A charming photographic study of the quintessential American house style.

Originally developed in the 1600s to withstand harsh Massachusetts winters, the Cape Cod cottage—with its central door and chimney, flanking windows, and steeply pitched roof—is an instantly recognisable architectural form. Thanks to its simple and versatile layout, it has been adapted in countless ways by modern builders, and remains one of the most popular styles of American house.

In this photo essay—printed in beautiful black and white and accompanied by an insightful introduction—William Morgan traces the entire history of the Cape Cod cottage, from its Colonial origins, to the suburban starter homes of mid-century America, to the creative interpretations of contemporary architects. The images—most of them Morgan’s own—explore both the pleasingly understated exteriors and the cosy interiors of representative Cape Cod cottages.

Newly reissued in a handsome hardcover edition, The Cape Cod Cottage will be the perfect gift for anyone who lives in one of these classic American homes.

The definitive photographic guide to discovering the beauty of Rome. A historical-archaeological introduction immerses the visitor in the Eternal City. The 15 itineraries explore the main riches of the historic centre of the Urbe, with its fountains, squares, churches, palaces, museums and parks, also include precious gems, far from the traditionally visited routes. Each itinerary features a map, a rich corpus of descriptive images, historical information, curiosities and tips for enjoying an authentic Roman stay.
QR codes at the opening of chapters get to digital contents that enrich the experience of getting to know the Eternal City, from paper to digital.

In October 2015, metal detectorist James Mather discovered an important Viking hoard near Watlington in South Oxfordshire. The hoard dates from the end of the 870s, a key moment in the struggle between Anglo-Saxons and Vikings for control of southern England. The Watlington hoard is a significant new source of information on that struggle, throwing new light not only on the conflict between Anglo-Saxon and Viking, but also on the changing relationship between the two great Anglo-Saxon kingdoms of Mercia and Wessex. This was to lead to the formation of a single united kingdom of England only a few years later.

The hoard contains a mixture of Anglo-Saxon coins and Viking silver, and is in many ways a typical Viking hoard. However, its significance comes from the fact that it contains so many examples of previously rare coins belonging to Alfred the Great, king of Wessex (871-99) and his less well-known contemporary Ceolwulf II of Mercia (874-c.879). These coins provide a clearer understanding of the relationship between Alfred and Ceolwulf, and perhaps also of how the once great kingdom of Mercia came to be absorbed into the emerging kingdom of England by Alfred and his successors. A major fundraising campaign is being planned by the Ashmolean to secure this collection for the museum.

In 1751, John Holker (1719-1786), an English textile manufacturer exiled in France, undertook an industrial espionage mission to England to collect samples of English textiles on behalf of the French king, Louis XV. On his return, the samples were assembled in a manuscript volume, which is now preserved at the Museum of Decorative Arts in Paris. Each sample in this album is accompanied by a handwritten technical description specifying the quality of the fabric, its price, its dimensions and the manufacturing processes. This album is famous for preserving the oldest identifiable samples of jean fabric.

Completely bilingual, the book includes a facsimile reproduction of the album, accompanied by a transcription of its handwritten text and a dozen essays. The essays, written by academics, curators and specialists from France, Britain, and North America, explore the album from various angles: the globalisation of commerce, the slave trade, industrial espionage, economic rivalry between France and England, the taste for cotton and its role in the history of fashion, etc. The book demonstrates the importance of centuries-old links between France and the United Kingdom and is an indispensable work of reference for the history of textiles.

Text in English and French.

“Dachshunds, debutantes and Donald Trump: capturing the glitzy, bizarre world of 80s high society.” — The Guardian on Saturday Magazine
“Through these varying shades of grey, Jones was able to capture the pomp and grandeur of 1990s New York.” — Air Magazine
“British photographer Dafydd Jones documented New York’s upper class in the 1990s. His photo book “High Life, Low Life” is a testimony to a time lost in dreams.” — Die Welt Germany
“The renowned photographer, known for his images of debauchery at Oxford University, has released a new book of his time among East Coast socialites.” — The Times UK

“Dark, glamorous and hedonistic…captures New York in the 1990s.” — Wallpaper*
‘In England, I’d become too well-known as a Tatler photographer. It was wonderful to be invisible again.’

