A strong visual identity is hard to miss, instantly catching the eye. In children’s spaces, it is best tailored with their unique outlook in mind as children perceive the world around them differently from the rest of us, responding to specific sets of details.
Design and Visual Identity for Children’s Spaces shares a variety of contemporary creative designs for children’s spaces all over the world; they combine children-friendly visual elements with smart space design to tailor comfortable and conducive environments where they can learn, have fun, flourish, and be themselves.
Over 35 projects that focus on educational institutions, enrichment centres, recreational clubs, play zones, concept stores, and children’s hospitals, among others, share concepts that transform spaces to make them more relatable for children through thoughtfully considered visual identity and interior layouts that resonate specifically with them. Designers dig deep, even consult with children, to create designs that call out to them in fun, inspiring spaces that unleash imaginations, while they foster a sense of connection and belonging.
Discover the rationales and inspirations behind these concepts, which also unify aspects of the business with a cohesive brand identity to promote the desired brand impressions and top-of-the-mind consumer recall. Through the projects in these pages, the reader is offered a host of thoughtful and creative solutions in designing children’s spaces, making this book a handy tool for anyone in the business of managing children’s spaces, or keen on designing children’s spaces.
“The landscape and architecture of a city like Berlin possess a great deal of under-track information. Inexplicable, yet perceptible, sometimes barely whispered.” – Vincenzo Castella
Vincenzo Castella went to Berlin for the first time between August and September 1989, without imagining that an epochal turning point was preparing in that city, with the imminent fall of the Wall, on 9th November 1989.
The volume publishes for the first time the shots of that residency. A photographic cycle which, although presenting itself as a ‘digression, an experiment with open outcomes’ as explained by Frank Boehm in his text, with respect to the themes of his research at the time is fully inserted in a wider reflection on landscape, understood as a context built and modified by man, which is also the common thread of all of Castella’s oeuvre.
For today’s readers, this is not just an unpublished visual document that, through a silent and essential revival, gives us a glimpse of how the city looked before history intervened to cut its boundaries, but also a crucial element to approach and deepen the work of one of the most appreciated masters of contemporary photography.
Text in English, German and Italian.
With an introduction by Hans-Gert Pöttering and a foreword by Joseph Daul, this book invites you to discover the role played by one of the major political forces to have grown up in the European Parliament, from its creation in 1953 to its comprehensive victory in the European elections in June 2009. The European People’s Party brings together most of the centre, moderate and Conservative parties in the Europe of 27. Its views have a decisive and growing influence on EU decision-making. The EPP Group, which has played a part in major European events from the birth of the Community in the midst of the Cold War to the introduction of the Single Market and the euro, from the reunification of the continent after the fall of the Berlin Wall in 1989 to the impact of globalisation and the economic crisis, is above all a collection of men and women who share the same values and the same commitment to European integration. Written by Pascal Fontaine, drawn from unpublished archives and interviews, the book is a valuable source of information for anyone wanting a better knowledge and understanding of the history of European integration. Text in English, French & German.
To be a skateboarder today is a much different experience than it was for much of the 1990s. The photographs, quotes, and anecdotal text in ‘93 til captures a time in skateboarding when making a liveable income as a professional skater was a luxury and public understanding of skateboarding was at an all-time low. It was a time when skateboarding was searching for an identity, a time before Instagram and big corporate influences. Street skating was coming of age, testing its limitations and aligning itself with a new and innovative style of hip-hop culture that was emerging. Looking back, many skaters today feel as though the ’90s were the golden years of skateboarding. ‘93 til is a captivating portal into a decade and a culture that is remembered with warmth and nostalgia. Much of the photography that Pete has unearthed for ‘93 til was buried in boxes for close to two decades and has never been seen or published before. The 250-page book also contains several timeless images from his years shooting for SLAP and Transworld Skateboarding Magazine that will be familiar to the initiated. In addition to his stunning action shots are plenty of portraits and unguarded, candid moments that span from the late ’80s up through 2004. The book reveals a raw, unapologetic perspective of a world that no longer exists.
