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Marilyn Monroe 100 is the only official publication celebrating and commemorating the centenary of Marilyn Monroe’s birth. Published in association with the Marilyn Monroe Estate, this stunning book brings together specially curated sections of work by the best photographers who collaborated with Monroe during her lifetime, including some of the greatest names in the art of photography. 

André de Dienes, Joseph Jasgur and Bernard of Hollywood unveil early images of a young Norma Jeane; John Florea and Philippe Halsman showcase stunning publicity shots of an aspiring actress; Eve Arnold, Elliott Erwitt, Bruce Davidson and Henri Cartier-Bresson capture Marilyn on the sets of some of her most famous films; Cecil Beaton and Richard Avedon portray the actress’s alluring beauty; and the candid photography of Alfred Eisenstaedt, Sam Shaw, George Barris and Milton Greene reveal another side to the Hollywood icon. The book ends with Bert Stern’s ‘Last Sitting’ along with recently rediscovered images of a radiant and smiling Monroe taken from a photo shoot for Life magazine by Allan Grant, originally published two days before the star’s death.  

Alongside this sumptuous exhibit of Marilyn’s life, a selection of fascinating quotes by Monroe herself, as well as texts by scholars and admirers, chronicles the life of a woman with a unique persona who was a trailblazer ahead of her time. Looking back over the past 100 years, it becomes apparent just how avant-garde Marilyn Monroe truly was. 

This exceptional book is a fitting celebration of the life of this most extraordinary woman. 

Phase 3 of digitalization has started. A phase of artificial intelligence has revolutionized the buying behavior of customers: collecting information, the buying process and customer service have changed dramatically. This book explains the impact of the ‘internet of things’, virtual assistants, bots and client data. But first of all this is a book about customers. In a world of automatization the most important question remains: how can I be customer-oriented?

“Steven is a much asked for keynote speaker for our events, always a highlight. He has a unique and authentic style: with a combination of academic depth and well-built cases he spices up his presentations with a tremendous amount of humor.” – Anthony Belpaire, Google

Website: stevenvanbelleghem.com
Youtube: StevenVanBelleghem/videos
Twitter: @StevenVBe

Fifteen years ago, Eduardo Mencos (farmer, landscape designer and photographer) and Charles Quest-Ritson (historian, writer, journalist and editor) conceived the idea of going on a trip around the world, like Jules Verne, but with the olive tree playing the leading role. The outcome of that adventure through 26 countries is this book, which tells the story of humankind through the olive tree and its fruit. In the book, the authors take an in-depth look at a tree that is so familiar to us all and yet still remains so much of a mystery in terms of its many different guises.

With over 200 spectacular photographs taken by Eduardo Mencos, accompanied by an erudite text written by Charles Quest-Ritson, the book sweeps through the manifold manifestations of the olive tree and its distinguishing traits. It covers the origin and later domestication of the tree, all of the different roles it has played and the significance it has had at different times throughout history, its importance in the Bible, right through to the most innovative contemporary methods used today for growing and cloning olive trees, together with the prominent place it holds in the Mediterranean diet and its different uses.

The intention of this long journey is to awaken a vision of the olive tree that is imbued with beauty, poetry and curiosity.

This new monograph celebrates the creative accomplishments of one of the world’s most influential architects, Cesar Pelli. The book surveys this extraordinary body of work in terms of the AIA’s Gold Medalist’s design, architecture, and planning, tracing Pelli’s motivation as a leading designer and teacher, and the evolution of his work over the span of half a century. More than 50 projects from around the globe – museums, theaters, offices, laboratories, airports, cultural centers, civic works, master plans – are presented in rich full color with insights from Pelli that delve into the design and construction of these landmarks from a practice that has thrived for nearly 40 years.

