Darwishi Ur-atum Msamaki Minkabh Ishaq Eboni, the son of an Egyptian pharaoh, is only nine years old when he dies. He is mummified and laid to rest in a tomb, with the powerful Golden Scarab of Mukatagara hanging around his neck. Thousands of years later, during a transport of three precious sarcophaguses, there is a terrible storm. Lightning strikes, the lorry plunges from a flyover and the sarcophaguses are hurled through the air. During all this, a little white shape escapes the wreckage unnoticed…
Angus Gust is ten and has a perfectly normal life. Then one night a little mummy appears in his room! Life changes completely. Angus and Dummie (short for his real name) become best friends. One dreadful day, Dummie’s scarab goes missing. Without the scarab Dummie falls terribly ill. Angus must now do everything he can to find the scarab, so Dummie doesn’t have to face death again. Can Dummie be saved in time?
In this second book in the Dummie the Mummy series, Dummie, Angus and Nick travel to Egypt. It’s Dummie’s great wish to return to his country to visit the grave of his father, Pharaoh Akhnetut. Unfortunately, Egypt has completely changed in four thousand years and Akhnetut’s grave seems untraceable. To make matters even worse, Nick falls ill and Angus and Dummie set off without him. Then something terrible happens – Dummie has to give everything he’s got to save his best friend. Yet he is also determined to find his father’s grave. Fortunately, he remembers more and more about his life long ago and this proves to be very handy!
The Darnley jewel, a masterpiece of the goldsmith’s art on display at Edinburgh’s Holyrood Palace, has been deemed a love token, but has also been labelled an emblem of political ambition. Taking the shape of a heart, the jewel was produced at a moment (1565-75) when such objects worn by courtiers were a primary means of asserting status and proclaiming allegiances. With a deep medieval history – originally the fleshly power centre of the human body, the seat of the soul, and place of memory and emotion – the heart has many aspects to offer. This book shows how the understanding of the heart changed during the Middle Ages, from spiritual locus of the body, to source of devotion to country, and finally, to the font of love and sentimentality.
“Seldom does a collection of art history essays leave readers yearning for a second volume…”—Barbara Wisch, Renaissance Quarterly
Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.
For his entire professional life, British architect Cedric Price (1934-2003) reflected on the mechanisation of society and its effect on people’s lives. In the 1960s and 1970s Price searched for a new language in modern architecture. His multifaceted, interdisciplinary approach and his sense of humour and self-irony, also with regard to his own profession, lead him into the fields of art and of social and natural sciences.
Tanja Herdt’s new book on the work and life of Cedric Price for the first time offers a comprehensive demonstration of his architectural concepts and social visions. Herdt focuses on his view of the city as a socio-technical system, the influence of product and everyday culture on architecture, and the role of science and technology in architectural design. Based on extensive research and drawing from rich and largely unpublished material, she features some of Price’s well-known projects, such as Fun Palace (1961) or Potteries Thinkbelt (1964), in context with her new findings. Herdt’s thorough analysis of his lesser-known works from the 1970s, including McAppy (1973-1975) and The Generator (1976), also questions the common perception of Cedric Price as an “anti-architect”.
“‘The Fox and the Hare’ is Yuri Norstein’s take on an old Russian folk tale and as in all of his films, we are pulled into the characters’ lives through the beautiful simplicity of the character designs, done by the artist Francesca Yarbusova. They create personalities full of soul and emotion. I’ve always admired Yuri for his honesty and absolute devotion to the art of animation and his talent of creating an enchanted and very unique world for each of his masterpieces. I like to take time and study his beautiful graphics, discovering new details each time I look at them.” Helena Giersz, Designer/Co-creator of Nickelodeon series Dora the Explorer and Go Diego Go, Founder of Funline Animation, Inc
The Fox and the Hare is a Russian folk tale retold by Vladimir Dal. This book is based on Francesca Yarbusova’s sketches for the award-winning animated film directed by Yuri Norstein.
