The best-selling guide to the first year of fatherhood, trusted by hundreds of thousands of new dads and their partners.
This indispensable handbook, from the author of the million-selling Expectant Father, provides a reassuring month-by-month overview of your baby’s first year. It covers the milestones in your child’s development; ways you can bond with your child and support your partner; and what’s going on with you, as a new dad.
The fourth edition of The New Father features a user-friendly new design and is updated from cover to cover with the latest information about healthcare, financial planning, parental leave and work-life balance, and much more. It incorporates the expertise of leading pediatricians and researchers, and the real-life experiences of hundreds of dads and mums.
Illustrated with stress-relieving cartoons, The New Father is a friendly, readable, and inclusive companion for all new dads. (Mums will love it, too!).
‘Another chocolate book?’ you might say? The answer is: this book is different than any other book on the market!
The Chocolatier’s Kitchen offers over 270 simple, concrete and practical recipes, covering the entire spectrum in confectionary (from bonbon, to truffles, snack bars…). From short, to medium or long shelf life, inspired by the Callebaut five colours of chocolate and executed in different chocolate types. The proud collective of Callebaut Chefs have bundled their expertise to conquer hearts and deliver inspiration, motivation and knowledge for every chocolate artisan & Chef, whether you are starting or want to further grow your chocolate business.
With contributions from the Callebaut Chefs Tribe: Davide Comaschi, Philippe Vancayseele, Clare England, Beverley Dunkley, Mark Tilling, Ciro Fraddanno and Ryan Stevenson
This sumptuous book offers a behind-the-scenes look at the Grand Prix world, featuring rare on-track moments, fashion shows and extravagant parties that make up the glamour and excitement of this elite sport. A stunning collection of over 100 high-quality photographs that capture the flair of Grand Prix racing – from vintage black and white shots to vibrant colour photos of prized cars, legendary drivers and glamorous celebrities.
High-quality photography captures the essence of a fascinating lifestyle full of beauty and prestige.
The book examines the contemporary Asian city through the prism of urban design in assimilating new and established drivers of growth. This includes intensified forms of residential development, specialised commercial centres and technology parks, that drive the momentum of the contemporary city, while acting to restructure and reshape forms of capital investment. New spatial patterns are facilitated by tranches of urban expansion, redevelopment, regeneration and suburbanisation that have emerged as by-products of both formal and informal development processes. The book also examines the Asian city language embodied in the local morphology — the essential values of the street, block, temple precinct and monument, and how these can be incorporated as drivers of new urban identities that relate to the changing culture and configuration of city neighbourhoods. All of these continue to impose different levels of impact on the creation of livable cities and the quality of life for their inhabitants. In this way urban design can look to the future while respecting the past.
The book frames a perspective on the urban design challenges presented by the rapidly expanding and regenerating Asian cities, and how these can be shaped by memory, meaning and identity while meeting sustainable, resilient and community concerns.
Walk into any bar, in almost any part of the world, and there, on the back shelf you’re likely to see Baijiu, Cognac, Vodka, Scottish and Irish Whisky, Shochu, Tequila, Bourbon, Rum, Gin, and Absinthe. These drinks helped shape our culture; inspired authors and painters, brought both anarchy and harmony and even, in some cases, induced mass hysteria. In Ten Drinks That Changed the World, bartender, poet and writer Seki Lynch tells the stories behind the spirits. Tracing the origins of each drink, he dissects the ingredients and locates the first makers, exploring how perceptions and consumption levels have ebbed and flowed through the centuries. Cocktail recipes, lists of artisan makers and insights from the great, good and notorious drinkers of history help complete the résumé for each drink. London artist Tom Maryniak has created original illustrations of each drink for the book.
Daniela Keiser ranks among the most renowned contemporary artists in Switzerland. In 2017 she was awarded the Prix Meret Oppenheim as well as a studio grant from Landis & Gyr Stiftung that enabled her to embark on an extended stay in London’s East End. There she discovered the Idea Store, the public library on Whitechapel Road built by British architect David Adjaye in 2001–05. Upon its opening to the public, this institution quickly became a meeting place for a broad spectrum of society including for socially disadvantaged people. The goal of the Idea Stores – eight of them have so far been opened in various London boroughs – is to enhance formerly neglected neighbourhoods and offer a low-threshold source of education and information.
