An elegant photographic book highlights BFF’s new headquarters. Viale Scarampo, in Milan, saw the inauguration in 2025 of the BFF Banking Group’s new headquarters, a building whose transparent airiness and environmental and social sustainability ensure it provides an entirely original contribution to the city’s skyline. Designed by OBR (Open Building Research), the structure places the accent on the brightness of its interior and does not seek to compete in height with the skyscrapers of the nearby City Life district. The book is organised in a series of alternating photographs and text, drawing attention not only to the architectural features and the building’s functional characteristics, but also to the aim of creating a working environment that is intimately linked to its surroundings, in contrast to the traditional view of corporate architecture.

Casa BFF is not only the headquarters of a B2B bank, it is also a building that embraces the neighbourhood and the city as a whole, starting with the museum it houses, which is accessible to all and contains the BFF Collection of post-war Italian art. Here the visitor will find works by Valerio Adami, Franco Angeli, Enrico Baj, Alberto Burri, Lucio Del Pezzo, Lucio Fontana, Gianfranco Pardi, Mario Schifano, Arnaldo Pomodoro, Giò Pomodoro and Emilio Tadini. The Bank inaugurated the museum with an exhibition dedicated to Enrico Baj’s series of 40 etchings inspired by John Milton’s Paradise Lost. The book does full justice to the exhibition spaces, as well as to the works that hang on the building’s walls.

Text in English and Italian.

A sumptuously illustrated book exploring every nook and cranny of this legendary New York apartment house—its distinguished architecture, its extravagant decoration, its tumultuous history, and its storied tenants.

The Osborne, at 205 West 57th Street, was one of New York’s first luxury apartment houses; along with peers like the Dakota, it helped to popularise the idea of apartment living among New York’s affluent classes. A monument to the Gilded Age, the Osborne features a rusticated brownstone facade with both Romanesque and Renaissance motifs, and a foyer and lobby elaborately adorned with marble, mosaics, murals, gilding, and stained glass. Although many of its grand apartments were subdivided in the twentieth century, the Osborne has always remained a habitat for the interesting and influential, from advertising pioneer J. Walter Thompson and children’s-literature tastemaker Mary Mapes Dodge to composers and musicians such as Leonard Bernstein and Van Cliburn.In this handsome volume, Davida Tenenbaum Deutsch traces every stage of the building’s history. Through a close study of the primary sources—including the 1883, 1884, and 1885 contracts for the Osborne’s construction, reproduced herein—she upends the apocryphal story of the bankruptcy of its builder, Thomas Osborne, and shows how he was manipulated by his financial backer, John Taylor. She also brings to life the social history of the Osborne, reproducing such treasures as Tom Wolfe’s poetic tribute to the building on its 125th anniversary. A study of the building’s stained glass by noted expert Julie L. Sloan reveals the importance of the Osborne in the development of this art form in America, and establishes unequivocally that its stained-glass transoms were the work of Louis Comfort Tiffany. Deutsch and Sloan’s insightful text is illuminated throughout with original colour photography and archival illustrations, ensuring that this will be an essential book for anyone interested in residential architecture or New York history.

Charming Chalets invites you into an alpine paradise: the scent of freshly hewn wood, the crackling of the fireplace, crystal-clear mountain air, and a panorama that enchants the senses. Whether it’s an exclusive alpine hut, an elegantly designed luxury chalet, or extraordinary hideaways such as architecturally striking lodges and lovingly restored farmhouses – each featured home tells its own story of style, setting, and atmosphere.

Personal anecdotes, tips from the hosts, and insider recommendations turn this book into an inspiring journey through alpine chalet culture. Generous photo spreads invite you to dream – and awaken the desire to experience these places for yourself.

