Thomas R. Schiff’s vivid panoramic photographs capture the iconic buildings and landscapes of San Francisco and the Bay Area in new and surprising ways. From the Golden Gate Bridge to Coit Tower, they offer a refreshing perspective on familiar places and reveal unexpected treasures in everyday ones. With essays on photography, perception, and architecture by Susan Ehrens, Wendy Lesser, and Tim Culvahouse, and an author interview by Dave Christensen, The Poetics of Distortion: Panoramic Photographs of the San Francisco Bay Area is a mind-bending, eye-opening, very San Franciscan journey.
Return on Experience will be comfortable on the shelves of designers and artists and equally comfortable for business leaders and educators. It reflects the fundamental belief that design is integral to everything we do. That all human existence has been a result of a progression of successful design outcomes. It is not in the sense that what we have created is exclusively logical and rational but true success has been the result of sort of emotional intelligence and meaning being infused into a new form that has caused us to progress as a species. Inspiration and innovation are difficult to process from a pure logic as it requires a broader view into the way we think and feel things. It is deeply personal and at the same time shared at a social level. In this sense we naturally view design as possessing enormous value and is an essential part of culture with a broad value and application.
Design is a dialogue. This book is not a treatise on do’s and don’ts of design or business. It is a reflection on the nature of how to see design. Design is and always has been part of a conversation. As such, this book captures a dialogue that author, Tim Kobe has been engaged in for over 25 years at Eight Inc. This conversation is more than a single path but reflects the dialogue and practice of business leaders, designers, colleagues, and collaborators. This book would not exist without those on the other side of the conversation and is more than a lens of a single or individual point of view. Eight Inc. has been incredibly fortunate to design with some of the most successful people and companies that exist today and much of Eight Inc.’s success has been attributed to our time with Apple founder and CEO Steve Jobs.
The Urban Design Legacy of Colin Rowe describes the ideas developed and described primarily by Colin Rowe, professor of architecture and head of the Urban Design Studio at Cornell, and additionally by his students, his co-authors, and colleagues throughout the course of the last half of his highly influential career spanning the years 1963 till his death in 1999. From the simplest of techniques regularly used in present day planning, urban design, and architectural analysis and design work to the philosophical and aesthetic ideas related to them, these techniques and ideas inform much of current discussion about the appropriate forms of human settlement, sustainability, and even architectural style.
Colin Rowe is acknowledged to be the most influential figure in architectural theory in the last half of the 20th century. Although his contribution to the discipline and practice of urban design is equally important, there is no single text which specifically focuses on his work in this sphere. This book intends to address this omission by critically examining Rowe’s urban design theory and its evolution, which began at the Cornell University Urban Design program in 1963 and continued until his death in 1999. The text features a score of previously unpublished essays by prominent scholars, educators and practitioners, many of whom were his students or close collaborators. The Urban Design Legacy of Colin Rowe provides a window to explore past, present and future themes central to the discipline of urban design as seen through the critical lens of Colin Rowe and those who continue to define their creative work in relationship to that extraordinary intellect.
Aldo Rossi (1931-97) is a key figure in 20th-century architecture. Discarding utopian pretences, his work claimed the autonomy of architecture with formal restraint, and remains highly influential both in theory and practice until the present day. In this new book, Diogo Seixas Lopes looks at Rossi’s work through the lens of a term often used to describe the great architect’s work: melancholy. While the influence of melancholy on literature and visual arts has been debated extensively, its presence in architecture has been largely overlooked. By exploring Rossi’s entire career, Lopes traces out the oscillation between enthusiasm and disenchantment that marks Rossi’s oeuvre. Through a close exploration of one of his landmark works, the Cemetery of San Cataldo in Modena, Lopes shows how this brilliant, innovative architect reinterpreted a typology of the past to help us come to terms with representations of death and the melancholy that inevitably accompanies it. Beautifully illustrated and drawing on rich archival sources, Melancholy and Architecture both illuminates the work of the 20th century’s most interesting architects and offers a new perspective on the long cultural history of melancholy.