“…a beautiful book, filled with captivating images and explanatory text which never gets too dry or too technical…” – Revolution
Despite the functional obsolescence of the mechanical wristwatch (our phones and computers tell more accurate time) the early 21st Century has seen a boom in the development, production, and appreciation of all things horological. Whether it is presented to the collector as an alternative investment, as a feat of micro-mechanical technology, or as a showcase of artisanal mastery, the mechanical wristwatch has never possessed more forms, functions or facets than it does today.
The Wristwatch Handbook is written from the epicentre of a renaissance, a place in time between the Quartz revolution and the rise of the smart device – where the mechanical wristwatch is the antidote to the microprocessor and the permanent buzz of your inbox. From the multi-axis tourbillion, to the split-second chronograph, to the sidereal sky chart, The Wristwatch Handbook covers it all and does so with more than 470 rich illustrations from over 90 of the World’s leading brands.
The book is separated into two sections. The first section provides the reader with a comprehensive understanding of the mechanical movement. Its chapters explore power, transmission, distribution and regulation illustrating the basic concepts before considering the innovation and complexity that takes place further toward the cutting edge. From the fifty-day power reserve, to the constant force mechanism, and the 1,000Hz mechanical escapement, section 1 will allow the reader to understand and appreciate what is happening beneath the dial of their watch. Section two allows the reader to take this understanding and apply it to the vast range of complications (functions) that exist in modern horology. Each chapter showcases a distinct category of complication. For example, the regatta timer, pulsometer, and monopusher chronograph join a host of others in a chapter entitled ‘Recording Lapses of Time’; The power reserve indicator, dynamograph, and crown position indicator are featured in a chapter for ‘Power and Performance Indication’; The moon phase indicator, annual calendar, and planetarium can be found in the ‘Astronomical Complications’ chapter. Once the functional categories are exhausted, the final three chapters explore whimsical complications that have little regard for practical function, novelty time indication, and the ‘super-complicated’ watch – a rare breed of timepiece that houses an intimidating host of complications featured throughout the book. Upon completion of The Wristwatch Handbook the reader will be able to identify even the most exotic complication from across the room, and be able to share their appreciation and understanding of what makes it so useful and compelling.

The Wristwatch Handbook is “brand agnostic”, using only those watches that most aptly illustrate the given subject-matter. As a consequence the book places equal emphasis on the classic and the cutting edge, on watches produced in large volume or exclusive runs, by industry-leading technology or at the hand of a master. In doing so the book provides an unparalleled range of watches from over 90 brands, allowing the reader to determine for themselves which brands, complications, and styles they will build their collection from.

“The well-judged employment of classical detail in a new home has an additional significance that cannot be underestimated. It is an expression of an informed personal choice and an evocation of the delight in the human senses. This is true of all the houses featured in this book.” Jeremy Musson
“The architects and craftsmen that Phillip has featured in this wonderful book all have a love for classical detail. The art is alive and well, as can be attested to in these pages.” David Easton
In The Art of Classical Details, Phillip James Dodd takes a close-up look at some of the finest examples of contemporary classical architecture. The book consists of two chapters: The Essays and The Projects. Starting with a foreword by renowned decorator David Easton, The Essays are written by some of today’s most sought after architects, scholars and craftsmen. Accompanied by sumptuous full page photographs and renderings that illustrate a use of fine materials, intricate detailing, and superb artisanship, these insightful texts are essential reading for anyone with an interest in the theory, practice and craft of classical design. The Projects presents an illustrated look at 25 of today’s finest classically-designed homes. Employing the theories prescribed in the writings of the first chapter, this portfolio of contemporary buildings exhibits the work of some of the most recognizable and celebrated architects in Great Britain and the United States. The work featured in within this book demonstrates the timeless beauty of classicism, and delights in the role that superbly crafted details play in creating art.

“Wine lovers who have pondered the answers to questions like “Why is red wine red?” and “Why do people perceive wines differently?” will appreciate this book.” — Wall Street Journal

“…one of those rare books that will make you think differently next time you open a bottle of wine”— Club O

… Gus Zhu MW has written a fascinating – and easy to follow – guide to the way in which chemistry, biology, physics, genetics and winemaking interact to not only create the great diversity seen in today’s world of wine, but also shape our ability to taste, understand and appreciate these wines.” — Natasha Hughes MW, wine and food writer

“A lively, readable exploration of the science behind the taste of wine… It’s not easy bringing wine chemistry to life, but Gus knows his stuff and presents it in an easily digestible read.” — Dr Jamie Goode, author of Wine Science and Flawless

“For those whose interest in wine has evolved beyond the simply sip phase, Behind the Glass would be a good first place to look for answers to some fundamental questions.” — The World of Fine Wine