A Long View explores the award-winning residential design of Bohlin Cywinski Jackson through the lens of fifteen private residences across the United States and Canada. With a curated selection of homes completed between 2016 and 2026, the book tells the story of how BCJ’s work has evolved across a wider range of geographical regions and fresh material expressions, led by an emergent group of design voices within the practice who are carrying forward its ethos of humane, deeply collaborative design. The homes presented here exist in diverse settings: from a rustic retreat in the wilderness of Ontario to the transformation of an existing Pittsburgh home into a container for light; a home embedded in a sagebrush-covered butte in Wyoming to a delicate wood framed guest cabin on a remote island in the Pacific Northwest. Each resonates within its unique circumstances of client, place, and material. 

This cultural history of the great cafés of Europe and beyond will transport you to a world of heated debates, quiet observation, endless games of backgammon and heaps of political intrigue. On the menu are not only strong coffee, whipped cream and delicious cakes, but also the wise words of some of the most renowned café patrons, from Balzac to Hemingway. From the Ottoman coffee houses and London’s penny universities, to Viennese Kaffeehäuser and smoke-filled Parisian terraces, this book features the most important and historic establishments around the world. Chapters such as ‘Brewing Trouble’, ‘Northern Harbours’ and ‘Around the world in 8 cafés’ will trace the history of the café as a creative and intellectual hub; offer a guide to the best addresses to visit today; and zoom in on interesting elements, including the iconic bentwood café chair or the story behind the craze for absinthe, the Green Fairy.

Mediterranean coastal style has exerted an unparalleled influence on interiors and architecture throughout the world. Whether the iconic cobalt and white of the Greek Islands, the golden-age glamour of the French Riviera or the contemporary barefoot chic of Ibiza, the Mediterranean remains the undisputed benchmark for coastal living.

From the islands of Capri and Ibiza to the coast of Morocco and the Levant, Mediterranean House takes readers on a stunning photographic journey through the region’s most beautiful and stylish coastal homes, told through interviews with leading interior designers and architects. Explore the legendary Tangier retreat of Yves St Laurent, the clifftop houses of the Amalfi and the Modernist villas of the Balearics.

With over 250 large-format colour images in a beautiful cloth-bound edition, Mediterranean House is the canonical survey of the most stylish residences on the world’s most seductive sea.

Across the European Alps and the peaks of Montana and Utah to Japan, South America and beyond, a new generation of designers is redefining the idea of the mountain retreat. Eschewing the familiar tropes of rustic chalet style, these extraordinary homes combine sophisticated contemporary interiors with architecture that responds to the landscape – creating places of seclusion and escape in some of the world’s most dramatic natural settings.

Mountain House takes readers on a stunning photographic journey through the world’s most beautiful mountain escapes, told through interviews with leading interior designers and architects. Discover spectacular contemporary residences in the American Rockies, refined Alpine hideaways and the storied chalets of Gstaad, including projects by leading interior design studios such as Charles & Co and Portia Fox. From panoramic glass houses embedded into mountainsides to richly layered interiors of timber, stone and natural materials, these are homes conceived as much for year-round living as for the ski season.

With over 250 beautiful colour images in a large-format cloth-bound edition, Mountain House is a beautifully curated survey of a new era of mountain living, where architecture, interiors and landscape come together to create the ultimate modern retreat.

Jacques Couëlle (1902-1996) remains one of the most singular figures in twentieth-century French architecture, celebrated for his organic, sculptural approach that drew deeply on vernacular building traditions. This monograph traces his distinctive practice, from his fantastical stone villages at Castellaras le Neuf—where houses seem to grow directly out of the Provençal hillside—to his sensitive restorations of historic châteaux across the region. Blending curved walls, natural materials, and an almost anthropomorphic sense of form, Couëlle’s work defies easy categorisation, standing apart from the rationalist currents of his time. Beautifully illustrated and designed as a coffee-table book, this volume is written by Eléonore Marantz, a researcher at the Sorbonne specialising in twentieth-century architecture. Her text offers fresh insight into Couëlle’s singular vision, situating his work within broader questions of regionalism, craft, and organic architecture.

Text in English and French.

