Angry, outrageous, defiant, and courageous are some of the words that describe the American Abstract Expressionist artist Lee Krasner (1908-1984) – the subject of this very personal memoir inspired by Ruth Appelhof’s 1974 summer with her in East Hampton, Long Island. Best remembered by many as Jackson Pollock’s widow, she is regarded more by ‘art-world insiders’ as the producer of a major body of work that influenced the evolution of contemporary art – in particular, that made by women in the 20th and 21st centuries. As a scholar and a friend, Appelhof re-examines Krasner’s contributions in light of the intellectual and emotional experiences that she so candidly shared with her in weeks of interviews. In addition, Appelhof explores Lee Krasner’s relationships with others – friends, art-world luminaries, artists, and other ‘summer sitters’ allowed into her private sanctuary – through interviews. Those recollections will offer a window into the artist’s intense and idiosyncratic personal life as well as into her contributions through the groundbreaking work she produced over the course of more than six decades.
Contents: Prefaces by Helen Harrison, Director of the Pollock-Krasner House and Study Center, and Barbara Rose, Art Historian and Critic; Chapter 1: Driving Ms. Krasner; Chapter 2: The Tapes: Fact or Fiction; Chapter 3: Cards on the Table; Chapter 4: Swing of the Pendulum; Chapter 5: Summer Sitters; Chapter 6: In Spite of Herself.
Published to accompany the Lee Krasner Retrospective at the Barbican Art Gallery, London, fromThursday 30 May-Sunday 1 September 2019, and at Schirn Kunsthalle, Frankfurt, from Thursday 10 October 2019-Sunday 12 January 2020, and at Zentrum Paul Klee, Bern, from Friday 7 February-Sunday 10 May 2020, and at the Guggenheim Bilbao, from Friday 29 May-Sunday 6 September 2020.
In summer 2012, Architects Group Krokodil, a group of Zürich-based architects from various firms with a special interest in urban planning, published the book Glatt! Manifest für eine Stadt im Werden. This manifesto for a bold vision of future urban development of the Glatt valley, a suburban region north-east of Zürich, has been widely reviewed in the professional and public media in Switzerland and Gemany. Based on this book, participants of the 2012 International Summer Academy Zurich, staged by ETH Zurich and Architects Group Krokodil, focused their work on projects and visions for the Glatt valley area. Studio work of the students from 33 countries was complemented by evening lectures on specific subjects and aspects and also critically discussed. Glatt! From Suburb to City? presents the results of the 2012 International Summer Academy. It comprises an overview of the lecture series and in the second part documents the studio work created during the course. An encyclopedia on the topic rounds out the new book.
In the East Falls neighbourhood of Philadelphia, just beyond the northern boundary of the Thomas Jefferson University’s East Falls campus, stands the Hassrick House (1958–61), designed by celebrated architect Richard Neutra, an icon of mid-century modern style. Often described as an East Coast interpretation of California Modernism, the Hassrick House is one of only three buildings designed by Neutra within the city limits.
Thomas Jefferson University’s relationship with the house began in the summer of 2015 when Andrew Hart, assistant professor of Architecture in the College of Architecture & the Built Environment initiated a series of summer courses to study the house. The first multidisciplinary group of students engaged in architectural survey, drawing, and photography. Subsequent summer courses refined the architectural drawings, following the Historic American Buildings Survey (HABS) and Historic American Landscape Survey (HALS) standards. Yet another student cohort undertook documentary research to uncover the history of the house and its occupants. Then owners George Acosta and John Hauser were supportive collaborators with students in this process. Neutra’s architecture and his relationship with the Hassricks – particularly Barbara who emerged as the primary client voice while the house was being designed – captured the hearts, minds, and imaginations of everyone who engaged with the house. As one student recalled, “We have all gotten swept away in the stories unfolding from our research.” In 2018, Hauser and Acosta sold the property to the university with the understanding that the house would continue to be used for educational purposes. In George’s words, “I had come to realize that the students can be the future custodians of that home. They can be the eyes. They can be the archives. In a way, it becomes all of ours to share.”
This publication chronicles the students’ findings that shed light on Neutra’s design process, his collaboration with his clients, as well as the unsung role of Thaddeus Longstreth as Neutra’s proxy negotiator throughout the design and construction stages. During its approximately 63-year lifespan, the Hassrick House tells a saga of design, dwelling, neglect, restoration, and reinvention today as a laboratory for learning. In many respects, the history of the Hassrick House tells an important story of the modernist movement in the US, both regionally and nationally.