In Behind the Glass readers will discover the science involved in wine tasting and learn why wine tastes the way it does. Wine is chemically very complex, while sensory appreciation can be subjective, meaning that our perception of wine is multi-layered. Behind the Glass is aimed at the non-scientist curious wine lover or wine professional and uses flavor chemistry and sensory science to help readers understand what is going on when they taste a glass of wine. The book is divided into three sections, on the visual appreciation of wine, the taste of wine on the palate and the smell of wine, and explains the chemical and sensory aspects of each. The text is illuminated by accompanying graphics. The book concludes with six pairs of wines to taste, to allow readers to put into practice the ideas explored in the book. By understanding more fully the chemical and sensorial aspects of wine tasting readers will equip themselves to better appreciate each glass of wine they taste.

Through a selection of Edvard Munch works the Norwegian award-winning author Lene Ask invites children of all ages to draw and be creative together with Munch. The book has texts by Ask accompanied by exercises that are related to Munch’s way of experimenting and encourage children to participate in the wonderful world of Munch’s art. Design by Aslak Gurholt, one of Norway’s most renowned and award-winning book designers.

Ages 8+

The V&A may proudly hold the original artwork for the Rolling Stone’s ‘tongue and lips’ logo, but this is an anomaly. The cultural significance of the band logo has been overlooked. And yet, thousands of people wear them on T-shirts every day, mostly as badges of allegiance, but also simply because they look cool. Some have even become tropes – think The Ramones, Run DMC, AC/DC. (Q: How many people who wear Ramones T-shirts have seen them live or know their music?)

Band logos first emerged during the 1960s. They became commonplace in the 1970s and 1980s, when record companies and designers latched on to the power of music branding. Bands and logos may seem like unlikely bedfellows … yet it’s often the most eccentric, anarchic types who end up with the most compeling or ingenious visual marques to signify their attitude and style of music.

It is also interesting how many prominent graphic designers first became interested in logos and letterforms by doodling the names of their favorite bands on their school exercize books. Some of these efforts were reverential copies, others were improvements or embellished versions of the original. A wannabe designer’s version of attempting to emulate a Hendrix riff.

Logo Rhythm includes stories and insight from well-known designers such as Beatles art director Kosh, Bowie designer Jonathan Barnbook, Malcom Garrett, Rob O’Connor of Stylorouge, Chris Bigg of 4AD and editorial guru Mark Porter. There are contributions from Horace Panter of The Specials, XTC’s Andy Partridge, Allan Gorrie of Average White Band, Jim McCarty of The Yardbirds and Alex Kapranos of Franz Ferdinand.

The book hails the unsung heroes and tall stories behind iconic band logos of all genres. It unearths original artwork and proffers informed comment and critique. It celebrates the good, the eccentric and the notorious, digging for nuggets of interest and illumination in the compelling world of band logos.

“May you all live to be 100 years old, and may the last voice you hear be mine.” Frank Sinatra “His camera was a constant companion from his early teens. My daughter, his granddaughter, unearthed these gems and they are seen here for the first time.” Nancy Sinatra 2015 marks 100 years since the birth of Frank Sinatra. The year will be full of events to commemorate the life and music of one of the Twentieth Century’s biggest stars including exhibitions, concerts and variety of album releases. A very special event will be the publication of SINATRA, a luxurious book curated by Frank Sinatra’s granddaughter, Amanda Erlinger. Amanda has compiled a wealth of rare and unseen images from the family archives for inclusion in the book along with an incredible array of stars to contribute words and imagery. Undoubtedly, SINATRA forms a wonderful, personal memory of Frank Sinatra. This spectacular 400-page book – which comes in luxury clam-shell case – is signed by Nancy Sinatra, Frank Sinatra Jnr., and Tina Sinatra and includes a rare and unpublished signed print of a photograph of Frank Sinatra taken by Nancy Sinatra Snr (see image below, middle of the row). With contributions from an incredible all-star cast including – Nancy Sinatra, Martin Scorsese, George Clooney, Billy Joel, Neil Sedaka, Quincy Jones, Paul McCartney, Tony Bennett, and Elvis Costello and featuring the work of photographers – Herbert Gehr, Milton H. Greene, Bob Willoughby, Dezo Hoffmann, Ken Veeder, Ted Allan, John Dominis, Ed Thrasher, John Bryson, and Terry O’Neill. SINATRA includes photos from the Capitol Records and Warner Bros. Records archives, unpublished family photos of the Sinatra family and, most excitingly, many photos taken by Frank Sinatra himself, including several self-portraits. This edition is limited to 1000 copies and published in association with Iconic Images and Frank Sinatra Enterprises. “It is fitting that the voice that defined a century should have a centenary. Francis Albert Sinatra, my father, was born December 12, 1915, in Hoboken New Jersey. He came from humble beginnings and set off from there to live a life that few can imagine. He is the embodiment of the American Dream.” Nancy Sinatra “Just the mention of his name. You can say it like an incantation, and a whole world is right there before you. Sinatra…” Martin Scorsese “He was the epitome of what singing is all about. Beautiful sounds, smooth as silk, effortless, impeccable phrasing, stylish, intelligent, and full of heart.” Barbra Streisand

