Few figures tower over twentieth-century art like Salvador Dalí and Andy Warhol. Their works were groundbreaking and incalculably influential, yet at the same time both artists were wildly popular in their lifetime and have only become more so in the decades since their deaths. Despite the striking differences in their art and personalities, the two men nonetheless had a lot in common the most obvious being a strong sense of the power of publicity and an affinity for eccentricity and extravagance. They also shared a love of New York, which both men made the heart of their social lives; it was there, in the 1960s, that they met for the first time.

This book offers the first-ever direct juxtaposition of Dalí and Warhol as personalities and artists. Torsten Otte builds his account through perceptive analyses of similarities in their lives and work, and reconstructs their many encounters based on first-hand accounts by some 120 people who knew and worked with the men. Around sixty images, many of them published here for the first time, by eminent photographers such as Richard Avedon, David Bailey, Philippe Halsman, Christopher Makos, Man Ray, or Robert Whitaker, round out the book.

Marco Graber and Thomas Pulver founded their architectural studio in 1992 after graduating from the Swiss Federal Institute of Technology Zurich (ETH Zurich) and working with Cruz Ortiz Architects in Seville and Torres & Martinez-Lapeña in Barcelona respectively in 1990-91. Since then Graber Pulver Architects, located in Zurich and Berne, have realised many projects for private and public clients in Switzerland and gained recognition nationally and internationally. Their work has been published in numerous books and magazines in Switzerland and abroad. Marco Graber and Thomas Pulver have been lecturing as visiting professors in the Swiss Federal Institute of Technology Zurich’s M.A.-program in architecture in 2006-08, maintaining a close interaction between their method of teaching and design research and the practical work in the studio. Spatial Sequences and Urban Infrastructure gives an insight into Graber Pulver’s working methods, focusing on their search for the contextual roots and for the specific space and form. The leading idea is that, besides of its natural properties, the infrastructural reservations and links of a territory are crucial for the physical development of our urban landscape. At the same time the form, which has to meet a multitude of demands, is determined by the fact that the quality of a space can be judged and developed only by moving within that space. A second, lavishly illustrated part of the book presents work by students of Graber Pulver’s course at the Swiss Federal Institute of Technology Zurich. The topics for the four terms determined concrete architectural tasks and resulted in a vast variety of inspiring and radical solutions. Accompanying essays further investigate the topics of the course and provide additional background information on the student’s tasks. Text in English & German.

For some forty years, Susi and Ueli Berger’s work has been guided by the credo that ‘only a new idea justifies a new piece of furniture’. Contrasts between product design and object art, and suitability for everyday use characterise their designs. A playful provocativeness and the combination of rationality and sensuality are additional hallmarks of the Bergers. In 2010, they were awarded Switzerland’s most prestigious national design prize, the Grand Prix Design for their joint lifetime achievements at the interface of art, architecture, and design.

Susi Berger-Wyss, born 1938 in Lucerne, trained as a graphic designer and worked with an advertising agency in Berne before she met and married Ueli Berger in 1962. Apart from their close collaboration in furniture and interior design, Susi continued to work as a freelance graphic designer and also collaborated with architects, developing colour and material concepts for interiors.

Ueli Berger, born 1937 in Berne, trained as a painter and decorator and also attended classes at the city’s school of art and design. 1959-61, he completed his artistic education during extended stays in Paris and Copenhagen and worked with renowned Swiss interior designer Hans Eichenberger. Until his passing in 2008, Ueli worked as an artist – creating a much recognised oeuvre in painting, drawing, and sculpture – and designer, and also held a number of teaching appointments at universities and art schools in Switzerland.

Featuring a wealth of previously unpublished original drawings, plans, photographs, and promotion materials, as well as a catalogue raisonné of Susi and Ueli Berger’s collaborative work and an illustrated biography, this groundbreaking book offers the first-ever survey of their life and oeuvre. It is published in conjunction with a retrospective exhibition at Zurich’s Museum für Gestaltung in summer 2018.

Text in English and German.

This volume, edited by Antonio Aimi and Antonio Guarnotta, offers a new, up-to-date study of the most important cultures of Mesoamerica and of the Peruvian Area, through magnificent artefacts held by the MIC (Museo Internazionale delle Ceramiche in Faenza) and various other Italian museums. The cultures of the Aztecs, Mayas, Incas and other populations of ancient America are analysed in light of the most recent archaeological and ethnohistorical research. Themes of prime importance are examined in depth: the conquest of America as seen from the point of view of the conquered, the status of women, the systems of calculation of ancient Peru, and pre-Columbian art presented as art, not only as archaeology.