A sphere encrusted with reindeer antler tines, an intricate bone-laden tapestry and sculptural flora integrating domestic textiles are only three of the many works unveiled in this first ever comprehensive look at tactile works by Norwegian artist Aslaug M. Juliussen (b. 1953). Self-reflections upon her life and everyday experiences with the Arctic landscape shape the imagery in her work, as evidenced by her choice of materials and techniques. Juliussen explores materials that speak to culture and tradition in Northern Norway, and the Sami culture in particular.

The publication comprises engaging cross-disciplinary essays that illustrate the multifaceted aspects of Juliussen as an artist. Scholars from such diverse fields as biology, philosophy, gender studies and art history look at Juliussen’s art from multiple perspectives and thus enable a new dialogue on art in the context of a European indigenous culture. Published to accompany the exhibitions at Nordnorsk Kunstmuseum, Tromsø (NO), 20 October 2018-31 March 2019 and at Blaafarveværket, Modum (NO), Summer 2019 and at Anchorage Museum, Alaska (USA), Autumn/Winter 2019.

The 300 works of the Lotte Reimers Foundation showcase the wide spectrum and the diversity of modern ceramic art. The works by 115 international artists, from classical vessels to free sculpture, are to now permanently move to Friedenstein Castle in Gotha, giving rise to this comprehensive publication. As a former gallerist and museum director as well as passionate ceramicist, Lotte Reimers is profoundly grounded in the material and with her unmistakeable flair has compiled this collection, which will now remain within the museum. Her engagement and life-long fostering of ceramic art makes her one of the most significant personalities in the European ceramic scene.

Text in English and German.

Pont-Aven has lent its name to one of the most famous schools of painting in modern art and is now automatically associated with Paul Gauguin and Émile Bernard. In 1888, in this Breton village in southern Finistère, the two painters set about inventing the features of a completely new style of painting: Synthetism. Breaking with academic orthodoxy and heavily influenced by Japanese prints, they introduced novel aesthetic principles distinguished especially by a belief in simple forms and the use of colour applied in large patches edged by a dark line. This approach further distanced itself from the art that preceded it in its taste for matt tones and the rejection of traditional perspective. This new book reveals to a wider public the important collection that Alexandre Mouradian amassed in only a few years. The collection reflects its creator’s great passion for the artists of the Pont-Aven group, as well as others in Brittany and beyond who embraced the new ideas of Bernard and Gauguin without ever losing their individuality. Whether in painting or printmaking, each of these was able to move beyond the imitation of observed reality to express the deepest aspect of his personality: his emotions. The works selected by the collector eloquently show the international reach of what was not strictly speaking a school, in the full sense of the term. Since the private Paris academies were closed during the summer, artists from all over Europe went to Pont-Aven and Le Pouldu to seek inspiration and ‘to dare’ like Gauguin. Written contributions by Jean-Marie Rouart of the French Academy and the author and art historian Adrien Goetz, are supported by detailed notes on the works by the museum curator Estelle Guille des Buttes, providing invaluable insights into this exceptional collection.

A new photographic exploration of Chicago, a city which attracts the visitor with its profoundly American character. The book presents over 100 photographs shot in Chicago between 2006 and 2011, mainly in black and white. Several aspect of this diverse city are shown. Starting from the most celebrated downtown areas, where so many movies have been shot making them familiar to the entire world, to the suburbs and outskirts of the city, each with its own personality and charm. Page after page, empty streets mix with the most solemn of buildings and the waterfronts; people who work and live here meet other people who come from the Mid-West to check out unexpected urban landscapes. And then there are a number of photographs dedicated to the world of Blues, from the many clubs where the Blues are played and lived each night, to the Chicago Blues Festival, the great late Spring event attended by an extraordinary and multifarious public, who are as much a part of the scene as the artists on stage.

Scotland has produced an astonishingly high number of men and women whose lives have inspired and changed the world. This book, illustrating just over forty portraits, represents only a few of them, but with Robert Burns and Walter Scott, Eric Liddell and Alex Ferguson, Bonnie Prince Charlie and Queen Victoria, it represents the flavour of the collection at the Scottish National Portrait Gallery.