“It is an exhaustive overview of LeCompte’s work and is chock-full of expertly photographed images.” — Princeton Herald

“The book is a magnificent volume. It is as comprehensive as one could hope.” — Anglican and Episcopal History

Rowan LeCompte (1925-2014) was a world-renowned stained-glass artist best known for his work in Washington National Cathedral that spanned an unprecedented 70 years of artistic commission. Rowan LeCompte: Master of Stained Glass celebrates LeCompte’s artistic inspiration, distinctive technique, and unique perspective on a medieval decorative art, which he transformed into a fine art for modern times. The book traces his fascinating trajectory, from a determined teenager to a charming octogenarian with a clear vision of what stained glass can do within and beyond cathedral walls. More than an artist biography, this book illuminates the essence of human nature and its balance of light and darkness.  

Growing up in Baltimore, young Rowan LeCompte was fascinated by color and light, collecting colored glass fragments that his older brother – Stuart, a scientist – had discarded from his lab at Johns Hopkins. A visit to the Washington National Cathedral at age 14 would prove transformative for LeCompte, who later described the day as his “second birthday.” At age 15, LeCompte knew what he wanted to do for the rest of his life: combine his love of architecture and painting through the study of stained glass. Just a year later, he earned his first commission in the National Cathedral: the very place that forged his destiny. Rowan LeCompte’s seven decades of work not only fulfilled his teen ambition beyond expectations – it changed the art of stained glass itself. 

Rowan LeCompte: Master of Stained Glass takes readers behind-the-scenes of LeCompte’s process, hearing from the artist first-hand about his unexpected inspirations – and rejected ideas – for color and design, and illustrating his work from the first ‘cartoon’ storyboards of windows, to painting the finishing touches on some of his best-known work. This beautiful 4-color photo art book tells of the complete history of Rowan’s life, incorporating brilliant full-color photos of many of the windows which highlight the details of the imagination and innovation of this modern artist working in an ancient medium. It was his single-minded determination to create works that make the world a more beautiful place that will mark Rowan LeCompte as a great master for years to come. 

Rowan LeCompte: Master of Stained Glass is a companion to Peter Swanson’s two films about Rowan. One of these films, Let There Be Light, documented LeCompte’s final commission for the Washington National Cathedral’s centennial celebration. The film won the Best of Festival award at Washington, D.C.’s Independent Film Festival.

Shah Rukh Khan is many things: a villain, an anti-hero, a romantic hero, a heart-throb, and a superstar. Khan burst onto the big screen in 1992 as a character-actor who gave even the most reprehensible villains depth. The accolades he won allowed him to take on a plethora of more adventurous roles, proving his versatility and skill to the world of Indian cinema, but also establishing him as a celebrity icon. This book, containing essays from some of Khan’s closest coworkers, offers an intimate and honest picture of SRK the actor and Shah Rukh the man.

SRK – 25 Years of a Life looks at Shah Rukh through the eyes of the directors who transformed him into each of his unforgettable roles. It shows the creation of a living legend, tracing Khan from his early days to his current position at the pinnacle of the Bollywood casting lists. As well as offering an insight into Khan’s life that will entrance any dedicated fan, this book is designed to please the eye; its many illustrations are inspired by Bollywood’s hand-painted film posters, reminiscent of the iconic portraits that first revealed SRK’s characters. SRK writes that he hasn’t had time for introspection, and does not dwell on the details of his successes and failures. However, this book puts everything that needs to be known about SRK within the reader’s grasp. With its stark and unembellished accounts of SRK’s personal and professional life, it provides a unique window of insight into this legandary man.

