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The Norwegian artist Rune Guneriussen (* 1977) was an artist-in-residence at the Museum Kunst der Westküste on the island of Föhr in 2018. He laid the cornerstone for the new work series Lights go out at several locations on the island. Further installations were subsequently created in the Danish coastal town of Skagen as well as in various regions of Norway. Guneriussen takes us on a journey through forests and wetlands, to bodies of water and stretches of coast. The self-constructed light objects look technoid and call to mind high-rise buildings, route markers, or mythical creatures. On the beach or in forest moss, they seem to be loosely distributed or austerely composed, and are photographed in the twilight of the blue hour. It is shown that the often fascinating-seeming balance between the manmade and nature of previous works becomes increasingly unstable in the new series Lights go out.

Texts by Katrin Hippel, Håvard Johansen, Christiane Morsbach, Klara Scheuren, Ulrike Wolf-Thomsen.

Text in English and German.

“The star-studded images are one thing, but their candid context is what makes them special.” – Joy Ling, Esquire Singapore

“…many famous names have stepped in front of his camera, captured quickly in his distinctive, clean style, with the images featuring in magazines and newspapers, galleries and exhibitions, and even earning him an MBE from Queen Elizabeth II for services of his photography.” – Chris Anderson, Air Magazine

“Andy’s contact-sheets give us what feels like a VIP pass to spend time with his subjects. We see their beauty, their flaws, charisma, humanity and even a glimpse into their thoughts and process. We see the person in these people and are touched by their being.” Kylie Minogue

“Above all Andy Gotts allows his subjects to shine through, untouched. His artistry does not come afterwards, in Photoshop and all the supposedly flattering trickery technology has taught us to expect. His skill is there in each frame, each moment, in the relationship he has built with his sitter, no matter how short a time they have shared, and the trust he has engendered in them because he is, quite simply, a good man. Anyone who encounters him can sense immediately his openness and kindness and I think this book is most of all a testament to those qualities.” Alan Cumming

” With this amazing book, you will see why Andy is as much a star as his subjects.” Gene Simmons

A 90-second shoot with Stephen Fry in 1989 launched the career of Andy Gotts, photographer to the stars. Through grift and graft and raw, honed talent, Gotts has become one of the most in-demand celebrity photographers working the circuits of Hollywood, British media, and the music industry. Gotts’s dramatic black-and-while style turns faces into artworks of shadow and light, while his colour portraits capture his subjects’ ineffable humanity.

For the first time Andy Gotts reveals the incredible depth of his archive, showing his most famous portraits and many rare images alongside. The book focuses on Andy’s contact sheets, which reveal the process behind capturing the perfect image. Accompanying texts from Andy shed light on his craft and delve into the stories behind these captivating photographs. This really is the definitive, career spanning book, produced to the highest standards.

The book also contains personal testaments from a cross-section of the celebrities who Gotts has worked with: Alan Cumming, Gene Simmons, Ian McKellen, Jeff Bridges, Kylie Minogue, Michael Caine, Peter Capaldi and Simon Pegg.

“The star-studded images are one thing, but their candid context is what makes them special.” – Joy Ling, Esquire Singapore

” With this amazing book, you will see why Andy is as much a star as his subjects.” Gene Simmons

“On Champagne is the wine book that every lover of the world’s most famous bubbles has been waiting for – whether they realised it or not.” — Club O Enologique

“…if you love champagne, this is another must-buy. And apologies for the terrible pun, but it is genuinely true – this book fizzes with wonderful stuff.” — Jancis Robinson

“Presenting the story of the iconic French fizz from its accidental beginnings to the present day and looking to the future, there is plenty for Champagne-lovers to enjoy.” — Decanter
Champagne is never a simple glass of fizz… As soon as the cork flies, the first sip reveals a wine of fascinating complexity. For even the most modest non-vintage cuvée, a bevy of blending decisions, multi layers of history and the incalculable climate of this northern corner of France all come into play. In On Champagne the thoughts, opinions and conclusions of the world’s finest champagne writers gather to reveal this wine’s action-packed trajectory from the myth of its accidental discovery – not in France, we find, but in the cider cellars of England – to the development of a high-tech champagne fit for space travel. It’s a journey that starts and ends with capturing that sparkle in a bottle and along the way beguiles us with the nuances of its chalky terrain, the determination of rebels from Ambonnay to Avize, and the mystery of a champagne cellar under the sea. We meet the pioneers who created the great champagnes of the past and the personalities who are ‘greening’ this landscape, nurturing it through climate change to shape the exquisite champagnes of the future.