Also included in the book alongside Pete’s imagery are quotes and anecdotes from legends like Tony Hawk, Arto Saari, Jamie Thomas, Guy Mariano, Nyjah Huston, Geoff Rowley, Stevie Williams and others.
In 1946 (after a stint as a World War II military hospital), quintessential American decorator Dorothy Draper was brought in to restore the Greenbrier hotel. She created a signature look – described at the time as ‘Romance and Rhododendrons’ – that has influenced and delighted not only designers and decorators but also travellers, weary of the grey and beige colour schemes that permeate most hospitality properties even now. Draper transformed the interiors with bold colours, classical influences and modern touches.
When Carleton Varney arrived in Mrs. Draper’s office in 1961 to work as an assistant in the design department, one of his first tasks was to accompany the design icon by train to one of her most well-known and publicised projects. Since that time, he has been involved with every aspect of the hotel’s design, maintaining and continuing the look that Draper designed, as well as modernising, upgrading and putting his own stamp on it. Working with his experienced and innovative team, Varney has turned the historic hotel into a resort for the 21st century.
Julius Baer, established in Zurich in 1890, is the leading Swiss wealth management group and an icon of Swiss banking tradition. For nearly as long, the founder family has been engaged in supporting visual and performing arts and in 1981, on the initiative of Hans J. Bär (1927-2011), the company began to build its own collection of contemporary art, guided by a firm belief that art in a business environment enhances the culture of discussion and is inspirational to employees and clients alike. Today, the Julius Baer Art Collection comprises more than 5,000 works in a range of media painting, drawing, sculpture, photography, and video-by Swiss artists, internationally renowned ones as well as emerging talents.
This book offers a survey of the collection that is on rotating display at the bank’s offices around the world and highlights its origins and development over the past four decades. Artistic positions of 35 contemporary Swiss artists, such as John M Armleder, Silvia Bächli, Miriam Cahn, Lutz & Guggisberg, Markus Raetz, Shirana Shahbazi, and Roman Signer, are introduced through brief texts and illustrated with some 300 works from the collection.
This monograph presents a thorough overview of the work of the Danish artist Thomas Bang (b. 1938). Essays by four Danish art historians trace his years as a painter in the early 1960s, his subsequent development as a sculptor in the late 1960s, and his activity on the New York art scene through the 1980s. The primary emphasis of the book is on Bang’s three-dimensional work and the analysis of the range of issues on which his object- and installation-oriented work has been focused for several decades.
Thomas Bang has throughout his career focused on various issues of fragility and vulnerability as physical as well as psychological states. The emphasis of his sculpture is on creating a broad field of operations, where alterations of apparent initial intentions and meaning are gradually established in the development of the work.
Source Books in Architecture No.14: Rem Koolhaas / OMA + AMO Spaces for Prada is the most recent volume in the Source Books in Architecture series. Among the topics discussed in the book are the longstanding relationship with Prada and how the early objectives in that relationship have both maintained and shifted. An underlying theme to the conversations held with students and faculty of the Knowlton School community is the topic of architect client relationships, their history, their problems, and how they have contributed to the discipline over time. Explicitly, a focus of the conversation is on a number of projects that OMA has developed or completed with Prada, a large number of which are installation scale environments that manifest in the form of runway shows and exhibitions. The challenge of such projects is to retain a commitment to the political and cultural agenda that OMA embeds in the larger and permanent buildings. Given the ephemerality and role of these environments as literal backgrounds to highlighted events, the projects are ideal scenarios in which to develop an architecture that lacks the permanence of buildings while still carrying potency and contributing to larger cultural discussions involving, for example, event, place, concept, product, staging, the crowd, lighting, and materiality.
Source Books in Architecture No.14 contains project documentation from the OMA and Prada archives, transcripts from Koolhaas’ conversations with students at the Knowlton School at The Ohio State University, and commentary and critique from architects, critics, and theorists.