The book Arts from the Scholar’s Studio has long been out-of-print. In light of increasing demands from collectors, and in the hope of stimulating further interest and scholarship in the field, the book was reprinted and now available for sale. It is the catalogue of an exhibition jointly presented by the Oriental Ceramic Society of Hong Kong and the Fung Ping Shan Museum, University of Hong Kong held from 24 October to 13 December 1986. The exhibition illustrated the life of the Chinese scholar as seen through their arts, and, through the medium of certain objects, to demonstrate their attitude to life and connoisseurship. The book includes an introductory essay and descriptive captions of 277 exhibits by Gerald Tsang and Hugh Moss.

Text in English and Chinese.

Captured brings cities to life through the eyes of talented photographers from around the world, with the mission of highlighting the beauty, diversity, and energy of urban landscapes and offering a fresh perspective on familiar places. With contributions from 45 different photographers in each edition, the Captured series offers a rich and varied view of every city. From iconic landmarks to hidden corners, each photo tells a story or captures moments that reflect the city’s true essence. These photo books offer viewers a deeper connection to the cities they love — or inspire them to discover new ones.

Painter, engraver, illustrator, writer and art critic, Félix Vallotton (1865-1925) is known for the impact of his compositions, a combination of his decorative instincts and graphic wit. His revival of the woodcut in the 1890s quickly established him in the art and literary circles of Paris, and his talent as a prolific illustrator, especially for the press, spread his fame throughout Europe and as far afield as the United States. He illustrated bestsellers such as Poil de Carotte, by Jules Renard, and contributed to the most fashionable avant-garde periodicals of the time: including, La Revue Blanche, Le Rire, Le Cri de Paris, L’Assiette au Beurre, and Le Canard Sauvage, in Paris, Jugend and Die Insel, in Munich and Berlin, The Studio, in London, The Century Illustrated Monthly Magazine, in New York, among others.

This book assembles a number of critical essays and a selection of around 250 reproductions to explore this little-known aspect of Vallotton’s work. It is being brought out to coincide with the online publication of Félix Vallotton illustrateur. Catalogue raisonné (volume 32 in the Catalogues raisonnés d’artistes suisses series, created by Fondation Félix Vallotton, Lausanne, and Institut suisse pour l’étude de l’art, Lausanne/Zurich (SIK-ISEA).

Text in French.

Images:

Bleus d’aujourd’hui, dessin de Félix Vallotton en couverture du Rire, 1er décembre 1894

Que les chiens sont heureux !, dessin de Félix Vallotton en couverture de Nib, 15 février 1895

Portrait of Stéphane Mallarmé, dessin de Félix Vallotton, The Chap-Book, 15 août 1895

This book explores the illustrious gardens in Suzhou as both an important page in the history of Chinese gardens, and as a place of recreation and cultivation for the people. Based on architectural surveys of Suzhou gardens and an analysis of Zhuozheng Yuan (the Humble Administrator’s Garden) and Liuyuan (the Lingering Garden), this abundantly illustrated book presents the overall gardening characteristics and gardening skills of Jiangnan Garden. Included here are 196 rare archival images of actual gardens, echoed by Song lyrics and calligraphic writing, which provide a comprehensive interpretation of the art of traditional Chinese gardens in both form and shape. The essays are characterized by an urbane and elegant narrative style and occasional passages of lyric expression, and touch on the fields of history, architecture, literature, and painting. The finalized English version faithfully transmits the original meaning, making the whole book a wonderful reading experience.

Text in English and Chinese.

“Sumptuous, extra-large coffee-table book with readily understandable texts.” Bild der Wissenschaft
“For those who could never be on site, photographer Peter Ginter provides an impressive and aesthetic look into the World Machine.” Physik Journal
The Large Hadron Collider is the largest particle accelerator in the world, a 27-kilometer ring of superconducting magnets in a tunnel 100 m beneath the Franco-Swiss border at the CERN research laboratory. It was built to answer the most fundamental question of our universe: where do we come from? Peter Ginter, one of the world’s leading photographers, acclaimed author Franzobel and Rolf-Dieter Heuer, Director General of CERN, tackle the subject of this largest and most complex machine ever imagined by man, the ‘World Machine’, a huge underground particle physics experiment, which will offer science insights into the beginnings of our universe. Unique and amazing photographs make the invisible visible. Peter Ginter has documented the making of the LHC over more than 15 years, not only at CERN, but also by visiting locations across the world where significant contributions have been made to the construction of the LHC. The book was published in scientific, editorial and artistic collaboration with CERN and UNESCO. Text in English, German & French.