Flowers are a perennially popular motif throughout art history. And for good reason: lush with texture and colour, a living bouquet of blooms can be made to communicate much through the masterly brushstrokes of Vincent Van Gogh or Georgia O’Keeffe, in the hands of a skilled ikebana artist, or through the lens of contemporary photography. For more than two decades, Swiss photographer Anna Halm Schudel has focused her eye on flowers, zooming in on calyxes, pistils, and leaf veins to create exuberant feasts of colours. While celebrating the wide variety of shapes and sizes that nature and human cultivation have brought us, Schudel is no less fascinated by the process of decay. As the flowers fade, wilt, and wither, she transforms them under water into images of strange, compelling beauty, to combine their delicate beauty with a stirring memento mori. Eighty strikingly beautiful colour plates are complemented by two essays that examine Schudel’s symbolism and put her work in context with the history of the floral still life. As exquisite as the subject itself, this beautifully designed large book is sure to inspire appreciation for this rising Swiss artist.
Text in English and German.
Italian photographer Gian Paolo Barbieri is renowned for his work in the field of fashion and for his sensitivity towards beauty. He had the chance to travel a lot, shooting unique places and extraordinary people, along with his greatest passion: flowers. Over the years he gathered an exceptional collection of photographs, only partially exhibited on some occasions. Very few know about the personal life of Gian Paolo, who decided to keep it to himself. A chapter in his private sphere regards his relationship with Evar, a young architect and model from Bergamo who was killed in a motorcycle accident 24 years ago. Flowers of My Life tells their love story through the pictures of flowers and the portraits of Evar captured by Barbieri’s lens, together with poems written by Branislav Jankic.
Howard Kanovitz’s landmark 1966 Jewish Museum solo exhibition is widely deemed to have launched the genre of photorealism.
Personal and private outdoor space is becoming ever-more elusive as urban areas become more crowded due to population growth and increasing development. Urban Oasis: Tranquil Outdoor Spaces at Home explores projects from London to New York and Sydney to San Francisco that reveal inspirational designs of rooftops, garden spaces, outdoor rooms, terraces and courtyards, and provide refuge from the modern world with private pockets of paradise. These outdoor spaces provide relaxing, sociable, and plant-filled settings for residents to savor peace and calm, and the company of family and friends.
“I like depicting sexy, strong women – the spirit of a dominatrix. Through my work I explore the part of my personality that enjoys teasing and provocation. In doing this, I’ve seen the change and growth of myself as a person, a woman, a lover, a critical open-minded thinker and, most important, as an artist.” – Alejandra Guerrero.
In the second decade of the twenty-first century we are witnessing an unprecedented exploration of female sexual power, while on the other hand reactionary cultural forces contrive to keep women as defenceless as possible. In this context, the work of photographer Alejandra Guerrero can be understood as a clarion call. Hers is a rarefied visual art that marks a turning point for female sexuality in erotica, her eloquent tableaux revealing the intricate ways in which women exert their erotic power. Here we see a future in which women dictate raw, yet refined desires. Each moment comes from the erotic fever dreams of the participants and the desires of the woman behind the camera. Sometimes, when Guerrero turns the lens upon herself, those moments are one and the same. Contents: We delight in wickedness by Violet Blue; Plates; Biographies; Credits.
Dreams, fears, projects, desires. Turning 18, with your future in front of you: it’s a special time, which the talented photographer, Anne-Catherine Chevalier, has tried to capture. Her sensitive lens is matched by the delicate writing of Geneviève Damas: the result is a selection of 50 exceptional portraits.
Text in English, French and Dutch.
Following on from the success of the exhibition Before Time Began, Fondation Opale is taking on a new challenge with a show that juxtaposes contemporary Aboriginal art with prominent examples of contemporary art created in a Western and Asian tradition. This beautifully illustrated catalogue includes more than eighty works by over 54 artists from two separate collections, both of which are outstanding in their own right: the collection of Aboriginal art belonging to Bérengère Primat and the contemporary art collection amassed by Garance Primat. The works play off each other with powerful effect. Insightful pairings suggest an underlying unity, a merging of mankind, heaven, earth, and the whole cosmos.
