“The book serves as both an inspiration and an invitation for progress, underscoring the urgent need for social justice through inclusion” — D5 Mag
GREATNESS: Diverse Designers of Architecture is a compelling exploration of the contributions of diverse architects to the field of architecture. This book delves into the essence of various architectural typologies, including residential, institutional, and master planning, through the lens of designers from varied backgrounds. It highlights the historical evolution of these typologies and their impact on urban planning and architecture, reflecting a wide range of lifestyles, cultures, and socio-economic backgrounds.
The book addresses the darker aspects of architectural history, such as housing injustice and redlining, while also celebrating the healing power of design in fostering community well-being and environmental sustainability. It emphasises the importance of community-centric approaches in residential design and the role of architecture in shaping equitable and sustainable environments.
Featuring global projects, the book showcases how architects and designers worldwide address unique challenges and opportunities, enriching our understanding of architecture’s role in shaping human lives. GREATNESS: Diverse Designers of Architecture is a call to action for architects and designers to create inclusive, sustainable, and responsive environments that foster community, dignity, and a sense of belonging for all.
Context and time largely determine the work of Berlin-based Swiss artist Dunja Herzog. With strong connections to Africa since childhood days, she has had repeated extensive stays in Cameroon, Nigeria, and South Africa over the past two decades. Naturally, Herzog’s art explores various cultural concepts. She constantly questions the concept of authorship and examines artistic attitudes from different perspectives. Equally important to her art is her fascination with materials and craftsmanship as well as a deep interest in social conditions and the streams of finance between Global North and South.
This first monograph on Dunja Herzog offers a survey of her work since 2004. It highlights the key role that the materials she uses for her sculpture play as carriers of history, and how essential collaborations are in her creative process. The essays and illustrations demonstrate the evolution of Herzog’s art over time and in various contexts, and reveal the possibilities for further development it bears.
Text in English and German.
With over 200,000 copies in print, the How Artists See series has introduced thousands of children to the timeless visions of some of the world’s most celebrated artists. Now all twelve books in this remarkable series are available in boxed sets of four and six volumes, making it easy for parents, grandparents and teachers alike to build a meaningful art library designed especially for young minds.
In How Artists See children learn about the world by looking at art and about art by looking at the world. Each volume presents sixteen diverse works of art devoted to a subject familiar to children through their own experience, organized into four subcategories for better comparison and contrast. Author Colleen Carroll engages readers with open-ended questions about the works, stimulating their thoughts, building their visual literacy and communication skills, and expanding their own artistic imaginations. For children curious to learn more about the artists featured, short biographies are provided at the end of each volume, along with suggestions for further reading and a list of museums where the artists works can be seen.
Handsomely packaged in sturdy slipcased sets, these classic books make ideal gifts for the home and essential resources for the classroom. As teaching tools they are especially versatile, being readily adaptable to grades K-6 and intersecting with disciplines as various as literature, history, science, and social studies through the many activities detailed in the series Teachers’ Guide (available separately). Whether poring over Matisse’s goldfish, Jacob Lawrence’s Olympic athletes, or Hiroshige’s moonlit cityscapes, readers of How Artists See will delight in discovering how the world can be transformed by great artists’ creativity—and their own.
Sculptures of Stones by Ronny Delrue depict female statues that are either made of bricks or covered with masonry-like patterns. They form a critical riposte to the heroic male statues of former leaders that are scattered around our cities. Furthermore, the forms also broaden our prior knowledge of the depiction of figures in the public sphere. Sculptures of Stones shows drawing to be a form of spontaneous expression. It offers an alternative to the all-pervasive means of instant communication that govern the world today, namely digital tools and social media systems. Delrue’s drawings are both action and representation. Unlike the electronic devices, a drawing redeems the option of an unmediated, direct action and reflection in and on the world. It re-positions the function of the artist as a free, sovereign subject, who touches the world and is ready to participate and influence history.
English, Dutch and French.
