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This book is a complete overview of all thirty Belgian abbey beers. Where is the rich patrimony of Belgian abbey beers rooted? What are the remarkable stories about this authentic, labour-intensive product. In which way are Trappist beers different from the others? In Belgian Trappist and Abbey Beers, Jef Van den Steen unravels the different stages in the production process of the beers and talks very passionately about the origin and development of the various breweries within the walls or under the license of the abbey. Each brewery is presented with practical information, different types of beer, and the author always includes tips for tourists.

Modern family healthcare is under a lot of pressure, from insecurity when it comes to diagnosis and prescription behaviour, to delivering quality assistance while balancing a large number of patients, There is need for reform – but before reform, there must be a vision. Not only for daily healthcare, but also for education – because in education lays the roots for social change. By means of real patient testimonies and examples of daily consultations, this book focuses on family medicine. It pays special attention to the practical side of social determinants, diagnostics and therapy, and surrounding factors. Family Medicine and Primary Care emphasises the importance of qualitative work by general practitioners, correct education, and informed policies. It is a practical guide for high-level family medicine, with input from international experts.

Gin & tonic, the drink of the eighties, is more fashionable than ever before. Bars, clubs, gin menus in restaurants – gin is everywhere.

This beautifully compiled book is an essential guide for gin lovers in search of their own original take on this wonderfully complex drink. Richly illustrated, it covers the history of gin, the gin families with their distinct characteristics and distilled flavours, and the exciting, more recent developments in the marketing, the bottling and packaging of gin which is increasingly quirky, artistic and original. There is an overview of some of the smartest places to drink and discover a world of gin; hip and very cool.

Beyond ‘ice and a slice’, how do you put together the perfect gin and tonic, from the amazing array of new infusions? What are the flavours and textures in food that best accompany this very particular drink? With foodpairing ideas and recipes to create at home… find your favourite glass, crack the ice and indulge!

The perfect accompaniment to the booming “ginterest,” this new edition includes a section on foodpairing (with new recipes!) with gin, and an overview of the most famous gin bars across the globe.

Beauty and drama come together in a true and compelling story set in the colourful, turbulent world of late-15th-century Florence. The talented son of a successful banker and the beautiful daughter of an influential patrician: their marriage seemed made in heaven, but they were both to meet untimely and tragic ends. This book tells the story of two forgotten protagonists of the Florentine Renaissance: Lorenzo Tornabuoni (1468-97) and his wife, Giovanna degli Albizzi (1468-88). Unpublished documents from family archives allow us to glimpse their daily lives, while poems and works of art offer insight into their notions of love, marriage, birth, death and hopes of eternal life. The contradictions of Italian Renaissance culture clearly emerge, such as the tendency to combine a highly principled intellectual life and aesthetic refinement with self-glorification and political ruthlessness. The author shows how life and art were completely interwoven in this period, and explains the significance of works of art by the likes of Botticelli and Ghirlandaio and their place in the lives of Lorenzo and Giovanna. Contents:
Preface; 1. Two Households; 2. The Wedding; 3. Wisdom and Beauty; 4. Lorenzo’s Beautiful Chamber; 5. The Vicissitudes of Fortune; 6. Hope of Eternal Life; 7. Years of Turmoil; 8. The Final Act; Epilogue; Acknowledgements; Notes; Sources and Bibliography.

Published to accompany an exhibition at Palazzo Strozzi in Florence, this catalogue presents a broad selection of works by Picasso, the great master of modern art, in an effort to stimulate a reflection on his influence and interaction with such leading Spanish artists as Joan Miró, Salvador Dalí, Juan Gris, María Blanchard and Julio González: art reflecting on art and on the relationship between the real and the surreal, the artist’s heartfelt involvement in the tragedy of unfolding history, the emergence of the monster with a human face, and the metaphor of erotic desire as a primary source of inspiration for the artist’s creativity and world vision. Picasso and Spanish Modernity showcases works by Picasso and other artists, ranging from painting to sculpture, drawing, engraving from the collection of the Museo Nacional Centro de Arte Reina Sofía in Madrid. The works of art include such celebrated masterpieces as the Portrait of Dora Maar, Horse’s Head and The Painter and the Model by Picasso, Siurana, the Path by Miró, along with Picasso’s drawings, engravings and preparatory paintings for his huge masterpiece Guernica.. Included are the biographies of all the artists featured: Pablo Picasso; Aurelio Arteta; Rafael Barradas; María Blanchard; Francisco Bores; Eduardo Chillida; Martín Chirino; Pancho Cossío; Leandre Cristòfol; Salvador Dalí; Óscar Domínguez; Equipo 57; Ángel Ferrant; Pablo Gargallo; Julio González; Juan Gris; José Guerrero; Antonio López; Maruja Mallo; Manuel Millares; Joan Miró; Manuel Ángeles Ortiz; Jorge Oteiza; Pablo Palazuelo; Benjamín Palencia; Alfonso Ponce de León; Alberto Sánchez; Antonio Saura; José Gutiérrez Solana; Joaquim Sunyer; Antoni Tàpies; Josep de Togores; Joaquín Torres-García; José Val del Omar; Daniel Vázquez Díaz; Esteban Vicente.

