In 1980, German artist Sigmar Polke (1941–2010) and Britta Zoellner, a close friend of Polke and an artist herself, set off for Southeast Asia from the vibrant art scene in Germany’s Rhineland region. A planned period of quiet work on Bali evolved into a 13-month journey from Indonesia via Singapore to Papua New Guinea, Australia, Tasmania, and back to Malaysia and Thailand. Fascinated by the ancient high cultures, the gamelan music and wayang puppet theatre, they increasingly turned their attention to Indigenous societies and their ways of life, but above all to nature, the tropical fauna and flora.
Based on Zoellner’s diary entries, films and photographs taken during their extensive tour, as well as other unpublished sources, distinguished art historian Katharina Schmidt traces this little-known journey in chronological detail for the first time. She examines how the intense experience of other cultures and grandiose landscapes, including the discovery of cosmic events through meteorites, moved Polke. She explores how rich nuances of colour impressions and a wealth of observations and experiences shaped his future art, his concept of nature, and his ideas of space and time. Empathy for the Indigenous peoples’ fate under colonial rule, and for a nature endangered by exploitation of natural resources such as uranium or gold, reveals the attentive and far-sighted qualities of this quiet, concentrated journey undertaken by Polke and his companion.
Traditional thought fused with modern science when Hiroshima’s nuclear annihilation on August 6, 1945, proved the interdependence of space and time. Since the war, Japanese architects have probed the relativity of spacetime through critical debates, pivotal theories, and consequential buildings. The Hypospace of Japanese Architecture pushes past clichés of an exotic Japan to confront the modernity of an island nation whose habit of importing foreign ideas is less about assimilation than transformation, less a process of indigenisation than one of cultural invention. The realisation that buildings are dynamic events — phenomena of space-in-time, not inert objects outside time — continues to inform Japanese architecture and suggests how we can rethink the history, theory, and practice of architecture more generally.
This delightful new series of colour filled pages with easy, short and fun text makes exploring bugs in the garden an exciting adventure for little ones with soft felt flaps to flip and uncover! This interactive board book with durable felt flaps plays on children’s innate attraction to peekaboo and hide-and-seek.
Ages 3+
The Dark Side is a project that solicits the public on the ‘dark side’ that is in each of us, which manifests itself in ancestral fears such as the fear of the dark ( to which this first volume is dedicated), the fear of loneliness, the fear of time. These fears require a pause, a reflection: they destabilise, but at the same time ignite new possibilities, new thoughts, new perspectives.
This volume Who’s Afraid of the Dark?
investigates the theme of physical and metaphorical darkness, and consequently the relationship with its opposite, light. It includes works ranging from installations, multi-sensory experiences, mixed media and large scale-works from 13 of the most important international artists such as Gregor Schneider, Robert Longo, Hermann Nitsch, Tony Oursler, Christian Boltanski, James Lee Byars up to the new protagonists of the contemporary art scene such as Monster Chetwind, Sheela Gowda, Shiota Chiharu and, among Italian artists, Gino De Dominicis, Gianni Dessì, Flavio Favelli, Monica Bonvicini.
The artistic perspective is countered with the interventions by theologian Gianfranco Ravasi, physicist-theorist Mario Rasetti, psychiatrist Eugenio Borgna and philosopher Federico Vercellone, who offer a polyphonic look of great intellectual interest on this theme.
The Dark Side project inaugurates Musja, a new museum in the city of Rome, which is proposed as a reference for the most innovative trends in the contemporary art scene.
Text in English and Italian.
Discover the magic of beloved the classic fairy tale Little Red Riding Hood with The Storyteller sound books. This innovative collection offers young children a new way to experience these timeless tales: designed for those who are not yet able to read independently, each book allows children to explore the stories by turning the pages while listening to the corresponding text read aloud at the touch of a button. The book becomes a modern storyteller, presenting the fairy tales with beautiful illustrations and engaging narration that brings the stories to life.