At the end of the 1980s, society photographer Dafydd Jones began a new life in New York. He had been hired by Vanity Fair to attend the most talked-about parties in the city and soon found himself descending into a world of human tableaux, ladies who lunch, princesses in powder rooms and dachshunds scrapping over canapés. Camera at the ready, Jones quickly filled the society pages of the illustrious magazine, snapping the likes of Leona Helmsley, Donald Trump, Jeffrey Epstein, Ghislaine Maxwell and Imelda Marcos as they celebrated, mourned and unravelled in the bright lights. During the day, he captured the city streets and the ordinary citizens grounded in the real world. In these pages, the author of England: The Last Hurrah reveals the story of New York, the highs and the lows, as the ’90s unfolded in front of his expert lens. 

‘Mr. Jones goes about his business with cheery zest and a wicked eye.’ – New York Times, 1993

“The London Youth Portraits (ACC Art Books), a sumptuous collection of never-before-seen photographs of punks, skinheads, New Romantics, goths, ravers, and fetishists.” — Huck Magazine

“A new edit of a beloved classic.” — Marc Jacobs Instagram

“Across 176 pages, the oversized volume documents Ridgers’ vision of England’s seminal youth culture from the height of punk to the birth of acid house, each image a tribute to the trials and triumphs of youth.” — 10 Magazine

‘As time passes, this kind of observational photography attains a new importance’ – Sean O’Hagan, The Observer

‘Ridgers’ portraits of young boys and girls are weighted with a raw poetry and beauty’ – Cory Reynolds, artbook.com

Between 1978 and 1987, renowned British photographer Derek Ridgers captured London youth culture in all its glory. With skinheads, punks and new romantics, in clubs and on the street, his images have come to define a seminal decade of British subculture.

Broadly based on the now out of print book 78/87 London Youth, this showcases a completely fresh selection of images from the depths of Ridgers’ exceptional archive – including many previously unseen – beautifully printed and bound in an oversized volume.

Each picture is a tribute to the trials and triumphs of youth, and a precious document of style and culture in 1980s England, from the height of punk to the birth of acid house. Several have been exhibited internationally in cities as far-ranging as Moscow, Adelaide and Beverly Hills, in the National Portrait Gallery, Tate Britain and Somerset House. Ridgers has also collaborated with a number of major fashion houses, including Saint Laurent and Gucci, and his images continue to inspire photographers, artists and fashion designers around the world.

‘Dark Tourism’ involves travelling to sites associated with death, disaster, or the macabre. Scotland is filled with these ‘dark places’ that embody pain, shame, and ‘difficult heritage.’ 111 Dark Places in Scotland That You Shouldn’t Miss provides an engaging, accessible, and authoritative guide to these significant sites within Scotland’s castles, ancient cities, towns, and natural landscapes. This book delves into the darker aspects of the nation’s heritage.

Scotland, while part of the UK, maintains a distinct cultural identity with a history steeped in conflict, especially with its dominant neighbour, England. The country’s legacy of turmoil has shaped its strong sense of national identity, often the core of dark tourism. This guidebook is the first of its kind, designed for both locals and visitors to explore Scotland’s dark tourism sites. It complements 111 Dark Places in England and provides a distinctly Scottish perspective on the nation’s challenging past.

Institutions — the state, the church, the army, the judiciary, the university, the bank, etc.— organise social relations. As social structures, they regulate societies according to various practices, rites and rules of conduct, and guide our actions by delimiting what is possible and thinkable. Institutions’ individual scope depends on how the society as a whole understands them. They are in perpetual mutation and thus form complex entities. Architecture plays an essential role in the establishment, identification and perpetuation of this social structure as it formalises value systems in space and represents ideologies in permanent physical structures. Architecture establishes and reveals the way an institution functions through different strategies.

Institutions and the City investigates this role of architecture, taking the Tracé Royal (King’s Street) in Brussels as an example. Running from the Place Royale in the heart of the city to the Église Royale Sainte-Marie in the Schaerbeek district north of it, it is the place where several of Belgium’s national political, legal, religious, financial, and cultural institutions are located. The book explores the stratagems put in place over time by the various institutions to inscribe themselves durably on the country’s social order, and reveals similar spatial responses and surprisingly common mutation processes. And it highlights the importance of architecture when it comes to inventing new relationships with institutional spaces in order to live together better in a time when social, political and cultural reference points are being blurred.