Close to one million people are unhoused in the United States today. Millions and millions are ill—housed – people living in shanties or leaky, mouldy trailers. And millions more are mis—housed – in houses that are abusive in their loneliness, forlorn and empty at so many levels. We can do something about it. Actually, it’s low hanging fruit, should we choose to do something; impossible, if we do not. And it’s essential, not only for the wellbeing of the individual, but also for the wellbeing of the State, and the society.
Current studies are overwhelmingly show that it is more cost effective, in terms of tax dollars earmarked for city, county, state, and federal governments, to house people than it is to just leave them outside. About $20k to $40k cheaper for each person per year. In the case of the unhoused, it also taxes our psyches and our emotions to see our neighbours sleeping on the sidewalk. It is difficult, if not impossible, to explain to our children and grandchildren how we Americans leave people outside in the cold — mentally challenged or not. Then, there is the moral issue.
If you are motivated to get a new homeless housing project moving in your town, this book is the best place to start.
Almost, Not: The Architecture of Atelier Nishikata is the story of a remarkable architecture practice in Tokyo. Partners Reiko Nishio and Hirohito Ono have built just four residential works, until now remaining little-known outside of Japan. But the extraordinary, almost-ordinary quality of their work warrants the spotlight. It has much to teach students of architecture and experienced architects alike.
This book is a hybrid between an architectural monograph and a magic instruction book. Author Leslie Van Duzer, a former magician’s assistant and author of four monographs on 20th-century architecture, draws parallels between the effects and methods of architects and magicians.
The introductory essay, “Almost, Not,” presents an overview of Atelier Nishikata’s approach, describing the effects engendered by their architecture and the methods behind the them. The essay is followed by four detailed project descriptions that elaborate on the strategies behind the work. These texts are richly illustrated with process work, diagrams, detailed drawings, and photographs, including before and after views of the renovated spaces, and views post-inhabitation. The volume closes with a lengthy interview with the architects to help flesh out the methods behind their madness.
This catalogue is published on the occasion of the photo exhibition in Cologne, which will take place from September 17, 2020 to January 31, 2021.
Text in English and German.
A dedicated collector and advocate of contemporary art since the late 1940s, Giuseppe Panza has played a fundamental role in the artistic culture of his time, introducing American phenomena such as Abstract Expressionism, Minimalism, Pop Art, Environmental Art, and Conceptualism to the museums of Europe. Now, in a brilliant response to everyone’s primary question about Modern Art – ‘What does it mean?’ Panza shares philosophical insights and personal reflections that bridge a half-century of discovering new artists and movements.
Panza was among the first to buy the works of Rothko, Kline, Lichtenstein, and many of the other major figures of post-WWII art, watching as their works skyrocketed in monetary value as well as historic importance. He pursued collecting with undiminished enthusiasm through the 1980s and 1990s, all the while searching for the best venues in which to display his latest acquisitions. Sections of his private collection were exhibited by and acquired into major collections, particularly the Museum of Contemporary Art in Los Angeles and the Guggenheim in New York.
Among his signature innovations was the juxtaposition of contemporary art with historic settings – Baroque palaces, ancient European public buildings, his own eighteenth-century villa – in order to create unexpected and stimulating dialogues between the architectural context and the work of art.
Complete with 110 full-colour illustrations, spanning decades of transformation in art and world culture, Giuseppe Panza: Memories of a Collector provides a unique glimpse into the movements and trends that have defined modern art. It is also the fascinating life story of a man who helped define the trends themselves, through passion, insight, and prophetic taste.
This volume is dedicated to the phenomenon of staged photography, the trend that has revolutionised the photographic language since the 1980s.
Through over 100 works, the catalogue tells how photography was able to reach the heights of fantasy and invention between the end of the 20th and the beginning of the 21st-century, previously almost exclusively entrusted to cinema and painting.