This beautiful tale is a simple story about the insidious Fox who takes over the Little Hare’s house when her own palace of ice melts in the Spring. After enlisting the help of several animals, still the ferocious fox remains in the Little Hare’s house. Is there anyone who can help him?
Also available in the Norstein & Yarbusova Collection – a beautiful series of children’s picture books based on the art of famous Russian artists and animators Yuri Norstein and Francesca Yarbusova are: Mishmash ISBN: 9780984586745 and The Hedgehog in the Fog ISBN: 9780984586707.
How do our minds work when we design? How do we organise and assimilate information, create and evaluate options, and make decisions? These questions have fascinated and absorbed architect and sculptor Richard Bertman (FAIA) since his graduate school days. Now, after a 40-year career, Bertman has used the design of a vacation house as an experiment to explore these questions. The result, documented in The Design Process and the Art of the Single Family Home, is a fascinating and revealing insight into the creative process. With detailed notes and sketches, Bertman charts each stage of the design process, questioning and examining why certain decisions are made, how problems are solved, and generally exploring the processes involved in creative thinking.
Men in stately black, women with huge ruffs, children with golden rattles, old women with wizened faces, and self-satisfied artists… These are the main players in just about every portrait ever painted in the Southern Netherlands. From the15th to the 17th centuries, the tract of land that we today call Flanders was the economic, cultural, intellectual and financial heart of Europe. And money flows – with everyone who could afford it investing in a portrait.
Today, these cherished status symbols of the past have largely lost their original significance. But beyond their functional and emotional aspects, these portraits turn their subjects into gateways to the past. This book takes masterpieces from the collection of The Phoebus Foundation and outlines the broad context in which they came into being, peeling back levels of meaning like the layers of an onion. Whether captured in an impressive Rubens or Van Dyck, or an intimate portrait by a forgotten artist, the persons portrayed were once flesh and blood, each with their own peculiarities, hidden agendas and ambitions. Some portraits are very personal and hyper-individual. Others are a little dusty, the ladies and gentleman being children of their time. In most cases, however, their dreams and aspirations are surprisingly timeless and soberingly recognisable.
The Bold and the Beautiful
is an appointment with history: a meeting through portraiture with men and women from bygone centuries. But for those willing to look closely, the border between the present and the past is paper-thin.
Published on the occasion of the exhibition Blind Date. Portretten met blikken en blozen, Autumn 2020, in Snijders&Rockoxhuis Antwerp, curated by Dr. Katharina Van Cauteren & Hildegard Van de Velde with a scenography by Walter Van Beirendonck.
In this beautifully illustrated story with a timeless message, a feared and cruel king learns of a wise magician in his kingdom who is rumored to be even more powerful than himself. The magician can predict the future, and even worse, he is more popular than the fearsome king. Jealous and insecure, the enraged king plots to destroy this enemy. But, being a magician, he has a trick up his sleeve that saves his own life and the king’s. With help from an unexpected friend, the king transforms from a feared and brutal monarch to a beloved leader. Enduring messages about the power of wisdom and compassion are conveyed in a classic storytelling style and outstanding, original artwork.
The talent and the gaze of established artists such as Pelegrín Clavé, José María Velasco, Joaquín Clausell, Gerardo Murillo «Dr. Atl », Ángel Zárraga, Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco and Raúl Anguiano, are among the most prominent firms in the collection of the Kaluz Museum.
The ‘Two Roberts’: Robert Colquhoun (1914-1962) and Robert MacBryde (1913-1966), were two of the most important and celebrated Scottish artists of the twentieth century. Colquhoun studied at Glasgow School of Art where he met Robert MacBryde. The two became lovers. They were part of a celebrated Soho group that included Francis Bacon and Lucian Freud. Their post-cubist work – much influenced by Picasso – became enormously successful. In the 1950s they established worldwide reputations. Colquhoun’s drinking and temperament caught up with him and he died almost penniless in 1962. MacBryde was killed in a car accident four years later. This catalogue with over 90 illustrations accompanies the only show to ever exhibit both artists together. The authors refer to previously unpublished letters and explore the ‘Two Roberts’ individual art practice as well as works the two executed together.