Chus Burés creates miracles. Each piece of jewelry that emerges from his workshop boasts a complex genesis, stemming from an intersection between his genius-level thought processes and his maverick lifestyle. From exploring the versatility of buttons, to accentuating the geometric planes of the human body (Infinity Lines, 1990), and using minerals to emulate and exaggerate human features (seen in the striking ‘Mae Nam’ Collection of 2000), Burés’ work is always perplexing, always stimulating, and always innovative. He refuses to be cowed by convention, and delights in challenging his clients and models. The bodily focus of his work makes every piece a startling, and often uncomfortable, insight into humanity.
Burés may be a maestro of metal – the gauzy chainmail-esque veils in his Crochet collection, 2000, attest to that. Yet he has mastered the emotional dimensions of his jewelry as well as its physical properties. The relationship between his pieces and the people who collect and cherish them is essential to his artistic praxis. In Chus Burés, Portraits & Jewellery (2016), this is realized through a series of intense portraits by Antoine d’Agata, Alberto García-Alix, and Andres Serrano. These pictures reveal a transgressive melding of jewel and subject: man becomes metal and metal becomes man. Watch ideas take on physical form, and immerse yourself in Burés’ world of wearable art.
Text in English, French, and Spanish.
Proximities: The Architecture of Jon Lott is an erudite exploration into the practice of PARA Project, a design firm based in Amenia, NY, and the philosophies of its founder Jon Lott. Lott’s work, characterised by its openness to reconfiguration and its dialogue with context, is presented through five key projects: Haffenden House, Pioneertown House, Stump House, Brugge, and Lean-tos.
The book probes the significance of proximity and approximation in Lott’s work and emphasises how these elements facilitate a deeper engagement with the surroundings. Structured around thematic prompts such as “Readings/Reflections,” “Proximities/Approximations,” and “Diptychs/Doubles,” it offers a multifaceted examination of Lott’s design approach, and also highlights the playful and improvisational aspects of Lott’s methodology.
Featuring theoretical discourse and practical insights, Proximities is both an architectural monograph and a philosophical inquiry into the nature of creating and experiencing space. It is essential reading for those interested in the intersections of architecture, philosophy, and environmental interaction.
With contributions by Mark Lee, Jon Lott, Charles Shafaieh and Julie Cirelli.
French-born Marie-Claude Deffarge (1924-1984) and Luxembourgian Gordian Troeller (1917-2003) collaborated as freelance journalists from the 1950s until Deffarange’s premature death. Initially, they reported mainly from the Middle East, later from all over the world. In the 1960s, the German weekly news magazine stern commissioned them with major features on foreign countries. At the same time, they began their first joint film projects; from the 1970s onwards, film documentaries became the focus of their work. Deffarge / Troeller were renowned for their well-researched reportages. They rarely reported in neutral manner, but remained deterred by criticism of their critical analyses of prevailing power structures or the role of the church.
This first comprehensive book on the work Deffarge and Troeller focuses on the stern features and the film work. It is lavishly illustrated with photos, entire features and film previews, dummies for books, contact sheets, film stills and scripts as well as various documents. The supplementing essays explores the duo’s entire work and approach, and its reception. Thus, the volume highlights what makes Deffarge / Troeller’s journalism an essential contribution to a better understanding of world events, even in the present day.
Text in English and German.
Testament ’22 is Byron Smith’s powerful debut monograph documenting his 10,000-mile photographic odyssey through Ukraine’s first year under Russia’s unprovoked invasion. Inspired by Taras Shevchenko’s literary legacy, Smith captures an intimate yet varied portrait of a nation at war.
His unflinching images, which have won several awards, bear witness to the staggering human cost — grieving mothers, shattered communities amid ruin — while also celebrating Ukraine’s tenacious spirit resilient against unspeakable tragedy. From Kyiv’s devastated suburbs to newly liberated villages, Smith’s hauntingly beautiful black and white and colour photographs ensure these sacrifices won’t be forgotten.