The Aboriginal artists represented include: Rover Thomas, Gulumbu Yunupingu, Clifford Possum Tjapaltjarri, Judy Watson, Sally Gabori, Emily Kame Kngwarrey, Paddy Bedford, Nonggirrnga Marawili, Ronnie Tjampitjinpa, and John Mawurndjul. The artists working in the Western and Oriental traditions include: Jean Dubuffet, Kiki Smith, Anselm Kiefer, Sol Lewitt, Yayoi Kusama, Giuseppe Penone, and Anish Kapoor.
Published to accompany an exhibition at Fondation Opale, Lens – Crans Montana, 14 June 2020 – 4 April 4 2021.
Today Santorini is visited by some 2.5 million people a year. But when Robert McCabe and his brother arrived there in 1954, they were the only visitors on the island. In this collection of stunning photographs from the 1950s and 1960s – reproduced as tritones of surpassing quality – McCabe has recorded the hardscrabble, yet often romantic, life of a vanished era. Picturesque whitewashed houses dug into the volcanic pumice; the harvest of the island’s famous cherry tomatoes; the winding road to the ruins of ancient Thera – all this was captured by his lens. McCabe’s photographs are complemented by two essays from the noted Greek journalist Margarita Pournara, one poetically evoking her grandmother’s childhood on Santorini and the other explaining the geological forces that have given this volcanic island its dramatic form. A companion to McCabe’s recent volume on Mykonos, this book will fascinate modern-day visitors to Santorini, as well as those who trace their roots to the Greek islands.
In a fast-paced world with mega upheaval, including climate crises and a global pandemic, the allure of growing your own food, being self-sufficient, and living green is immense. This yearning for not being wholly reliant on the supermarket, and the growing concerns over pesticides and food miles has led to the resurgence in seeking old-world skills. As showcased in Urban Homesteads, the benefits of a productive garden on your doorstep or within arm’s reach, tending to chickens, harvesting your own honey, and using eco-friendly water-harvesting techniques are clear: fresh herbs, vegetables, and fruit on tap, fresh eggs, delicious honey; plus living at a slower pace, better value for money, and a more soothing and mindful existence. Of course, a healthy garden and environment also attracts beneficial insects and birds.
Get inspired with this book’s range of eco-friendly possibilities from around the globe. With beautiful full-colour photos, gathered here are stories of people who have set up their own productive and abundant back yard or patio, as well as examples of great vertical planters, indoor gardens, and those who have reached into the urban community allotment. Use this book to start your own journey with an urban homestead lifestyle, with lots of generous tips, modern green concepts as well as a twist of modern, technically savvy know-how. All the practical guidance you need on how to be the change you want to see.
And there’s much, much more in this book. We live in an era of photographic images, and Mr. Tekulsky has provided the reader with 83 of the best photographs of America that you will ever see. According to Wikipedia, Americana is defined as “any collection of materials and things concerning or characteristic of the United States or of the American people and is representative or even stereotypical of American culture as a whole.” As such, Mathew Tekulsky’s book Americana: A Photographic Journey is a piece of Americana itself.
A new volume in ACC Art Books’ London series, focusing on the capital’s vibrant LGBTQ+ scene. Queer London is a timely and accessible introduction to the city through a LGBTQ+ lens, and will appeal to anyone with an interest in London’s thriving queer landscape.
Celebrating the diversity and innovation of queer individuals in London, both historically and today, Queer London features a range of bars, clubs, shops, Pride events, charities, community organisations, saunas and sex shops that cater to the LGBTQ community.
Along with highlighted features on influential queer Londoners of the moment, this book delves into the cultural history of queerness in the capital, including events, organisations or venues that have sometimes been forgotten or overlooked, but which were of key importance to the community. From the long, illustrious queer history of Soho and the legendary drag balls at Porchester Hall, to the hottest clubs of the moment, Queer London is the go-to guide for anyone looking to engage with rich queer legacy of this nation’s capital.