Charting Richard Long’s critical reception, this anthology of writings explores the artist’s radical rethinking of the relationship between art and landscape.

Widely considered as one of the most influential British artists of his generation, Long’s practice stems from his deep love of nature and the experience of making solitary walks. He first came to prominence in the late 1960s and is part of a generation of international artists that extended the possibilities of sculpture beyond traditional materials and methods.

This volume includes a coherent span of over 30 essays and reviews on the artist from the late 1960s to the present, drawn together here for the first time. Featuring the writings of renowned art historians and critics Germano Celant, Richard Cork and Charles Harrison; Nicholas Serota, chair of Arts Council England; and award-winning nature writer Robert Macfarlane, among many others.

The texts are accompanied by a selection of the artist’s own statements, key interviews, as well as an introductory essay by Clarrie Wallis that examines Long’s unique position within postwar art history.

The Lammermuir Hills have been an important trade route between Scotland and England for generations, as well as an effective barrier when necessary.

Drawn by the long history of south-eastern Scotland and the many conflicting elements in play in its natural environment – among them wind farms, pylons, forestry plantations, grouse moors and sheep – the distinguished Scottish painter and printmaker Barbara Rae CBE RA has made numerous studies of these wild expanses.

This handsome volume reproduces a wide selection of her intensely colourful images with accompanying photographs and maps, and texts by the art critic Duncan Macmillan, Emeritus Professor of the History of Scottish Art at the University of Edinburgh, and Maureen Barrie, who worked for many years at National Museums Scotland.

A century ago, northern Thailand (or Siam as it was then known) was home to small communities of Westerners, many of them British diplomats and foresters (like Reginald Le May and Reginald Campbell) or American missionaries (like Lucy Starling and Mary Lou O’Brien). Though few in number, they left behind a considerable written legacy. The writing is invariably personal and often vivid, describing their hopes and aspirations, the challenges they faced in their work and daily lives, and their attachment to this enchanted land. This book makes a selection of that writing accessible to a wide readership, much of it for the first time. The texts are illustrated by 65 evocative photographs, many of them contemporary.

“His is a warm, charming page turner of an autobiography: from start to finish full of fascinating characters, incredible and amusing anecdotes, self-effacing humour and wry asides, beautifully detailed observations and, of course, stuffed with great nuggets of jewellery and art history.” — The Jeweller Magazine

“In this dazzling memoir revealing his encounters with royal and celebrity clients including the Queen Mother, Sir Elton John, Dame Joanna Lumley and Frank Sinatra, Antiques Roadshow presenter and jewellery expert Geoffrey Munn reflects on his stellar career, having spent more than five decades bejewelling some of the biggest names in the world.” — Hello!

“In this colourful and witty narrative, Geoffrey Munn, OBE, MVO, FSA, FLS, best known as a presenter on BBC’s Antiques Roadshow, reflects on his career in the London art world, spanning over 50 years.” — Arts & Collections magazine

“Discover delightful anecdotes from Fabergé expert Geoffrey Munn’s time at Wartski in 1970s London, featuring encounters with royalty, Hollywood icons, and the pursuit of Imperial Eggs.” — The Jewellery Editor

Born and bred in Sussex, Geoffrey Munn, Antiques Roadshow presenter and jewellery expert, came from a traditional rural background – but only weeks after leaving a country Grammar School in 1972, he was plunged into the vortex of the London art world. It was the beginning of the career of a lifetime at the famous firm of Wartski, whose showrooms scintillated with gem-set necklaces, tiaras and three of the famous Fabergé Imperial Easter Eggs.

In a colourful and witty narrative, Geoffrey relates his daunting but delightful encounters with HM Queen Elizabeth The Queen Mother, HRH Princess Margaret and HRH The Duchess of Cornwall. In their wake, Geoffrey met a rich variety of luminaries, including Frank Sinatra, Bing Crosby, Joanna Lumley, Stephen Fry, Elton John, Vivienne Westwood and Dame Edna Everage. This is certainly a rapid and amusing read but it is also unique study of a narrow and fast-changing society.

