Liberté! Ary Scheffer and French Romanticism takes you to turbulent Paris in the first half of the nineteenth century, a time of political upheaval and cultural flourishing. Artists deployed their brushes as weapons or climbed the barricades themselves. So did the Dutch Ary Scheffer, who soon became one of Paris’ most famous painters. His work still hangs in the Louvre’s gallery of honour. Together with French artists such as Eugène Delacroix and Théodore Géricault, he fought for freedom and equality; the ideals of the French Revolution of 1789.
In addition to a number of art-historical essays by experts from the Netherlands and France, philosopher Maarten Doorman reflects on the meaning of Romanticism today. The publication also includes a catalogue section with an overview of the exhibition. This makes the publication a standard work on the position of Ary Scheffer within French Romanticism.
Over 200 years ago, the Mauritshuis hosted not one, but two museums. On the upper floor was the Royal Cabinet of Paintings, while on the ground floor, thousands of objects of all kinds were on display in the Royal Cabinet of Rarities. This rarities cabinet closed in 1875 and the objects were distributed to various Dutch institutions. The temporary exhibition The Vanished Museum about this Royal Cabinet of Rarities is accompanied by a publication with essays by 30 experts, including curators of the Rijksmuseum in Amsterdam and the Wereldmuseum in Leiden. In relatively short texts, the reader is taken through the rich and often complex history of the institution. The diverse topics and perspectives suit the motley nature of the collection. From a text about an unusual ivory Chinese puzzle ball, to a reflection on the formation of cultural stereotypes; from a kayak on the ceiling, to a hat that turns out not to belong to Willem van Oranje after all.
Follow The Coast guides you along the Atlantic coast, on the west side of the Iberian peninsula, from San-Sebastián, the capital of gastronomy, to Gibraltar, on the southern tip of Europe. This visual travel guide explores the Spanish and Portuguese coastlines, with countless charming beaches, rugged cliffs and hidden gems. The book is a photobook gathering high-end nature photography, but also a guide which can be your companion for a road trip or beach holiday. Last but not least, it tells the formidable story of our project where we run the entire European coastline with a collective of brave runners who run 100km a day.
“Duzer’s wonderful book offers an opportunity to spend time in his world, where wit and whimsy become tools to navigate complexity, and a way to approach the world with compassion.” — Canadian Architect
Neither an architect nor a landscape architect, Pechet might best be described as an urban acupuncturist. As a keen observer of interactions between animate beings and inanimate things, Pechet has sensitively mended public spaces in Canada and the United States for decades, designing strategic and delightful interventions in public parks and plazas, waterfronts and streetscapes, LRT stations and cemeteries. As a beloved teacher, he has also educated generations of architecture and design students at the University of British Columbia to approach their work with the same sense of curiosity and adventure he brings to his own.
Despite Pechet’s extensive body of work, nearly all of which is publicly accessible, he remains little known internationally. This project aims to correct that oversight by extending the collaborative nature of Pechet’s own practice to include talent from Europe, South America, the United States and Canada. With each collaborator presenting their unique perspective on the work, this monograph will be unusually complex and multivalent.
A fulsome monograph on the work of Bill Pechet is long overdue. This book will be a rich and joyful celebration of a talented and beloved Canadian artist, designer and teacher who has much to offer us all.
Arpaïs Du Bois’ book, Feue La Joyeuseté, further opens the door to her intense universe. The publication, designed by un’dercast, combines her output on paper from the last four years. Extensively introduced by Damien Sausset and including a letter by Philippe Van Cauteren (director of SMAK, Ghent), this book is the ultimate successor of her previous publications – all of them specific gems, both for their concept as for their design. Feue La Joyeuseté takes you on a road trip inside the artist’s brain and makes you a spectator, a witness instead of a passer-by. With more than 450 works on paper, it is opulently illustrated.
A soft voice, almost a whisper in the noise of the world. A soft voice that tells of time standing still, of wanderings of the soul, of trials of the heart. And about the impending thunder or the breeze that makes the canopy sway. A soft voice in which the suspicion of death roars as fiercely as the vibrant hopes of everyday life. Anyone willing to listen to it will hear all this in the sentences of Arpaïs Du Bois. For this ‘secret’ artist writes words, loose thoughts or snippets of text on sheets of paper that still shiver from the colours they have drawn. No beautiful poems or heroic stories here. The power of these words lies in something quite different. How do you draw with and against language?
Text in English, French and Dutch.
