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Book cover of Roelof Louw: British Sculpture since 1960, with installation sculptures of pyramids made with small ball-shaped objects. Published by Ridinghouse.

Roelof Louw

British Sculpture since 1960

By (author) Joy Sleeman

£20.00

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  • As well as being the first authoritative overview of Louw’s oeuvre, this book presents a new perspective on a familiar and much written about era in art
Full Description

Roelof Louw (1936–2017) created sculpture from wooden slats, cast-iron wedges, sand-blasted and painted scaffolding poles, rope and neon. He made installations using industrial rubber bands, rolled-up lead sheets, or using tape recorders and the movements of viewers around a space. His work addresses itself to our bodies and minds, implicating them in its realisation and its sites, which might be streets, parks, woods or galleries.
In Soul City (Pyramid of Oranges) (1967), the work for which he is best known, the fit of an orange to a hand and the experience of eating the fruit are crucial aspects, as is the action of destroying the piece in the process. Prescient in anticipating the participatory and interactive art of the present, Louw’s work remained resolutely defined as sculpture, at the artist’s insistence. This was even so as sculpture became conceptual, ‘dematerialised’, or located in ‘the expanded field’, and while his art was itself a part of these shifts.

Born in South Africa, Louw moved to London in 1961. Practicing in London, New York and Cape Town, Louw participated in some of the most important episodes in sculpture history of the twentieth century. As well as being the first authoritative overview of Louw’s oeuvre, this book presents a new perspective on a familiar and much written about era in art.

Specifications
Publisher
Ridinghouse
ISBN
9781909932463
Published
1st Nov 2018
Binding
Paperback / softback
Territory
World excluding USA & Canada
Size
280 mm x 220 mm
Pages
192 Pages
Illustrations
110 color, 60 b&w
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