British Conceptual artist John Stezaker is renowned for his innovative approach to found photographic imagery. This artist book focuses on his ‘Crossing Over’ series (2005–13), which reframes image fragments from postcards to stimulate new readings.

Building upon Stezaker’s corresponding ‘The 3rd Person Archive’ series, the image fragments in this volume span the history of postcard production. Moving from the Victorian era to the postwar period and black and white to colour imagery, Stezaker focuses on the female figure as well as notions of return and crossing back. Exploring time and memory, Crossing Over frames seemingly minor details, such as figures passing on a street corner or conversing on a park bench, as well as the marks left by the physical movement of the images themselves.

Exploring time and memory, Stezaker focuses on the female figure as well as notions of return and crossing back – framing seemingly minor details such as figures passing on a street corner or conversing on a park bench, as well as the marks left by the physical movement of the images themselves.

Reproduced at actual size, the 65 image fragments in this artist project are collected here for the first time.

An overview of John Stezaker’s film still collages, this book showcases the evolution of the artist’s relationship with a specific material.

Leading British collage and appropriation artist John Stezaker began his ongoing series of film still collages in 1979 – the result of a period that marked a crucial change in the direction of the artist’s work, which had previously been centered around a text-based ‘conceptualism’.

The series moves with Stezaker’s changing interests, using stills from classic American-period Hitchcock films as raw material before shifting towards the undistinguishable mass of 1940s and early 1950s low-budget studio films. Featuring collages based on a combination of film still excisions and superimpositions, this ongoing series is catalogued comprehensively for the first time in this volume, which brings together Stezaker’s earliest film still collages with his most recent.

Full-colour illustrations are accompanied by an essay by David Campany and a conversation between the critic and the artist. John Stezaker (b.1949, Worcester) is one of the leading artists in contemporary photographic collage and appropriation. Employing vintage photographs, old Hollywood film stills, travel postcards and other printed matter, Stezaker creates small-format collages that bear qualities of Surrealism, Dada and found art. Stezaker studied at the Slade School of Art and has taught at the Royal College of Art and Central Saint Martins School of Art, London. In 2012 he was awarded the Deutsche Börse photography prize following a retrospective at the Whitechapel Gallery, London. His work has been exhibited internationally since the 1990s and is held in collections such as the Museum of Modern Art, New York; Los Angeles County Museum of Art; Stedelijk Museum, Amsterdam; Arts Council England; and Tate.

Oysters: A Celebration in the Raw is true to its title from start to finish. Chapter One is a primer on all things oyster. Chapter Two introduces readers to legendary oystermen and women from around the country. Chapter Three offers exquisite photographs of more than 50 varieties of North American oysters, along with flavour profiles and ‘merroir.’ Oysters: A Celebration in the Raw concludes with highlights from the oyster timeline, depictions of oysters in art through the ages and stories of oysters as aphrodisiacs, and parses oyster myths and metaphors. The book also features an oyster glossary and resource list. It is the only book of its kind – a definitive visual companion to this iconic, much loved mollusk. Overflowing with gorgeous original photography and fascinating anecdotes, Oysters: A Celebration in the Raw is the perfect book for oyster aficionados and newbies, foodies and chefs of all stripes, lovers of photography and art, the environment, history, and the sea.

Meet the most legendary clubs in the game. From the storied Liverpool, to the star-studded Real Madrid, these are the clubs setting new standards of teamwork year after year. Learn about each team’s history, and their greatest accomplishments along the way. Get to know the coaches and stars, from Barça’s attacking duo of Messi and Suárez, to Man City’s brilliant manager Pep Guardiola and his winning strategy. Full of exciting colour photos, The World’s Greatest Clubs includes teams from all the top leagues, including England’s Premier League, Spain’s La Liga, and Italy’s Serie A. It will be an indispensable companion for young soccer fans everywhere, regardless of their allegiance.