Other titles in the collection include:
9788854421707 The Storyteller: Peter Pan
9788854421714 The Storyteller: Pinocchio
9788854421721 The Storyteller: Snow White
Ages 4 plus.
“Expand your mind and look good doing it with these new boundary-bending works of theoretical exploration by some of the field’s premier thinkers.” — The Architect’s Newspaper
“This jog through the history of physical culture vis-à-vis modern architecture features a series of drawings (beautifully rendered in metallic ink over black paper) and an impressive assortment of archival imagery. Taking the book over the finish line: a collection of somersaulting, weightlifting, and jeté-ing silhouettes that are bound to elicit more than a few smiles.” — Architectural Record
The Advanced School of Collective Feeling explores the advent of radical new conceptions of the body—a phenomenon known in the 1920s and ’30s as “physical culture”—and their impact on the thinking of some of modern architecture’s most influential figures. Using archival photographs, diagrams, and plans, the book reconstructs a constellation of provocative domestic projects by Marcel Breuer, Charlotte Perriand, Richard Neutra, and others. This obscure chapter in the modern movement gestures towards a remarkable synthesis of the individual and the collective, a perspective that holds enormous potential for articulating an architecture of today.
In this book, Joseph Masheck re-examines the spiritual in Mondrian’s art and proposes a parallel between the equilibrium found in his paintings and his writings on theological justification. The artist’s Calvinist Christianity is considered in respect to the balanced, asymmetrical works of his ‘classic’ phase of the 1920s and 1930s, and potential parallels with the writings of an important Dutch theologian of the Neo-Calvinist movement are explored. Finally, the author follows Mondrian’s classic phase into the 1930s and beyond, in this extraordinary and inspiring reassessment of one of the fathers of abstract art.
This new book explores the work of Mahendra Raj, arguably India’s most significant structural engineer. Born in 1924, Raj studied in Lahore and gained first working practice at the Punjab Public Works Department. He completed his education by working with engineering firms in the US and degrees he took from University of Minnesota and Columbia University, New York in 1955-59. He established his independent practice in New Delhi in 1960. Many of Raj’s structures are recognised as monuments narrating the history of energetic nation building in post-independence India. Some of them are unique, such as the Hall of Nations and Industries (New Delhi, 1972) with its large-span concrete space frame, the Hindon River Mill (Ghaziabad, 1973) with a series of bowstring concrete arches. Especially during the 1980s, Raj designed further innovative, groundbreaking structures, most notably the NCDC Office (New Delhi, 1980) and the State Trading Corporation building (New Delhi, 1988). The Structure features twenty-eight of Mahendra Raj’s buildings from all periods of his career in detail and richly illustrated with photographs and colour reproductions of archival plans as well as selected sections and plans. Essays by expert authors, interviews with Mahindra Raj, and an illustrated complete list of works round out this first comprehensive monograph on a pioneer of structural engineering.
In Business Is the Continuation of War by Other Means, Jean Van Marcke explores a provocative but fundamental question: what if the true nature of strategy lies not in management theory, but in centuries of military insight? Drawing on a lifetime of leadership and study, he applies insights from Sun Tzu, Carl von Clausewitz and Michael Porter to the realities of modern business. Strategy is not reduced to planning or frameworks, but understood as the art of navigating conflict, power, and uncertainty. This book offers entrepreneurs a way to focus more clearly, decide more effectively, and shape the conditions for lasting impact in an increasingly unpredictable landscape.
This volume contains nearly 1600 coins of the 9th-16th centuries from North Africa to Great Syria. The collections included in the catalogue are those of the Heberden Coin Room and the Shamma Collection. Unlike previous SICA volumes, the coins are arranged by dynasty and ruler because of the large number of distinctive types belonging to each dynasty’s coinage.