Benjamin West’s The Death of a Stag, a tour de force of pictorial theatre and his own unique Scottish masterpiece, has been the focus of high drama for over two centuries. Painted for the Clan Mackenzie in 1786, the gigantic canvas, measuring twelve by seventeen feet, is still the largest in the collection of the National Galleries of Scotland. The painting almost left these shores for America, but after a successful campaign, it was purchased in 1987. In 2004, the work was conserved in situ in the National Gallery of Scotland and this book tells the story of the picture, both in terms of its history and the conservation process.

Known today for his atmospheric views of the river Oise, Charles François Daubigny was a pioneer of modern landscape painting and an important precursor of French Impressionism. Although commercially highly successful he was often criticised for his broad, sketch-like handling and unembellished view of nature, and was dubbed the leader of ‘the school of the impression’. As a result he drew the attention of the next generation of artists, among them Claude Monet and Vincent van Gogh, who were inspired by Daubigny’s frank naturalism, bold compositions and technical innovations. Theirs was an artistic dialogue which spanned thirty years, from the early 1860s to the end of Van Gogh’s short life.

This book brings together works from one of the most important private collections of modern and contemporary art, the D. Daskalopoulos Collection with key pieces from the Scottish National Gallery of Modern Art. Providing a new context for both collections, it specifically focuses on the theme of the body, investigating the many and varied approaches that artists have taken across several decades when dealing with this most fundamental of subjects. Highlighting the work of artists such as Marcel Duchamp, Pablo Picasso, Louise Bourgeois, Joseph Beuys, Robert Gober, Matthew Barney, Marina Abramovic and Sarah Lucas, the publication documents the confrontations and dialogues staged between the two collections, and provides a rich insight into one of the most compelling and provocative themes in twentieth- and twenty-first century visual art.

In the last twenty-five years contemporary art in Scotland has grown from a tiny and tightly knit scene to a globally recognised centre of artistic innovation and experiment. Generation Reader provides the first collection of key documents from the period including essays, interviews, critical writing and artists’ own texts. This publication will fill a significant gap in the scholarship of the period and provide a resource for the future, an illustrated guide to the ideas, events and debates that shaped a generation. The selected archive texts from the period will sit alongside some newly-commissioned writing which includes essays by the novelist Louise Welch and by Nicola White, Dr Sarah Lowndes, Francis McKee, Professor Andrew Patrizio and Julianna Engberg. GENERATION is a landmark series of exhibitions tracing the remarkable development of contemporary art in Scotland over the last twenty-five years. It is an ambitious and extensive programme of works of art by more than 100 artists at over 60 galleries, exhibition spaces and venues the length and breadth of Scotland between March and November 2014.

Pioneering Edinburgh photographers David Octavius Hill (1802-1870) and Robert Adamson (1821-1848) together formed one of the most famous partnerships in the history of photography. Producing highly skilled photographs just four years after the new medium was announced to the world in 1839, their images of people, buildings and scenes in and around Edinburgh offer a fascinating glimpse into 1840s Scotland. Their much-loved prints of the Newhaven fisherfolk are among the first images of social documentary photography. In the space of four and a half years Hill and Adamson produced several thousand prints encompassing landscapes, architectural views, tableaux vivants from Scottish literature and an impressive suite of portraits featuring key members of Edinburgh society. Anne M. Lyden, International Photography Curator at the National Galleries of Scotland, discusses the dynamic dispute that brought these two men together and reveals their perfect chemistry as the first professional partnership in Scottish photography. Illustrated with around 100 masterpieces from the Galleries’ unique, vast collection of the duo’s groundbreaking work.