Text in English and Italian.

This catalogue includes Christo and Jeanne-Claude’s realised and unrealised large-scale projects from 1961 to 2016. Besides the famous wrapped monuments, from the Kunsthalle in Bern (1967-1968) to the Reichstag in Berlin (1971-1995), the publication also includes the barriers made with barrels or with fabric, from Wall of Oil Barrels – The Iron Curtain in Paris (1961-62) to Valley Curtain in Rifle, Colorado (1960-62), the great inflatable objects, from 42,390 Cubic Feet Package of Minneapolis (1966) to 5600 Cubicmeter Package, Project for documenta IV in Kassel (1967-1968), and the fabric pathways, such as Wrapped Walk Ways in Kansas City (1977-1978), or doors, such as The Gates in New York (1979-2005). The seven Water Projects – Christo and Jeanne-Claude’s installations sharing a connection with water – are considered in further depth. In these projects, from Running Fence, Sonoma and Marin Counties, California (1972-1976) to Over the River, a project for the Arkansas River, State of Colorado (1992), the artists worked on establishing a close connection with natural, suburban and urban landscapes that all share a relation with water, be it an ocean, a sea, a lake or a river. The Floating Piers, an installation that allowed visitors to walk across Lake Iseo, is also included here. Among the Water Projects we must mention The Floating Piers, an installation open from June 18 to July 3 2016, which allowed visitors to walk across Lake Iseo and along its shores on a 3-kilometre route. By means of modular floating piers covered in shimmering yellow fabric, the installation linked the town of Sulzano on the lake’s shores, to Monte Isola, also reaching the Island of San Paolo.

The stories told in the great masterpieces of European opera are, frequently, based on facts relevant for criminal law. Murders, abductions, extortions, kidnappings, massacres, and other types of crimes have filled the stories of opera since its origin. In much of musical theatre, including the masterpieces by Verdi, Donizetti, Bellini, Wagner, and many others, there are, also issues addressed that touch upon the less obvious areas of private law: librettos often talk about contracts, donations, wills, weddings, family relationships, debts and money issues in general. In Gaetano Donizetti’s L’elisir d’amore, Nemorino – in love with the beautiful but indifferent Adina – is the victim of a real contract scam perpetrated by Dulcamara. In La sonnambula by Vincenzo Bellini, Elvino snatches the engagement ring given to Amina thinking she was unfaithful: he revokes a donation made in view of marriage, and maybe breaks a rule of law. In Richard Wagner’s Das Rheingold, one witnesses a sensational case of breach of contract, to be read in the light of the emergence, in the nineteenth century, of a new sensibility for market economy and the increasingly central value of contracts in social relations. In Le nozze di Figaro by Mozart, there is a strange marriage vow, executed in order to guarantee the repayment of a debt.

Who other than Henri Matisse’s daughter Marguerite could describe his engraving in this way? Responsible for validating her father’s press-proofs, she is, along with her son Claude Duthuit, the author of this catalogue raisonné of his engravings. She has devoted a large part of her life to allowing this ‘unknown continent’ to be discovered and which is nevertheless essential in understanding the progression of an artist known above all for his mastery of colour. The Matisse Departmental Museum, with the help of the Matisse family, Barbara Duthuit, and some most prestigious institutions, explores in this catalogue all of the engraving techniques used by Matisse from 1900 up to the end of his life. For him, engraving, drawing, painting, and sculpture all had the same importance, and in this work all the key themes that led him to build his research around the human figure, are represented. For the very first time the matrices (woodcut, lithograph, drypoint, etching, linocut…) accompany the works and help us to understand that high standards and hard work, along with an economy of means, led Matisse to transform black into a colour that he used to serve the purity of line.

Text in English and French.

Considering the activity of the numerous foundations that contributed in spreading new expressive languages, today appears to be a fundamental operation in view of an interpretative widening of art history. Starting from this consideration, this publication – in two volumes – traces the path of the Murray and Isabella Rayburn Foundation, established in New York in 1982 with the aim of promoting Italian art in the United States.

Water belongs to our most profound dreams: it evokes motherhood, cleanliness, purity, sensuality, and death. Naturally, this is true for every civilisation, but in Islam this series of ideas found its most profound meaning, turning water into one of the cornerstones of human existence: a cornerstone that is both spiritual as well as social and aesthetic. Statements in the Koran and subsequent literature illustrate the historic development of the many roles and meanings of water and the incarnation of its significance in Islamic art and craftsmanship. This volume tells a story through images, artefacts, books, and miniatures: technology, everyday life, and art, which for centuries mirrored one another in the many ways of enjoying and using water.

