable journey through our fascination with speed, status and mortality…” — NL Magazine
Cars have a talismanic quality. No other manufactured object has the same disturbing allure. More emotions are involved in cars and car design than in any other product: vanity, cupidity, greed, social competitiveness and cultural modelling. But when all this perverse promise ends in catastrophe, these same talismanic qualities acquire an extra dimension.
The car crash is a defining phenomenon of popular culture. Death Drive is both an appreciative essay about the historic place of the automobile in the modern imagination and a detailed exploration of the circumstances of 24 celebrity car crashes, from Isadora Duncan in an Amilcar, in 1927, to Helmut Newton in a Cadillac, in 2004. The author concludes by confronting the imminent demise of the car itself.
The work of photographer Gérard Uféras (b. 1954, Paris) covers a compelling and charming array of subjects, from glimpses of life behind the scenes at the opera and ballet, to marrying couples and their families on their wedding day, to the spontaneous energy and interaction of crowds at carnivals and sporting events. With the discreet but unerring eye of the seasoned photojournalist (he began a long association with Libération newspaper in the 1980s), Gérard Uféras captures people from all walks of life in moments of contemplation, creation and camaraderie, resulting in a body of work that offers a rich and nuanced picture of humanity.
Published to coincide with a retrospective of his work in 2025, this book presents the photographer’s own choice of some of his finest work from a long and distinguished career. What emerges most strongly from this collection is Gérard Uféras’s great passion for favourite themes such as music, theatre and dance, but, perhaps more resoundingly still, his profound empathy and respect for his human subjects.
The work of photographer Gérard Uféras (b. 1954, Paris) covers a compelling and charming array of subjects, from glimpses of life behind the scenes at the opera and ballet, to marrying couples and their families on their wedding day, to the spontaneous energy and interaction of crowds at carnivals and sporting events. With the discreet but unerring eye of the seasoned photojournalist (he began a long association with Libération newspaper in the 1980s), Gérard Uféras captures people from all walks of life in moments of contemplation, creation and camaraderie, resulting in a body of work that offers a rich and nuanced picture of humanity.
Published to coincide with a retrospective of his work in 2025, this book presents the photographer’s own choice of some of his finest work from a long and distinguished career. What emerges most strongly from this collection is Gérard Uféras’s great passion for favourite themes such as music, theatre and dance, but, perhaps more resoundingly still, his profound empathy and respect for his human subjects.
Text in French.
Gumshoe is a new series of architectural books that introduces an original approach to the writing of architectural history. Emulating the detective novel, the focus is on actual buildings rather than on speculative designs and theories. The style and form is fresh and scholarly but also easy and enjoyable to read. In Mysteries of a Communist Cave, the second book in the Gumshoe series, Lytle Shaw conducts an investigation of Oscar Niemeyer’s building for the French Communist Party’s (PCF) central committee in Paris.
Designed in 1965, just as party theorists began to rethink many bedrock assumptions about representation, Oscar Niemeyer’s PCF building is a microcosm of the shifting political and architectural landscape of the 1960s. It is also a literal Marxist structure that can thus help us concretely picture just exactly what Structuralist Marxism might have been. Shaw draws out the PCF’s language and context one element at a time and puts the elegant curtain-wall building with its cave-like assembly hall into revelatory dialogue with interlocutors in film, philosophy, anthropology, and politics.
Perhaps the ultimate mystery of the communist cave is that its owners have not more often and more powerfully presented their landmark building as the vivid source of imagery it could be for the kind of world the PCF might like to construct.
As a universal icon of modern art, Gustav Klimt is one of the most immediately recognisable and widely reproduced artists in the world. From The Kiss to the portraits of his Golden Period, his works have shaped a shared visual imagination far beyond museum walls. Written by Gérard-Georges Lemaire, an art historian and leading author in the field, this monograph offers a clear and rigorous reading of a foundational career, showing how Klimt, central figure of the Vienna Secession, helped pave the way for pictorial modernity.