Tomas De Bruyne is one of today’s leading floral event designers, known for architectural and conceptual floral spaces. An internationally celebrated artist, he creates breathtaking large-scale installations for events ranging from royal weddings to corporate celebrations. At a certain point in a designer’s journey, flowers become more than decoration – they become a language. Every petal, line, and colour turns into an intentional choice. This book is inspired by that transformation. As a floral scenographer, De Bruyne has spent decades shaping atmospheres across the world, discovering that beauty is a living structure defined by rhythm, hierarchy, and intelligence. When these align, design becomes an unforgettable experience. In this book, he shares not formulas, but a way of thinking. It goes beyond flowers, offering insight for designers who shape how people feel – event planners, floral designers, hoteliers, architects, and scenographers – inviting them to see design through the eyes of a floral architect.
Text in English and Dutch
In this collection of photographs taken in over 36 countries, Christer Löfgren explores the international art of graffiti and wall paintings. From his base in Stockholm, Sweden, Löfgren travels to places where street art can be found, including places like the Antarctic, Greenland, and Svalbard, where you may not expect to see it. The book addresses the current duality of opinion about street art: it is still viewed as a criminal act in many places, and yet at the same time it is accepted as a valid and important art form. It crosses boundaries to unite communities all around the world. Organised in two sections, the first section of this book explores the methods and motivations behind the work, while the second section focuses on street art in specific countries around the world.
“…The perfect introduction and guide to a region that deserves our attention.” — The Irish Sun
“Hughes has done a truly superb job on this detailed winery by winery guide, that also includes an excellent overview of modern Beaujolais and how it got to where it is today. Her intelligence rings clear on every page.” — Telegraph
“This book has its work cut out if it is to gain for good Beaujolais a reputation commensurate with the quality of the wines being produced today. I am pleased to note that it is up to the task.” — World of Fine Wine
In The Wines of Beaujolais Natasha Hughes MW guides readers expertly to a greater understanding of the diversity of wines made in the region. In the last few years the quality of wines emerging from Beaujolais has risen dramatically, yet many still associate the region with Beaujolais Nouveau. From the 1960s onward the region became best known for these fun, unsophisticated wines, which were released just a few weeks after harvest. Nouveau brought financial security to the region, but the extraordinary level of demand for these wines also led to industrialised methods of farming and wine production. The resulting decline in quality ultimately damaged Beaujolais’s reputation. Most wine lovers were unaware that, in parallel with this, there was a movement in the region to re-establish Beaujolais’s historic reputation as a source of fine wines. The focus was on terroir, respect for the environment and considered winemaking – all things valued by today’s wine lovers. This movement has gained momentum in recent years and Beaujolais is now a region with ambitions to match up to the reputation conferred on its neighbours in Burgundy and the Rhône.
Since its debut nearly 70 years ago, the Berlin International Film Festival – known as the Berlinale – has become one of the world’s leading showcases for cinematic talent and ranks amongst the industry’s best attended events. Every year, photographs from the festival – held every February – capture the attention of the world. This selection of images of the Berlinale from the 1950s to the present in the archives of the Deutsche Kinemathek features highlights from on and off the red carpet. In addition to the stars and directors, it includes images of lively press conferences, parties, fans, award ceremonies, and some rare instances of calm amidst the hustle and bustle of the festival.
From a historical perspective, the collection draws attention to the development of Berlin itself and the transformations within the film industry. These are revealed by images of interiors, by the fluctuations of fashion, and by the way, changing over time, that people interacted with photographers and journalists.
Contents: 1. 50 Photographs; 2. Fans; 3. Movie Theaters; 4. Parties; 5. Fashion; 6. Press 7; Politics; 8. Portraits; 9. Couples; 10. City; 11. Stars; 12. Bears.
