Growing up, almost every kid dreams of finding buried treasure. That dream slowly fades with age as they realise that Blackbeard never visited their backyard. For some, the search for treasure continues in their adult lives in other ways. Metal detectors and shovels may be replaced with online searches and library visits, but the thrill of the hunt is still alive, ever driving the quest forward.
Lost Danish Treasure tells the tale of two stories: 1) the history of Finn Juhl’s iconic Chieftain Chair and a long-forgotten painting that preceded it, and 2) the individual connections to this design by a small group of collector researchers. Although starting in different eras and timelines, the two accounts start to intertwine over the course of the book, with the research efforts of today helping to unravel the mysteries of the past. As each chapter unfolds, more and more clues are revealed that slowly weave the storylines closer together— until the summer of 2021, when both accounts collided after Lot 242 popped up in an auction house in Chicago. The result of the subsequent analysis sheds new light about the origins and identity of the very first Chieftain Chair.
The Nuclear Chronicles: Design Research on the Landscapes of the US Nuclear Highway leverages fictional design narratives as devices for discussing the impact of nuclear technology within the territory of the western United States. Storytelling registers design research in a graphic novel format while promoting the use of such a method to provide insight into speculative design that informs and aids in approaching the contemporary territorial issues that landscape architecture seeks to address. The conflicts and controversies surrounding the landscapes of the “Nuclear Highway” system of the United States are made visible through a graphic novel format. The research visualises alternative realities in which projects actually proposed by the US government that were not carried out are implemented. The narratives provide perspectives from both the landscape and its occupants of how such dramatic infrastructures and policies, if implemented, would play out. Novel economies, infrastructures, and technologies are generated to cope with and adapt to the newly defined realities of the post-atomic age. The work intends to address methods of presenting design research that move beyond written and verbally dominated modes into spatial formats. The nuclear highway — through its scales, ecologies, economies, technologies, and geographies — is leveraged to legitimise speculative design and storytelling as modes of operation for furthering research and intervention in the field of landscape architecture.
David Batchelor’s latest series of drawings (2012–13) disrupts October’s orderly monochromatic universe with circles, triangles and rectangles of brilliant transparent colour and planes of opaque black. Drawn over every page of October No. 1 (summer 1976), his varied abstract compositions interrupt the intended ‘textual clarity’ of the journal with a carnivalesque play of form and colour.
Drawing upon Batchelor’s unique visual language and the colours found in the modern city, the works in this artist project are reprinted to actual size and collected in full for the first time in this volume.
This series of works formed a major part of the exhibition Adventures of the Black Square: Abstract Art and Society 1915–2015 at Whitechapel Gallery, London (15 January–6 April 2015).
“A beautiful coffee table book you will actually read from cover to cover, over and over again.” — Homes & Gardens
“Blue Carreon’s latest book, The Gardens of the Hamptons, takes us behind the hedges into some of the East End’s most spectacular properties.” — Hamptons Cottages & Gardens
” …With richly hued photography and evocative storytelling, Carreon artfully reveals the soul of each garden, unearthing the personal philosophies of the owners behind the blooms.” — Modern Luxury
The Gardens of the Hamptons is an awe-inspiring collection of vibrant, luxurious, full-colour photography amid personal profiles of individuals who have shared the story behind their private garden with lifestyle writer and photographer Blue Carreon, who is also the author of bestseller Equestrian Life in the Hamptons.
The Hamptons is a well-known destination for sunshine, luxury, and fun, especially during the summer. This book embraces the well-established, beloved, and aesthetic qualities of the glorious Hamptons communities by showcasing over 50 wonderful examples of lush gardens, ranging from bespoke private oases to public offerings and also larger garden estates, inspired by renowned gardens overseas.
Each individual speaks of their personal interest and purpose when envisioning and designing the garden of their dreams. Blue effortlessly conveys each gardener’s sense of pride and the reasons behind the choices of landscape design and architecture, as well as colour scheme and flora selection—whether the garden be the source of an intimate escape or a space to activate family laughter and glee.
