Despite some field research our knowledge of the sacred among the Mumuye is still embryonic. In all these acephalic groups of a binary and antinomic nature, the complex va constitutes an extremely varied semantic field in which certain aspects are accentuated depending on the circumstances. Religious power is linked to the strength contained in sacred objects, of which only the elders are the guardians. Moreover, this gerontocracy relies on a system of initiatory stages which one must pass to have access to the status of ‘religious leader’. Geographically isolated, the Mumuye were able to resist the attacks of the Muslim invaders, the British colonial authority and the activities of the different Christian missions for a long time. As a result the Mumuye practised woodcarving until the beginning of our century. In 1970 Philip Fry published his essay on the statuary of the Mumuye of which the analysis of the endogenous network has so far lost nothing of its value. Basing himself on in situ observations, Jan Strybol attempted to analyse the exogenous network of this woodcarving. Thus he was able to document about forty figures and some masks and additionally to identify more than twenty-five Mumuye artists as well as a specific type of sculpture as being confined to the Mumuye Kpugbong group. During and after the Biafran war, hundreds of Mumuye sculptures were collected. Based on information gathered between 1970 and 1993 the author has demonstrated that a certain number of these works are not Mumuye but must be attributed to relic groups scattered in Mumuye territory.
Architecture and automobiles have been intrinsically linked since the dawn of the internal combustion engine – from the assembly plant to the showroom and on to that ubiquitous fixture of the artificial landscape, the service station. The streamlined forms of automobiles have often inspired architects and some have even ventured into designing their own cars. Features Foster and Partners, Bohlin Cywinski Jackson, ONL, Renzo Piano, Populous, Zaha Hadid, UNStudio and Massimiliano Fuksas. Projects presented include the BMW Museum in Munich, the Porsche Museum in Stuttgart, the Audi museum in Ingolstadt by 24-H, Manuel Gautrand’s Citroen museum on the Champs Elyssee in Paris, and the Regio Emilia bridge by Santiago Calatrava in Italy.
Country Style and Design beautifully showcases Justin Bishop’s intricate knowledge of country style and design. Blending traditional country style with modern influences, this book is a collection of beautiful images, practical tips, useful styling notes and personal sentiment. Regardless of whether you live in a city apartment or suburban home, if you love all things vintage and rustic, then this exquisite book is sure to delight. The interior architecture and landscaping featured in Country Style and Design encompasses a number of looks – from the French country style of Provence to the more floral country designs of England, and from rustic traditional Americana to Australia’s distinctive rural style.
Industrial heritage is an important part of our built environment and landscape. It provides tangible and intangible links to our past and has great potential to play a significant role in the futures of our cities, towns, and rural environments. The projection and redevelopment of industrial heritage can contribute to the building of social and cultural capital, environmental sustainability, and urban regeneration. This book showcases a selection of works completed since 2010 with a wide global distribution. It highlights an encouraging increase in the practice of the transformation, redevelopment, and adaptive reuse of industrial structures. From under-utilised, disused, or discarded reminders of times past, the latest metamorphoses of buildings and structures have imbued them with new purposes in what could be regarded as one more stage in a continuous process of industrial evolution. The four essays written by authors from a variety of backgrounds and locations offer a rich addition to the selection of case studies and could serve as opportunities for further research. This book provides direct, informational reference to architects, researchers, and decision-makers.
Includes projects located in France, Sweden, China, Spain, Chile, the Netherlands, USA, Germany, Portugal, Denmark, South Africa, Italy, Canada, Thailand, Latvia, Belgium, Estonia, and India.
Over nearly three decades, Paczowski & Fritsch Architects has established itself as an impressive studio that spectacularly fuses the complex mysteries of the art of building with technological rationality, contemporary culture, and the expressive requirements of the project’s image. It has been consolidating its experience in the sectors of public buildings, service buildings, as well as collective and individual housing; it also specialises in logistics and transport, supermarkets, and high-end retail. The office has played an important role in carrying out important urban planning studies, and excels in the fields of sustainable development and BIM (Building Information Modeling).
This beautifully presented book serves to highlight the incredible output of this world-leader in architecture and design. Internationally renowned architectural writer Philip Jodidio writes an insightful essay on the variety and intelligence that these architects bring to their work. Jodidio engages with the directorship directly, illuminating on their visionary practice, their unique ethos, and the plans for the future under the new generation at the helm. While remaining true to its original philosophy, the office has been successful in numerous competitions and has won significant prizes and international acclaim.