Goldfish invading bedrooms, icefalls in the desert, imaginary cities, Marilyn Monroe and Lady D shopping together: all of this can happen thanks to veritable stages set up in order to build a parallel reality, or thanks to new technologies and, in particular, through the increasingly sophisticated use of Photoshop, released in 1990.
Photography, the realm of documentation and (presumed) objectivity becomes the realm of fantasy, invention and subjectivity, completing the last decisive evolution of its history.
Works by: Jeff Wall, Cindy Sherman, James Casebere, Sandy Skoglund, Yasumasa Morimura, Laurie Simmons, David Lachapelle, Bernard Faucon, Eileen Cowin, Bruce Charlesworth, David Levinthal, Paolo Ventura, Lori Nix, Miwa Yanagi, Alison Jackson, Julia Fullerton Batten, Jung Yeondoo, Jiang Pengyi.
Text in English and Italian.
It is often said that you can’t take the same walk twice in New York. Its history may be short compared to that of European cities, but it is also a history marked by lightning-fast change. This pictorial journey into the history of New York City starts from the small town that began as New Amsterdam in the 17th century, tracing the unbridled expansion of the 18th century and waves of mass immigration of the 19th and 20th centuries. The authors, both experienced NYC tour guides, explore iconic districts like Times Square, Harlem, Wall Street, Central Park, Ellis Island and the Bronx, bringing the past and people to life through engaging stories and images. An inspired selection of archival photos, prints, vintage maps, stereographs, and ephemera make this publication, with its elegant, silver-edged finish, a fascinating visual homage to the vibrant city that is New York today.
“It is a feast for the senses to leaf through this book …” — Lovely Books Germany
Audrey Hepburn once said “I never thought I’d land in pictures with a face like mine.” Nothing could be further from the truth. As one of the 20th century’s most loved icons, her face is instantly recognisable the world over. Here, for the first time, ACC Art Books and Iconic Images proudly present the work of six wonderful photographers – Norman Parkinson, Milton H. Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill and Eva Sereny – who were fortunate enough to capture the star at different moments of her life. In addition, former Curator of Photographs for the National Portrait Gallery and co-curator of the Audrey Hepburn: Portraits of an Icon exhibition, Terence Pepper, opens up his personal archive of vintage press prints, making this ode to Hepburn truly unique. Throughout the book, Douglas Kirkland, Terry O’Neill and Eva Sereny share their memories of working with the icon. They present a wonderful mix of on-set, fashion, portrait and behind-the-scenes photographs, including contact sheets and never-before-seen images. With an introduction by Terence Pepper, Always Audrey is sure to delight any Hepburn fan.
The Eiffel Tower in China? Sebastian Acker: Traces of Other Places unites photos, film stills, and notes from an often surreal-looking journey undertaken by the Berlin-based artist Sebastian Acker (*1981) and his collaborator, Phil Thompson, through China’s copy-laden landscape, where not only have they erected sections of European cities, but also built a replica of an entire Austrian village. Simultaneously contemporary and anachronistic, the pictures in the book resist simple definitions of authenticity and imitation, not only by examining the theme of the reality experienced in the replicas, but also by shedding light on the tourism industry’s performative promotion of the European originals.
Text in English and German.
“If you didn’t manage to travel abroad this year, Homes for Nomads: Interiors of the Well-Travelled is just the ticket.”—Harrods Magazine
For the passionate traveller, a design book that features 20 gorgeous interiors that incorporate objects collected from around the world, bringing a touch of exotic and far away places into the home. The authors showcase unique objects – a Vespa, a tiki bar, a surf board, an African mask – that embody memorable and meaningful travels, and represent the nomadic spirit of the traveller in daily life. They reveal how these elements can be creatively and beautifully displayed, giving the sense of travelling at home without leaving home.
Text in English, French and Dutch.
Luisa Lambri’s art revolves around the human condition and its relationship with space, touching on areas such as the politics of representation, architecture, the history of abstract photography, modernism, feminism, identity and memory.