From that initial Idea Store on Whitechapel Road, Daniela Keiser began to take pictures of the goings-on in the street outside. Her Library – Idea Store series reveals a calm, repetitive but insistent image of the city and offers insight into the small everyday variations of the surrounding world. Her photographic reflection is accompanied by a conversation between David Adjaye and art and architecture historian Philip Ursprung. They talk about Keiser’s perception of the site and – without actually showing the building – the impact of urban design and the architect’s intentions.
The ‘golden age’ of advertising is usually seen to be the last decades of the 20th century, centred on Fitzrovia, vast in quantity, swamping the plethora of magazines and newspapers appearing (and disappearing) at that time, and making optimal use of the novelty of commercial television. But the true ‘golden age’ of British advertising was in the decades immediately after the First World War, when zealous entrepreneurs banded together in local clubs and in national bodies to take the activity from the back room of jobbing printers or from being sketched on the back of envelopes on ego-driven managers’ desks to becoming a valid profession.
It was in the inter-war years that Titans in the field, such as William Crawford and Charles Higham, not only built their own empires and taught the government how to publicise itself, but even morphed the concept of advertising and publicity from something rather shady and disreputable to having a moral status of being a crucial arm of the nation’s economy and an educator of the masses. This book tells the story of some of these early agencies and the contribution they made.
The Griffoni Polyptych is regarded as one of the greatest masterpieces of the Italian Renaissance. Published for the exceptional reunification – after 300 years – of its constituent parts, this book offers the results of a new analysis carried out for this important occasion.
Commissioned by Floriano Griffoni for the family chapel in the Basilica of San Petronio in Bologna, the polyptych was painted by Francesco del Cossa and Ercole de ‘Roberti between 1470 and 1472. The Ferrarese artists created a fundamental work in the search for a modern feeling of space and volumes, proposing a ‘compositional mosaic’ which can be considered an alternative to the contemporary works of Piero della Francesca or Andrea Mantegna.
Dismantled in 1725 by the new owner of the chapel, the polyptych was never again reunited: the paintings that formed it entered the antiques markets and 16 pieces arrived in the nine museums that still preserve them today.
This volume is the most complete monograph on this masterpiece.
Van Overstraeten is one of the oldest and most exclusive interior design companies in Belgium, started in 1891 and now with a worldwide reputation working with the best architects, interior designers and decorators for private and public projects. In this stunning debut monograph, beautifully presented with all new photography is a selection of more than 40 projects from recent years.
Text in English, French and Dutch.
The Gentle Author assembles a choice selection of ‘Cries of London’, telling the stories of the artists and celebrated traders, and revealing the unexpected social realities contained within these cheap colourful prints produced for the mass market. For centuries, these lively images of familiar hawkers and peddlers have been treasured by Londoners. In the capital, those who had no other means of income could always sell wares in the street and, by turning their presence into performance through song, they won the hearts of generations and came to embody the spirit of London itself.
Collecting objects gives enormous pleasure to approximately one third of the population, providing such benefits as intellectual stimulation, the thrill of the chase, and leaving a legacy. On the other hand, the same pursuit can engender pain; for example, paying too much for an object, unknowingly buying a fake, or dealing with the frustrations of collection dispersal. Until recently, there was no objective way to enhance the positive (pleasure) aspects of collecting and minimise the negative (pain). Now, for the first time, scientific research in neuro- and behavioral economics gives us a way to turn this around.
Neuroeconomics is the study of the biological foundation of economic thought, while behavioral economics incorporates insights from psychology and other social sciences into the examination of monetary behavior. By using examples from these disciplines, Shirley M. Mueller, MD, relates her own experiences as a serious collector and as a neuroscientist to examine different behavioral traits which characterise collectors.
The contents of this book are cutting edge, unique and sure to get attention. Mueller breaks new ground in an area not previously explored. Her information is relevant not only for collectors, but also for colleges, and universities which teach collection management, plus museum staff who interact with collectors and dealers of objects desired by collectors. Heavily illustrated with ceramics from Mueller’s collection and packed with useful information, this book will become a required vital resource.