Contributing to the overwhelming evidence of Russian crimes, these profoundly moving portraits feature texts by Kyiv Independent reporter Igor Kossov, with whom Smith collaborated on front-line dispatches. An essential reminder that the costs extend far beyond the battlefield, Testament ’22 gives voice to the Ukrainians’ resilience and to their fight for their beloved homeland.
The very first retrospective book showcasing the renowned high jewellery Maison, Chaumet features a collection of iconic editorials and campaigns captured by major photographers such as Guy Bourdin, Peter Lindberg, Mario Testino, Mario Sorrenti, Richard Burbridge, and Paolo Roversi. Additionally, it presents previously unreleased autochromes from the early 20th century, offering a captivating glimpse into the Maison’s historical archives.
A photographic reference title authored by Carol Woolton, a leading authority on high jewellery at British Vogue, Sylvie Lécallier, director of the photographic collection at Palais Galliera Musée de la Mode in Paris, and Flora Triebel, a curator specialist in 19th-century photography at Bibliothèque Nationale de France, delves into the close ties Chaumet has woven with photography since its inception, revealing its innovative collaborations over the years. From the 1930s to the present day, the book offers a portrait of high jewellery and women, making it an essential read for photography and high jewellery enthusiasts worldwide.
The dramatic events of the troubled life of Caravaggio, one of the most formidable painters in the history of art of all time, are retraced in this volume, updated in light of the latest discoveries, and published on the occasion of the 450th anniversary of his documented birth in Milan in 1571. Examined here are the most significant circumstances that shattered, in just 14 years, the brief course of the great Lombard genius’ professional life: from his arrival in Rome in 1596 to his tragic and still mysterious death in Porto Ercole in 1610. A compelling story that exerts an irresistible attraction, perhaps equal to that emanating from the artist’s masterpieces, in which his innermost essence shines through.
His exceptional works, characterised by ingenious intuitions and a revolutionary way of painting, are here rigorously analysed, for the first time on a large scale, not only from a historical and stylistic point of view but also from a technical- executive one. A methodology that in recent years has become one of the essential components for a full understanding of the Caravaggio phenomenon. It is for this reason that the historical-artistic files of the autograph works are flanked by specific technical-diagnostic notes that complete and integrate the reading of his extraordinary paintings.
Traditional Crafts of Porcelain Making in Jingdezhen is the first book to systematically and comprehensively introduce the traditional porcelain-making techniques of Jingdezhen.
Richly illustrated, these pages contain essential artworks and selected techniques, as curated by Bai Ming, a Chinese ceramic artist of international renown, whose impressive creations are made with Jingdezhen materials, using the authentic Jingdezhen methods. This illuminating volume provides key insights into Bai Ming’s teaching, research and practice, and highlights the fundamentals of the porcelain-making process.
With more than 600 images, painstakingly collected and photographed over seven years, this is a beautiful and scholarly showcase for the porcelain style of an ancient town and an invaluable document of representative works.
“Turning the pages of this encyclopedia of golden parties, a nostalgia emanates from the clichés and plunges us into the evening of the stars at the Oscars…” — Harper’s Bazaar France
“With his new collection of photographs, Dafydd Jones offers a sensational dive into the excitement of the awards season in the 1990s.” — Vanity Fair France
“… a rare collection of candid moments that reveal the deepest aspects of the personalities of the world’s most famous people.” — Vogue Greece
“These images, taken before the turn of the century, give us a snapshot into the rise of America’s future movers and shakers, when mobile phones were in their infancy, Facebook had yet to be created, and the hit TV series Succession hadn’t even occurred to a twenty-something Jesse Armstrong.” — The Independent
“If you’re interested in celebrity culture, black & white, and of course any of the other work of Dafydd Jones, this comes highly recommended.” — Amateur Photography
Hollywood: Confidential is the latest collection of beautifully timed photos from bestselling society photographer Dafydd Jones. Formerly of Tatler and Vanity Fair, Jones is a serial capturer of intimate moments during high-society functions. As famous Vanity Fair editor Graydon Carter puts it, when it comes to party photographers, ‘Dafydd Jones is the sniper’s sniper – the best of the best.’