“In the depths of winter, I finally learned that within me there lay an invincible summer.” — Albert Camus
The artistic direction of the festival – Tim Clark and Walter Guadagnini – maintains the poetic vocation of last year, taking inspiration for the theme of the 2022 edition from a phrase by the great French writer Albert Camus. At a time of great upheaval, a moment of transition and growth that follows numerous extraordinary hardships and crises that have now come to define our era, Camus’s maxim gives us food for thought about the inner forces that drive us as individuals in what we do, in every moment of our lives. A principle that intends to shed light on another facet of human nature; the ability to push back against adversities, to not submit to momentary complications, and of course, courage, without neglecting to mention the ability to persist. The translation of these thematics into the language of photography, and, by natural extension, visual culture at large, focuses on the notion of resistance as well as the different potential reactions to the onset of a new reality.
Texts by: Walter Guadagnini, Joan Fontcuberta, Jitka Hanzlovà, Majoli, Mortarotti, Luis Cobelo, Fratelli Henkin, Anna Szkoda
Text in English and Italian.
“…one book captures it all, featuring over 100 artists in an unprecedented archive of photographs and exclusive commentary that pulls back the velvet rope on one of music history’s most misunderstood decades.” — Florida Weekly
“Adding even more sparkle than a disco ball are the dozens of photos of the era’s biggest acts.” — Newsday
“If you’re a fan of 1970s-era dance music, don’t miss the irresistible new book by Christian John Wikane and Alice Harris, …”— The Washington Blade
“…taking readers deeper into that history and shining a light on the artists who too often get left out of the story.”— Socialite Life
A Night at the Disco is a celebration of groundbreaking dance music from 1970–’79. An unprecedented collection of photographs of more than 100 artists, illuminating the styles and sounds from a decade that sparked a global phenomenon in music and culture. Exclusive comments from Donna Summer, Barry Gibb, Debbie Harry, Giorgio Moroder, founding members of CHIC, Labelle, The Trammps, Village People, Earth, Wind & Fire, and dozens more artists, songwriters and producers, offering fascinating insights that tell the stories behind the beats. From underground New York clubs to discothèques across the globe, A Night at the Disco illustrates how artists spanning soul, pop, disco, funk, jazz and rock defined nightlife during the 1970s and influenced popular music to the present day.
With a foreword by Verdine White of Earth, Wind & Fire, this is a real treat for music, dance and disco fans everywhere.
“To build a home is perhaps the most primal form of architecture. A place of complete particularity to human existence, houses both influence and incubate individuality. A house situates the fragile territory between container and creator, the house shelters day-dreaming, the house protects the dreamer, the house allows one to dream in peace.” (Gaston Bachelard)
“This selection of 20 houses by Patrick Tighe shows a diverse spectrum of work, all tied by a shared occupation of the west coast. His work highlights the dramatic variance that can exist within residential architecture, how each project has been approached organically and intuitively but held by the familiar siting among the smoke and goldenness of the late afternoon of time.” (Kerouac, Out/West)
In 2006, the book Historic Houses in the Engadin: Architectural Interventions by Hans-Jörg Ruch brought the name and work of this Swiss architect to international attention. His new book, with equally opulent design and again lavishly illustrated, now documents the entire range of his achievements over nearly twenty-five years. His oeuvre comprises private houses and multi-unit residential buildings, public buildings such as museums or libraries, as well as infrastructure designs. A focus of the firm’s work is the rebuilding and restoration of existing and in particular of historic buildings. Close-up – Ruch & Partner Architects 1994-2016 features all of the firm’s realised buildings and projects to date, including the restored historic houses in the Engadine with the careful and sensitive contemporary interventions that made his name internationally known. Each is presented with atmospheric photographs and selected plans that demonstrate the firm’s approach and concepts and with a concise text. A topical essay on Ruch’s architecture in context with his biography and the surrounding Swiss mountain landscape.
