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There’s an elemental satisfaction in living in a cosy sanctuary in the midst of a snowy landscape. It evokes feelings of warmth, security, refuge, and comfort. Winter Homes beautifully illustrates examples from winter wonderlands around the globe and provides ingenious solutions on how the home’s design is formulated, and the architectural and interior design techniques used to create both a connection to nature and contend with biting winter conditions.

Curl up in front of the fire with this gorgeous edition, crammed full of evocative images, and take a journey through some of the world’s best contemporary and stylish winter residences, be they atop mountains, deep in the valleys, forests or plains, or along coastal regions. Bask in the splendid vicarious warmth from your sofa and enjoy the beauty of a home that is perfectly designed for a moody winter landscape.

Cheerful and warm, this Cactus Notecard Set by favourite illustrator Maria Carluccio is right on trend with your other favourite stationery/home fashion designs. Our notecards are blank inside and are the perfect way to drop a note to a loved one or friend to say thank you or just a simple hello.

We choose the best images from well-known classic and contemporary fine artists, plus talented emerging illustrators and designers from around the globe. Maria Carluccio has received multiple awards for her work from the New York Society of Illustrators and 3×3 magazine. Her artwork can be seen on children’s books, gift products, wall decor, and fabric.

This book offers the first-ever survey of Swiss artist Nicolas Party’s entire body of work. Born in 1980 in Lausanne, Party now lives and works in New York and has established himself as one of the most important figures of international contemporary art.

Nicolas Party—Rovine (Italian for ruins) features pastels and sculptures that Party has created since 2013. The book focuses on the core genres of painting: still life, landscape, and portrait. Party’s works stand out in these genres due to his use of wild, anti-naturalistic colours, as well as through his extremely precise rendering of the subjects. The artist explains his fascination for each of these genres in accompanying texts. The book also shows a large-format wall painting and a sculpture created especially for Party’s major solo exhibition at MASI Lugano in the summer 2021. Contributions by the art critic and curator Michele Robecchi and by MASI Lugano’s director Tobia Bezzola supplement this beautiful volume.

Text in English, German and Italian.

This book addresses a phenomenon that pervades the field of art history: the fact that English has become a widely adopted language. Art history employs language in a very particular way, one of its most basic aims being the verbal reconstruction of the visual past. The book seeks to shed light on the particular issues that English’s rise to prominence poses for art history by investigating the history of the discipline itself: specifically, the extent to which the European tradition of art historical writing has always been shaped by the presence of dominant languages on the continent.

What artistic, intellectual, and historical dynamics drove the pattern of linguistic ascendance and diffusion in the art historical writing of past centuries? How have the immediate, practical ends of writing in a common language had unintended, long-term consequences for the discipline? Were art historical concepts transformed or left behind with the onset of a new lingua franca, or did they often remain intact beneath a shifting veneer of new words?

Includes 10 essays in English, four in Italian, and one in German. 

Text in English, German and Italian.

“A pagan happiness entered my paintings in the spirit of both my subjects and work, which became freer and more lyrical”. These are the words used by Massimo Campigli himself to describe his visit to the Museum of Villa Giulia in Rome in 1928. He attributed to this event a fundamental value for the development of the mature phase of his artistic production.

This catalogue compares a specific selection of Campigli’s works with Etruscan finds, with which they naturally share atmospheres, signs and colours. This innovative and learned analysis brings about the opportunity to present for the first time to the public valuable archaeological items, mostly unpublished and to date preserved in the deposits of the Soprintendenza Archeologia, Belle Arti e Paesaggio per la provincia di Viterbo e per l’Etruria Meridionale.

Text in English and Italian. 

Self-Portrait explores 30 years of artistic research by Paolo Canevari (Rome, 1963), proposing a series of sculptures, drawings and installations ranging from the first creations in the wake of Arte Povera, to those made of rubber from the 1990s, up to the more recent series Monuments of the Memory: Landscape and Constellations.

The works tell of Canevari’s vision of art-making, which moves from a classical training combined with a profound conceptual research, while also animated by a strong political character.