The title of the exhibition presented at PAC, in Milan, is a tribute to Carla Lonzi who, in 1969, published “Autoritratto”, a collection of interviews with avant-garde artists that revealed their private sides. In the same way, Lambri constructs personal and intimate readings of the subjects of her photographs and encourages a dialogue between the observer, the work of art and the space.
Light, time and movement play an important role in her work, where slight differences reflect the artist’s movement within the space. Lambri uses architecture to create her images, rather than images to document architecture, revealing negligible details of modernist architecture or iconic minimalist sculptures. At PAC, her works relate to the unique qualities of the architecture designed by Ignazio Gardella, for which the exhibition was specifically developed.
Text in English and Italian.
What are your chances of living through the next 24 hours? This week? This month? This decade? Will your job kill you? Your car kill you? Your spouse kill you? Will your own bad habits kill you? Or will a rogue asteroid just kill us all?
Each time you lay your head on the pillow at night or set your feet on the floor come morning, you bet your life. Exactly what odds do you face 24/7?
You Bet Your Life applies to you, the individual, the analytical approach insurance companies use to calculate risk: actuarial science. The result is a comprehensive, encyclopedic, real world assessment of more than 1,000 of the risks we take every day of our all-too-finite lives, from boarding an airplane to tempting a shark attack by dipping a toe in the ocean.
You Bet Your Life is introduced by an authoritative essay explaining how professional actuaries calculate risk and how less objective entities—in government, finance, science, technology, and religion—apply their own competing calculi of risk and reward.
When does a carpet transcend the category of interior accessory to become art? This well-illustrated book features 200 carpets found in behind-the scenes tours of amazing homes around the world. In thematic chapters, it covers the main international trends, from Ethnic to Art Deco and from Contemporary to Artsy. These dressed-up living spaces provide inspiration for anyone fascinated by stylish living, creative interior design and the myriad possibilities for home decor. In addition, the author provides helpful information on the provenance of materials, quality of design, composition and workmanship possibilities for home decor. It’s a fascinating glimpse into the homes of people with a good taste. Carpets & Rugs is comprehensive and more relevant than ever.
You can put an armchair next to a sofa and a chair next to a table. But you can also bring walls to life, craft a magical diorama, and build an artistic domestic kingdom! With over 200 pages, this lavishly — illustrated interiors book is packed full of design ideas to help you add comfort and creativity to your home. Brilliant photography and detailed descriptions show you the latest and greatest collaborations from architecture and interior design around the globe — on trend or avant-garde, all showcase elegance, style, and imagination.
Text in English and German.
What wouldn’t animal-loving humans do to create the perfect modern habitat for their cherished animals? Not surprisingly, pet owners are forever seeking ways to provide the best environment to make life for their pets as enjoyable and engaging as possible.
Designing the perfect architecture and interiors for pets and animals of all shapes, sizes, species, and breeds is all about creating a seamless coexistence. Showcased here are heaps of fun and unique projects created by an inventive global design community. The charming, imaginative, and inspired interiors and architectural systems presented in this book offer a beautiful combination of aesthetics and creature comfort, be they for cats, dogs, birds, rabbits, guinea pigs, hamsters, chickens, turtles, horses, and many others.
This carefully curated selection includes not only ingenious yet elegant built-in cat ladders, scratchers, and walkways, and private dog nooks — even a noise-cancelling kennel for the most pampered of pooches — but also amazing modular mazes for the busiest cat, rabbit, guinea pig, or hamster, as well as beautiful, sculptural birdhouses and charming log-cabin-style chicken coops. It also features funky cat cafés and special shelter ideas to keep both human and animal creatures calm.
This delightful book presents a lovable assortment of safe and sustainable pet-friendly projects, ideal for design- and animal-conscious folk who want to turn their interiors or workspaces into the most comfortable living/playpen environments for their beloved fur-babies (and other pets) to roam and rest.