New additions to the automotive market are judged primarily by efficiency or fuel consumption. Things are quite different for historical cars. Major car shows, from Pebble Beach to Villa d’Este, feature classic cars, which, although they may not achieve top marks in the wind tunnel, have a timeless elegance that makes the hearts of all aficionados skip a beat. The photographer Ansel Adams, who was an honorary judge at Pebble Beach, once defined them as follows: “The type of vehicle I would like to be buried in.” From the Maserati Ghibli to the Ford Thunderbird, René Staud has shot automotive classics in settings ranging from the subtle to the spectacular. As co-organizer and head of the Car Selection Committee for Schloss Bensberg Classics, Jürgen Lewandowski provides authoritative texts. The Classic Cars Book conveys a real passion for these spectacular vehicles, appealing to existing fans and those yet to fall under their spell.
Text in English, German, French, Chinese, Russian.
Institutions — the state, the church, the army, the judiciary, the university, the bank, etc.— organise social relations. As social structures, they regulate societies according to various practices, rites and rules of conduct, and guide our actions by delimiting what is possible and thinkable. Institutions’ individual scope depends on how the society as a whole understands them. They are in perpetual mutation and thus form complex entities. Architecture plays an essential role in the establishment, identification and perpetuation of this social structure as it formalises value systems in space and represents ideologies in permanent physical structures. Architecture establishes and reveals the way an institution functions through different strategies.
Institutions and the City investigates this role of architecture, taking the Tracé Royal (King’s Street) in Brussels as an example. Running from the Place Royale in the heart of the city to the Église Royale Sainte-Marie in the Schaerbeek district north of it, it is the place where several of Belgium’s national political, legal, religious, financial, and cultural institutions are located. The book explores the stratagems put in place over time by the various institutions to inscribe themselves durably on the country’s social order, and reveals similar spatial responses and surprisingly common mutation processes. And it highlights the importance of architecture when it comes to inventing new relationships with institutional spaces in order to live together better in a time when social, political and cultural reference points are being blurred.
Text in English, French and Dutch.
Spirit of the Amazon is the work of photojournalist Sue Cunningham and writer Patrick Cunningham. It is a celebration of cultural difference and a call for better stewardship of the world. Sue’s stunning photographs demonstrate the spiritual and material value of the Xingu tribes to all mankind; they keep the forest alive and they protect the climate of South America and the rest of the world. Their spiritual connection to their environment and the wider Earth shows us an alternative way to connect to the natural richness of the planet, built on foundations completely different from those of global materialism. During their expedition by boat, the authors followed the course of the Xingu river, a tributary of the Amazon, travelling 2,500 km through the heart of Brazil. They visited forty-eight tribal villages in this remote part of the Amazon, accessible only by small plane or by negotiating the rapids of the Xingu. This is the story of the tribal communities they met; their daily lives, their connection to the land and to the rivers, the threats which pervade each day of their lives. It is also a validation of their importance to the rest of the world; why these small, remote and often secretive indigenous communities are so important to our own lives and to our shared planet. It is a celebration of their vibrant cultures, their rituals and their rites of passage, of cultures very different from each other, but with a shared spiritual basis which respects the trees, the rivers and the rain. And it is a call for the world to protect them, their lands and their forests and rivers from the destruction which our avaricious greed for natural resources drives ever closer and deeper into their realm.
In 1980, German artist Sigmar Polke (1941–2010) and Britta Zoellner, a close friend of Polke and an artist herself, set off for Southeast Asia from the vibrant art scene in Germany’s Rhineland region. A planned period of quiet work on Bali evolved into a 13-month journey from Indonesia via Singapore to Papua New Guinea, Australia, Tasmania, and back to Malaysia and Thailand. Fascinated by the ancient high cultures, the gamelan music and wayang puppet theatre, they increasingly turned their attention to Indigenous societies and their ways of life, but above all to nature, the tropical fauna and flora.
Based on Zoellner’s diary entries, films and photographs taken during their extensive tour, as well as other unpublished sources, distinguished art historian Katharina Schmidt traces this little-known journey in chronological detail for the first time. She examines how the intense experience of other cultures and grandiose landscapes, including the discovery of cosmic events through meteorites, moved Polke. She explores how rich nuances of colour impressions and a wealth of observations and experiences shaped his future art, his concept of nature, and his ideas of space and time. Empathy for the Indigenous peoples’ fate under colonial rule, and for a nature endangered by exploitation of natural resources such as uranium or gold, reveals the attentive and far-sighted qualities of this quiet, concentrated journey undertaken by Polke and his companion.