On numerous occasions in the 1990s and 2000s, Jones turned his lens to the faces of Hollywood with all his usual impudence, as they mingled and danced at private events in the Hollywood Hills, Oscar-night parties and awards ceremonies. The result is a rare thing – photographs that convey the underlying personalities of the world’s most public personas.
Following on from England: The Last Hurrah and New York: High Life / Low Life, this is an essential portrait of celebrity culture from behind the scenes, featuring the likes of Anna Nicole Smith, Tom Cruise, Prince, Winona Ryder, Tony Curtis, Oprah, Nicholas Cage and more.
Praise for Dafydd Jones:
“Dafydd catches those moments of genuine exhilaration, wealth and youth.” – The Hollywood Reporter
“Mr. Jones goes about his business with cheery zest and a wicked eye.” – New York Times
“Some carefully tended public images are punctured with such rapier precision that one can hear the hiss as they deflate.” – Mitchell Owens, The World of Interiors
“Sublime vintage photographs…”– Hermione Eyre, the Telegraph
“Modest though he is, Dafydd’s photographs will endure for having perfectly captured a society on the brink of decline.” – Country & Townhouse podcast
“The New York book is an evocative historical document, brimming with nostalgia and menace.” – Hannah Marriott, The Guardian
“The best party photographers, and their numbers are few, are like snipers… Dafydd Jones is the sniper’s sniper – the best of the best.” Graydon Carter, foreword from New York: High Life / Low Life
“Dafydd’s brilliant evocation of a time and a class only seem more potent today, when we know that so many of the moneyed twits in his ’80s portfolio ended up running the country, as they always have” – Tina Brown, The New Yorker
Addressing one of the urgent issues of climate crisis and environmental pollution, this book explores our relationship to the sea: how we live alongside it, our bodily relationship to it, its role in the creation of a connected, global society and, perhaps most critically, the threat we pose to it.
Through a broad selection of works by contemporary international artists, Can the Seas Survive Us? responds to the urgent need to resuscitate our seas. While the oceanic environment is essential to all life, its vulnerability to human action is highlighted by an ever-increasing loss of biodiversity. This book prompts the reader to imagine a future in which collective human behaviour can mitigate the effects of climate change. As ocean temperatures reach record highs, it is clear that time is not on our side. This ambitious project aspires to accelerate climate awareness and deliver the critical climate action we urgently need.
” …an intriguing look at what is the relatively recent past, and a great one for nostalgia – especially if you’ve ever paid a visit to the island yourself for a week of carefree abandon.” — Amateur Photographer
“The photographs in Dean’s new book ‘Back in Ibiza 1998 – 2003’, taken in the heat of many magic moments, capture the golden age of happy, all-in-it-together, 24 hour party people, bacchanalian excess, and sunkissed beach life…” — Bureau of Lost Culture Podcast
“…The photos come fast and furious, without captions, encouraging the readers to figure it out for themselves — just as they would have to in real life if this all was happening in front of them.” — CNN
Dean Chalkley has been taking compelling cultural photographs since the mid 1990s and his work with the likes of Oasis, Idris Elba and Amy Winehouse is widely celebrated.
At the tail end of the ’90s, Chalkley found himself in Ibiza, the capital of the clubbing world. For many, the turn of the millennium represents the peak of club life, when clubbers would lose themselves for days in the often-surreal abandon of their favourite Spanish party haven. Working for Mixmag, the biggest dance-music magazine in the world, Chalkley amassed a vast archive of images from this unrivalled golden era in the island’s near-history.
Back in Ibiza 1998 – 2003 offers a thrilling deep-dive through those images, illustrating the unfiltered and sometimes unhinged club scene from a world before Snapchat and TikTok reels. This unique collection is essential viewing for partygoers and clubbing fans, a joy to behold, and a nostalgic reminder of what a real party can look like.