Wounded landscapes, crumbling buildings, old dusty wigs still displayed in deserted storefront windows. These plats and parcels represent the history of a built environment and its ongoing discourse with nature. There is a strong sense of passage and decline.

Yet along with the photographs of blighted and neglected landscapes is a glimmer of hope and the possibility of transformation. In one picture, a sliver of light scrapes across a backyard lawn casting tangled shadows that land on the clapboard siding of a neighborhood house. In another, the surfaces of the sun-soaked brick and concrete are rendered so precisely as to elevate their significance by pure photographic description. Of course, there are twists and turns all along the way and a multitude of signs that present our world as more complex than any single feeling or photograph.

Almost Home, the third book that Gary Green has created with L’Artiere, continues the photographer’s exploration of the medium’s possibilities through the poetic landscape of the photobook. The book is printed in tritone on uncoated paper in an edition of 500. 

The book describes the legends and history of each of the beads, their importance, folklores on them, use, price, and so on. The oral history, gender questions, social dynamics, and even inter- as well as intra-tribal relationships of the tribes have been described in detail in the book. The tradition of beads has been imbedded in the lives of the people of north-east from time immemorial. The continuing popularity of beads has led to manufacture of spurious products. Despite the onslaught of globalization even in rural areas, the popularity of beads has not diminished among the people. Beads are also used as a bartering item and usually take the place of money even now. The book describes the economic, cultural, and ritual significance of beads; their historical relation to migration; and popular beliefs, classification mechanism, and ethnic specifications of beads.

Contents: Preface; Introduction; Diversity of Beads; Folklore and Beads; Trade; Beads and Gender; Beads and the Emerging Realities; Beliefs, Utility, and Values of Beads; Conclusions; Bibliography; Acknowledgements; Index.

The debut monograph of Stacey Gillian Abe’s work is created to accompany her first London solo show at Unit London. Featuring works spanning her career to date, the book explores the key themes from Abe’s work and delves deep into her expressive and symbolic indigo portraits. Abe’s book includes insightful written contributions from Flavia Frigeri, art historian, lecturer and the Chanel Curator at the National Portrait Gallery and Serubiri Moses, renowned writer and curator, alongside a conversation between the artist and Catherine McKinley, curator and author of the critically acclaimed Indigo: In Search of the Color That Seduced the World and The Book of Sarahs: A Family in Parts. Abe’s work reflects her past and her memories, highlighting her personal experiences and her relationships to her community. The autobiographical dimension of her work confronts traditional depictions of the Black body, challenging the colonial lens. Abe creates imaginary spaces that induce a surreal mystical feel while probing unsettling past and present narratives of identity, gender, spirituality and cultural mysticism. Renowned for her indigo skin-tone paintings, the color has become crucial in reshaping narratives surrounding the black body. Through the color, she dives into the past to envision an alternative future for the Black race. To Abe, indigo represents a tribe of people that are not limited to social, economic, cultural, political or historic constraints: ‘it is about being unapologetic’.

Living Tradition: The Architecture and Urbanism of Hugh Petter celebrates the exceptional professional achievement of one of the world’s leading traditional architects. It showcases recent highlights from Hugh’s award-winning portfolio, including handsome new country houses; major alterations and refurbishment of historic buildings; a significant new building for Trinity College in Oxford; and commercial development at all scales with landed estates across the UK and beyond. His pioneering work as master-planner for the Duchy of Cornwall is regularly cited as an exemplar of a community that reflects local identity.

Written by Clive Aslet, with a foreword by The Former Prince of Wales, this book reveals how a series of iconic buildings came to be. Richly illustrated with newly commissioned photography by Dylan Thomas, one of Britain’s foremost photographers of architecture and interiors, this book reveals the working process of the architect.