Walking and cycling are becoming a fashionable lifestyle choice – both as a low-impact exercise and a healthy means of travel. There is ever-growing demand for the construction of pedestrian and cyclist paths internationally, and it’s the rate of growth that highlights new challenges as well as opportunities for landscape designers. This book showcases several exciting design projects of pedestrian and cyclist paths across a range of environments, from cities to local communities, urban to larger national parks. The book includes an informative design guide and a set of criteria that should provide strong reference materials for professionals and students in related design fields.
The term “smart” in reference to homes and communities describes places whose function is related to or affected by information technology. In the wake of the ongoing digital revolutions of the 21st century, designers and planners are paying significant attention to the design of dwellings and neighbourhoods and are considering new economic realities, by integrating innovative digital appliances, which are also helping to foster economic sustainability for future generations. In this important book, Avi Friedman, Professor of Architecture at McGill University in Montreal, examines these concepts and their applications through several revealing essays, which are illustrated with lavish full-colour photography, detailed diagrams, and technological insight through a selection of case studies from around the globe. The text comprehensively investigates several key topics, namely the correlations between the built and the natural environments and their ecological attributes; issues of mobility and transportation; the mixing of amenities and residences; district heating and other energy efficiencies; planning for green open space while considering the residents’ lifestyle; edible landscapes and novel urban agriculture practices and their implementation; reducing a community footprint with regards to the evolution of high-density living; the principles of heritage conservation within communities, where social, economic, and environmental issues are all present, where old is mixed with new; how sustainability is achieved when dwellings are designed for and equipped with advanced “green” technologies, for adaptable homes, multi-generational dwellings, add-in and add-on units, and plug and play, among others.
This book presents sixteen essays exploring the work of two of 17th-century Amsterdam’s most ambitious painters, Govert Flinck and Ferdinand Bol. Museum curators, academic art historians, and conservation scientists from six different countries come together to investigate form, content, and context from a variety of perspectives. Eric Jan Slujter examines how changing patterns of patronage contributed to both artists’ stylistic evolution. Hilbert Lootsma traces the rise and fall of their critical fortunes from their own time until today. Ann Jensen Adams situates their work in the shifting market for portraiture. Jasper Hillegers explores the origins of Flinck’s career in the Leeuwarden studio of Lambert Jacobsz. Other authors present contextual and technical analyses of individual paintings. Portrait identities are revealed, painterly tricks uncovered, and both artists are shown to be influential teachers and members of an intellectual community in which art and theatre were closely linked. Many of these essays originated at an international conference held in preparation for the exhibition, Govert Flinck and Ferdinand Bol. Together, they shed new light on the methods and motivations of two artists who began as Rembrandt’s acolytes but soon became his rivals.
Spijkers and Spijkers is part 6 in a series showcasing important Dutch and internationally influential Fashion Designers. Dutch twin sisters Spijkers and Spijkers create flattering womenswear that rebels against society’s stereotypical image of femininity. Known for their Art Deco-inspired striking graphic prints and fluid tailoring, they have been championed for creating both couture and ready-to-wear collections that are accessible to all. This book presents their career history, which so far has spanned 11 years.
The 1920s in Germany witnessed a revolution in visual communication, typography, and graphic design that still influences us today. In 1929, Hungarian avant-garde artist and Bauhaus professor László Moholy-Nagy was invited to design a room dedicated to the future of typography at the Martin-Gropius Bau in Berlin as part of a larger exhibition called New Typography (“Neue Typographie”).
The exhibition was organised by the Ring of New Advertising Designers (“ring neue werbegestalter”), a group started by Kurt Schwitters in 1927 which consisted of 12 avant-garde designers and artists who explored a common vision of modernity in advertising and graphic design. In five years, the Ring put on over 20 shows in Germany, and invited guest artists to exhibit with them.
Moholy-Nagy’s room in the New Typography show was called “Where is Typography Headed?”. He created 78 freestanding panels with work by himself, other artists, and contemporary printed matter, which addressed the current trends and future direction of typography. The panels are reproduced together in this book for the first time, along with an Abcdarium of terms and concepts by a roster of noted typography and design historians.