Discover the life and work of Joan Eardley; one of Scotland’s best loved artists and a major figure of the post-war British art scene.

Joan Eardley was one of the best-loved Scottish artists of the twentieth century. Her observations of children in the back streets of Glasgow as well as her expressionistic drawings and oils of the elements on the north-east coast of Scotland have caught the imagination of the Scottish public. Eardley is cherished as a painter of the Scottish identity in both town and country, who had a unique ability to sum up a community and the timeless drama of the natural world. This book examines Eardley’s ouevre and its place in the international and British context.

It includes paintings and drawings from private collections and works from the collection of the Scottish National Gallery of Modern Art, which also holds the Joan Eardley Archive.

This book sheds new light on the work of German-born modernist architect Konrad Wachsmann (1901-1980) and his legendary knotted joints. It is based on years of research on Wachsmann’s work by Swiss architect Christian Sumi. At the core of this book is Wachsmann’s dynamic ‘Grapevine Structure’, a universal construction element developed with students in the early 1950s at the Chicago Institute of Design. The book also investigates the ‘Local Orientation Manipulator’ (LOM), an apparatus developed in 1969 by Wachsmann at the University of Southern California in Los Angeles that anticipated the robotic assembly of building components. Moreover, it explores Wachsmann’s ‘Packaged House System’ and his designs for relocatable hangars for the US Air Force. The book features these through concise texts and rich illustrated material, the majority of which are published here for the first time. Fabio Gramazio, Matthias Kohler, and Hannes Mayer (Gramazio Kohler Research, ETH Zurich) revisit Wachsmann’s ideas from a contemporary perspective where robotic building processes become increasingly common. An essay by neuroscientist Andreas Burkhalter looks at the phenomenon of knotted joints in the context of similar structures in the human brain. Architectural historian Marko Pogacnik highlights the significance of Wachsmann’s lectures at the Salzburg Summer Academy in the late 1950s. Published to accompany the 16th International Architecture Exhibition of the Venice Biennale, 26 May – 25 November 2018.

Lower Austria is not only the country’s largest federal state, its beautiful and varied landscape also makes it a popular tourist destination. Many of its pretty towns and villages are only a short journey from Austria’s capital Vienna. This new architecture guidebook features a vast selection of significant buildings from the late 19th and early 20th century in this region. Arranged by typology, they are documented with historic and new photographs, plans, brief descriptions and key information. The seven decades between the Austrian revolution in 1848 and the end of the Great War in 1918 were a period of fundamental changes in society, politics, economy and technology that also had a major impact on architecture and construction. Between the accession of Emperor Franz Josef I and the fall of the Austrian-Hungarian monarchy, manorialism was abolished; public administration on all levels of state was modernised and created a whole new social class of civil servants; the construction of railways and industrialisation brought an unprecedented economic boom; and escaping the crowded metropolis for a summer house in the countryside became fashionable among the aristocrats and the nouveaux-riche. Many of the famous Vienna-based architects of the time were commissioned with designs for all sorts of public and private projects also in provincial towns and villages. Text in English and German.

Norman Ackroyd CBE RA has spent over four decades recording the coastal landscapes of the British archipelago. All his watercolours and many of his etchings are executed en plein air, mainly from chartered boats chosen for their skippers’ local knowledge and expertise in landing on the more remote rocks and islands. These journeys, which can last up to fourteen hours, are the result of extensive reading and research. A Shetland Notebook contains 39 watercolours selected from several journeys to the edges of Shetland in the spring and summer of 2012. From the verdant flora of the southern isles to the rugged northern cliffs of Unst and Esha Ness, the book paints a vivid portrait of one of the most intriguing yet inhospitable corners of the British Isles. Each sketch is accompanied by a brief but engaging commentary by the artist.