Edited by Carl Brandon Strehlke and Machtelt Brüggen Israëls, The Bernard and Mary Berenson Collection of European Paintings at I Tatti surveys the 149 works assembled by the Berensons for their home in Florence from the late 1890s through the first decades of the twentieth century at the time that they were making their mark on the world as connoisseurs. The catalogue presents a privileged window on the Berensons’ intellectual interests through the objects they owned. The entries, written by an international team of art historians, take full advantage of the extensive correspondence from the Berensons’ friends, family, and colleagues at I Tatti as well as the couple’s diaries and notations on the backs of their vast gathering of photographs. All the entries are lavishly illustrated with full scholarly and technical accountings of the objects. There are also 17 illustrated reconstructions of the original contexts of panel paintings. The catalogue includes essays on the progress of the Berensons’ collecting, their love for Siena, the Sienese forger Icilio Federico Joni, the critic Roger Fry, and René Piot’s murals at I Tatti, as well as a listing of 94 pictures that were once at I Tatti including donations made to museums in Europe and America.

Contents:
Preface Lino Pertile; Acknowledgments – Carl Brandon Strehlke and Machtelt Israëls; Note to the Use of the Catalogue; Abbreviations; Glossary of People in the Berenson Circle Mentioned in the Text; Section I: Introductory Essays and Entries 0 to 111; Essay I: “Bernard and Mary Collect: Pictures Come to I Tatti” – Carl Brandon Strehlke; Essay II: “The Berensons and Siena” (working title) – Machtelt Israëls; Essay III: “Passions Intertwined: Art and Photography at I Tatti” – Giovanni Pagliarulo; Entries: Paintings from the 14th to 18th century – Plates 0 to 111; Section II: Fakes; Essay IV: The Berensons and the Sienese Forger Federico Ioni – Gianni Mazzoni; Entries: Fakes – Plates 112 to 116; Section III: Roger Fry; Essay V: “Roger Fry and Bernard Berenson” – Caroline Elam; Entry: Fry – Plate 117; Section IV: René Piot; Essay VI: “A Failure: René Piot and the Berensons” – Claudio Pizzorusso; Entries: Piot – Plates 118 to 131; Section V: The Berensons, Family and Friends; Entries: Portraits – Plates 132 to 138; Entries: Miscellanea – Plates 139 to 148; Appendix: Paintings Formerly Owned by the Berensons – Carl Brandon Strehlke and Machtelt Israëls; Bibliography; Photo Credits; Index.

Angry, outrageous, defiant, and courageous are some of the words that describe the American Abstract Expressionist artist Lee Krasner (1908-1984) – the subject of this very personal memoir inspired by Ruth Appelhof’s 1974 summer with her in East Hampton, Long Island. Best remembered by many as Jackson Pollock’s widow, she is regarded more by ‘art-world insiders’ as the producer of a major body of work that influenced the evolution of contemporary art – in particular, that made by women in the 20th and 21st centuries. As a scholar and a friend, Appelhof re-examines Krasner’s contributions in light of the intellectual and emotional experiences that she so candidly shared with her in weeks of interviews. In addition, Appelhof explores Lee Krasner’s relationships with others – friends, art-world luminaries, artists, and other ‘summer sitters’ allowed into her private sanctuary – through interviews. Those recollections will offer a window into the artist’s intense and idiosyncratic personal life as well as into her contributions through the groundbreaking work she produced over the course of more than six decades.

Contents: Prefaces by Helen Harrison, Director of the Pollock-Krasner House and Study Center, and Barbara Rose, Art Historian and Critic; Chapter 1: Driving Ms. Krasner; Chapter 2: The Tapes: Fact or Fiction; Chapter 3: Cards on the Table; Chapter 4: Swing of the Pendulum; Chapter 5: Summer Sitters; Chapter 6: In Spite of Herself.

Published to accompany the Lee Krasner Retrospective at the Barbican Art Gallery, London, fromThursday 30 May-Sunday 1 September 2019, and at Schirn Kunsthalle, Frankfurt, from Thursday 10 October 2019-Sunday 12 January 2020, and at Zentrum Paul Klee, Bern, from Friday 7 February-Sunday 10 May 2020, and at the Guggenheim Bilbao, from Friday 29 May-Sunday 6 September 2020.