More than four centuries ago, the small Republic of the United Netherlands embarked on an economic boom. Contacts were established with the four corners of the world. Many of these centuries-old relationships have left traces in museums and archives, in the open fields or in the city, in stories and in pictures. Footsteps and Fingerprints, the Legacy of a Shared History presents an image of the legacy the contacts between Brazil, Ghana, India, Indonesia, the Netherlands, Russia, Sri Lanka, Surinam and South Africa have produced over the last 400 years. Various ‘top pieces’ and other remarkable items designated Mutual Cultural Heritage are described: from Vingboons’ View of Table Bay, Henkes Schnapps in Ghana to the Dutch Church in St Pertersburg.
Paul Gauguin’s Vision of the Sermon (1888), one of the iconic works of the late nineteenth century, continues to provoke profound reassessment and interpretation by art historians, and it is central to this third volume of Van Gogh Studies: Dario Gamboni discusses the painting as a self-reflexive work dealing in visual terms with issues of perception, cognition and representation; Juliet Simpson addresses the art critic Aurier’s contribution to the promotion of Gauguin as the exemplary symbolist artist; while Rodolphe Rapetti examines Emile Bernard’s artistic response to Vision of the Sermon in the context of Rosicrucianism; the Belgian art world’s critical reaction to this and other works by the artist is meticulously described and analysed in Elise Eckermann’s essay; while June Hargrove presents a challenging vision of Gauguin’s portraits of his ‘alter ego’ Meijer de Haan. Other contributions include Sandra Kister’s examination of the way the Thorvaldsen Museum in Copenhagen functioned as a role model for the Museé Rodin in Paris; Richard Thomson’s discussion of the diverse ways in which French artists working in the early Third Republic responded to contemporary concepts of ‘la psychologie nouvelle’; and, finally, a fresh view of nineteenth-century illustrations, including caricatures, offered by Patricia Mainardi. Contents:
-The Vision of a vision: Perception, hallucination, and potential images in Gauguin’s Vision of the sermon
-The décor of dreams: Gauguin, Aurier and the symbolists’ vision -From Gauguin to Péladan: Emile Bernard and the first salon of the Rose+Croix -Gauguin’s critical reception in Belgium in 1889 and 1891 -Gauguin’s maverick sage: Meijer de Haan -Museé Rodin: Thorvaldsen as a role model -Seeing Visions, Painting Visions: On psychology and representation under the early Third Republic -Paths forgotten, calls unheard: Illustration, caricature, comics in the 19th century Also Available:
Current Issues in 19th Century Art: Van Gogh Studies, Volume 1 ISBN: 9789040083501 Van Gogh: A Literary Mind: Van Gogh Studies, Volume 2 ISBN: 9789040085628
Despite its trademark transparency, the Corum Golden Bridge is a wristwatch full of mystery. This new book describes the iconic linear timepiece’s fascinating history including the innovative mechanical invention conceived by a nonconformist autodidact and the difficult technical breakthroughs by two like-minded personalities needed to achieve the dream wristwatch. This story, chock-full of narrative substance, begins in Switzerland of the late 1970s, at a time when electronic timekeeping was threatening to overtake the magical mastery of mechanical ticks and tocks. The Golden Bridge, spanning the gap between mechanics and art, is an integral part of this era as luxury watchmaking teetered on the brink of extinction. The Golden Bridge additionally helped usher in the era of the independent watchmaker, as its very creation was rooted in shedding light on the work of the watchmaker in a way that no other timepiece before or after it ever would.
“It’s very easy to please others, but very hard to please yourself.” Such is the byword of Vincent Calabrese, one of the best-known creative watchmakers in the world today. Throughout his life he has never stopped trying to surpass himself. His famous creations (including those relating to the tourbillon and the karussel) have made a decisive contribution to the revitalisation of the Swiss watch industry, and his watches demonstrate his unparalleled boldness as well as his aesthetic sensitivity. But in these pages the reader will above all meet with a rare personality. Born into a poor family in Naples, Vincent has earned a prominent place in the watchmaking world. It is not just to his innovations, whose secrets he reveals in this book, that he owes his position. Vincent’s legacy comes every bit as much from his fierce determination, his philosophical and ethical standards, and his legendary broadsides, directed as much at the profession itself as at the industry as a whole.