Women Garden Designers presents twenty-seven of the most important and influential women garden designers and their gardens from around the world, showing both their finest commissions as well as the gardens they designed for themselves, in their own space. The carefully researched text examines their influences and their legacy to garden design. Beginning with the remarkable Gertrude Jekyll and Beatrix Farrand, who were working simultaneously, though on different sides of the Atlantic, the book then moves on into the 20th century, featuring international designers as diverse as Florence Yoch – who created gardens for film sets and for glamorous Hollywood homes – and Vita Sackville-West – whose regular gardening column in the Observer, along with her own garden at Sissinghurst, influenced those in Britain. In Australia, Edna Walling supplemented her income from her practice with regular articles in life-style magazines. Increasingly with picture-led articles, designers found a way to publicise and advertise their work, thus gaining new clients in emancipated women who were in a position to place their own commissions. Women designers were more likely and quicker to embrace the ecological garden movement particularly in Germany and Sweden in the middle of the 20th century. They are represented by Herta Hammerbacher and Rosemary Weisse, who created the glorious perennial plantings in Munich’s West Park and Ulla Bodorff in Sweden, as well as Isabelle Greene in California with her dry native plantings. The modern movement includes Monica Gora and Topher Delaney, for whom spirituality and landscape as works of art are important. The more conventional structured approach is represented by Penelope Hobhouse and Rosemary Verey, who began creating gardens later in their lives, following motherhood. Haruko Seki from Japan and Isabel du Prat from Brazil express their own special cultural qualities in their trans-global practices. Contents: Gertrude Jekyll (1843-1932, English); Beatrix Farrand (1872-1959, American); Norah Lindsay (1876-1948, English); Marian Coffin (1876-1957, American); Florence Yoch (1890-1972, American); Vita Sackville-West (1892-1962, English); Edna Walling (1895-1973, Australian); Brenda Colvin (1897-1981, English); Herta Hammerbacher (1900-1985, German); Sylvia Crowe (1907-1997, English); Maria Teresa Parpagliolo Shephard (1903-1974, Italian); Joane Pim (1904-2002, South African); Ulla Bodorf (1913-1982, Swedish); Rosemary Verey (1918-2001, English); Cornelia Oberlander (1921-, Canadian); Rosmarie Weisse (1927-2002, German); Penelope Hobhouse (1929- English); Niki de Saint Phalle (1930-2002, French); Isabelle Greene (1934- American); Arabella Lennox-Boyd (1938- Italian); Nancy Goslee Power (1942- American); Topher Delaney (1948- American); Isabel du Prat (1954- Brazilian); Petra Blaisse (1955- Dutch); Monica Gora (1959- Swedish); Haruko Seki (1959- Japanese).
Five Houses on the Wild Side is a visual feast showcasing the wildly imaginative, rules-free, cozy and sumptuous interiors Elena Agostinis has created for her family’s homes in New York, Montana, and Mexico.
Bold and courageous choices of colours and patterns, elements from the wildlife and fauna of her South African childhood, mixed and matched with the best of local artisanry, textiles purchased from souks and markets all around the world, giant papier-mâché’ animal garden sculptures, and wall art that spans from the elevated to the quirky and amusing, are Elena’s traits that will inspire readers to free-styling their own homes.
Elena’s irresistible style, originality, and use of wild colours has not only been restricted to her family homes, but inspired a quiet town in Upstate New York, Tannersville, to repaint its own Main Street store fronts, contributing to the town being selected in 2021 for the $10-million-dollars New York State Downtown Revitalization Initiative award.
Elena shares the inspiration from her childhood, travels, heritage, and family needs, encouraging readers to find their free spirit and apply it to their own interiors.
50 Ways to Cycle the World is the kind of book you’d give to a friend or family member who’s considering cycling somewhere in the world but feels that there are too many obstacles to overcome. 50 Ways encapsulates 50 unique cycling projects accomplished by 75 cyclists from 23 countries. It serves as the ultimate visual guide and encyclopedia to travelling by bicycle no matter what your personal situation is. You’ll find impressive, powerful, emotional and incredibly fun stories on almost every page, accompanied by the beautiful and inspiring photography shot all over our planet by the many cyclists who’ve shared their cycling stories.