Through the use of different media and materials – with a predilection for the rubber of inner tubes and tyres – Canevari adopts a language that is sometimes brutal, often ambiguous, certainly evocative, to bring light into the dark territories of man, understood both as an individual and as humanity.

His radical and subversive approach aims to stimulate a reaction in the observer, with the intention, on the one hand, of breaking prejudices and clichés, on the other of investigating personal, intimate and inner aspects in relation to the work of art and its universal meaning.

The volume includes a critical text by Robert Storr, two interviews with the artist collected respectively by Robert Storr and Francesca Pietropaolo and by Shirin Neshat, and a tribute to Canevari written by late Sicilian novelist Andrea Camilleri.

Text in English and Italian. 

The first monograph on French architect Guillaume Terver and his team. This beautiful book presents high-end houses and apartments in Paris and Brussels.

Text in English and French.

Yafeng Duan (*1973) was born in Hebei in northern China, in the shadow of the Great Wall. For the artist – now based in Berlin – nature is the mirror of the soul, and the source from which she draws is a spiritual one. Artistic creativity is a vehicle for approaching and exploring reality and transferring it through painting into non-spaces. Her pictures testify to her notion of a breath of energy, which spreads out into a great void and, thanks to the constitutive factors of yin and yang, solidifies into all manifestations of existence, only to pass away again.

Text in English, Chinese and German.

“Charles Higham – rugby player, talented excavator and one of the great archaeologists of his generation – is an engaging raconteur. His fast-moving autobiography tells of the life well lived, of a world authority on Southeast Asia’s past. This is a fascinating and adventurous journey complete with academic debates, serious archaeology, its triumphs and minor disasters galore. Read this book if you aspire to be an archaeologist. It will inspire you to great deeds.” – Brian Fagan, Distinguished Emeritus Professor of Archaeology, University of California, Santa Barbara.

“Higham charts an archaeological Odyssey from Roman Britain via the Bronze Age stock-breeders of central Europe to prehistoric Thailand and the origins of Angkor. This complements a personal journey equally eventful, from a double first and rugby blue at Cambridge to building a university department in New Zealand. Here is a life laden with academic honours and the thrill of discovery on a series of digs that have transformed understanding of the human past in a hitherto-under-evaluated part of the ancient world.” – Professor Norman Hammond, Senior Fellow, McDonald Institute for Archaeological Research, Cambridge University.

“Charles Higham presents a readable and often witty account of a golden age in archaeological excavation in Thailand, Neolithic to Iron Age, from his perspective as a fundamental contributor. A must-read for colleagues, students, and the interested public are like.” – Emeritus Professor Peter Bellwood, Australian National University.

In this unique memoir, Charles Higham, one of the great archaeologists of his generation, describes the inside story of how his many excavations have introduced Southeast Asia’s past to a worldwide audience. For over 50 years, he and his Thai colleagues have explored the arrival of early humans, the impact of the first farmers, the remarkable rise of social elites with the spread of metallurgy and the origins of civilisations. Once seen as a cultural backwater, Southeast Asia now takes centre stage in understanding the human past.

Many people assume that becoming a parent means sacrificing a stylish interior, but these creatively designed homes show that it doesn’t have to be that way. When lifestyle journalist Joni Vandewalle’s daughter was born she was disappointed to discover that in most home styling magazines children’s rooms and play areas are expertly concealed. In this book she profiles the homes of 25 young families, where toys brighten up the interior, kids are a source of energy and joy, and parents don’t think twice about sacrificing living space to give their kids cleverly styled bedrooms, colourful play areas and creative storage. The result? More than 200 pages of interior design tips on how to create a stylish, warm and happy family home for young parents and parents-to-be. Title previously published as Let’s Play House – ISBN 9789401471374

‘”As Paul Moorhouse shows in this thorough and sensitive first biography, which concentrates on [Riley’s] early years up to the age of thirty-four, it was only after many false starts, bracing shocks and firm decisions that Riley found her way as an abstract painter in the early 1960s with her eye-dazzling lines, squares, curves … in ultra-hard-edged black-and-white”. –Times Literary Supplement

“In “Bridget Riley: A Very Very Person – The Early Years,” Paul Moorhouse … homes in on the period between the artist’s childhood and her earliest success, and makes a surprising but compelling case for the influence of landscape on Ms Riley’s distinctive style.” –Wall Street Journal