Little Tim is the central character for this innovative series that speaks both to parents and their little ones. Each of the first four books in the series deals with a fundamental problem that might affect three- to five-year olds: fear, especially of the dark, anger and aggression that are frightening and difficult to manage, jealousy, perhaps due to the arrival of a new family member and the shyness that makes it difficult to face new situations such as the first day of nursery school. The book’s point of view makes it unique. It speaks directly to the reader, describing a problem and providing five small, simple solutions to help face it. All of the points are imaginative and written using language suitable to the targeted age group with examples taken from the child’s daily life that he or she can actually put into practice. At the end of every book, parents will find reflections and behaviours in a section dedicated to them because sometimes, parents find these situations just as hard as their children do and sometimes, even harder. Ages: 3 plus
Learn how to make a positive impact in these milestone years of your child’s development, when he or she goes from crawling to walking, and from knowing just a few words to speaking in complete sentences. Armin Brott guides you through this crucial phase of fatherhood three months at a time, in the third volume of the New Father series trusted by millions of dads nationwide. Each chapter covers: Your child’s physical, intellectual, verbal, and emotional/social development
What you’re experiencing as a father Age-appropriate activities you and your child can enjoy together Family matters, including your relationship with your partner, sibling relationships, and more
This new edition of The New Father: A Dad’s Guide to the Toddler Years has been thoroughly updated to cover the issues dads face today, from balancing work and family to managing kids’ screen time. Dads will rely on this friendly yet authoritative book—and moms will find it helpful, too.
The 500 Hidden Secrets of Rotterdam is a guide to the city’s hidden gems. It takes you off the beaten track to discover the city’s turbulent history, its modern architecture, its little-known museums, the best restaurants and the coolest clubs.
True locals Saskia Naafs & Guido van Eijck selected 500 addresses and facts about Rotterdam that few people know and presents them in lists of 5, alongside beautiful photographs. Guido and Saskia’s favourite addresses include a former harbour warehouse turned daily fresh market where you can sample a perfect locally roasted coffee or a homemade cider, a bright-red light-vessel ship where you can attend an intimate concert, or a former subtropical swimming paradise where you can grow your own oyster mushrooms.
Collecting objects gives enormous pleasure to approximately one third of the population, providing such benefits as intellectual stimulation, the thrill of the chase, and leaving a legacy. On the other hand, the same pursuit can engender pain; for example, paying too much for an object, unknowingly buying a fake, or dealing with the frustrations of collection dispersal. Until recently, there was no objective way to enhance the positive (pleasure) aspects of collecting and minimise the negative (pain). Now, for the first time, scientific research in neuro- and behavioral economics gives us a way to turn this around.
Neuroeconomics is the study of the biological foundation of economic thought, while behavioral economics incorporates insights from psychology and other social sciences into the examination of monetary behavior. By using examples from these disciplines, Shirley M. Mueller, MD, relates her own experiences as a serious collector and as a neuroscientist to examine different behavioral traits which characterise collectors.
The contents of this book are cutting edge, unique and sure to get attention. Mueller breaks new ground in an area not previously explored. Her information is relevant not only for collectors, but also for colleges, and universities which teach collection management, plus museum staff who interact with collectors and dealers of objects desired by collectors. Heavily illustrated with ceramics from Mueller’s collection and packed with useful information, this book will become a required vital resource.
Beautiful Bars is a stunning photographic journey through the world’s most beautifully designed cocktail bars, told through interviews with the designers who created them. From New York and London to Buenos Aires and Hong Kong, all are united by incredible interiors, seminal design and cultural impact, captured through lavish, large-format photography.
Interviewees include Martin Brudnizki, designer of Annabel’s and Italy’s Hotel Splendido, and David Collins Studio, who created the legendary Connaught Bar and Café de Paris Monte-Carlo. From the French Riviera’s Casino Royale Palm to Korea’s award-winning Zest Seoul and Mexico’s immersive Tlecan, Beautiful Bars is the definitive visual bible for all those interested in era-defining design, timeless photography – and the good life.
The introduction to Beautiful Bars is written by the design journalist Peter Martin. Threaded with insights from hours of interviews with famous bar designers and legendary mixologists, it examines the history of the cocktail bar, the cultural impact of cocktails from the Jazz Age to the 1990s revival, and the vivid, globally exploding bar scene of today. Throughout the book, stunning photography is accompanied by insights and commentary on each bar.