Despite some field research our knowledge of the sacred among the Mumuye is still embryonic. In all these acephalic groups of a binary and antinomic nature, the complex va constitutes an extremely varied semantic field in which certain aspects are accentuated depending on the circumstances. Religious power is linked to the strength contained in sacred objects, of which only the elders are the guardians. Moreover, this gerontocracy relies on a system of initiatory stages which one must pass to have access to the status of ‘religious leader’. Geographically isolated, the Mumuye were able to resist the attacks of the Muslim invaders, the British colonial authority and the activities of the different Christian missions for a long time. As a result the Mumuye practised woodcarving until the beginning of our century. In 1970 Philip Fry published his essay on the statuary of the Mumuye of which the analysis of the endogenous network has so far lost nothing of its value. Basing himself on in situ observations, Jan Strybol attempted to analyse the exogenous network of this woodcarving. Thus he was able to document about forty figures and some masks and additionally to identify more than twenty-five Mumuye artists as well as a specific type of sculpture as being confined to the Mumuye Kpugbong group. During and after the Biafran war, hundreds of Mumuye sculptures were collected. Based on information gathered between 1970 and 1993 the author has demonstrated that a certain number of these works are not Mumuye but must be attributed to relic groups scattered in Mumuye territory.

Architecture and automobiles have been intrinsically linked since the dawn of the internal combustion engine – from the assembly plant to the showroom and on to that ubiquitous fixture of the artificial landscape, the service station. The streamlined forms of automobiles have often inspired architects and some have even ventured into designing their own cars. Features Foster and Partners, Bohlin Cywinski Jackson, ONL, Renzo Piano, Populous, Zaha Hadid, UNStudio and Massimiliano Fuksas. Projects presented include the BMW Museum in Munich, the Porsche Museum in Stuttgart, the Audi museum in Ingolstadt by 24-H, Manuel Gautrand’s Citroen museum on the Champs Elyssee in Paris, and the Regio Emilia bridge by Santiago Calatrava in Italy.

Industrial heritage is an important part of our built environment and landscape. It provides tangible and intangible links to our past and has great potential to play a significant role in the futures of our cities, towns, and rural environments. The projection and redevelopment of industrial heritage can contribute to the building of social and cultural capital, environmental sustainability, and urban regeneration. This book showcases a selection of works completed since 2010 with a wide global distribution. It highlights an encouraging increase in the practice of the transformation, redevelopment, and adaptive reuse of industrial structures. From under-utilised, disused, or discarded reminders of times past, the latest metamorphoses of buildings and structures have imbued them with new purposes in what could be regarded as one more stage in a continuous process of industrial evolution. The four essays written by authors from a variety of backgrounds and locations offer a rich addition to the selection of case studies and could serve as opportunities for further research. This book provides direct, informational reference to architects, researchers, and decision-makers.

Includes projects located in France, Sweden, China, Spain, Chile, the Netherlands, USA, Germany, Portugal, Denmark, South Africa, Italy, Canada, Thailand, Latvia, Belgium, Estonia, and India.

Over nearly three decades, Paczowski & Fritsch Architects has established itself as an impressive studio that spectacularly fuses the complex mysteries of the art of building with technological rationality, contemporary culture, and the expressive requirements of the project’s image. It has been consolidating its experience in the sectors of public buildings, service buildings, as well as collective and individual housing; it also specialises in logistics and transport, supermarkets, and high-end retail. The office has played an important role in carrying out important urban planning studies, and excels in the fields of sustainable development and BIM (Building Information Modeling).

This beautifully presented book serves to highlight the incredible output of this world-leader in architecture and design. Internationally renowned architectural writer Philip Jodidio writes an insightful essay on the variety and intelligence that these architects bring to their work. Jodidio engages with the directorship directly, illuminating on their visionary practice, their unique ethos, and the plans for the future under the new generation at the helm. While remaining true to its original philosophy, the office has been successful in numerous competitions and has won significant prizes and international acclaim.

Walking and cycling are becoming a fashionable lifestyle choice – both as a low-impact exercise and a healthy means of travel. There is ever-growing demand for the construction of pedestrian and cyclist paths internationally, and it’s the rate of growth that highlights new challenges as well as opportunities for landscape designers. This book showcases several exciting design projects of pedestrian and cyclist paths across a range of environments, from cities to local communities, urban to larger national parks. The book includes an informative design guide and a set of criteria that should provide strong reference materials for professionals and students in related design fields.