“An entertaining and informative text that adds greatly to our understanding of a very prominent and still highly intriguing British artist.” –Hyperallergic

In January 1965 the international art world converged on New York to pay homage to a brilliant new star. The glittering opening of The Responsive Eye, a major exhibition of abstract painting at the Museum of Modern Art, signalled the latest phenomenon, op art – and its centre of attention was a young painter named Bridget Riley, whose dazzling painting Current appeared on the cover of the catalogue. Riley’s first solo show in New York sold out, and, following a feature in Vogue magazine, the Riley ‘look’ became a fashion craze. Overnight, she had become a sensation, yet only three years earlier, she was a virtual unknown. How did success arrive so suddenly?

Authored by the acclaimed curator and writer Paul Moorhouse, A Very Very Person is the first biography of Bridget Riley and addresses that tantalising question. Focusing on her early years, it tells the story of a remarkable woman whose art and life were entwined in surprising ways. This intimate narrative explores Riley’s wartime childhood spent in the idyllic Cornish countryside, her subsequent struggles to find her way as an artist, and the personal challenges she faced before finally arriving as one of the world’s most celebrated artists in Swinging Sixties London.

Swiss artist Mirko Baselgia, born in 1982, already made a name for himself internationally in the first decade of his career. Baselgia works within the context in which he lives and with the conditions available to him. His works appear to be calm and soulful, unassuming and endless. They invite the viewer to pause and reflect on their place on planet earth. Philosophical and scientific questions are reflected by means of the local, natural, and recycled materials Baselgia uses.

This book offers a snapshot of Mirko Baselgia’s current creativity and is published in conjunction with an exhibition at the Kunst(Zeug)Haus Rapperswil-Jona. Its subtitle )in(out) till sundown refers to a quote by the Scottish-American author John Muir (1838–1914): “I only went out for a walk, and finally concluded to stay out till sundown, for going out, I found, was really going in.” Baselgia’s art also stimulates reflection on the meaning of inside and outside, the boundaries that separate us from our surroundings, as well as their permeability.

Text in English and German.

Just as its nickname, ‘cream city’, has nothing to do with beer or dairy, the city of Milwaukee itself is fraught with surprises. While it is undoubtedly the jovial land of beer and cheese (and brats, bowling and The Brewers, for that matter) the city is also a centre for world-class art, architecture, culture and innovation, and has been since the 1800s.

Discover Milwaukee’s most unexpected treasures – visit a 15th century French chapel, or a 425 million-year-old tropical reef. Throw a turkey at the nation’s oldest sanctioned bowling alley. Watch an art museum flap its wings, or tour the city’s only urban cheese factory to find out why cheese curds squeak.

Milwaukee, a city both stunning and charming, also possesses a dry, self-deprecating wit and goofy cleverness. Visit 111 amazing places that reveal this unique character, one that keeps Milwaukee’s locals local, and beckons visitors back again and again.

Transformation processes are the focus of Georg Aerni’s new photographs. The Swiss photographer and artist shows plastic greenhouses that have annexed whole swathes of land for agricultural mass production, residential houses that have been built overnight on the city outskirts without construction machines and literally noiselessly. He points his lens at olive trees that have grown over centuries into figures full of character, at creepers that conquer leftover spaces between high-rises and motorways, and at mighty rock faces that are being gnawed by erosion. With the merging of art and documentation that is typical of Aerni’s work, Georg Aerni—Silent Transition makes the signs of change the object of a contemplative observation and at the same time asks challenging questions: about our handling of natural resources, about the social backgrounds to cities growing out of control, about the regenerative force of nature.

A decade after Aerni’s first monograph, Sites & Signs, this new book showcases the artist’s ongoing continuation of his photographic work through numerous individual images as well as new series. 166 beautiful colour and black-and-white plates are introduced through texts by Peter Pfrunder and Nadine Olonetzky and commented on with an essay by Sabine von Fischer.

Text in English and German.