Berthe Morisot: Shaping Impressionism is the first major UK exhibition of the renowned Impressionist since 1950. In partnership with the Musée Marmottan Monet, Paris, it will bring together around 30 of Morisot’s most important works from international collections, many never seen before in the UK, to reveal the artist as a trailblazer of the movement as well as uncovering a previously untold connection between her work and 18th century culture, with around 20 works for comparison.
A founding member of the Impressionist group, Berthe Morisot (1841-1895) was known for her swiftly painted glimpses of contemporary life and intimate domestic scenes. She featured prominently in the Impressionist exhibitions and defied social norms to become one of the movement’s most influential figures. Berthe Morisot: Shaping Impressionism will draw on new research and previously unpublished archival material from the Musée Marmottan Monet to trace the roots of her inspiration, revealing the ways in which Morisot engaged with 18th century art and culture, while also highlighting the originality of her artistic vision, which ultimately set her apart from her predecessors.
Highlights will include Eugène Manet on the Isle of Wight (1875), painted while Morisot was on honeymoon in England, and her striking Self-Portrait (1885), which will appear alongside Jean-Honoré Fragonard’s Young Woman (c.1769) from Dulwich Picture Gallery’s collection. Apollo revealing his divinity to the shepherdess Issé, after François Boucher (1892), In the Apple Tree (1890) and Julie Manet with her Greyhound Laerte (1893), are among nine paintings on loan from the Musée Marmottan Monet, many receiving their first ever showing in the UK.

“These are just a few highlights amongst the 43 projects featured in Architects at Home, but each is certain to reveal both the pleasures and challenges of designing a home for oneself.” — Canadian Interiors
This stunning revised and updated edition takes you on a thrilling tour through the fascinating, eclectic and stylish abodes of some of the world’s best-known architects. Not only do these pages offer a rare glimpse into each architect’s personal, private environment, but each uniquely designed project provides insight into how each architect marries trends with their own personal philosophy, and how they inject interior design flair into their own contemporary domain.

Combining rich photography and spectacular imagery with an incisive summary by a leading architecture specialist, Architects at Home provides a rich source for those keen to delve into the design aesthetics, concepts and innovations of prominent architects from around the globe.

Julien Saudubray graduated in 2012 from the Ecole Nationale Supérieure des Beaux-Arts in Paris and since then has exhibited in Belgium, France, Italy and England.

This young artist excels in experimenting. After a few detours, a synthesis of his painting has now developed into a practice that he calls mechanistic. Between abstract and figurative, he continues to work on images, constantly adding layers and colours while at the same time also removing them, with the subjective being reduced to a minimum. As he says: ‘With each brushstroke I hesitate between excitement and boredom as I observe myself while painting as an absurd machine programmed according to the Beckettian formula “To miss more, to miss better”.’

Together with gallery Waldburger Wouters, Uitgeverij Snoeck found the time for a first overview of his work in a book with a challenging design. An artist’s book, but not only. With texts by Louma Salamé, director of the Fondation Boghossian and by Claire Leblanc, director of the Elsene Museum.

Text in English and French.

Fully revised and updated edition, now in full colour and with two new chapters: Brunoy and Parc Saint Cloud.
The spectacular medieval castle where Henry V died, Napoleon’s private château, dancing in fifties guinguette cafés, a Victorian gunpowder factory – these are just some of the unexpected delights discovered by Annabel Simms just half an hour from Paris.
Following the format of her small classic, An Hour from Paris, and written with the same delight in the little-known treasures of the Île de France, the revised edition of Half an Hour from Paris now presents twelve new destinations easy to reach from central Paris, each with a carefully planned walk, ample meanderings through the cultural, historical and social milieu, comprehensive practical information and clear, detailed maps.

Samuel Palmer was one of the most original artists Britain has produced. Still a teen when he was plucked from “the pit of modern art,” he embarked on an intensely personal journey that led to an astonishing outpouring of mystical drawings and later to England’s first artistic colony, “The Ancients,” based in the idyllic landscape of Shoreham. This book reprints the first major writings on Palmer, which were published for a retrospective exhibition in 1881. They include a biography by his son, A. H. Palmer, and a critical appreciation by Pre-Raphaelite artist and critic F. G. Stephens.

Discover half-hidden chateaux and artists’ country houses; walk, boat or dance by the river; explore old towns and country footpaths; and eat in family-run restaurants with 1950s decor – and prices to match. Based on over 20 years’ experience of exploring the Paris countryside by train, each visit includes the essential historical context and practical information to help you discover places unknown to many Parisians. Written with humour and a flair for the unusual and authentic, the text is illustrated with original photos and local maps. It includes a unique guide to using the excellent local train network.