Once described as ‘small explosions of intelligence and sensation, the seeds of wonder’ by poet Thomas A. Clark, the eschenau summer press publications stretch the definition of ‘artist’s book’ as far as it will go. Since 1974, from his home in Eschenau, Germany, renowned artist herman de vries (1931) sends out leaves of gold, the dust of some roads, the forbidden down of thistles. A longtime key figure in the book-as-art himself, most of these publications are the result of an open invitation from de vries to artist friends like James Lee Byars, Marinus Boezem and Melanie Bonajo, but also to poets and musicians – even to a keeper of bumble bees. This book facilitates our reception of all 77 of these shared objects through full illustrations and written clarification. Two essays connect the series to the international context of the artist’s book.
In the last quarter of the 19th century, the Netherlands was a popular travel destination for artists. The American artists Gari Melchers and George Hitchcock visited the country in the 1880s. In 1884, they settled in Egmond aan Zee, then little more than a small, isolated fishing village. There they painted the life of the people and the landscape. Melchers soon garnered international success with The Sermon, while Hitchcock caused a furore with A Tulip Field. The presence of Melchers and Hitchcock in Egmond exerted a great attraction on professionals. A large crowd of artists travelled to Egmond, especially after Hitchcock in 1891 started his summer courses, which attracted remarkably many female artists. Among the artists who worked there were James Jesuba Shannon, Henri Moret, Florence Upton and Letta Crapo Smith. Longing for Egmond offers an overview of the developments in the Egmond artist colony and the key role played by Hitchcock and Melchers fulfilled there.
An exciting new historical novel.
Every so often a long-lost manuscript from the dusty shelves of an obscure archive to challenge our entrenched views of former times, far-off places, exotic peoples. Such a lucky find by a pair of Bangkok-based expats forms the subject of this book, a work of historical fiction. Binding the tattered tapestry of fact with filaments of fiction, this book brings to life the dramatic events of a near forgotten place and time of battles, subterfuge, and broken alliances in a manner that rivals classic histories of the past.
Visions in Silk presents the first comprehensive exploration of exquisite Japanese fine art textiles from the Meiji era (1868-1912), showcasing the unparalleled treasures from the Khalili Collection of Japanese Art.
This beautifully illustrated volume reveals how Japanese artists and craftsmen ingeniously adapted centuries-old textile traditions to create innovative art textiles that captivated international audiences, won exhibition awards, and served as prestigious diplomatic gifts.
Featuring over 300 spectacular examples, the book examines dazzling works of embroidery, yuzen resist-dyed silk and cut velvet, tapestry, and oshi-e raised silk, ranging from elegant panels, hangings and screens to grand exhibition showpieces. Each represents the pinnacle of artistic collaboration and hitherto unsurpassed technical mastery.
Written by leading international experts, this landmark publication provides unprecedented insight into these remarkable yet understudied treasures. Visions in Silk will enchant anyone interested in Japanese art, textile design, Japonisme, and the cultural transformations that occurred during the Meiji era, when Japan opened to the outside world.
Looking for the ultimate guide to New York City? You’ve found it! The New York Bucket List brings together the most authentic, quirky, romantic, and one-of-a-kind tips. Whether it’s your first time in NYC or you’ve been living here for over 50 years, this guide will inspire you like never before. This compact pocket guide helps you get the absolute most out of the city. It’s divided into nine themed chapters (Adventurous, Authentic, Romantic, Special, Trendy, Happy, Tasty, Sexy, Fun) so you can easily find the best tips without feeling overwhelmed. Say goodbye to decision fatigue—and getting lost in the city that never sleeps. New York isn’t just a city trip. It’s a journey around the world.
Travel today is fast, comfortable, and accessible to many. But between the 17th and early 19th centuries, it was a privilege reserved for the elite. Young British aristocrats would embark on a Grand Tour as the final stage of their education. Italy was the highlight of this cultural journey, with visits to Rome, Florence, Venice, and Mount Vesuvius. Along the way, they admired art and architecture, forged connections, and refined their taste – often returning home with artworks and souvenirs to adorn their country estates.
It wasn’t just young men who travelled; entire families journeyed across Europe in grand entourages. What inspired them to set out, which routes did they take, and what treasures did they bring back?
This book explores those journeys and presents a remarkable selection of artworks brought home from three of England’s finest stately homes: Holkham Hall, Burghley House, and Woburn Abbey.
Mesmerising salt flats, ice caps and deserts: Dutch photographer Scarlett Hooft Graafland (1973) photographs magical landscapes in the most remote areas of the world. From Iceland to Madagascar and from Bolivia to Turkey she stages colourful and often mysterious performances and installations. Hooft Graafland stays in those places for long periods of time and always works closely with the local population. She chooses her subjects while she’s there, inspired by nature and the culture of the location. Her personal insights of life return in her work. She addresses topical issues like climate change, inequality and the position of women with humour and surprise. The tranquil images are surprising and enchanting, reality and illusion come together.