“Bruce Springsteen in All His Rock Star Glory.” —Janet Macoska, The Daily Beast
“Two careers were born on that cold night in 1974. Macoska would blossom into one of the most notable rock ‘n’ roll photographers of the last 50 years. And Springsteen was on his way to becoming The Boss.” —Jay Crawford and Meg Hambach, wkyc3
“…Live In The Heartland covers almost five decades of touring from The Boss, and also includes set-lists and corresponding editorial content. The majority of the photos are previously unseen.” —Classic Rock Magazine
“There’s only one boss of rock ‘n’ roll.” —Tria Wen, Reader’s Digest
“… an energetic and moving visual tour that records the romance between The Boss and the Cleveland stages.” —GQ Mexico
Five decades of blue-jeans, down-to-earth rock ‘n’ roll. Five decades of poetic, authentic performances, political commentary, global tours and even a Broadway show. Bruce Springsteen hasn’t just left an impact on the surface of modern music, he helped shape its foundations.
From the early beginnings in 1974 to the seminal Born in the USA – one of the best-selling albums of all time – to the 2016 River Tour, the highest grossing tour of the year, Springsteen has a truly timeless appeal, captured here by lauded rock photographer, Janet Macoska. Macoska charts Springsteen through the ages. Through her lens we witness his enduring energy on the stage, from 1974 to 2016. Here is Springsteen at his finest: a down-to-earth superstar, whose powerful performances stand the test of time.
“Bruce would rip his heart out and give it to his audience. He put everything into his performance. He was all over the stage, and the whole rest of the band was in lockstep, complimenting that energy. It was going out to the audience in bundles. We were sending it back , too, and that’s really electric. That energy, those visuals? Photographers love that. It’s perfect to have something like that to photograph.” – Janet Macoska
In Fine Bonsai: Art and Nature, the finest extant achievements in the art of bonsai are seen together for the first time, through the lens of renowned botanical photographer Jonathan Singer. This magnificent deluxe volume is the result of an extensive photographic campaign, in the course of which Singer was granted unprecedented access to the most respected public and private collections in Japan and the United States, including the mecca of bonsai, the Omiya Bonsai Village of Saitama, Japan, where photography is normally prohibited. 300 stunning full-page images and four lavish gatefolds present bonsai of all types, from quiet representations of nature to bold sculptural forms. The horticultural and aesthetic characteristics of each bonsai are concisely and authoritatively described in the narrative captions by William Valavanis, head of the International Bonsai Arboretum in Rochester, New York. And because the container is considered an integral part of any bonsai-indeed, the literal meaning of ‘bonsai’ is ‘tray plant’ – the book also includes some 25 photographs of traditional bonsai containers, with descriptions. A further sequence of 25 photographs is devoted to the related art of suiseki, or miniature stone landscapes displayed in the same manner, and often alongside, bonsai.
With his groundbreaking first book, Botanica Magnifica, Jonathan Singer established a new style of botanical photography, characterised by an exceptional clarity of detail and richness of colour, as well as a painterly chiaroscuro. These qualities are just as evident in the present volume; Singer photographs each bonsai with an artist’s – one might even say a portraitist’s – eye. Whereas most books on bonsai aim to instruct readers on techniques of care and cultivation, Singer’s book takes the reader on a visual journey. His images encompass many different species, from azalea to red maple, as well as a variety of blossoms and fruits. Alluring and serene, Singer’s photographs make the experience of leafing through Bonsai not unlike entering a real Japanese garden. Fine Bonsai: Art and Nature not only documents the masterpieces of an ancient horticultural art, but is a masterpiece in itself.
A portion of the proceeds of this book will benefit the Japanese Red Cross.
Planting design is, rather obviously, a complex topic, spanning as it does art, science, social need, and morality – especially during these days of increasing planetary environmental threat. Although certainly not denying the importance of scientifically appropriate practices, the symposium “The Aesthetics of [Contemporary] Planting Design” addressed planting design today, proposing a renewed concern for the cultural and aesthetic aspects of the landscapes that result. This book, which has been developed from the original presentations at the symposium, presents the thoughts of a select international group of landscape architects and historians who discuss the subject of planting design through the lens of their own work as well as the work of others, both contemporary and historical. They suggest that, as in real estate, the most important factor in selecting plants is “location, location, location.” Certainly the Californian situation is far more forgiving than the aridity and other restrictive environmental conditions endemic to the Sonoran desert, or the frost and short growing seasons of Nordic lands that direct Scandinavian landscape architects to rely on native birches, pines, rowan, and moss. Most of us would agree that there are plants sensible for each climatic zone. Addressing environmental conditions is but the first step in the equation, however. There are also the issues of combination and composition.