This book presents the surprising collection of Venetian glass donated by spouses Carla Nasci and Ferruccio Franzoia to the Carlo Rizzarda Modern Art Gallery in Feltre. A collection of over 800 pieces ranging from the 18th century to today, allowing the viewer to marvel, in particular, at the Murano production and its great glassmakers.
A first nucleus includes the elegant Liberty and Déco glasses produced by Vetri Soffiati Muranesi Cappellin Venini & C. in the twenties: the artistic director of the company was Vittorio Zecchin, one of the most fascinating personalities working in Venice between the First World War and the decade later, who with his elegant, transparent blown glass inspired by the Renaissance, marked a decisive turning point in contemporary Murano production.
A second group is represented by the artifacts produced between 1925 and 1960 referable to the figure of Carlo Scarpa, creator of highly successful, innovative glass shapes and fabrics, who collaborated respectively with the Cappellini company since 1926 and with Venini since 1932, together with a mix of products from other companies and authors active in the lagoon.
The third type of documented artifacts is that of table glasses: consumer objects destined for ephemeral use and therefore an important testimony of taste and customs.
“admiring and ferocious” — France Inter
“This first biography, fed by many first-rate witnesses… we laugh, we shudder, we admire.” — Elle
“Thus emerges the story of Karl Lagerfeld: his father’s past in the heart of wartime Germany, his rivalry with Yves Saint Laurent (enflamed by his only love, Jacques de Bascher) and the networks he forged with the biggest luxury manufacturers in the world as he compiled his vast fortune.” — Lovely Books
“Anyone who wants to gain a deeper insight into the life of the real Karl Lagerfeld will find the biography “Kaiser Karl” to be the right reading material.”
— Harper’s Bazaar Germany
On the last morning of his life, Karl Lagerfeld’s only companion was Sébastien, his bodyguard and right-hand man. The king of fashion insisted on being cremated, along with his universally recognisable ‘gear’ – the dark glasses and high starched collar that served as a bastion for his secrets. It is only now that witnesses have begun to talk. Thus emerges the story of Karl Lagerfeld: his father’s past in the heart of wartime Germany, his rivalry with Yves Saint Laurent (enflamed by his only love, Jacques de Bascher) and the networks he forged with the biggest luxury manufacturers in the world as he compiled his vast fortune. Truly an unparalleled icon in the history of fashion, Lagerfeld’s legacy lives on today.
Have you ever seen a wolf in glasses before? Poor old Bernard the Wolf, he really can’t see a thing! Would you engage onto wonderful adventures and help him? These series of search and find games will entertain children for hours of fun, while stimulating their visual and logic skills. Young readers will accompany Bernard the Wolf in these two new, very entertaining adventures to find the hidden animals as well as to resolve their riddles and find the answers to their quizzes. Readers will find the solutions to the games at the end of the book so they can check if they’ve succeeded in sharpening their eyesight and, more importantly, their brains! Ages: 6 plus
More than seventy tasters have travelled around Italy to source the very best wines. The tastings – all blind – took place in consortiums and local chambers of commerce and were supported by experts in the field, sommeliers and trade buyers. This guide is extraordinarily accessible, organised in a simple, clear and functional way. Sections are arranged by individual winery – name, address, number of hectares of vineyard, and method of cultivation (conventional, organic, biodynamic or natural). Entries are then described as according to their history and geographical region, and the wines are evaluated through the celebrated method of Bicchieri, or ‘glasses’, ranging from one, to a maximum of Tre Bicchieri.
The guide also pays special attention to wineries that are eco-sensitive, awarding Tre Bicchieri Verdi to bottles that come from those with a particular regard for the environment.