The term “smart” in reference to homes and communities describes places whose function is related to or affected by information technology. In the wake of the ongoing digital revolutions of the 21st century, designers and planners are paying significant attention to the design of dwellings and neighbourhoods and are considering new economic realities, by integrating innovative digital appliances, which are also helping to foster economic sustainability for future generations. In this important book, Avi Friedman, Professor of Architecture at McGill University in Montreal, examines these concepts and their applications through several revealing essays, which are illustrated with lavish full-colour photography, detailed diagrams, and technological insight through a selection of case studies from around the globe. The text comprehensively investigates several key topics, namely the correlations between the built and the natural environments and their ecological attributes; issues of mobility and transportation; the mixing of amenities and residences; district heating and other energy efficiencies; planning for green open space while considering the residents’ lifestyle; edible landscapes and novel urban agriculture practices and their implementation; reducing a community footprint with regards to the evolution of high-density living; the principles of heritage conservation within communities, where social, economic, and environmental issues are all present, where old is mixed with new; how sustainability is achieved when dwellings are designed for and equipped with advanced “green” technologies, for adaptable homes, multi-generational dwellings, add-in and add-on units, and plug and play, among others.

Despite its trademark transparency, the Corum Golden Bridge is a wristwatch full of mystery. This new book describes the iconic linear timepiece’s fascinating history including the innovative mechanical invention conceived by a nonconformist autodidact and the difficult technical breakthroughs by two like-minded personalities needed to achieve the dream wristwatch. This story, chock-full of narrative substance, begins in Switzerland of the late 1970s, at a time when electronic timekeeping was threatening to overtake the magical mastery of mechanical ticks and tocks. The Golden Bridge, spanning the gap between mechanics and art, is an integral part of this era as luxury watchmaking teetered on the brink of extinction. The Golden Bridge additionally helped usher in the era of the independent watchmaker, as its very creation was rooted in shedding light on the work of the watchmaker in a way that no other timepiece before or after it ever would.

“It’s very easy to please others, but very hard to please yourself.” Such is the byword of Vincent Calabrese, one of the best-known creative watchmakers in the world today.  Throughout his life he has never stopped trying to surpass himself.  His famous creations (including those relating to the tourbillon and the karussel) have made a decisive contribution to the revitalisation of the Swiss watch industry, and his watches demonstrate his unparalleled boldness as well as his aesthetic sensitivity. But in these pages the reader will above all meet with a rare personality.  Born into a poor family in Naples, Vincent has earned a prominent place in the watchmaking world.  It is not just to his innovations, whose secrets he reveals in this book, that he owes his position. Vincent’s legacy comes every bit as much from his fierce determination, his philosophical and ethical standards, and his legendary broadsides, directed as much at the profession itself as at the industry as a whole.

A great American novelist, illustrated by a great American artist – now available in a collectable two-volume set.

In 1936, the Heritage Press, a publisher of fine editions, commissioned Norman Rockwell to illustrate Mark Twain’s Adventures of Tom Sawyer; four years later, they asked him to illustrate The Adventures of Huckleberry Finn as well. For each book, Rockwell created eight full-colour paintings and numerous pen-and-ink drawings, the product of extensive on-the-ground research in Twain’s hometown of Hannibal, Missouri. Famously, Rockwell even tried to buy some Hannibal residents’ old clothes, to dress his models in.

For years, the Rockwell editions of Tom Sawyer and Huckleberry Finn have been unavailable in stores. Now, Abbeville Press is proud to reissue them as a handsome new clothbound set. The colour plates are reproduced from new photography of Rockwell’s original paintings, the typesetting has been done anew to a high standard, and new introductions – illustrated with Rockwell’s rarely seen preliminary sketches – examine this unique encounter between two legendary chroniclers of America.

Also available: Treasure Island and Kidnapped boxed set ISBN 9780789214089

A head-to-head comparison of the two greatest soccer stars of their generation – and perhaps of all time.

One, diminutive and reserved; the other, tall and theatrical. One with six Ballons d’Or, and the other with five. There’s no doubt about it – Lionel Messi and Cristiano Ronaldo are the best. But which one is better? This lively book compares every aspect of the legendary rivals’ careers, to let the reader decide. It compares their stats, including their ten years of matchups in El Clásico, their club trophies, and their individual awards and milestones. It analyses their style of play, and how it has evolved throughout their careers. And, it looks at how their rivalry continues off the field, in terms of endorsement deals, social media followings, and philanthropic endeavors. Packed with colour photos of the champions in action, Messi and Ronaldo will spark discussion among both players’ partisans.