Photographer Mirjam Bleeker and stylist and designer Frank Visser have known each other for more than 20 years. During this time, they have travelled around the world together, often without a fixed plan, seeking adventure and beautiful houses. On their travels, they love to visit the homes and holiday retreats of some of the fascinating people they know, who live on or at the beaches of various oceans and seas. There, Mirjam and Frank make honest, sensitive photo reports of the houses or cabanas, and still lifes of details of the interiors, as well as wonderful images of the people and surroundings. In 2014, this led to the publication of At the ocean – Inspiring coastal houses and refuges. In 2023, by popular demand, Mirjam and Frank decided to team up again and explore brand new magical seaside locations to create a sequel: By The Sea. A unique book with an adventurous and dreamy look and feel, for lovers of interior design, but also for travellers and for everyone who likes to dream of a life elsewhere.
Coastal Bliss showcases the very best in contemporary coastal architecture and design. These 38 gorgeous vacation homes span the globe, from remote beaches in New Zealand to treetops in Costa Rica; from islands in Greece to dunes in South Africa; and from glamorous locations in the United States to some of the world’s best kept secrets in Portugal. Designed by leading architects, these homes range from minimalist pavilions to luxury houses. Each residence is illustrated with stunning full-colour photography and accompanied by insightful text that describes the architect’s approach to the design and how they drew inspiration from the context, climate, and clients. Coastal Bliss is an aspirational volume for architects, designers, design enthusiasts, travellers, and dreamers. It’s the perfect gift for those seeking inspiration for their beach house, interested in contemporary architecture and design, or who simply want to let their imagination run wild. Dive in and soak up the best and latest in contemporary beach houses in Coastal Bliss
Four years after the publication of the first A Home Away from Home, our fascination with exceptional private houses has only grown stronger.
The 30 distinctive guesthouses presented in this second edition share that spirit. They are places where architecture, landscape and hospitality come together naturally; places conceived not merely to accommodate travellers, but to make them feel that, for a few precious days or weeks, they genuinely belong there.
Some are deeply personal homes whose owners have opened their doors to guests. Others are remarkable architectural projects created around a particular landscape or way of life. There are houses shaped by the sea and others surrounded by forests, olive groves, vineyards or mountains; intimate retreats for two and generous residences made for families and groups of friends. What connects them is not a particular style or destination, but a certain attitude toward living. From a restored centuries-old house among the rolling hills of Tuscany to a secluded sanctuary surrounded by tropical vegetation in Sri Lanka; from the elemental beauty of a Cycladic island house overlooking the Aegean to a contemporary loft immersed in the energy of Athens, these homes show how wonderfully diverse the idea of a home away from home can be.
Architecture naturally plays an important role, yet these houses are not included simply because they photograph beautifully. The most memorable homes are those in which design becomes almost invisible once you begin to live in them. Natural light, tactile materials, open kitchens, shaded terraces, gardens and swimming pools become part of the rhythm of the day. Indoors and outdoors merge, the surrounding landscape enters the house, and carefully designed spaces encourage a wonderfully unstructured way of living.
This second volume of A Home Away from Home is not simply a collection of 30 beautiful guesthouses. It is an invitation to discover 30 different ways of living well. Each has its own identity, atmosphere and story.
The projects featured in Close to Home are within a 15-mile radius of where Louisville architect Michael Koch was born, raised, and has practiced for almost forty years. Educated at the University of Kentucky School of Architecture during the Dean Anthony Eardley era, where he was taught by Guillermo Julian de la Fuente, Peter Carl, Stephen Deger, Judith DeMaio, Clyde Carpenter, and Herb Greene, Koch has created a body of work in the Ohio River Valley that is site-specific and expressive, translating Kentucky’s regional idioms into a vibrant modernism. From airy houses that take advantage of Louisville’s Olmstead-designed parks and local materials, to structures that are strikingly adapted to the Ohio River floodplain, to church-inspired metropolitan projects, Koch’s buildings are a memorable part of the city’s landscape. Close to Home presents the award-winning achievements of his firm Michael Koch and Associates Architects, and introduces readers to the simple elegance of his designs and meaningful contributions he has made to the architecture of Kentucky.
With his book The Good Life, Iñaki Ábalos takes the reader on a tour of seven iconic 20th-century houses. Some of them were actually built, others merely imagined or film sets: Mies van der Rohe’s House with Three Patios, Martin Heidegger’s cabin in the Black Forest, the houses from Jacques Tati’s movie Mononcle, Picasso’s house in Cannes, the New York loft of Andy Warhol and the Factory, the self-build house from Buster Keaton’s movie One Week, the house in David Hockney’s painting A Bigger Splash.