Text in English, French and Dutch.

The Wilshere Collection offers a remarkable insight into one Englishman’s enthusiasm for the early Christian church. A wealthy landowner travelling frequently to Italy, Charles Wilshere (1814-1906) saw it as his mission to acquaint the British with the then brand-new subject of early Christian archaeology and art. Newly discovered documentation, including correspondence held at the Vatican Library and the Biblioteca San Luigi, Posilippo, recount Wilshere’s acquisition of a remarkable collection of early Christian, Jewish and pagan gold-glass, sarcophagi and inscriptions, shipped to England for public display.

Previously unpublished evidence presents the reader with intriguing new information about the provenance of the collection. In addition to this, recent scientific analysis of the objects, now in the collections of the Ashmolean Museum, allows major new insights, notably into the origin of gold-glass and its use in fourth-century Rome.

From Peter Pan’s Neverland to Alice’s Wonderland. From the Wizard’s Oz to King Author’s Camelot. Finally, an atlas where children can dive-in and explore all of their favorite imaginary worlds. The Atlas of the Imaginary Places includes 80 pages with captivating illustrations of over 10 fictional lands, accompanied by an experienced and charming guide highlighting the main sights and facts about each. Not to be missed: a final and original map! Ages 7 +

Mark Mills was a visionary architect, a Frank Lloyd Wright apprentice whose innovative designs grow beyond Wright’s work to uniquely blend structural principles and the organic forms of seashells. When he heard Wright say that seashells are Nature’s perfect architecture, Mark made that idea the foundation of his life’s work. As seashells change their forms to meet the needs of their inhabitants, so Mark adapted structural roof systems to shelter his clients, and he made them spectacularly beautiful. If the sky is Nature’s umbrella above us, Mills’s ceilings were the umbrella over his clients’ lives in their homes. The ceiling revealed the skeleton of the building, exposed, visible from every part of the interior, since the interior walls were partitions that did not interrupt the view of the ceiling system. He used to joke (joking but not kidding) that he put so much thought and care into his roofs because the clients couldn’t hang their knick-knacks on it and wreck its design. From any place within Mark’s houses, there is a sense of being under the entire shell of the roof. We may be in the living room, but we are also in the entire house at all times. They are, for him, shells for humans. The Fantastic Seashell of the Mind is thoughtfully illustrated and brings together Mark Mills’s own thinking behind his houses along with the insights of his wife, colleagues, and original clients and owners of Mark Mills houses. It is written to appeal to both architects and a general readership.

“Rocks and soils haunt our thinking about wine. We see links, sniff origins, taste connections, digest differences. Is this cause and effect — or fantasy? Alex Maltman is ghostbuster-in-chief. This wide-ranging and clearly reasoned book shines a torch through the cobwebs.” — Andrew Jefford
Burgundy thrives on the limestone remnants of a warm, shallow sea while Sancerre and Pouilly wrap their roots around flint. The finest Pomerols bloom in a ‘button’ of blue clay, and Beaujolais famously begins life in granite. Cabernet Sauvignon loves just about any sandstone and Champagne gets on gloriously with chalk. But is the secret to great port really schist? Alex Maltman, Emeritus Professor of earth sciences at Aberystwyth University, finds himself between a rock and a vineyard place as he explains how a wine’s flavours relate to the geology at foot, and discovers that there is more to ‘minerality’ than mud, rocks and the earth’s stark materials… 

Terroir is as intrinsic to the quality of a wine as the grapes it comes from or the intentions of the wine maker. This beautifully produced and illustrated book looks at the many factors that influence, or don’t, how a wine tastes. Professor Maltman poses lots of questions and answers, while busting some myths along the way. 

As soon as Bill Wyman was given a camera as a young boy, he quickly developed a passion for photography. After joining what would become the world’s greatest rock ‘n’ roll band, Wyman continued his hobby. When he didn’t have his bass, he had his camera. The result is an arresting, insightful and often poignant collection of photographs, showing his exclusive inside view of the band. From travelling to relaxing, backstage and on, Stones From the Inside is a unique view captured by a man who was there, every step of the way. Along with the images of the band at work and play, Wyman includes remarkable images of those along for the ride, from John Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and Dan Aykroyd. To accompany his photographs, Wyman offers up wonderful insights, anecdotes and behind-the-photo stories, giving all us a front-row seat and backstage pass to what it was like to be there, as music history was made as a member of The Rolling Stones. Limited to just 300 copies, this slipcased edition is accompanied by a print.