Text in English and German
Every four years, during the summer, the whole world comes together to celebrate and support the best athletes from each country. The Olympic Games are a worldwide event, and their roots can be found in the heart of the Mediterranean Sea: Greece. Starting from the origins in Ancient Greece to the modern times games – including the Winter Games – children will discover every fun fact, sport, and champion of the games. Filled with information, easy texts and funny illustrations, this book will also help children to think on the deepest meaning of sport and to consider what it takes to become a champion. A selection of the most inspirational profiles of champions of all time, from every country, with also a special list of the most winning of all. Ages: 7 plus
Institutions — the state, the church, the army, the judiciary, the university, the bank, etc.— organise social relations. As social structures, they regulate societies according to various practices, rites and rules of conduct, and guide our actions by delimiting what is possible and thinkable. Institutions’ individual scope depends on how the society as a whole understands them. They are in perpetual mutation and thus form complex entities. Architecture plays an essential role in the establishment, identification and perpetuation of this social structure as it formalises value systems in space and represents ideologies in permanent physical structures. Architecture establishes and reveals the way an institution functions through different strategies.
Institutions and the City investigates this role of architecture, taking the Tracé Royal (King’s Street) in Brussels as an example. Running from the Place Royale in the heart of the city to the Église Royale Sainte-Marie in the Schaerbeek district north of it, it is the place where several of Belgium’s national political, legal, religious, financial, and cultural institutions are located. The book explores the stratagems put in place over time by the various institutions to inscribe themselves durably on the country’s social order, and reveals similar spatial responses and surprisingly common mutation processes. And it highlights the importance of architecture when it comes to inventing new relationships with institutional spaces in order to live together better in a time when social, political and cultural reference points are being blurred.
Text in English, French and Dutch.
The CARE Principles – Leadership Playbook leads us into the new era of leadership. This book shows us how to bridge the gap between different and diverse generations in our teams using the CARE Principles: Collaboration, Agility, Reliability, and Empathy. Through an easy 20 step process, practical tips and real-life stories from leaders like you, it breaks down how CARE can transform your team, making them perform better and feel truly engaged with your organisation. The time for new leadership action is now.
Over the past decade, climate litigation has transformed from a niche legal strategy into one of the most powerful forces shaping global climate action. Turning the Tide charts this extraordinary evolution, telling the story of this David and Goliath struggle through 40 landmark cases that have transformed the landscape of climate justice, redefining accountability, justice, and the role of law in confronting the climate crisis.
Edited by leading climate litigator Sophie Marjanac, this book brings together the most significant legal challenges of the last ten years – from the groundbreaking Urgenda decision in the Netherlands, to Indigenous land rights victories, corporate accountability suits, and youth-led actions that have captured the world’s attention.
Each case reveals how courts are compelling governments and corporations to act – and how communities are using the law to demand a livable future.
With striking imagery and expert commentary, Turning the Tide is both a record of how far the climate justice movement has come and a call to action for what lies ahead. A vital resource for lawyers, policymakers, activists, and anyone who believes that the law can be a tool for change.
Spirit of the Amazon is the work of photojournalist Sue Cunningham and writer Patrick Cunningham. It is a celebration of cultural difference and a call for better stewardship of the world. Sue’s stunning photographs demonstrate the spiritual and material value of the Xingu tribes to all mankind; they keep the forest alive and they protect the climate of South America and the rest of the world. Their spiritual connection to their environment and the wider Earth shows us an alternative way to connect to the natural richness of the planet, built on foundations completely different from those of global materialism. During their expedition by boat, the authors followed the course of the Xingu river, a tributary of the Amazon, travelling 2,500 km through the heart of Brazil. They visited forty-eight tribal villages in this remote part of the Amazon, accessible only by small plane or by negotiating the rapids of the Xingu. This is the story of the tribal communities they met; their daily lives, their connection to the land and to the rivers, the threats which pervade each day of their lives. It is also a validation of their importance to the rest of the world; why these small, remote and often secretive indigenous communities are so important to our own lives and to our shared planet. It is a celebration of their vibrant cultures, their rituals and their rites of passage, of cultures very different from each other, but with a shared spiritual basis which respects the trees, the rivers and the rain. And it is a call for the world to protect them, their lands and their forests and rivers from the destruction which our avaricious greed for natural resources drives ever closer and deeper into their realm.