‘To know his work without his talk is “not to know him” …only when they are side by side is the common origin and aim seen and the complete man displayed.’ Thus Thomas Rooke, studio assistant to Burne-Jones, who over four years memorised and recorded much of his master’s studio and lunch-table talk. The man revealed with startling freshness and immediacy is far from the familiar painter of knightly melancholy and abstract angels. Burne-Jones emerges as a loveable and charming man, far more practical and down-to-earth, far more witty and ironic than might have been expected. He may still regret that he was not born in the Middle Ages and reminisce about the golden years with William Morris and Dante Gabriel Rossetti in the 1850’s and 60’s. But he is still hard at work on his last great collaboration with Morris, the Kelmscott Chaucer, while not hesitating to fulminate about Britain’s imperial pretensions and the hypocrisy that accompanied them. And he is unfailingly articulate when it comes to discussing the craft of painting in relation to himself, his contemporaries and the giants of the past. The conversations are edited by Mary Lago, Professor of English at the University of Missouri-Columbia, who also wrote extensively on William Rothenstein, Rabindranath Tagore and E. M. Forster.

In Venice, on the Grand Tour in 1731, the future fourth Duke of Bedford met with the great art agent, Consul Joseph Smith. The commission he placed resulted in 24 of the greatest and most typical works of Canaletto. First installed in Bedford House London, they were moved to their splendid position in the Dining Room at Woburn in 1800, where they have remained ever since. Fully illustrated with many details, this publication marks the first time these paintings have been reproduced in colour. An extensive introduction by the leading Canaletto scholar Charles Beddington puts these works into perspective.

Though born in England, John Kingerlee has lived on Ireland’s Beara peninsula for much of his life, the wild landscapes finding passionate and all- encompassing expression in his paintings. This beautiful book celebrates his most recent work, with 51 paintings, drawings and collages reproduced, many for the first time. For the first time too, John Kingerlee has written about his life and the inspirations for his work. His words are complemented by a suite of specially commissioned portrait photographs by the great Irish photographer John Minihan. John Kingerlee has produced some of his very best, most expressive, most free spirited and ultimately most profound work in his later years. These paintings deal with universal problems of our existence and our planet; they address fundamental rather than ephemeral issues. The art itself has a quality of timelessness about it, not least because it is often created over many years and is often so multi-layered as to feel sculptural.

With a rare combination of great economy of means and unfailing panache, Antony Cleminson’s drawings of palatial buildings and urban settings are endlessly delightful and fascinating. Collected from more than 60 years of travelling with his wife Jan, a concert violinist, they take in England, France, Italy, Spain, Germany, Croatia, Russia, Jordan, Syria, and Yemen. They bring not only extreme sensitivity to place, but also an engineer’s understanding of structure, and an historian’s understanding of style. Pencil, chalk, charcoal, red and black ink, and India ink are some of the media used, and the book is printed on genuine Ingres paper to reproduce these beautiful drawings as closely as possible. Will appeal to those with a love of architectural heritage in Europe and the Middle East.

Whistler was one of the most original, if also tirelessly self-promoting artists of the later 19th century. After his disastrous run-in with John Ruskin, the greatest critic of the previous generation, Whistler poured his thoughts and feelings about art into this lecture, which made him if anything more notorious, but was also widely admired for its insights and wit. It is reproduced here exactly as he had it printed, with an essay by the leading scholar Margaret MacDonald putting it into the context of Whistler’s career and times.

“‘Walpole’s achievement has to be saluted all the more when it is realized that single-handedly he determined (or distorted) the writing of landscape architecture history to this day’ John Dixon Hunt in Greater Perfection: the practice of garden theory”

By a mile, this is the most brilliant and most influential essay ever written on English garden history. For two centuries it mapped the whole landscape of the subject. However, the author was partial in the highest degree. Horace Walpole believed in progress, in modernisation, and the superiority of everything English to almost everything that had gone before. He had a special dislike of Baroque gardens, as exemplified by Versailles, which for him symbolised absolutism, tyranny, and the oppression of nature.