The talent and the gaze of established artists such as Pelegrín Clavé, José María Velasco, Joaquín Clausell, Gerardo Murillo «Dr. Atl », Ángel Zárraga, Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco and Raúl Anguiano, are among the most prominent firms in the collection of the Kaluz Museum.

This lavishly illustrated book records the high profile restoration of Rembrandt van Rijn’s 17th century masterpiece, The Night Watch, one of the world’s most famous paintings. Many questions about the creation of this work have been answered by extensive technical studies done in conjunction with the restoration. The popular Dutch TV program The Secret of the Master has documented the restoration of The Night Watch in four episodes, assisted in this by various external specialists. This book, by the producer of that series, reveals the many secrets of this fascinating and important work.

The Age of Johnson in the Library of Loren and Frances Rothschild brings together the most comprehensive collection of rare books and autograph works in private hands of the 18th-century literary giant Samuel Johnson, together with extensive collections of the works of the other principal authors of the period long-known as the Age of Johnson— including James Boswell, Edmund Burke, Frances Burney, Oliver Goldsmith, Hester (Thrale) Piozzi, Alexander Pope, and Jonathan Swift.

An introduction to each of these authors provides information placing the author in his or her historical and literary context, and the descriptive entries for each of the over 900 individual manuscripts, letters, and rare books records bibliographical information, significant facts, and critical information about the work recorded.    
The individual entries, when viewed in the aggregate, survey and illuminate the breadth and depth of the literary and intellectual canon of the authors of the Age of Johnson, illuminate their relationships and their works to one another. The text taken as a whole demonstrates why Samuel Johnson, as an individual and as an author, defined the era long named for him.

Reproduced from the finest surviving edition of a rare manuscript, The Sixty-Nine Stations of the Kisokaido brings Hiroshige and Eisen’s portrait of daily life in nineteenth century Japan to Western audiences for the first time. Each of the seventy-one images teems with unique characters, from beggars and brawling men to boaters and finely clothed women. Behind these travellers loom castles, cities, powerful waterfalls and many other sites familiar to lovers of Japanese history. Comments by Sebastian Izzard, Ph.D., accompany each image, not only providing insight into their subject matter, but also discussing their survival during the dramatic social shifts and economic hardship of Hiroshige and Eisen’s time. This book tells the story of a landmark, two immortal artists, and an enduring masterpiece.

The largest and the smallest creatures of Jurassic Period meet in two books so closely linked as to become a single volume! In fact, the mini book of the smallest dinosaurs, which resembles its characters also in the format, fits perfectly into the enormous cover of the book of the largest dinosaurs. In both volumes the dinosaurs are presented by texts full of information and amusing curiosities, and poetic and funny illustrations by Francesca Cosanti, an artist able to draw both ironically and sensitively these extraordinary examples of Nature. Ages: 4 plus

Big Book: 288 x 380 mm., Small Book: 110 x 110 mm

For his entire professional life, British architect Cedric Price (1934-2003) reflected on the mechanisation of society and its effect on people’s lives. In the 1960s and 1970s Price searched for a new language in modern architecture. His multifaceted, interdisciplinary approach and his sense of humour and self-irony, also with regard to his own profession, lead him into the fields of art and of social and natural sciences.

Tanja Herdt’s new book on the work and life of Cedric Price for the first time offers a comprehensive demonstration of his architectural concepts and social visions. Herdt focuses on his view of the city as a socio-technical system, the influence of product and everyday culture on architecture, and the role of science and technology in architectural design. Based on extensive research and drawing from rich and largely unpublished material, she features some of Price’s well-known projects, such as Fun Palace (1961) or Potteries Thinkbelt (1964), in context with her new findings. Herdt’s thorough analysis of his lesser-known works from the 1970s, including McAppy (1973-1975) and The Generator (1976), also questions the common perception of Cedric Price as an “anti-architect”.

The robin was hardly understood when David Lack – Britain’s most influential ornithologist – started his scientific observations. This book is a landmark in natural history, not just for its discoveries, but because of the approachable style, sharpened with an acute wit. It reads as fascinatingly today as when it was written.