Little Tim is the central character for this innovative series that speaks both to parents and their little ones. Each of the first four books in the series deals with a fundamental problem that might affect three- to five-year olds: fear, especially of the dark, anger and aggression that are frightening and difficult to manage, jealousy, perhaps due to the arrival of a new family member and the shyness that makes it difficult to face new situations such as the first day of nursery school. The book’s point of view makes it unique. It speaks directly to the reader, describing a problem and providing five small, simple solutions to help face it. All of the points are imaginative and written using language suitable to the targeted age group with examples taken from the child’s daily life that he or she can actually put into practice. At the end of every book, parents will find reflections and behaviours in a section dedicated to them because sometimes, parents find these situations just as hard as their children do and sometimes, even harder. Ages: 3 plus
Learn how to make a positive impact in these milestone years of your child’s development, when he or she goes from crawling to walking, and from knowing just a few words to speaking in complete sentences. Armin Brott guides you through this crucial phase of fatherhood three months at a time, in the third volume of the New Father series trusted by millions of dads nationwide. Each chapter covers: Your child’s physical, intellectual, verbal, and emotional/social development
What you’re experiencing as a father Age-appropriate activities you and your child can enjoy together Family matters, including your relationship with your partner, sibling relationships, and more
This new edition of The New Father: A Dad’s Guide to the Toddler Years has been thoroughly updated to cover the issues dads face today, from balancing work and family to managing kids’ screen time. Dads will rely on this friendly yet authoritative book—and moms will find it helpful, too.
The 500 Hidden Secrets of Rotterdam is a guide to the city’s hidden gems. It takes you off the beaten track to discover the city’s turbulent history, its modern architecture, its little-known museums, the best restaurants and the coolest clubs.
True locals Saskia Naafs & Guido van Eijck selected 500 addresses and facts about Rotterdam that few people know and presents them in lists of 5, alongside beautiful photographs. Guido and Saskia’s favourite addresses include a former harbour warehouse turned daily fresh market where you can sample a perfect locally roasted coffee or a homemade cider, a bright-red light-vessel ship where you can attend an intimate concert, or a former subtropical swimming paradise where you can grow your own oyster mushrooms.
Collecting objects gives enormous pleasure to approximately one third of the population, providing such benefits as intellectual stimulation, the thrill of the chase, and leaving a legacy. On the other hand, the same pursuit can engender pain; for example, paying too much for an object, unknowingly buying a fake, or dealing with the frustrations of collection dispersal. Until recently, there was no objective way to enhance the positive (pleasure) aspects of collecting and minimise the negative (pain). Now, for the first time, scientific research in neuro- and behavioral economics gives us a way to turn this around.
Neuroeconomics is the study of the biological foundation of economic thought, while behavioral economics incorporates insights from psychology and other social sciences into the examination of monetary behavior. By using examples from these disciplines, Shirley M. Mueller, MD, relates her own experiences as a serious collector and as a neuroscientist to examine different behavioral traits which characterise collectors.
The contents of this book are cutting edge, unique and sure to get attention. Mueller breaks new ground in an area not previously explored. Her information is relevant not only for collectors, but also for colleges, and universities which teach collection management, plus museum staff who interact with collectors and dealers of objects desired by collectors. Heavily illustrated with ceramics from Mueller’s collection and packed with useful information, this book will become a required vital resource.
The grotesques that adorn the Gallery of Statues and Paintings, the original name for the Uffizi’s corridors, belong to different periods. The most imaginative and most artistically admirable, however, are the earliest ones, contrasting with the classical severity of the antique statues in the Medici collection there displayed. Commissioned by Francesco I de’ Medici in 1581, they occupy the 46 bays of the eastern corridor (about 150 metres), then a simple loggia, but closed the following year probably to protect the new frescoes.
The cycle celebrates the marriage between Francesco I and Bianca Cappello, which took place in 1579. The celebration of the Grand Ducal couple and the wish for offsprings explains the abundance of erotic themes, often depicted through ingenious iconography. The playful aspect, the pursuit of the marvellous and the monstrous prevail. The figurations move between great fantasy and allusiveness, originality and licentiousness, according to typical grotesque canons.