500 years ago in Venice, the first ghetto was born. It was the first of many ‘Jewish enclosures’ ordained by political powers, such as the Venetian senate. A place to confine, it soon became an important cosmopolitan and commercial centre of the Republic. The architectural structure of its housing, which became extraordinarily high to accommodate the increasing number of inhabitants, is strictly interlaced with Venetian history, economy and culture. As one of the main Jewish centres in Italy and the Mediterranean, Venice played a crucial role in the Jewish world. The Venetian word ‘geto’ (from ‘gettare’, to throw away) originated from the sector of Venice where scrap metal accumulated from foundries. This was the area assigned to the Jews. Thus the word, over the course of time, has become a synonym for segregation. “Venice, the Jews, and Europe” exhibition runs in Venice until November 13 2016. Dontatella Calabi will be promoting his book at the ‘Beyond the Ghetto’ symposium in New York, hosted by the Center for Jewish History, on 18-19 September 2016.

Hargreaves Associates has been on the forefront of landscape architectural practice since its founding in 1983, creating a narrative approach to place making that layers history, ecology, and environmental phenomena. This book, featuring the built work of Hargreaves Associates explores how they create meaning through dynamic, interactive, and exultant landscape. Whether reductive or rich, highly programmed or passive, culturally interpretive or teeming with the phenomena of nature’s own systems, the built landscapes of Hargreaves Associates in this volume seek the power of connection to our day-to-day lives.

The third publication to come out of the renowned firm, Ronald Lu & Partners celebrates the breadth and creativity of their work in honour of their 35th anniversary. Rather than a retrospective since day one, the book illustrates both their recent works and the people that make RLP what it is today. The book shares their projects, the stories of the people that work there and the changes they have experienced over the past ten years. With raw and un-edited interviews from members of the firm, the book explores a fresh take on what it is like to be a practicing architect in today’s world.

Iñaki Ábalos and Juan Herreros established their studio in Madrid in 1984 and working together until 2006, when the firm was dissolved. They mainly realised projects in Spain. Both architects are still active internationally, Iñaki Ábalos with Ábalos+Sentkiewicz, based in Madrid and Cambridge (MA), Juan Herreros with Estudio Herreros in Madrid. The archive of Ábalos & Herreros was donated to the Canadian Center for Architecture (CCA) in Montreal in 2012. It comprises some 250 projects dating from 1985-2008: sketches and drawings, collages, related text documents, slides and models.

This new book presents three contemporary encounters with the Ábalos & Herreros archive at CCA. The architects OFFICE Kersten Geers David Van Severen, Juan José Castellón and SO – IL conducted research into the archive and developed specific readings of the material. The book reframes these research projects, showing archival material in its current state and re-interpreting it. The essays offer more background to the research and also give voice to Iñaki Ábalos and Juan Herreros themselves. Richly illustrated, the book reveals as much about the interests of a new generation of architects as about the work of Ábalos & Herreros.

Text in Spanish.

Revised, updated, and expanded by nearly 100 projects, this new edition of the catalogue for the “a_show,” Architekturzentrum Wien’s (Az W) permanent exhibition on Austrian architecture of the 20th and 21st century, has become a stand-alone reference book. Its scope extends beyond the themes of the exhibition. Apart from condensing the current discourse on Austrian architecture of the last 150 years, it also documents relevance and singularity of the Az W collection.

Featuring more than 2,300 images and plans, accompanied by explanatory texts structured chronologically as well as thematically the book points out both historical connections and contemporary tendencies. Paired with a timeline, and also offering an overview of all relevant media since 1836, brief biographies, and an index, this is the authoritative survey of modern and contemporary Austrian architecture.

Chandigarh Casablanca: How Architects, Experts, Politicians, International Agencies, and Citizens Negotiate Modern Planning documents two different but complementary urban realities that have played a fundamental role in the imagination, the definition, and the redefinition of the 20th-century modern city. Chandigarh built by Le Corbusier, Pierre Jeanneret, Maxwell Fry and Jane B. Drew together with Indian architects and Casablanca, designed by Michel Ecochard and young Moroccan and French architects, share the foundation in a European-American understanding of avant-garde architecture and urbanism. Yet life and further development of both places have been decisively influenced by their own respective culture. This new book decenters the dominant European-American view and contributes to a new geography of the modern city. The contemporary gaze shifts from the symbolic use of architecture to construct monumental masterpieces to the formation of public space, housing, and social facilities. Comprehensive essays by Maristella Casciato and Tom Avermaete are complemented by a wealth of photographs, plans, documents and other illustrations. The book also features photo-essays by French-Moroccan artist Yto Barrada and Japanese photographer Takashi Homma, counteracting the reading of the two cities as ‘exported urbanism’ . Text in French.