The Ultimate Guide to Dior Bags focuses on the legendary handbags of the traditional Parisian fashion house founded in 1946. From the timeless Lady Dior to the bold Saddle Bag and the modern Book Tote—each bag tells its own story and embodies style, quality, and craftsmanship.
The new Brand Bible series of books is for handbag collectors, and those that dream of their first designer purchase, as well as fashion fans everywhere. Featuring the most iconic bags from the major luxury maisons, the series reveals each house’s history, explores the creation of their unique It bags and presents the pop culture moments that made them famous. With in-depth information, beautiful imagery and entertaining anecdotes, the Brand Bible series is an essential addition to any well-dressed coffee table, this season and beyond.
This delightful new series of colour filled pages with easy, short and fun text makes exploring bugs in the garden an exciting adventure for little ones with soft felt flaps to flip and uncover! This interactive board book with durable felt flaps plays on children’s innate attraction to peekaboo and hide-and-seek.
Ages 3+
Five Houses on the Wild Side is a visual feast showcasing the wildly imaginative, rules-free, cozy and sumptuous interiors Elena Agostinis has created for her family’s homes in New York, Montana, and Mexico.
Bold and courageous choices of colours and patterns, elements from the wildlife and fauna of her South African childhood, mixed and matched with the best of local artisanry, textiles purchased from souks and markets all around the world, giant papier-mâché’ animal garden sculptures, and wall art that spans from the elevated to the quirky and amusing, are Elena’s traits that will inspire readers to free-styling their own homes.
Elena’s irresistible style, originality, and use of wild colours has not only been restricted to her family homes, but inspired a quiet town in Upstate New York, Tannersville, to repaint its own Main Street store fronts, contributing to the town being selected in 2021 for the $10-million-dollars New York State Downtown Revitalization Initiative award.
Elena shares the inspiration from her childhood, travels, heritage, and family needs, encouraging readers to find their free spirit and apply it to their own interiors.
Between 1978 and 1987, renowned British photographer Derek Ridgers captured London youth culture in all its glory. With skinheads, punks and new romantics, in clubs and on the street, his images have come to define a seminal decade of British subculture.
This completely reimagined edition of 78/87 London Youth showcases a fresh selection of those images from the depths of Ridgers’ exceptional archive – including several previously unseen – beautifully printed and bound in an oversized volume.
Each picture is a tribute to the trials and triumphs of youth, and a precious document of style and culture in 1980s England, from the height of punk to the birth of acid house. Several have been exhibited internationally in cities as far-ranging as Moscow, Adelaide and Beverly Hills, in the National Portrait Gallery, Tate Britain and Somerset House. Ridgers has also collaborated with a number of major fashion houses, including Saint Laurent and Gucci, and his images continue to inspire photographers, artists and fashion designers around the world.
‘As time passes, this kind of observational photography attains a new importance’ – Sean O’Hagan, The Observer
‘Ridgers’ portraits of young boys and girls are weighted with a raw poetry and beauty’ – Cory Reynolds, artbook.com
A new kind of figurative art appeared during the 1960s in Europe and the United States. While in New York Pop Art offered a fresh perspective on an America in the throes of frenzied change, in Paris French painters and others from Italy, Spain, Portugal, Germany and Iceland also began exploiting images that had their origins in advertising, cinema and the popular press. Grouped under the umbrella term Narrative Figuration, they soon became the uncompromising critics of what was dubbed the consumer society. They were for the most part politically committed artists and many of them were actively involved in the political agitation that led up to the events of May 1968 in France. Once standard bearers, the Narrative Figuration artists have now been rediscovered by museums, which, like the Centre Pompidou, are dedicating increasing numbers of exhibitions to their work. Thanks to the acquisition of major works, the collection of the Fondation Gandur pour l’Art in Geneva now provides what is without doubt one of the most exhaustive selections of works by Adami, Aillaud, Arroyo, Erró, Fromanger, Jacquet, Klasen, Monory, Rancillac, Schlosser, Stämpfli, Télémaque and Voss, to name a few. Edited by Jean-Paul Ameline, who curated the Figuration narrative, Paris, 1960-1972 exhibition, held at the Grand Palais in 2008, this catalogue includes all its key works, with commentary and analysis by curators and art historians specialising in a movement that left an indelible mark on 1960s Europe.