Blue captures the heart of the Hamptons by showcasing the friendly people and elegant portraits of nature at its best.
For ten years, Abbie Zabar – artist and bestselling author of The Potted Herb – had unique early-morning access to the Great Hall at New York’s Metropolitan Museum of Art. Each week, from 1994 to 2004, she drew the magisterial bouquets that adorned the soaring neoclassical entrance to one of the world’s most visited art institutions.
Published for the first time, Abbie’s exquisite colour pencil drawings of these floral masterpieces are presented in a beautifully fashioned gift book. Each drawing showcases her signature flair, her understanding of botanical elements, and her subtle use of colour. Whether a Christmas arrangement with magnolia leaves, red berries and flyaway branches, or a summer fiesta of palm leaves, red hot pokers, and birds of paradise, in the hands of their secret chronicler, these floral arrangements are alive with all the beauty and joy of nature. A timeless treasure for patrons of the museum; anyone drawn to florals and botanical art; gardeners and long-time fans of Abbie’s work. The perfect gift for any occasion.
If Richmond VA represented the historic heart of the Confederacy, then Monument Avenue was meant to memorialise its soul. The avenue was conceived in the 1870s, when the city elected to build a memorial to General Robert E Lee. It was not until 1890, however, that the massive monument was unveiled. Over the succeeding decades, Lee was joined by statues commemorating other leading Confederate military and political figures – JEB Stuart, Jefferson Davis, Stonewall Jackson and Matthew Fontaine Maury.
Almost from the moment they were erected, the Confederate monuments, as symbols of white supremacy, were the focus of controversy and protest. The climax came in the summer of 2020 when Black Lives Matter protesters, outraged by the death of George Floyd, converged on the avenue to vent their fury. On July 10th, Jefferson Davis was dragged from his pedestal. Two days later, Brian Rose packed up his cameras in New York and drove back to his home state to document the last days of the grand boulevard of the Lost Cause. En route, he reflected on his own history and the roles played by his forebears in the Antebellum South.This new edition of a classic book captures a pivotal moment in modern American history.
In the last quarter of the 19th century, the Netherlands was a popular travel destination for artists. The American artists Gari Melchers and George Hitchcock visited the country in the 1880s. In 1884, they settled in Egmond aan Zee, then little more than a small, isolated fishing village. There they painted the life of the people and the landscape. Melchers soon garnered international success with The Sermon, while Hitchcock caused a furore with A Tulip Field. The presence of Melchers and Hitchcock in Egmond exerted a great attraction on professionals. A large crowd of artists travelled to Egmond, especially after Hitchcock in 1891 started his summer courses, which attracted remarkably many female artists. Among the artists who worked there were James Jesuba Shannon, Henri Moret, Florence Upton and Letta Crapo Smith. Longing for Egmond offers an overview of the developments in the Egmond artist colony and the key role played by Hitchcock and Melchers fulfilled there.
RHS Botanical Illustration: The Gold Medal Winners collects outstanding examples of botanical illustration from around the world, all of which have been awarded prestigious gold medals by the famous Royal Horticultural Society. This new updated and extended edition includes all new gold medal winners from 2019 to 2024, with an additional 29 stunning works from 14 new and accomplished artists.
The RHS only award their gold medal to the most outstanding artists, encouraging the international artistic community to perform to the highest standard for the RHS annual exhibition, now held at the Saatchi Gallery in London, which runs for six weeks every summer. This gold medal is a highly coveted testament to an artist’s abilities, and the illustrations gathered in these pages demonstrate great attention to detail, masterful colour work and outstanding technical skill.
Insightful commentary on the artists’ creative process accompanies each picture. The perfect book for the lover of horticulture, as well as an excellent reference both for botanists and aspiring artists, this collection also includes an updated introductory essay that delves into the history of the RHS.