Common to all the buildings in this book – whether a new or historic private house, a public building, or a masterwork of urban design – is a loving attention to detail and materials, and an architect who cares deeply for his craft.

“That said, the book is about far more than the history of photography or even historical record; it’s an act of remembrance and resistance.” Attitude

LOVING: A Photographic History of Men in Love, 1850s – 1950s (ISBN 9788874399284), was published in 2020 at the height of the pandemic. Despite that, the book was available in five languages, the first US printing sold out in six weeks; the response to the book was overwhelming and emotional; and five years and multiple printings later, LOVING remains a best-seller. For LOVING, the collectors drew from 2000 photographs; now, in 2025, more than 25 years after they purchased their first picture, the collection has 4000 images. It seems logical then – even necessary – to publish a new volume with all new photographs from those acquired since 2019. LOVING II continues with more stunning vintage vernacular photographs of romantic male couples, with all the emotional power of the first book in intact. This new selection continues the story of the unadulterated joy – longed for by all of us and recognizable to anyone – of being in love. 
As with the first LOVING, these photographs and what they convey, whether directly in an embrace or more subtly in a furtive touch, move – in fact change – those who encounter them. Indeed, anyone who has ever loved will identify with the elation – and peace – that these couples share. The collecting criteria have not changed: starting from the earliest years of photography and continuing through the 1950s, the Nini-Treadwell archive includes daguerreotypes, silver gelatins, tintypes, ambrotypes, snap shots, and many more – a historical capsule of a century of photographic technique. The subjects come from all walks of life: soldiers, farmers, students, the young and old, poor and affluent. Their creation happened between loving couples from all around the world. Each photo is the story of two told in an instant.  

Image credit: © Nini-Treadwell Inc.

Iridescent Skin is the first of its kind multispecies ethnography on humans and white sharks, entangled through the practice of cage diving at the very end of New Zealand. It is based on an immersive field work of marine anthropologist Prof. Raj Sekhar Aich, and his friend, research assistant, and anthropologist — Soosan Lucas, as they go in search of the elusive and mystified Great White Sharks of Foveaux Strait.

This is not a ‘shark book’, although it revolves around sharks in the classical sense of the manner. It is also not merely an academic book, although it is based on detailed academic investigation. Neither is it an exploration of shark behavior or ecology, although they are certainly part of it, and no, it is not even a book about shark attacks, although shark bites are featured here. It is, on the surface, a sensory narrative of human and white shark encounters, but beneath the ripples, it is a story of love: among humans, rivers, oceans, bricks, stones, and sharks.

As Prof. Agustín Fuentes puts it, the book ‘invites the reader along…at the intersection of two sentient species, humans and white sharks.… The book you hold in your hands, is an enticement into the experiential journey of a scholar, artist and narrator who starts out with the goal of appreciating or assessing a multispecies entanglement, but ends up traversing a tangle of personal, social, historical, ecological and perceptual water/land/species-scapes.… This is an immersive multispecies anthropology.’

Making New Worlds: Li Yuan-chia & Friends is the first book to document the extraordinary activity at the LYC Museum & Art Gallery in Banks, Cumbria between 1972 and 1983. The LYC was the singleminded effort of the artist Li Yuan-chia, who moved to the rural North of England by way of London, Bologna, Taipei and Guangxi, China. At the LYC, Li organized exhibitions, published books, exhibited archelogical artifacts, arranged workshops and welcomed an array of visitors from local and international artists and art workers to nearby residents and travelers, many of whom became friends. In this book, which accompanies an exhibition of the same name at Kettle’s Yard, the curators Hammad Nasar, Amy Tobin and Sarah Victoria Turner, establish Li’s work at the LYC as a form of worldmaking, connecting his cosmic conceptual art practice, to his interest in participation and friendship as well as his engagement with nature and the landscape. Nasar, Tobin and Turner’s account is accompanied by nine short texts – by Elizabeth Fisher, Ysanne Holt, Annie Jael Kwan, Lesley Ma, Gustavo Grandal Montero, Luke Roberts, Nick Sawyer & Harriet Aspin, Nicola Simpson and Diana Yeh – that trace the diverse threads and ramifications of Li’s practice historically and in the present. Richly illustrated, Making New Worlds offers a provocative new way of thinking the history of British art in the 20th century.