Ábalos’s selection represents a variety of concepts for living. It is based on a clear archetypal assignment of a place to a particular modern way of living. He analyses each house from key philosophical points of view. He demonstrates relations between architectural concepts, philosophical schools, and various approaches to planning and designing, constructing, and inhabiting a space. Ábalos offers an intellectual introduction to these icons, rather than a manual for the design of residential architecture. He focuses on the 20th-century’s radical pluralism, rather than celebrating modernism as a triumph of positivism. This new and revised edition of this book, first published in 2001 by Gustavo Gili and out of print for many years now, makes the significant contribution to the perennial discourse on concepts of living available again.
Another Escape: Designing the Modern Guest House II, features a wide array of guest houses from around the world, highlighting the best of modern hospitality. Its projects offer architecturally interesting designs of predominantly reconstructed and restored buildings, set in beautiful and unique environments. A beautiful location is a vital criterion for a successful guest house. Humans are hardwired to enjoy two types of scenery: the lush and the novel. As cities become the default way of living for large swathes of humanity, we are beginning to place greater value on lush natural beauty. We all feel good in picturesque natural environments, be that walking in a sun-dappled forest, marvelling at snow-capped mountains, or watching waves breaking on pristine beaches. But the novel, the new, also moves us. In this richly photographed book you will find beautiful examples of guest houses that make the most of both the lush and the novel. From houses in Greece that are designed to frame spectacular views of the sea to the loft-style spaces in the heart of wooden alpine area in the ancient heart of Slovenia, the guest houses in this book feature striking architecture, tactile materials, and new typologies in luxuriant settings. Designer solutions extend beyond simple architectural models. This book provides in-depth narratives on refining interiors, such as best spatial layouts, colour palette ideas, unique lighting applications, soft furnishing options, and other design aspects. Each case study draws out detailed references on how to merge practicality with the motifs of nature and art for the perfect design combination: one that offers the user convenience, comfort, and a unique experience.
Guest houses can be found in nearly every corner of the world as urban and rural dwellers open their homes, or build new ones, to host visitors. These guest houses take a multitude of forms, styles, and even names – B&B in Britain, pension in France, minshuku in Japan, as well as being referred to as apartment hotels, boutique hotels, or hostels in some cases – but their primary goal is to satisfy the accommodation requirements and desired experience of the guests. In contrast to the ordinary hotel, guest houses combine unique and attractive features with thematic concepts that are intended to appeal to a visitor’s individuality. Hosts provide guests with more than just accommodation options; they seek to generate an environment that offers a cultural experience by means of personalised interaction and service.
On a conceptual level, the guest house addresses architecture and interior design as critical methods of contributing to an alternative or ideal lifestyle. Escape: Designing the Modern Guest House showcases 43 distinctive projects from around the world. These exclusive works have visual and spatial impact, representing the essence of new guest house design. This book highlights some of the most outstanding architectural strategies of recent years, displaying variations on spatial experience through the interplay of design elements. It provides strong reference material for design professionals and students in architecture, interior design, and related fields, as well as those looking to revamp their guest house accommodation with a contemporary 21st-century focus. Features guest houses in Italy, Taiwan, Japan, Vietnam, Thailand, USA, Chile, China, Portugal, South Korea, Spain, France, and Greece.
In recent years, guest houses have become exceptionally popular and attractive for people who live in the city but want to escape from the hustle and bustle. This book contains 42 case studies of guest houses. The book provides a professional analysis of the projects, accompanied with pictures of the projects. This book offers a good reference to anyone interested in guest houses, be it guest house owners or architects.
Graduated from Ecole Boulle and ENSAD, Henri Quillé (1928-2020), settled on the island of Formentera (Balearic Islands) in 1972. There, he built for a mainly international clientele 30 houses of great consistency and is part of both principles derived from vernacular know-how and in those of the great masters of modernity. He says to “pursue” the local architecture, in particular by making extensive use of the Catalan vault, reducing openings to protect against the heat, covering the exterior walls with a lime plaster and sand. A pioneer of ecological housing, he will build a dozen self-sufficient houses.
With the architects Felix Julbe and Raimon Torres, he collaborated on the regulatory plan and planning work on the island of Formentera from 1973 to 1976.
Combining plans, period photographs and contemporary shots, this book allows this architect and his houses to be given their rightful place in the history of 20th century architecture.
Text in French and Spanish.