Text in English and Dutch.
SCDA Beyond Boundaries celebrates the acclaimed firm’s extensive portfolio of work across the globe—from Singapore and China to the United States. Through SCDA’s diverse array of projects, spanning mixed-use high-rises, hospitality venues, commercial and institutional developments, and residential masterpieces, the monograph showcases Soo K. Chan’s mastery of shaping unique spatial experiences that transcend conventional boundaries. At the heart of SCDA’s design ethos lies a meticulous attention to detail and a profound understanding of form, light, and scale. Whether it’s crafting inviting public landscapes or sculpting dynamic high rises, Chan’s architectural visions tell a compelling story of harmony between the built environment and its natural surroundings.
Text in Chinese.
Talent doesn’t manage itself. In a world where people make the difference, smart talent management is your biggest competitive edge. This book reveals a clear, strategic approach to attracting, developing and retaining the people who truly matter. Based on the 6 Bs – Buy, Build, Bind, Borrow, Boost and Bounce – it shows how to unlock human potential and turn it into real business value. A must-have for leaders who take talent seriously.
Claying Architecture: Making Machine and Material Kin presents a curated collection of essays, interviews, and projects from leading architects, designers, and researchers who are analysing the role of clay 3D printing in contemporary architecture. The book blends research, theory, and practice to highlight how this ancient material is being re-imagined through 3D printing, robotic fabrication, and innovative construction techniques. Through original essays and project showcases, Claying Architecture brings together 30 plus voices from contemporary architectural academia and practice to interrogate why clay is a protagonist in contemporary architecture as an agent capable of binding new kinships between processes, environments, and culture. In this sense, our ‘kinship’ with the machines of digital fabrication mirrors our ‘kinship’ with one another and opens up ways to reflect on how 3D printing clay is a method to reconsider how we code, construct, and conceive architecture.
Japan was isolated almost completely from the West for more than two hundred years, from 1641 to 1854. One of the first Westerners to penetrate that barrier and reveal fundamental information about the country – and the Far East in general – was Philipp Franz von Siebold (1796-1866), a doctor from Würzburg in Germany. He spent the period 1823 to 1829 on the small island of Dejima, a Dutch trading post in Nagasaki that was then the only point of contact between Japan and the West. Full of ambition, Siebold was sent from the Dutch East Indies to Japan with the task of gathering as much information as possible about the country, its geography, its people, religion, customs and traditional costumes. The ultimate aim was to use this information to boost Dutch trade. Working with Japanese artists including Kawahara Keiga and Hokusai, Siebold embarked on an unprecedented visual and scientific project, culminating in the book Nippon. In this publication of Nippon, we give Siebold’s work a new lease of life that lets us understand the Japan he saw. This edition includes all the original prints, with a commentary on the most compelling images. The introduction discusses the unique relationship between Japan and the Netherlands, Siebold’s life, his work on Dejima and the historical significance of Nippon. The thematic essays and image keys point out striking details and interesting stories, all with a view to achieving once again what Siebold sought to do all those years ago: let readers marvel at the incredible beauty of Japan.
Event planner is the reference work for anyone who wants to turn their event into a huge success. This book will help you to organise all kinds of events, from festivals to team-building; from the earliest preparations to the post-event evaluation. It is full of practical tips and handy checklists for budding organisers and professionals alike. It zooms in on all the most current and most relevant event trends. You will learn how AI can contribute to your event, how you can best ensure the safety of your crew and guests, and how to deal with cyber security and privacy. There is also a brand-new chapter covering the organisation of weddings. As a result, Event planner is a complete toolbox for making your event truly memorable.
Organisations today face complex and fast-moving challenges. Many are navigating uncertainty and growing pressure to change from within and from the world around them. Signs of disconnection show up everywhere: between people and purpose, brand and behaviour, profit and planet. While the world speeds up, many companies feel the weight of transformation without a clear path forward. This book is for leaders who recognise that tension and want to respond. Leaders who care about doing the right thing, making real impact, and bringing more coherence to how their organisation thinks, acts, and feels. At the heart of this journey are two guiding tools: the Coherence Compass™ and the Transformational Spiral. The compass helps leaders and teams spot the cracks, misalignments between purpose, behaviour, culture, and spaces and turn them into levers for meaningful change. The spiral walks you through a participative journey, connecting Human Transformation to Interior Transformation, because that’s where the real magic happens: when people and spaces evolve together to bring strategy and values to life. This is a practical and personal guide to help you make the invisible visible, reconnect what truly matters, and build an organisation that is not only future-fit, but meaningful to work for and worth believing in.