“Rife with main character energy, authenticity and playfulness, here’s where to book on your next American road trip …” — The Gloss
“a love letter to America’s charming motels” — Evening Standard
“dreamily escapist” — Elle Decoration
“The design of the book itself echoes the period without slipping into kitsch – it feels sleek, collectible, and, like its subject matter, built to last.” — Amateur Photographer
“a perfect primer for this year’s summer holiday destinations” — Loupe Magazine
A nostalgic road trip through America’s most charming motels—revived and reimagined. Vintage Motels showcases 40 historic motels across the USA, each transformed into an inviting boutique hotel while honouring its past. Through rich storytelling and stunning photography, this beautifully designed hardcover book captures the spirit of these mid-century roadside gems. Each motel is featured across 4 to 6 pages, with a detailed narrative (500 words) and a mix of archival and contemporary images. Perfect for design lovers, travellers, and history enthusiasts, Vintage Motels is an inspiring tribute to the golden age of American road travel.
“Amazing images expose inner world of mind-blowing plants and fungi” — New Scientist
To pay homage to sacred plants revered by Indigenous groups throughout the Americas is a way of honouring the entire world in a time of environmental emergency. The visual contents of this book magnify life in ways that may alter how humans perceive other living entities from our shared and threatened biosphere.
Some of these plants contain the most potent psychoactive agents on the planet and serve as intermediaries that have enabled Native communities to communicate with their ancestors, wage war on the enemies of their land and their traditions, conceptualise entire cosmogonies, and maintain a nearly impossible ecological equilibrium.
Each exquisite detail in these vital portraits is not only a way into previously unseen vegetal realms, but also a potential way out of our collective crisis.
“Then the voice from nowhere carried on talking about Munch, like my mother of all people knew about Munch, like she knew I was looking at a picture right now, like she knew about the power crisis and the international unrest and the climate ruination in a world she’d left thirty years ago. Like she knew it all.”
In Ali Smith’s So in the Spruce Forest, the author’s deceased mother returns as a persistent voice, intent on sharing with her daughter insights into Edvard Munch’s intense renderings of trees and stones charged with life. Through an imaginative essayistic format, Smith weaves together probing visual analyses, personal stories and reflections on ecology and politics, linking Munch’s art to both the present moment and other realities.
This book is a compilation of four decades of pictures taken in places familiar and remote. It is entirely of the film era and ends with the 20th century. In Jeffrey Heller’s 20s and 30s, he had two professions—he was working as an architect as well as a professional photographer, burning the candle at both ends. He had briefly studied with Ansel Adams and for a year with Minor White. In his mid-30s, he realised that he could not continue both professions and decided to make architecture his primary calling and photography his artistic outlet. This freed Heller to photograph as he wished, and he took his cameras with him wherever he went, whether the travel was vacation or business he would make time to photograph. Heller always used professional equipment and took his photography as seriously as his architecture. Heller worked with his wife, a photographer and artist herself, and went through probably 2000 images to select the ones for this book. The book is from a wide range of places, but the emphasis is on the image and not the place. The photographs are an impression in time and character and visual content.
Barefoot Living invites you to kick off your shoes and ground yourself, not just literally but metaphorically. In this book, Natalia Swarz explores the concept of barefoot living through her personal lens, exploring the destinations where she has found herself living her best unrushed life: the Mediterranean coast, island life, the countryside, Latin America and in the city. The pages are filled with inspirational photography and interviews, inviting you inside homes, guest houses and boutique hotels belonging to those who are embracing a barefoot, slower pace of life. This book aims to inspire you to live a more mindful life, starting with your own home.
Supergraphic Landscapes explores contemporary public art and creative placemaking strategies that amplify identity, access, and belonging in public spaces. The book catalogues, analyses, and speculates on urban design methodologies that position networked strategies of graphics in the built environment.
In summer 2020, in response to the murder of George Floyd and the national reckoning with systemic racism, community groups in Chicago and nationwide rallied to create large-scale, typographic street murals affirming “Black Lives Matter.” Street murals like these provide a point-of-departure and motivation for the emerging interdisciplinary design praxis that the authors describe as “Supergraphic Landscapes.” By mashing-up strategies at the intersection of architecture, graphic design, and landscape architecture, Supergraphic Landscapes explore how urban-scaled graphics and creative placemaking techniques enact more culturally-relevant public spaces and social infrastructures. Challenging the notion that public art exists to merely “decorate” the city, Supergraphic Landscapes argues that particular strategies of contemporary public art empower architects and urban designers to re-structure the city’s deep-seated organisational and operational patterns.