A great American novelist, illustrated by a great American artist – now available in a collectable two-volume set.
In 1936, the Heritage Press, a publisher of fine editions, commissioned Norman Rockwell to illustrate Mark Twain’s Adventures of Tom Sawyer; four years later, they asked him to illustrate The Adventures of Huckleberry Finn as well. For each book, Rockwell created eight full-colour paintings and numerous pen-and-ink drawings, the product of extensive on-the-ground research in Twain’s hometown of Hannibal, Missouri. Famously, Rockwell even tried to buy some Hannibal residents’ old clothes, to dress his models in.
For years, the Rockwell editions of Tom Sawyer and Huckleberry Finn have been unavailable in stores. Now, Abbeville Press is proud to reissue them as a handsome new clothbound set. The colour plates are reproduced from new photography of Rockwell’s original paintings, the typesetting has been done anew to a high standard, and new introductions – illustrated with Rockwell’s rarely seen preliminary sketches – examine this unique encounter between two legendary chroniclers of America.
Also available: Treasure Island and Kidnapped boxed set ISBN 9780789214089
An abundantly illustrated journey through one of the world’s most diverse and fascinating regions.
Although India’s northeastern administrative region makes up only eight percent of India’s land area, it is home to some 140 indigenous tribes, each with its own unique culture. The terrain, predominantly hilly, ranges from snow-capped peaks to tropical rainforests. Now, for the first time, noted authors and filmmakers Dipti Bhalla Verma and Shiv Kunal Verma provide a comprehensive introduction to this little-known yet captivating part of the world.
Verma and Verma conduct us from the towering Kanchenjunga massif in Sikkim to the tea plantations of Assam, to the astonishing biodiversity of Arunachal Pradesh, to the martial tribes and Baptist churches of Nagaland, to the birthplace of polo in Manipur, to the living root bridges of Meghalaya, to the farms nestled among the hills of Tripura and Mizoram. They take us into the lives of the many peoples of these eight states, who maintain their traditional customs and beliefs even in the face of growing ecological threats.
Featuring more than 300 colour photographs and several detailed maps, Life and Culture in Northeast India will be an essential volume for anyone interested in the peoples and places of Planet Earth.
A head-to-head comparison of the two greatest soccer stars of their generation – and perhaps of all time.
One, diminutive and reserved; the other, tall and theatrical. One with six Ballons d’Or, and the other with five. There’s no doubt about it – Lionel Messi and Cristiano Ronaldo are the best. But which one is better? This lively book compares every aspect of the legendary rivals’ careers, to let the reader decide. It compares their stats, including their ten years of matchups in El Clásico, their club trophies, and their individual awards and milestones. It analyses their style of play, and how it has evolved throughout their careers. And, it looks at how their rivalry continues off the field, in terms of endorsement deals, social media followings, and philanthropic endeavors. Packed with colour photos of the champions in action, Messi and Ronaldo will spark discussion among both players’ partisans.
“These photos are stunning, bittersweet visions of a past shared by all of us.“ – Tom Hanks.
“Brian Hamill is best known as a still photographer and a photojournalist. But I’ve always regarded him – first and foremost – as a master portraitist. And this book bears that out – capturing as it does, the many-faceted phenomenon that was John and Yoko – artists, lovers, cultural comrades and – most elusively – business partners. Behind his camera, Hamill is something of a phenomenon himself.” – Richard Price
Renowned celebrity photojournalist Brian Hamill delivers his own insider view of this Beatles icon, through intense, intimate photographic portraits and insightful text. Whether Lennon is dominating the stage, posing on the roof of the Dakota building, or relaxing with Yoko Ono, Hamill’s photography takes this quasi-mythical figure from the world of Rock ‘n’ Roll and shows him as the man he really was.