Soundscape Architecture presents historical examples, design projects and art works related to the sonics of architectural spaces and landscapes. This work grew out of our interest in listening to places that sponsor distinct sonic characteristics with specific and memorable identities. We have addressed this challenging design territory by beginning with the act of listening itself. We record the spaces, create new compositions from the recordings, draw (by hand and digitally) the sounds of these compositions, animate these drawings, and then create digital paintings as a memory of this process. We also present sonic installations, projects, and other exemplary art works as creative demonstrations that support the act of listening to the atmospheres of our natural and built environments.
Will Ukraine ever be an EU member? Why don’t we have a European army yet? Does crisis make the EU stronger? The European Union has great influence on the lives of its citizens. That situation can prove to be controversial. Decisions made by the EU often lead to misunderstanding and resentment. Aside from these controversies, it is clear that the Union today, is the result of a myriad of choices by policymakers throughout the years. A better understanding of these choices and of the recent history of the EU allows us to better grasp its impact, and offers insight into why certain subjects are harder to place. This revised and updated edition of Why Europe? offers a historical as well as thematical insight into the development of the European Union. Drawing from six questions that put main events, key figures as well as the defining moments of the past 70 years in the foreground, this book lays out the essence of European integration.
The brain is a miracle, a universe that appeals to everyone’s imagination, and one that neuroscientists never tire of exploring. And the more detailed our knowledge of it gets, the more technology advances that enables us to visualise what goes on inside the brain, the more fascinating and intriguing it becomes. This book, created at the Belgian Leuven Brain Institute (LBI), contains breathtaking and inspiring images and vivid text to reveal the current state of international brain research. It features contributions from world-class researchers, full of facts and unique insights.
The name Marzee refers to intertwined identities. There is Marie-José van den Hout (known as Marzee), the dealer and the individual whose drive and passion makes everything possible. There is Galerie Marzee, the institution with a rich backstory, a fabulous building, and enviable programs. And there is the Marzee Collection, more than 2,500 objects that track the history of Marzee the individual and Marzee the gallery.
This book, with a foreword by Petra Hölscher, chapters by Susan Cummins, Flos Wildschut, and Lizzie Atkins, and photographs by Michiel Heffels, tells the story of the dealer, the gallery, and the collection. In 1978 Marie-José opened the first Galerie Marzee in an old butcher’s shop in Nijmegen, the Netherlands; today the gallery occupies an impressively renovated grain warehouse on the river Waal. Imbued with the powerful minimalism of the building, Marzee the book presents over 300 pieces from the Marzee Collection that have been chosen and arranged by Marie-José van den Hout herself.
Did you know that jewellery predates clothes? The oldest known piece is a set of 100, 000-year-old beads, made from Nassarius shells.
Liza Urla advises us not to look at the eyes when meeting a new person, but instead to look at their jewellery. She describes it as the ultimate means of self-expression, essential to our identification as humans. “Jewellery is our armour,” she says, “and precious stones our amulets”. In this book, she journeys from continent to continent, chronicling the pieces that capture her imagination and her heart.
Although many of the pictures are from the street, defining the wearer’s style on the day they were taken, Urla has been lucky enough to access people’s personal jewellery boxes. As she says, the best pieces are always in private collections. Urla’s favourite finds are presented alongside her own jewellery styling, in collaboration with various designers from the jungles of Brazil, the beaches of Mexico, or the streets of London, NYC, Paris or Moscow.
“… essential reading for anyone interested in conservation, African history, and the human spirit. It is a moving portrait of a park that continues to inspire global efforts in environmental stewardship, even under the most difficult circumstances.” — Ninu Ninu
“This book is a reminder of the park’s value both in local terms and on a global scale, and why the fight to protect it must continue.” —Outdoor Photography
Virunga National Park, the green lung in the eastern DR Congo, is Africa’s oldest nature reserve. The park is breathtakingly beautiful and offers an unparalleled diversity of ecosystems—from active volcanoes to tropical rain forests, from the glaciers of the Rwenzori peaks to the savannas of Rwindi. It is home to an exceptional array of wildlife, including the world’s last mountain gorillas. Thanks to these unique features, Virunga is listed as a UNESCO World Heritage site. This publication, written by around 40 experts, explores the complex history of this Congolese gem. It sheds light on those who have dedicated themselves to its preservation since 1925, as well as the current teams fighting to address the countless environmental and social challenges in a region plagued by conflict, poverty, and humanitarian crises. Through their efforts, the park has become a catalyst for development and stabilization of the entire region. The book invites us on a fascinating journey where resilience and innovation serve the park and surrounding communities, continuing to shape the legend of Virunga.