Want to know what it’s like to cycle alone, with a dog or a cat, with kids, or with strangers you meet on the road? Or how to travel by tandem, folding bicycle, e-bike or on a bamboo frame? Or maybe you’re simply in need of that last little push over the doorstep, inspired by those who’ve seen the world by bike. Featuring over 400 revealing questions and answers, we’re sure 50 Ways to Cycle the World will tell you exactly what you need to know in order to overcome whatever is holding you back from starting out on your big adventure.
Kim Buck is partial to using well-known jewellery motifs such as hearts, daisies, signet rings, and crosses as a point of departure, but the materials can be anything from precious metals to found objects and ready-mades. With surprising combinations, wordplay, and a touch of irony, he questions the conventions of the jewellery business as well as the way national and religious symbols are used and abused. Even Denmark’s national jewellery piece, the daisy brooch, is up for scrutiny. To a conceptual artist, raising questions and prompting reflection is of utmost importance. The questions raised by Kim Buck through his jewellery and objects touch upon values, ethics, and social status and reach far beyond the jewellery field itself, disrupting our cultural habits and understanding of the self.
Text in English, Danish and Chinese.
Jewelry’s Shining Stars: The Next Generation brings together 45 new women designers who have liberated the way we view and buy jewellery. This compilation of talented women, who hail from around the globe, use techniques such as enamelling, engraving, and creating nuanced textural details in wax models, to bend the rules and break with tradition. While some work with their own hands, whether schooled or self-taught, challenging themselves at the bench, others work alongside artisans to reinvigorate the old school into relevant yet enduring pieces.
The book’s stunning photographs offer a glimpse into each designer’s different aesthetic and are accompanied by the jeweller’s own words, revealing what drives their approach and giving us an insight behind these innovators. With reverence for quality, style, and technique, these 45 talented jewellers are creating today’s collectibles and shaping jewellery’s future.
Up until about a century ago, wood had always been the only available material for the construction of the first bicycles, and it was as recently as the 1950s that wood was the only material used for bike wheels in all competitive cycling realms. These days, in opposition to the great industrialisation of steel manufacturing, wood and bamboo are increasingly being used to create a niche space in design within the industries of transportation, sport, art, culture and indeed modern lives in general. With the significant advances in technological research and application, wood and bamboo are increasingly being promoted as materials suitable for the construction of bicycle frames and individual bicycle components.
Showcasing more than 250 designers from around the world, including craftspeople (many of them renowned bicycle makers), manufacturers and associated organisations, this book dedicates hundreds of pages to beautiful bike designs, illuminating the latest modern trends in specialist bicycle craftmanship. Set out with detailed, distinctive design dialogues from each craftsperson or manufacturer, we learn how wood and bamboo are being enhanced and developed as extremely durable, aesthetically appealing materials, and which are considered sustainable, ecologically viable, user friendly and dynamic across each application. Beautifully illustrated, with historical references and texts by experts in the trade, and backed up with technical engineering knowledge,
The Grid examines the multiple uses of the grid in contemporary art. Textile weaves, graphic grids, framework for materials, typological systems, spatio-temporal frameworks, computer matrix, narratives and documentary devices. The Grid presents works by renowned artists including Max Bill, François Morellet, Vera Molnár, Carl Andre, Sol LeWitt, Dennis Oppenheim, Esther Ferrer, Gina Pane, Christian Boltanski, Sherrie Levine, Claudia Andujar, Analívia Cordeiro and Anna Bella Geiger.
“Each grid has its own texture, uniqueness, individuating features, capacities for creative enactment, and relationship to other grids, as much as each person combines and utilises a grid for him- or herself.’ Hannah B. Higgins
Jan Verlinden refers to himself as a “Scenery Sculptor,” specialising in the creation and design of green spaces for exceptional country homes and castles in Belgium and France. His work emphasises a harmonious balance between humanity and nature through intuitive design. In this first monograph, he showcases his eight favourite garden and landscape designs from recent years, richly illustrated with his stunning drawings and accompanying texts. Jan is introduced by three prominent figures in the field: architect Bart Moors, “Solitair” owner Dirk Cools, and the Pas-Partoe architecture and interior design studio.
World-renowned photographer Thomas De Bruyne (Cafeine, with over 140,000 followers on Instagram) has taken on the challenge of capturing the landscape and garden poetry of Jan Verlinden in stunning photographs.