The study of fifteenth-century painting in France was inaugurated a century ago by the exhibition Primitifs français (1904) and has developed considerably over the past few decades, especially thanks to the work of Charles Sterling, Michel Laclotte, Nicole Reynaud, and François Avril. This research has led to the revival of several forgotten figures (Barthélemy d Eyck, André d Ypres, Antoine de Lonhy, Jean Hey, Jean Poyer, etc.) and the reassessment of many centres of artistic production. Linked together, they formed a crucial part of the trade network across Europe. It is this extremely complex artistic geography that this book’s three sections attempt to recreate. The first is devoted to the interplay between the French courts and Paris, as a thriving centre of artistic production at the time of the flowering of international gothic (1380-1435). The second examines the spread of ars nova (the illusionist art of Flanders) and its selective adoption in the kingdom of France in the time of Charles VII and Louis XI (1435 1483). The third concentrates on the gradual development of a generally accepted standard form of the French language, based on the model of Jean Fouquet and evolving in parallel to the work of the grand rhetoricians under Charles VIII and Louis XII (1483-1515).
In the years 1945-1963, Jean Dubuffet set about documenting his collection of Art Brut. He had the pieces photographed by recognised photographers on the Paris art scene, including Henry Bonhotal and Emile Savitry. But he also had pieces photographed that were not in his own collection, including works that interested him because, like Art Brut, they were marginal to the official art world. These notably include works of popular and naïve art, children’s drawings, tattoos, graffiti photographed by Brassaï and graphic works from the Solomon Islands. Dubuffet arranged these photographs of artworks by over a hundred artists – including Gaston Chaissac, Aloïse Corbaz, Joseph Crépin, Auguste Forestier, Somuk and Adolf Wölfli as well as anonymous artists – in extraordinary sequences contained in 14 albums (755 pages in total). These have been preserved since 1976 in the archives of the Collection de l’Art Brut, Lausanne. Classified by artist, the images document paintings, drawings, embroideries, sculptures and collages. In assembling this image bank in the years 1945-1963, Dubuffet set up a dialogue between highly diverse forms of expression of his period, all of which flowered away from the more familiar terrains of art history and culture. This facsimile edition of the Photographic Albums of Jean Dubuffet is combined with a booklet of essays by specialists: preface by Sarah Lombardi, Director of the Collection de l’Art Brut and essays by Baptiste Brun, Nicolas Garnier, Karoline Lewandowska, Jean-Hubert Martin, Jérôme Pierrat and Michel Thévoz. Text in English and French.
The World’s Best Beaches takes you to 200 breathtaking beaches scattered across the globe. This book is a true tribute to the most beautiful coastlines, where every beach lover can find their paradise. From pristine, pearl-white sands in the tropics to dramatic cliffs along rugged shores, these carefully selected destinations are all worthy of your bucket list. Be inspired by gorgeous photos that make you dream of your next beach adventure, and plan your trip with the practical information provided. This book is a must-have for anyone who loves sun, sea, and sand.
“Eating less meat, but better quality: that is the future of traditional craft butchery. Dierendonck today stands for craft, terroir and passion. With this book I want to pay tribute to all farmers who raise their animals with respect for nature, and to everyone working in the butchery trade, working day and night in cold rooms, surrounding by four walls.” – Hendrik Dierendonck
Hendrik and his father Raymond Dierendonck have grown in recent years into the benchmark for everything to do with meat. They supply only the highest quality and are followed by any number of top chefs. Dierendonck is one of the pioneers of the international ‘nose-to-tail’ philosophy, in which literally every part of the slaughtered animal is utilised. He has specialised particularly in the processing and maturing of exceptional meat, including from the Belgian Red cattle breed from West Flanders.
Enjoy the most delicious classic cuts from the butcher’s counter; wonder at the craft and skill of the butcher; and learn to process and prepare meat in the Dierendonck style from the dozens of adventurous and timeless recipes in this book. The Butcher’s Book has grown into a true cult publication in recent years and has now been supplemented with more than 20 achievable, refined recipes from his starred restaurant Carcasse.
With text contributions from Hendrik Dierendonck, René Sépul, Marijke Libert and Stijn Vanderhaeghe, and high-class photographs by Thomas Sweertvaegher, Piet De Kersgieter and Stephan Vanfleteren.
Istanbul represents a vast field for experimentation and dialogue between the wonderful examples of historical and traditional Turkish architecture and the new demands of contemporary design. In the 21st century the city of Istanbul began a new urban transformation process, aimed at becoming an important hub for trade and finance. Today, the Turkish metropolis can be defined as a megacity with the construction of new financial centres, shopping malls, and infrastructures such as airports, bridges and tourist ports.