From the highest skyscrapers of the world to the small blue and white houses in Santorini, Greece, the urban landscape of the world is an incredible journey that children can take while leafing through the pages of this wonderfully illustrated book. With more than 40 flaps inside, the little readers will be able not only to discover how many types of houses there are, but also to take a peek at the inside, learning about far away cultures in a domestic dimension. Ages 5 plus
This book brings together five vacation homes in Sweden designed by Stockholm-based architect Mikael Bergquist. Realised over more than two decades, they are all located in the Swedish countryside and rooted in the Nordic tradition of timber construction and the simplicity and economy of Sweden’s historic farm buildings. Bergquist’s great attention to detail and careful choice of materials characterise these houses. They are united also by a close relationship to the surrounding landscape and nature, which is enhanced as an experience by the concepts of movement and the placement of passages between the outside and inside.
The houses are documented with photographs as well as plans and sections. In his supplementary essay, Bergquist writes about the special position of working as an architect on the periphery of Europe. He draws a picture of Swedish architecture that is marked by what he calls “fruitful misunderstandings” of current movements, and one in which the poverty of the rural population has been a major factor in the evolution of the design and construction of dwellings.
“To build a home is perhaps the most primal form of architecture. A place of complete particularity to human existence, houses both influence and incubate individuality. A house situates the fragile territory between container and creator, the house shelters day-dreaming, the house protects the dreamer, the house allows one to dream in peace.” (Gaston Bachelard)
“This selection of 20 houses by Patrick Tighe shows a diverse spectrum of work, all tied by a shared occupation of the west coast. His work highlights the dramatic variance that can exist within residential architecture, how each project has been approached organically and intuitively but held by the familiar siting among the smoke and goldenness of the late afternoon of time.” (Kerouac, Out/West)
Open House discusses the topic of temporary housing in architecture, art, design and humanitarian aid. The phenomenon of tiny houses fascinates and is currently trending in various media. In times of large migratory movements from poor to rich countries there is also an urgent demand for temporary housing in many places.
Eighteen international authors explore the intentions behind such constructions, their underlying principles and the lifestyle they convey. Their contributions reveal how these concepts relate to the very notion of habitat, to space, to pragmatic criteria, as well as to the time in which they are elaborated. Moreover, addresses various issues of individual housing through the featured original installations, and spatial experiments.
Open House is published in conjunction with a two-year research project and an open-air exhibition of the same title in Geneva in summer 2022. Book and exhibition comprise around 40 designs by artists, architects, designers, architecture schools and research institutions, as well as humanitarian organisations, such as Andrea Zittel, EPFL Laboratoire ALICE, Global Shelter Cluster, Gramazio Kohler Research at ETH Zurich, Jean Prouvé, John Armleder, Kengo Kuma, Kerim Seiler, Matti Suuronen, Maurizio Cattelan and Philippe Parreno, the UNHCR, and others.
Text in English and French.
Nantucket: Classic American style 30 miles out to sea explores how the island’s classic New England nautical style is shaped by its rugged landscape, as well as the sport, art, and its inhabitants. The island’s tight-knit community of achievers and dreamers has created an enviable aesthetic that’s affected in equal measure by the people, its historic grey-shingle homes and the 14-mile-long island itself, its wind, sea, and wild landscape. This stunningly photographed book features portraits and environmental shots of summer residents and islanders in their homes and leisure pursuits across the island, and elements that shape their Nantucket style.
In Adriatico, the photographer Riccardo Fregoso (*1981) seeks out places where he spent vacations in his childhood and youth. For this, he travelled the coasts of the Abruzzo and the Molise, to then focus his gaze northwards to the Marche and southwards to Apulia. The Adriatic coast, which is an almost heavenly place in Fregoso’s memories, consists in reality of an endless stringing together of concrete buildings, which were hastily erected during the economic boom in Italy. In his photos, Fregoso captures the region shaped by mass tourism, with all its contradictions and its particular light. Adriatico is a homage to summer, the vacation atmosphere, and the photographs of Luigi Ghirri.
Text in English and Italian.
I travelled across Ukraine in August 2013, three months before the Maidan protests, without of course suspecting that this would be the last summer that this country would experience in its territorial integrity. The heat languished the cities. The beaches of Odessa or Crimea were crowded with Russian and Ukrainian tourists. But behind the carefree summer, we could already see the beginnings of the conflict to come. I brought back 73 films, i.e. more than 2,600 views, to finally select the 76 photographs that make up this book. – Thierry Clech
Text in English, French and Dutch.