The biblical metaphor of a “Land of Milk and Honey” has denoted for millennia a prophecy and promise for plenitude. This book, published in conjunction with the Israeli Pavilion at the 17th International Architecture Exhibition of the Venice Biennale, examines the reciprocal relations between humans, animals, and the environment within the context of modern Palestine-Israel, and demonstrates how this promise has become an action-plan over the course of the twentieth century.
Through this lens, Land. Milk. Honey investigates how colonialism, settlement, urbanisation, infrastructure, and mechanised agriculture radically reshaped the environment of the contested territory of Palestine-Israel, and altered human-animal relationships. It shows how the celebrated metamorphosis of the region into a prosperous agricultural landscape was entangled with irreparable damage to the local fauna and flora, as well as the disruption of human communities and ways of living. And it highlights the predicaments that both the environment and its inhabitants are facing after the territory has over a century been the test bed of modernist aspirations for plenitude.
The fundamental changes the region has gone through are portrayed through the stories of five local animals: cow, goat, honey-bee, water-buffalo, and bat. These case-studies and a zoo-centric analysis construct a spatial history of a place in five acts: Mechanization Territory, Cohabitation, Extinction and the Post-Human. A rich collection of literary excerpts, historical documents, archival photos, as well as short original vignettes brings about the story of this remarkable transfiguration and redesign.
The human soul is said to weigh 21 grams. But what is the soul, and what makes us human? What do friendship, relationship, partnership entail? How and, most importantly, who defines us and our (gender) identity, our way of loving and living? Is it society? Or rather we ourselves? In her book, the photographer Celine Yasemin addresses these fundamental questions. She has turned her lens on friends and fleeting acquaintances, people from various cultural and social backgrounds who do not identify with the norm, who live a self-determined life with different experiences, preferences, and approaches to life, who comply neither with traditional roles nor relationship models.
With deeply empathetic images, Yasemin portrays her fellow human beings. She has succeeded in showing people in their most vulnerable state: in their private surroundings, in bed, naked, without makeup – and without sugarcoating anything. Her careful use of lighting together with her great sense for detail have resulted in pictures full of intimacy, dignity, and power. This book serves as a testimony to acceptance of each other’s differences and to mutual respect.
Reporting live from “everywhere,” photographer Adam Katz Sinding (formerly known as Le 21ème) travels around the globe to document the fashion zeitgeist. An Instagram hit, @aks’s lens captures fashion weeks, runway idols, the next big trends, tastemakers, and — in particular — street style. His first teNeues book This is Not a F*cking Street Style Book featured a curated collection of some of his best images, taken both backstage at the shows and of the style-setters on the streets. In this new publication, Sinding widens his scope and explores culture and landmarks with the same sophisticated eye he uses to photograph fashion. In the last year, he has travelled through over 35 countries across the globe, snapping a breathtaking number of beautiful photos that capture the essence of a place as only he would recognise it. Along with his pictures, the book includes contributions from Errolson Hugh and offers a unique insight into the peculiar mind of Adam Katz Sinding himself, his obsessive exercising habits, and the cultural phenomenon he has become over the years.
“This modern, refreshing examination of today’s American cowboys and cowgirls is something people will want to revisit time and time.” — Yahoo
“…captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.” – Ailbhe Macmahon, Daily Mail
“Cowboys may be innately photogenic, but French photographer Anouk Krantz has succeeded in capturing their lives and surroundings like no other.” —Graphius Magazine
Having earned wide acclaim for her bestselling Wild Horses of Cumberland Island (2017) and West: The American Cowboy (2019), this new collection of work that is American Cowboys is Anouk’s strongest work yet. Join Anouk Masson Krantz in her solo journey across America where she reveals the intimate lives and families of this private, elusive icon of our American West. Through her lens Anouk showcases an incredible journey from an outsider’s perspective into the private world of the American cowboy. Real people and real stories — a remarkable and inspiring story of people coming together to share their lives and celebrate the nation’s cowboy culture. This book is a must-have title among Anouk’s fine collections of photographs.
Anouk’s work has been exhibited in galleries and museums across America. She is renowned for her large-scale contemporary photography and her use of white space that defines her elegant, minimalistic style.