Born as the youngest of a poor Swiss farming family’s seven children, Adolf Dietrich (1877-1957) supplemented arduous farm work and various jobs in a textile mill, as a woodcutter, and railway worker, with art. Gaining increasing recognition in Germany and Switzerland, his participation in the exhibition Les maîtres populaires de la réalité in Paris, Zürich, and New York in 1937-38 marked his breakthrough internationally. Until today, Dietrich’s work is regarded by some as a prime example of 20th-century naïve painting, while other scholars place him closer to the post-expressionist movement of New Objectivity.

For the first time in nearly sixty years, Dietrich’s work has been shown in a vast retrospective at Kunstmuseum Olten in Switzerland, in summer 2015 in which his pictures were accompanied by paintings of artists such as Cuno Amiet, Otto Dix, Giovanni Giacometti, Ferdinand Hodler, Henri Rousseau, or Félix Vallotton. This coinciding new monograph is richly illustrated in colour throughout, featuring some 160 works by Dietrich and the other artists. The essays contextualise his art and highlight Dietrichs’ lasting significance.

Text in English and German.

As an effect of the recent economic and financial crisis in the USA, a vast number of people have suddenly lost their jobs and income and often also their home. Many of them still live in their cars or even just in the streets. In spring 2007, the young Swiss photographer Eberhard began talking to some of these homeless people and invited them to his studio to take a portrait of them. He paid them a fee and built a relationship with these individual personalities that can be traced in his photographs. Eberhard’s In Good Light series shows a sensitive and respectful approach to difficult situations of life in which these people find themselves, in most cases through no fault of their own, sometimes by their own choice. They are impressive personalities who have kept their dignity and show great power despite the struggle of living on the edge of society. Eberhard’s images are complemented in the new book by an introduction by curator Karen Sinsheimer and a literary essay by the celebrated German novelist Bernhard Schlink. Text in English & German.

Marcel Gautherot (1910-96) is regarded by many as one of the most significant French photographers. Yet his work is relatively little known and even less published. The most famous part of his work is the body of some 3,000 images documenting the construction of Brasilia 1958-1960. This, and other images he took of this extraordinary place until the 1970s, is widely appreciated as a high point of 20th-century architectural photography. Gautherot began an education in architecture but very soon took up photography as well. He travelled extensively in France and abroad and visited Brazil and Peru for the first time in 1939, before being drafted into the French army on the outbreak of World War II. Upon demobilisation in summer 1940 he returned to Brazil and made Rio de Janeiro his home for the rest of his life. The new book Marcel Gautherot: The Monograph is the first ever comprehensive book on Gautherot’s entire work as a photographer. It features some 200 of his striking pictures from all stages of his career, superbly reproduced in tritone printing. The images are complemented by essays on his affinity for modern architecture, his contribution to the history of photography, and on his attachment to Brazil.

This new book, published to coincide with an exhibition at Kunsthaus Zürich in summer 2017 offers an overview of the development of Mexican graphic art between the late 19th-century and the 1970s, ranging from figurativism to early abstract works. It features around 50 key works on paper, printed using a range of techniques, that deal with issues such as poverty and wealth, love and cruelty, and the poetry and hardships of everyday life. In addition to prints by José Guadalupe Posada, there are characteristic Realist works by Leopoldo Méndez, Diego Rivera and David Alfaro Siqueiros as well as abstracts by Rufino Tamayo and Francisco Toledo. Revolutionary ideas and engagement with socio-cultural and socio-political concerns play a key role in the history of Mexican art. The members of Taller de Gráfica Popular, a people’s graphic art workshop established in 1937 by a collective of international artists in Mexico, produced flyers and posters for the masses supporting trade unions, popular education and socialist issues in the country. Their editions exemplify the typical Mexican tradition of black-and-white woodcuts and linoleum prints. The images depict Mexican life and the customs and characteristics of its indigenous populations, but also include the country’s first forays into abstract art. The images are complemented by an introductory essay and brief texts on the artists and featured works. The Mexican Graphic Art exhibition runs from 19 May to 27 August 2017, Kunsthaus Zürich.