“Brian looked at the John Lennon who had become an icon and saw instead a familiar face. He saw a working-class hero like those that built the City of New York. And so when John Lennon came to live in New York, Brian captured him as a New Yorker, in the joyous images that you will find in this book.” – Pete Hamill
“Lennon, one of the most famous men in human history, wanted to live as one among many. Of course, he hit it off with Hamill. The guy that flew so high needed some oxygen. Hamill is fresh air. His folio of Lennon images shows Lennon focused, present, but edgy, never relaxed.” – Alec Baldwin
“Erudite, while still being fun to read.” — Professor Tim Neild, physiologist and medical educator
“A triumph of Social History in the Georgian period.” — Dr Nigel Cooke FRCP, physician and ceramic historian
This is the first biography and reference book dedicated to Samuel Percy, a modeller who produced an impressive oeuvre of wax portraits and tableaux in the mid-to-late eighteenth and early nineteenth century. Based in part on the author’s own substantial collection of Percy waxes, this book follows Percy from his beginnings in Dublin, at the Dublin Society Drawing Schools, working with the famed statuary John Van Nost; to England, where he journeyed from town to town, putting advertisements in regional newspapers. These revealing advertisements have been gathered here for the first time, in order to track his travels. Whether taking the likeness of Princess Charlotte of Wales, or falling victim to a highway robber in Birmingham, these fragments of Percy’s history paint a fascinating picture of his life as a wandering artisan. As well as a chronological narrative of Percy’s life, this book commits an entire chapter to an area of his work that has never been studied before: his miniature tableaux. These portray various subjects, both religious and secular, from Christ on the Cross to playing children. They are catalogued in an appendix, and almost thirty are illustrated. Based entirely on original research, Mr. Percy: Portrait Modeller in Coloured Wax features over a hundred illustrations, celebrating both Percy’s accomplishments and the works of other modellers for comparison.
It is interdisciplinary teams with complex compositions that develop and realise exhibitions. Groenlandbasel directs a network of specialists and with Spaces and Stories enables an insight into the cooperation and the dedicated efforts of a wide range of involved parties. Exhibition thinkers and exhibition makers express themselves alongside each other in essays, shorter highlights and interviews.
The texts are accompanied by a diverse selection of projects by Groenlandbasel: museum developments, special and permanent exhibitions, architecture, as well as indoor and outdoor installations.
With text contributions from: Dominic Huber, Director Rimini Protokoll, Zurich; Nina Gorgus, Curator Historical Museum Frankfurt; Ramon De Marco, Sound Designer Idee und Klang, Basel; Daniel Tyradellis, freelance curator, Berlin; Beat Hächler, Director Alpine Museum of Switzerland, Bern; Sibylle Lichtensteiger, Director Stapferhaus Lenzburg.
Text in English and German.
Christo and Jeanne-Claude rank among the most popular artist couples of our time. They were unrivalled in breaking the art world’s tight boundaries and arousing the enthusiasm of a broad public, across all social strata, for their spectacular shrouding’s of buildings and landscapes.
The PalaisPopulaire presents the Jochheim Collection
and traces the history of Christo and Jeanne-Claude’s breathtaking large-scale projects; complemented by their rarely seen early works. Of course, the wrapping of the Reichstag takes centre stage, which enabled all of Berlin to shine in a most unique way 25 years ago.
Text in English and German.
Raphael arrived in Rome in 1508 and remained there until his death in 1520, working as painter and architect for popes Julius II and Leo X and for the most prestigious patrons. Here the artist changed his painting style several times, looking at the works of Michelangelo, Sebastiano del Piombo and the vast repertoire of ancient painting and sculpture. In the Eternal City Raphael practised architecture for the first time, designing buildings that reflected the models of Antiquity such as the Pantheon, the descriptions deriving from written sources such as Vitruvius’ treaty on architecture, and the examples of modern architects like Donato Bramante.
This guide supplies essential and up to date information on all the civil or religious buildings designed or built by Raphael in Rome, and the frescoes and paintings, housed in churches or museums, whether executed in the city or arrived there at a later stage.
November 19, 1479: a dynastic alliance, two noble scions, a regal wedding, short-lived and with an unhappy ending. These pages reconstruct the story of the magnificent bas relief in the Acton Collection (Villa La Pietra, Florence), commissioned to celebrate the marriage between Antonio Basso Della Rovere, nephew of Pope Sixtus IV, and Caterina Marzano d’Aragona, the niece of King Ferdinand I of Naples. The heraldic symbols of the three coats of arms leave no doubt about the identities of the characters and events surrounding its creation, and lead us to the original location of the work, born as the overdoor to the main portal of the Basso Della Rovere Palace in piazza della Maddalena in Savona. Through close examination of the Della Rovere in Rome, this study highlights some previously unknown facts about the family’s origins and returns to Savona and its role as a political, cultural, and artistic protagonist in late 15th-century Italy.