Following the liberation and subsequent occupation of Austria at the end of World War II in spring 1945 by the victorious powers Britain, France, the United States, and the Soviet Union, Vienna soon became a central stage for the quickly emerging Cold War. The struggle of differing political systems was also carried out in the field of architecture. Cold War and Architecture sheds new light on the building activity in postwar Austria and its main protagonists. For the first time, this book explores the lines of architectural debates of the time in the context of the global political and cultural conflict of East vs. West. With its transnational perspective, it changes our view of architectural history and postwar society.

During the ten-year occupation period, Austria experienced a transition from authoritarian government to democratic consumer society. Each of the four Allied powers established its own extensive cultural program. Architectural exhibitions became important instruments of such educational schemes with the objective of a new social order. British, American, French, and Soviet cultural policies served as catalysts for ideological convictions.

Founded in 2007, G8A Architects gained rapid renown for its projects in Switzerland. Drawn to new opportunities in Southeast Asia, founding partners Manuel Der Hagopian and Grégoire Du Pasquier soon expanded the firm’s operations to include an office in Vietnam’s capital city, Hanoi, where they now attract a range of commissions in a completely new environment. In 2010, upon winning the commission for a major public housing development in Singapore that set them amongst a new generation of designers for residential projects in the region, they also opened a branch in the booming city-state. The first book to document G8A Architects’ achievements to date, Contrast and Cohesion reflects the firm’s work in these starkly contrasting parts of the world. Featuring twenty-seven of the firm’s projects through drawings, photographs, plans, and descriptive texts, the book also brings together essays that expand on the different concerns and challenges that accompany the creation of architecture in Central Europe and Southeast Asia. Climatically, culturally, and economically, the rapidly growing cities of Southeast Asia are a world away, but Der Hagopian and Du Pasquier pursue a strategy of cohesion, which seeks to resolve the contrasts between East and West with resulting benefits for both.

Romeo and Julia, two residential high-rises in Stuttgart, built 1954-59 and designed by Hans Scharoun (1893-1972), constitute the most original and far-reaching of the various attempts to re-design the entire ‘process of living’ that this extraordinary protagonist of Germany’s modern architecture undertook. Over decades, Scharoun had woven an extensive network of research and knowledge systems as a basis for his floor-plan designs. His unpublished writings and, even more importantly, his lectures from between 1947 and 1958 reveal the countless threads of research and discourse, which his work in residential architecture referenced and absorbed. They highlight the sometimes contradictory, yet constant renewal and consolidation of his knowledge in the field of housing.

This new book, based on extensive research in collaboration with Berlin’s Akademie der Künste, demonstrates how closely interlocked Romeo and Julia are with their architect’s immense engagement with the topic of housing. Drawing on previously unpublished archive material held at the Akademie der Künste, the authors for the first time allow the reader an insight into Scharoun’s design process. Alongside reproductions of original plans and drawings, the book features excerpts from Scharoun’s unpublished text fragments. New images by Swiss architectural photographer Georg Aerni, illustrating the two towers’ highly expressive appearance, round out this volume.

This book sheds new light on the work of German-born modernist architect Konrad Wachsmann (1901-1980) and his legendary knotted joints. It is based on years of research on Wachsmann’s work by Swiss architect Christian Sumi. At the core of this book is Wachsmann’s dynamic ‘Grapevine Structure’, a universal construction element developed with students in the early 1950s at the Chicago Institute of Design. The book also investigates the ‘Local Orientation Manipulator’ (LOM), an apparatus developed in 1969 by Wachsmann at the University of Southern California in Los Angeles that anticipated the robotic assembly of building components. Moreover, it explores Wachsmann’s ‘Packaged House System’ and his designs for relocatable hangars for the US Air Force. The book features these through concise texts and rich illustrated material, the majority of which are published here for the first time. Fabio Gramazio, Matthias Kohler, and Hannes Mayer (Gramazio Kohler Research, ETH Zurich) revisit Wachsmann’s ideas from a contemporary perspective where robotic building processes become increasingly common. An essay by neuroscientist Andreas Burkhalter looks at the phenomenon of knotted joints in the context of similar structures in the human brain. Architectural historian Marko Pogacnik highlights the significance of Wachsmann’s lectures at the Salzburg Summer Academy in the late 1950s. Published to accompany the 16th International Architecture Exhibition of the Venice Biennale, 26 May – 25 November 2018.