Using the formalist conventions of an ironic heritage, William Ludwig Lutgens attains the expression of something sincere. Like the philosophical idiot who did his utmost best to unlearn all the fallacies he was acquitted with since birth and now only knows he knows nothing, the artist made the world into his own theatre wherein he can stomp around like a bull in a china shop with the grace of a prima ballerina. Forcing a pathway to possible exits by presenting us with the alloy of his observations, imagination and scattershot references. Not merely asking questions, which seems to be the hype in contemporary art nowadays, he is unraveling the framework wherein these questions originate. The image deconstructed by the story of its creation, alternating between the power and impotence of the theatrical madness at the end of the world as we know it. William Ludwig Lutgens presents with his Comedy of Humours the dysfunctional family of man.
Text in English and Dutch.
Now in its 34th edition, the Guía Peñín is the ultimate guide to Spanish wine. Each year our team of tasters travel to every wine-growing area of Spain to taste and review new varieties, labels and vintages. This year’s edition of the guide covers around 9,900 new wines. Whatever your budget, the Guía Peñín is the essential guide for those who want to discover the best of Spanish wine.
Text in German.
Now in its 34th edition, the Guía Peñín is the ultimate guide to Spanish wine. Each year our team of tasters travel to every wine-growing area of Spain to taste and review new varieties, labels and vintages. This year’s edition of the guide covers around 9,900 new wines. Whatever your budget, the Guía Peñín is the essential guide for those who want to discover the best of Spanish wine.
Text in Spanish.
Now in its 34th edition, the Guía Peñín is the ultimate guide to Spanish wine. Each year our team of tasters travel to every wine-growing area of Spain to taste and review new varieties, labels and vintages. This year’s edition of the guide covers around 9,900 new wines. Whatever your budget, the Guía Peñín is the essential guide for those who want to discover the best of Spanish wine.
“A charming, entertaining, and illuminating read – not only for all those in or around the wine trade, but also for all those outside who want to see in to what makes it so special. “ – Neil Beckett, Editor, World of Fine Wine
The memoirs of a wine trade insider, from the heady days of 1960s to today. Quickly discovering that a knowledge of wine opened doors that were closed to lesser mortals, Ben had a front row seat as the wine trade grew from an elitist and rather amateurish profession into a multi-million dollar global business. This is the story of how it happened, and of the many remarkable characters he befriended along the way – people whose marketing genius was matched only by their desire to put a smile on everyone’s faces. In true vinous style, Ben’s book is sure to do the same.
Plumbing the depths: – Ben’s valiant attempts to sell wine to beer-loving miners, which involved actually joining them at the coal face.
– Englishman abroad: a jolly jaunt through French châteaux, Spanish bodegas and Portuguese quintas, where Ben forged many of the friendships that would last a lifetime.
– Serious business: Ben’s career takes off during the golden age of wine and spirits marketing, when he played a part bringing many of the world-famous brands we know and love today into being.
Here is the Instagram guide to (re)discovering New York in style, including addresses for eating, drinking, shopping, sightseeing and (street) art. Documenting the daily life and preferred secret spots of an expat in the city, it is a lifestyle guide, a photo album, and a mood board all in one. The Lazy Frenchie is a must-have for millennials and Instagram addicts who love New York. It is a colourful, photo-centric guidebook that uses popular hashtags as captions: #AvocadoToast, #CoffeeBreak, #VintageMarket, #DateNight, #StreetArtIsEverywhere, #IHaveThisThingWithFloors, etc. It will cater to tourists and locals alike.
In this collection of photographs taken in over 36 countries, Christer Löfgren explores the international art of graffiti and wall paintings. From his base in Stockholm, Sweden, Löfgren travels to places where street art can be found, including places like the Antarctic, Greenland, and Svalbard, where you may not expect to see it. The book addresses the current duality of opinion about street art: it is still viewed as a criminal act in many places, and yet at the same time it is accepted as a valid and important art form. It crosses boundaries to unite communities all around the world. Organised in two sections, the first section of this book explores the methods and motivations behind the work, while the second section focuses on street art in specific countries around the world.