The structural transformations in society have led to a shift in the urban morphology that, in turn, has generated not only social and cultural changes, but also an identity crisis in the city itself. Within this scenario, the guide not only offers a horizontal view of contemporary architecture, but also acts as a means for analysing new architectural directions and contemporary urban development in Istanbul. As well as the itineraries that feature selected buildings, both contemporary and historic, the guide includes critical essays that provide an analysis of the history, urban planning, and the future of the city.
The volume, investigating the extraordinary season of the Italian Renaissance, highlights the great contribution offered to the culture of that period by the Jewish world, still little documented in today’s studies. Indeed, there is no doubt that Judaism, with its long-lasting identity and tradition strongly rooted in territorial states, has made a peculiar contribution to the sphere of arts, literature and humanistic philosophy, contributing to giving many original and inimitable intonations to the Italian Renaissance. The investigation proposed here focuses on the relationship – harmonious in some cases and conflicting in others – between the Christian majority society and the Jewish identity in the period between the early fifteenth and mid-sixteenth centuries, meaning from the full affirmation of the Humanism to the conclusion of the Council of Trento, offering at the same time a precise geographical overview of the phenomenon. The volume is divided into thematic chapters, it contains a rich catalogue of testimonies ranging from liturgical objects to those of daily use, from manuscripts to furnishings to some art masterpieces, and is supplemented by bibliographical apparatus. Essays by: Guido Bartolucci, Giulio Busi, Donatella Calabi, Saverio Campanini, J.H. Chajes, Andreina Contessa, Miriam Davide, Silvana Greco, Maria Giuseppina Muzzarelli, Mauro Perani, David B. Ruderman, Angela Scandaliato, Salvatore Settis, Giacomo Todeschini, Francesca Trivellato, Giuseppe Veltri, Gianni Venturi, Joanna Weinberg.
The Civil War takes readers on a chronological journey of the most important events of the conflict with action-packed illustrations by Mort Künstler-the most collected Civil War artist in the world-and inquiry-based text award winning historian and author James I. Robertson, Jr. With close readings of Künstler’s paintings, young readers can parse the details of key moments of the war, including the Battle of Bull Run, the Emancipation Proclamation, and the Gettysburg Address, to learn how it really felt to be there. A timeline and short biographies of notable figures in the war, such as generals Ulysses S. Grant and Robert E. Lee, provide excellent supplements to each narrative chapter.
For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, and recycled and cast-off objects that articulate America’s painful past – the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early twentieth century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place, and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Hawkins Bolden, Thornton Dial, Sam Doyle, Bessie Harvey, Lonnie Holley, Ronald Lockett, Joe Minter, Nellie Mae Rowe, Mary T. Smith, Henry and Georgia Speller, Mose Tolliver, Charles Williams and Purvis Young. Also featured are the celebrated quiltmakers of Gee’s Bend, Alabama, among them Mary Lee Bendolph, Marlene Bennett Jones, Loretta Pettway and Martha Jane Pettway.
What do the Great Wall of China, Georgia’s polyphonic singing, the Mediterranean diet and the Vanuatu sand drawings have in common? Despite their evident dissimilarity, they are all protected by UNESCO, the supranational organisation that is responsible for preserving the common cultural heritage of humanity, protecting it from disappearance and ensuring its conservation for future generations. The Great Wall of China is one of the natural and cultural sites that comprise the famous list of World Heritage Sites, compiled by UNESCO while the other three are part of the Intangible Cultural Heritage list that includes immaterial goods. In fact, in 2003, the UNESCO General Conference adopted the Convention for the Safeguarding of the Intangible Cultural Heritage with the intent to safeguard the traditional cultures and folklore of our planet. Today, over 400 practices and expressions from more than 100 countries represent the riches and demonstrate the cultural diversity of the populations in the world. Appearing on this variegated list of traditions are the art of the ‘pizzaiuoli’ – the pizza makers of Naples, the Carnival of Basel, the Rebetiko music of Greece, Japanese kabuki theatre, Mexico’s Day of the Dead celebration, the Brazilian capoeira, Chinese shadow puppetry and the mass Hindu pilgrimage of faith, Kumbh Mela. This book of photographs and splendid illustrations will guide you on your discovery of the Intangible Cultural Heritage list; a journey that will open your eyes to the cultural riches of our planet and to the importance of preserving them for future generations.
A.S. Jasper’s memoir of growing up in the East End of London before the First World War was acclaimed as a classic when it was described by the Observer as ‘Zola without the trimmings.’ In this definitive new edition, it is accompanied by the first publication of the sequel detailing the author’s life in the cabinet-making trade, The Years After.
Illustrated with line drawings by James Boswell and Joe McLaren.