Swiss Art Brut 1945–2026 is being published to coincide with an exhibition celebrating the 50th anniversary of the Collection de l’Art Brut (Swiss). It brings together a wide range of works from the Lausanne museum’s collection that were created by Swiss artists or artists who worked in Switzerland. With Switzerland as the common thread, this publication and the accompanying exhibition highlight the close and lasting ties between the originator of the concept of art brut Jean Dubuffet and this country. Indeed, it was this close bond that led him to donate his collection of outsider art to the City of Lausanne in order to ensure its preservation and the public’s access to it.
The book includes a foreword by writer Metin Arditi and a presentation by Sarah Lombardi, director of the museum and curator of the exhibition, followed by Jean Dubuffet’s own handwritten notes recounting his trip to Switzerland in search of extra-cultural works in the summer of 1945. This previously unpublished document is reproduced here in facsimile. Other authors provide further analyses of the works: Michel Thévoz, the museum’s first director; Lucienne Peiry, who succeeded him until 2011; Andreas Steck, president of the Aloïse Corbaz Association; and Astrid Berglund and Eleanor Philippoz, respectively curator and outreach coordinator at the Collection de l’Art Brut.
For 66 years now, Cartoonfestival Knokke-Heist in Belgium, the oldest in its kind in the world, has been calling on the international cartoon community to submit their best work for the international cartoon contest Golden Hat. Successfully so, because each year the call results in a wealth of cartoons. Some are hilariously funny, others cleverly sharp.
Cartoons 2026/2027 collects the hundred best cartoons of the past contest in one book. It is the accompaniment to the yearly Cartoonfestival during the months of March, April and May, in Knokke-Heist in Belgium. Cartoons 2026/2027 is a sought-after book for avid cartoon fans and the mix of styles and themes will appeal to anyone with a love of the genre. This year, the cartoon book was given a new look, so that it can face the future all refreshed.
For Guilty Grounds, Dutch photographer Steffi Reimers travelled to Calabria in southern Italy. There, she explored the dark side of Calabrian history and the origins and kidnapping practices of one of the world’s most powerful criminal organisations, the ’Ndrangheta. She reveals the landscapes of the Aspromonte National Park as silent witnesses to the pervasive influence of the ‘Ndrangheta. Landscapes that were once pristine and peaceful now resonate with memories of events that have left their mark, subtly breaking the omertà’, the sacred code of silence, so central to the ‘Ndrangheta’s power.
This book shows Reimers’ images, but also tells the stories of the ’Ndrangheta’s victims and their family members. Often, their bodies were never found and are presumed to have been buried, destroyed, or fed to animals in Calabria’s unforgiving wilderness. And apart from that, Antonio Nicaso, an expert on organised crime and co-author of Blood Brothers, also tries to outline the context in which this all happened. Finally Reimers tells her own story, the story of a young woman – a forensic photographer by day, but first and foremost an artist. While inspired by real events, her work is an artistic exploration, a personal and imaginative response to Calabria’s dark history. Throughout the process, she encounters obstacles that complicate her attempt to shape this story visually, foregrounding the tension between lived reality and artistic interpretation.
In Belgium, only the Spa-Francorchamps circuit can rival the history and prestige of the Chimay layout. Created in 1926 with the very first Grand Prix des Frontières, this road circuit has, over the decades, become a must-see event for lovers of speed, competition and pure emotion. On the winding roads of the “boot” of Hainaut, the greatest names have shone: Jacky Ickx, Didier de Radiguès, Paul Frère, the Pilette brothers, Lucien and Mauro Bianchi, as well as two-wheel giants such as Giacomo Agostini, Barry Sheene, Phil Read and Johnny Cecotto. Chimay has also welcomed Emerson Fittipaldi, James Hunt, Henri Pescarolo, Derek Bell, and even some unexpected figures such as Mister Bean and Christophe Dechavanne. Today, the spirit of the circuit remains intact: Supermoto in spring, Classic Bikes and the Open Trophy in summer, not to mention the spectacular European Bug-In, which draws thousands of Volkswagen and Beetle enthusiasts to Chimay every year.