From its foundation in 1948, the state of Israel has felt isolated and under threat from enemies. This collective siege mentality manifests itself with over 1 million public and private shelters. The Israelis have integrated these ‘Doomsday spaces’ into their everyday life and transformed them into spaces that look like normal dance studios, bars or temples. For many people in Israel who live with a personal history of exile and persecution, these shelters are the architecture of an existential threat both real and perceived. Adam Reynolds shot the images in this book over the course of three years, from 2013 to 2015. The photographs offer a broad cultural and geographical typology of the shelter spaces by documenting them on either side of the Green Line, throughout Israel and the Occupied Territories, in an effort to offer the broadest survey possible. They straddle the distinct worlds of fine art and reportage. “Working in a country like Israel, it is difficult, if not impossible, to separate art from social reality,” says Adam Reynolds.

Sharing this story was not something that Christopher Capozziello ever set out to do, but, over the years, one picture has led to another and a story has emerged. Capozziello says, “The time I have spent with my brother, looking through my camera, has forced me to ask questions about suffering and faith and why anyone is born with disability. Nick has cerebral palsy. Taking pictures has been a way for me to deal with the reality of having a twin brother who struggles through life in ways that I do not.” Capozziello’s photographs take us on a journey through his worries and inquiries, ending his debut book with a different sort of question: what comes next? Part two of the book is a journey he and his brother take across the United States. The work has been shown throughout the United States and has won 33 national and international awards. “The collection, titled The Distance Between Us, is both a brother’s touching tribute and Capozziello’s attempt to come to terms with the reality his brother lives and one from which he happened to be spared”. The Mail

“Everyone that loves London will love this book.”  — Joanne Good, BBC Radio London
“If you’re looking for some inspiration for unusual places to photograph in the city, or just a good manual for avoiding the obvious, this is well worth looking into.” —  Amateur Photography

“This is a wonderful collection for anyone who loves London in all its unconventional glory.” — Black and White Photography

“In the book… we get a fantastic look at those alternative viewpoints that you’re unlikely to find in your Lonely Planet or Rough guide. They’ve called the books ‘Unseen’ for a reason, because you’re far less likely to have already viewed the kinds of pictures taken within it.” —  Amateur Photographer
Over the course of 15 years, native Londoner Paul Anthony Scane went out by bike and on foot to explore hidden corners of his city with four analogue cameras and an eye for the unusual. This book, which is devoid of the usual tourist spots, shines a light on places and people that are not often seen: the campy drycleaner (“Go Gay”); a double decker bus appearing to manoeuvre a miniature golf course; an abandoned tank in south London. These poignant and often witty images capture the character and soul of the real London with affection and curiosity. London Unseen is a character study of a world metropolis – based on its people and streets, away from Big Ben and Trafalgar Square.

In Mother Tongue, Mika Sperling (*1990) examines how origins and culture influence interpersonal relationships based on her personal family history. Language plays a key role in this. Her young daughter and her Vietnamese stepmother are the focus of the photographic examination. Sperling experiments with perspectives, close-ups, and reflecting surfaces and shows the surroundings and personal objects of the individuals portrayed.

Trained in a documentary tradition, Sperling represents a new generation of photo-essayists that takes up historical references and processes them in various mediums and objects so as to engage more intensively with the audience.

Text in English, with additional texts in German, Russian and Vietnamese.

Serena Ferrario (*1986) is the 7th winner of the renowned Horst Janssen Graphic Prize, which this year will be awarded at the Kunsthalle Hamburg for the first time. The catalogue accompanying the exhibition not only documents the various facets of Ferrario’s work with its large-scale installations, with a focus on her graphic works, collages, and films, but also explicitly takes a look behind the scenes with the title Where the Drawings Live. It is about an open process that not only provides insights into her studio work, but also reveals in particular the connection between the individual mediums in which her figures — whether drawn or real in film — live.

In addition to numerous pictures, including installation views from the Kunsthalle Hamburg, the catalogue also contains an interview with Serena Ferrario.

Text in English and German.

Stripped of their typical narrative and commercial contexts, the fragmented collages of this collection act as visually tantalizing ciphers, reflecting the desires and imaginings of the beholder.’ – Jennie Waldow, Brooklyn Rail

This beautifully illustrated catalogue showcases works by British artist John Stezaker made between 1976 and 2017 and brought together in the 2018 show “Love” at The Approach, London.