Text in English and Dutch.
“The Cynic’s Guide to Wine, by Sunny Hodge… is one of the best wine books I have read in a long while.” — Yorkshire Post
“All in all it’s a very useful and enjoyable read…” — Life
Much of what is written about wine, whether in wine books, on bottle labels or in the Sunday supplements uses language that gives wine an air of mystery. While compelling and enticing for the consumer this can also lead to confusion regarding the science of wine as well as fear on the part of the inexperienced wine drinker of ‘getting wine wrong’. In The Cynic’s Guide to Wine Sunny Hodge strips wine back to its basic science and unravels the facts behind wine flavours, showing readers a clear path through the verbiage. The text takes in elements of horticulture, soil science, botany and sensory science as well as oenology and is provided in bite-sized chunks aimed at the curious non-scientist. This is a straightforward and eye-opening book for anybody who has ever wanted to question the stories told around wine but was afraid to ask.
- The wine book all novice wine drinkers need: strips away the pretension and explains what really matters when it comes to producing the flavours in your glass of wine.
- Questions many of the things we take for granted when it comes to wine, from terroir to the science of wine making.
- Author is the award-winning owner of two London wine bars who has earned a reputation as a disruptor in the wine trade.
A decade after the Swiss National Bank had opened its neo-baroque building in Berne, the bank’s Zurich-based Governing Board moved into its own grand office building in 1922. This major work of the local firm of Otto and Werner Pfister is a prime example of neo-classicism in Switzerland and provided Zurich with an architectural landmark at the top end of its famous Bahnhofstrasse.
Marking its centenary, this book celebrates the Zurich home of the Swiss Franc. It describes in detail and lavishly illustrated the architecture and building history from planning stage until today. This is supplemented by essays on bank architecture since the Middle Ages, the urban formation of Zurich and the city’s development into a financial centre in the late 19th century. In his contribution, the renowned Canadian-British architect Adam Caruso compares it from today’s perspective with other central bank buildings and places it in context of the Pfister brothers’ other public commissions, many of which are occupying prominent locations in Zurich’s cityscape.
Richly illustrated with historical and new photographs, original plans and other historical documents, the volume pays tribute to a piece of public architecture that combines monumentality with pragmatism and republican modesty.
The Veronese wine regions of Soave and Valpolicella – home to Amarone – are currently producing some of the world’s most drinkable quality wines. But both regions still struggle with a reputation for cheap, poor-quality wines brought about through industrial-scale production during the economic depression following the Second World War. In Amarone and the Fine Wines of Verona, Italian wine specialist Michael Garner traces a shift in focus towards new levels of quality driven by a generation of producers inspired by the area’s outstanding potential for producing fine wine.
Both regions produce versatile wines which, as well as being both deliciously drinkable and relatively affordable, have the flavour and structure to accompany a wide range of foods. In Valpolicella an appassimento wine, the famed Amarone, has gained comparable status to Barolo and Brunello di Montalcino, while Soave overlaps with the tiny denomination of Lessini Durello, where sparkling wine is produced from the rare, local white grape Durella.
Garner begins Amarone and the fine wines of Verona with a summary of the region’s history, before detailing its geography, grape varieties and approach to both viticulture and winemaking, leading into a discussion of each denomination’s character and wine styles. A cross-section of around 100 producers provides a capsule profile of each, along with analysis of some of their best and most distinctive wines.
For students of wine, those in the wine business and wine adventurers alike, Amarone and the Fine Wines of Verona provides a gateway to a sorely misunderstood wine region.
The best-selling guide to the first year of fatherhood, trusted by hundreds of thousands of new dads and their partners.
This indispensable handbook, from the author of the million-selling Expectant Father, provides a reassuring month-by-month overview of your baby’s first year. It covers the milestones in your child’s development; ways you can bond with your child and support your partner; and what’s going on with you, as a new dad.
The fourth edition of The New Father features a user-friendly new design and is updated from cover to cover with the latest information about healthcare, financial planning, parental leave and work-life balance, and much more. It incorporates the expertise of leading pediatricians and researchers, and the real-life experiences of hundreds of dads and mums.
Illustrated with stress-relieving cartoons, The New Father is a friendly, readable, and inclusive companion for all new dads. (Mums will love it, too!).