Text in English and French.
In his photographs, Volker Schrank removes confessionals out from the sacred space from which they originate. Set against monochrome backgrounds in bold colours reminiscent of medieval stained glass windows, they appear at once familiar and distant. But a confessional—however abstract and detached its depiction—is not merely a piece of furniture, but a place deeply charged with emotion. In Schrank’s pictures, confessionals become ethereal objects, imbued with stories and experiences that go far beyond their function as the venue for admissions and absolution. The confessionals from around the world photographed by Volker Schrank are eloquent in their silence. What those who voluntarily sought them out or were compelled to do so said, confessed, or experienced within them remains their secret.
Text in English and German.
111 Places in the Cotswolds reveals an England of rolling hills, gurgling streams, timeless villages and unexpected stories. Which place did William Morris call “Heaven on Earth”? Where can you channel Provence in summer? Where are stones said to be petrified geese, and which hill is home to 18 species of rare orchid? Awarded Area of Outstanding Natural Beauty status, the Cotswolds are celebrated for their landscapes — but their true charm lies in the human history scattered across them. From Neolithic standing stones and Roman mosaics to farms harvesting nature’s best produce and villages that have barely changed in centuries, this guide uncovers the places and people that have added to the region’s allure. With 111 surprises, legends and historic discoveries at every turn, no day exploring the Cotswolds is ever without something amazing — or, at the very least, a very decent pub lunch.
For over 30 years, Paolo Pellizzari, a Belgian photographer of Italian origins, has observed and described the shared spaces of contemporary times. Its sweeping panoramas capture squares, beaches, crowds, and places of passage, transforming them into settings in which the individual —alone or among others— becomes the protagonist of social dynamics.
Halfway between documentary photography and artistic research, his work combines formal rigor and attention to detail, in dialogue with the tradition of the German School. Each image is constructed as a dense, layered field of view, where the gaze can be lost and found again.
Like a contemporary flâneur, Pellizzari traverses public space, capturing its invisible choreography. His photographs precisely and sensitively question the relationship between the individual and the community, conveying the complexity of the contemporary world.
Text in English and French.
Soho, Streets of Light collects the best of John Ingledew’s pictures of London’s Soho. Since the late 1970s, photographer John Ingledew has documented the changing face of Soho, picturing its people and the nightclubs, music venues, pubs, dives and stores, the market, the restaurants, cafes, clip joints and strip clubs that have made it the capital’s most famous and infamous neighbourhood. These pages present a visual record of Soho, in black-and-white and vivid colour, capturing the highs and lows of this irrepressible locale as it rolled with the punches through the late 20th century and beyond. Following in the footsteps of Frank Norman and Jeffrey Bernard’s legendary book, Soho Night & Day (republished by ACC Art Books in 2024), Soho, Streets of Light strikes a celebratory tone, inviting the reader to immerse themselves in this most boisterous corner of the UK’s historic capital.
100 Maps of Finland is a work of that is a combination of fact and fiction about Finland. The author uses the maps to invoke the ancient practice of visual narrative as a story-telling medium. It is also a cartographic and textual study of alternative ways to approach a selective history of Finland. Digital and analogue drawings and texts explore a range of cultural geographies of that incorporate Finnish mythology, history, fictions, and other stories. derived from author-constructed maps, and texts of maps, stories, and reflections built up over 25 years of work in Finland.
This book was created on the occasion of Parrot Pavilion, Triennial Kortrijk 2024: After Paradise (29 June 2024 – 6 October 2024). In the summer of 2024, the author invited 220 of his friends artists to contribute to this publication by sending him their ‘parrot-themed speech bubbles’ through the mail.