Stezaker is celebrated for his distinctive collage works: interruptions of, and interventions into, found images dating mostly from the mid-20th century – products of modernist culture such as film stills, press and publicity photographs, magazines and postcards. His works engage with themes such as psychological archetypes, fragmentation, identity, self and other, desire, inscrutability and enigma, glamour, fantasy, dreams and the gaze.

A sense of romance pervades Stezaker’s imagery. As demonstrated most dramatically by the artist’s ‘Love’ series (2016), his work seduces and ensnares the viewer’s gaze, arresting their perceptual expectations. Disquieting, poetic, compelling, glamorous and strange, the anatomies of love and desire comprising ‘Love’ resemble a visual encyclopaedia of human consciousness. Featuring essays by Michael Bracewell and Craig Burnett.

We live in turbulent times, which arouses a longing to pare down to the essentials in many people. The trend towards minimalism is reflected in the worlds of home living, environmental awareness, and mindfulness, to be sure, but it is also reflected in art and photography.

The minimalist photographer’s eye directs the viewer’s gaze to the aesthetics of the ordinary, transforming them into something extraordinary, something inspiring. The resulting photographs always use clean lines, often arranged in geometric compositions.

Minimalist artists such as Maria Svarbova, Maarten Rots, Matthieu Venot, and Natalie Christensen borrow their motifs from everyday life. They can be schematic depictions of topography, or purely two-dimensional, abstract compositions. Sometimes they are detailed, sometimes large-scale. The point is always reduction.

Text in English and German.

Multiple Exposures – Allen Jones & Photography explores the numerous ways in which artist Allen Jones has engaged with the possibilities of this medium. Historian Philippe Garner has researched Jones’s extensive archive to develop and present the insightful narratives implicit in this remarkable, often surprising selection of images.
Studying at Hornsey School of Art, then at the Royal College of Art till 1961, Jones achieved swift success within a dynamic roster of artists celebrated as ‘The New Generation: 1964’ at the Whitechapel Gallery, London. Alongside his practice as a painter, sculptor, and printmaker, Jones nurtured an ongoing fascination with photography. This volume – an important addition to the literature on Jones’s oeuvre – reveals how he was first drawn as a student to the camera’s potential, making his earliest experiments in black and white.
Through the sixty-plus years of Jones’s career – using camera and, more recently, iPad, and iPhone – photography has become ever-more integrated within his wider practice as an artist. We observe his incorporation of ‘found’ photographs within his early collaged works; we discover the photographs he has taken as a visual ledger of all that intrigues him; we see a telling selection of the imagery that he has collected, mostly drawn from vernacular sources, such as post cards, newspaper cuttings, and magazine tear-sheets; we find his playful images of his studio and its juxtapositions; and we follow his investigation of the ways in which his paintings and sculptures can interact and invite fresh readings when transmuted into photographs.
The images in Multiple Exposures, mostly hitherto unpublished, are supported by an introductory text by Philippe Garner and by revelatory chapter introductions and pertinent pull-quotes by Allen Jones. The dynamic design of the book is by the legendary graphic artist David Hillman.

Interior design in Barcelona, an important Mediterranean metropolis and a city with a rich history, draws influences from many different styles. The interiors featured here — notable for their airy sense of space and tiled floors — are cool in the summer but remain cozy and inviting. This book takes you behind the elegant facades, where timeless charm is created by the use of wood, warm colours and fabrics. Barcelona Interiors focuses on the most exclusive and unique homes that represent the authentic Barcelona way of living.

At the end of 2020, the concrete factory in Ghent, popularly called ‘the Betoncentrale’, was demolished. With this book, Cultuur Gent, the cultural department of the City of Ghent, aims to keep the memory of this graffiti paradise alive. A team of experts selected the 10 most important street artists who were active onsite: ROA, Klaas van der Linden, and Bue the Warrior, among others. This book showcases the most beautiful work that adorned the walls of the factory. Street art expert Tristan Manco frames the local scene in its international context and Giulia Riva, a street art blogger, spoke to the artists about their memories of that unique place.

Text in English and Dutch.